DOSϕqp` Viruscope Bootprotector V1.0Ha"LCNJg @ hpNupNuJ*fJ.fJ&f`.CBN,@BA"<PNJf "N,xNba( <fNu,x-|*NjN,xCBBNg&@A <@Q,KAp"<@$<Nz#CN:#CpNA"|0<3Q I"< 4<6<a|6 - Clear memory - Continue 80 MWB DOX DISK #42!!! fK __ _____________________ __________ / | ) ___/) ___/) ___// _ \___ \ // |__// _)_// |__/_ _)_// |. \ | \ // | | |: | _/ | || \ |: \ \_____ |_____|____ |______|__|____/_____/ THE FUCKING WILL OF GOD! ===========\__|==========\_|================================================ PRESENTS : ALL CODES FOR 'MARIO IS MISSING' DONE BY : ON 11-06-93 BY T.D.B.'S LITTLE SISTER : ESTHER TERLOUW ============================================================================ CASTLE 1: DOOR 1: WILCNCW DOOR 2: SVVK6NB DOOR 3: DOUJJXO DOOR 4: 59C9PBG END : ONWJ3PF CASTLE 2: DOOR 1: LPNJPN1 DOOR 2: XH12NP1 DOOR 3: XJ8K5F2 DOOR 4: 690QNLX END : **TQMMK CASTLE 3: DOOR 1: DWBD3*R DOOR 2: PWLSL2Q DOOR 3: DJC2LHQ DOOR 4: DTFJN*8 END : T*W7L*Q  Empty  2Č p#ihgfes d human.codcod3p|OWait7OO(jdp N$"<I(l/ / g ,倲l"4(T`,2(jtp NJg2**p$A. J (F z( AD `Ѐ& 2FQD( @ א%-@)G^Q$<ED| VAC@%{ӕv7w353t50G MPZ: lH+X08P@Ni,Ԉ4k#_DCJ0( ()BD`,!Sd"!j B)ʻ(prc@ʪCBER4< Д t/Ð {2 $ ao@Sy $@ѬB_DC< aE!492@\cӇ5A2 <@bbcb`x 0+0S@ Q :J8saDv$.P$(`P*P+X :bʹ 8:A!ĐuP 6i38$Ј`" $50AO @ ,)E(H c!(0@*1NˆD(@D,!BV81P{QU@(- +'XCa hYdٜ9 \')Fhoă kHxxx03- ATf~UkM m2 "A_|i@PF.(hٙ! H)s`Ф2!Ĭ@DDE A a @$% a AEA 8 Gbd @&H@" PB@H@E`9p-( 8)@QJ_aH=JC `@0@~V@ P$CB0h!Jqps~p4+x !O~ T FS 0!H.K x.("RRHE@ Vπ?(T !$R?! FjVN\ʨK@C _dWNUByH($Eb!X  O*@H$HC@!(CT):$3P4aB`@ U% Il(%)A$^$ (A2 rr$G?=AAH1/Df A0$ B RAZ$FLʛp/4BV~9."yt3 X  H / CH(A\"RRHE@Z?9$CDH$@Øb n+Z'L Ш2:N U$ N-~@R|0>ZPT 1<@@@X>ZjA x- "Ѐ#y)s0q̉tHm ;=(RRa^ Ȁ)] e`(A/ rv'%p"@% a  }@PPX+T@P3< 5JML%ӦHiC#̐ȤHAƣ/+MB i$Q)P(уU偡HVoIJ  H؁I$TI"J0@*@ PFHV% g;  T}ʨKqB   AԈT8Nl@Ł@L0lPJDp`'(h@uphCA1UOq?2$0aJbP  xW Ù!KS0%0@/D /<Rm _/ " ( * rrr@h $ 8فQ2 $!D>I(Tx85`6A5r zz~AA@" >e>Ѡ!@ NbK %'_uOf.\,'lFp )`( ` ! :poAV p z j i~AH  T%9h A~HVnEl:Q"sb$`0/+*@13z$9.( y!$sv:|jQ@4 8 B%@@)0Au)2r   J j0? p1F|"p3 0aFPf j+$@ Uz@p9J$$Gsr_@"A RԌ( (4jH`c x܌a9;q7 ^:M P#3 +;'!<P@0@@X0 @3@P0 @9@$8@0 @5@$4@$2 4p +@C@8 & P0  O8 A~HVnEl:Q"sb$`0/+*@13z$9.( y!$sv:|jQ@4 8 B%@@)0Au)2r   J j0? p1F|"p3 0aFPf j+$@ Uz@p9J$$Gsr_@"A RԌ( (4jH`cX%$#"! Dcls9<F FH~K4$H$I,x)N@)OLBHN&@)k8Jgp )@az k"h r)ITЁRBgR@UBw Sԁ SQ S Q"O/ `l)k:aa)@H/$@ *$g,l( @"()A8N"* g$<N)@Pg @'h lH/Hl h$)hTGf R"m" ` * m J J hF!@"m" `V+J$R` ",8 ЁSN ",8NP,  V,/NXO+@Jg//N"PO/a0XO`pLN]Nug @'hNU"- 0m 9np`pN]NuNU/-NXO+@Jfp`*/-/- m/(NO +@Jgp` -N]NuNU - /@ /r,xN:+@Jfp`4 - m!@/HlO +@J-gBS -Jk6B//*N)O HxHm/*NtO Jf - gNq/-/*/*NjO +@`p+@"- f` gJ-g *"D%A `*gp%@ ` *%@ j%H"- g,S * Jk jRp`/ /a8PO *0Jgp`"- fp` LN]NuNU mJg (fp`,@N"$<&<N"y>,xNbB,xN\ *:FLVblz Usage: ChangeName [name] intuition.librarydos.library WindoEcho()پ-,+*)T(*`7OO(jdp N$"<I(l/ / g ,倲l"4(T`,2(jtp NJg2**p$A. J (F r%Ad``r#A`V")ҩt0G" <(j(N`.")ҩt0" <(j,NtHgvNg`R")t0l~Jdg0Jg(G" <(j$Nr%Ax <(jPNJg <IN`r%Ah <(jN#Atgd(,q4 <(jN <Ix#D t"N#A$) rNV#At") NJf ")`rҩҩ#A$)&)$GD" p$(j(N")S#Ar#AnDґtԁr0($GL" p,(j(NrҩtNJf r p,(jNrҩ`#ir#Anr (3^Rp,(jNrҩ`")S#Ar#An8ґtԁr0(#A t nvl`r.p0(jNrҩ`p$(jNN%X4: %X2tidyup J\g"*\p (jNp (jNJ`g"*`p (jNp (jN"*xp (jNNNq$TBp"*lҪptԁr0($!(rNNqwrline Jg>x#D t"N#A$) rNV#At") NJf ")`rҩҩ#A$)&)$GD" p$(j(N")S#Ar#AnDґtԁr0($GL" p,(j(NrҩtNJf r p,(jNrҩ`#ir#Anr ./66543210/<S.0s@##,y"|Nh#"|Nh#"|Nh#,@Ng# g y<"9$<Ng#"9$<&< N | FORMf ILBMf (Y#"<,yN:g&#й#,y"9$9&9N"9NNJgJgJg,y |N:g#"<NN*,yN|,y yN# P L y L"N y L# L lf,yNv9.1vsYg9f,yN|,y# l L y L"N y L# L f,yNv,y yN,y"y 9N.,y"yNb"yNb"yNbBNu"9$9&9SNNu"9$<&<NNp"9$<&<N`"9$<&< NNp"9$<&<N"9N`J,y"9$<&</NNp"9$<D&<N"9N`"9$<H&<6N`,y"9$<&<"N`Dr. Maybe from Huissense Computer Club!intu.2YE?ition.librarygraphics.librarydos.library@Sorry, ik kan de file '' niet vinden! De file '' is geen IFF-ILBM file! SHIT!! Geen genoeg chip-geheugen voor de file '' ! IFF ILBM picture shower V1.0 by Dr. Maybe in 1988. SHIT!! Ik kan geen s.3+cherm openen! 49Bg y <N^Nu y"|092#QNu y"|D><B@H@BA 2QNuNNNlNNJNu y,"|D0< ,yN@Nu y,"|0< ,yN@Nu y BMHDf# CMAPf# CRNGf^ f #`F f #`. f #` f# BODYf #` (mR$y"JB@ @m0< |1@S@3"J.4"JB03B @mC2Ag@3B03 @mC3Nu$| y.&H49RBlBC8*rHN<%HRCBm*y-g*|N<`/49JBgNXbhr &0:@NZ`pv $*:@PZdrx~$*:HNb. Dhn ,28>DLXbnz &<Fdp~ .4@NX &0:@NZ`pv $*:@PZdrx~$*:HNb78kEDCBA@?>=<;:98p792vw HA PJ"H,xHE6 a2L/&IP .P,SN @I (g @BIO; y8LE~?c8Vƺ̠&0I)`Gmf䮋BvCEʧJ>=4 `~ , KN4\ĄdLYX qDzaj1+¤u$*Ԃy 4=LA+N~f4 5>i+#}P2a3[[ y QG9 vaiHvHO0P8kn},WF,: Q mLԄ U &U15345q{Aq@wڧNQGxۋ[(SeŞ+4)X*C[(SvqO0B& $ЏWhB!=a1Q7;W!HpCjA`VLNgR?ATlB rm}:o V8;@?0}3r:,R]E 8J2veunP$%Q(ܑ! !|lqCTa{(c#y|'Co"E`2PĄ MHl+`gᢠ2O ĂK]@DDS$_5m+yBCɈGbx*.ɀf8!(qmP({fc#$ xl:`605T|#k+Ppi7[&oGr>@1f-g x|24+'I#DH +aRK@v2# mi;,($J6b@lEohbc ,pB@[S[*Jx`U*ldlaignk7d%,M~)R G(+ꘀ~qw7=JYr,v% |Ggn Da_t(^GF!8I!J lА/(ŀtkGx=# 55-M IOB#q$PS @v ,9p @O0,iB} LV$ <hF8@3 ef%pwDq"y\69W0&ElD&Ta^FhՏ"m3DR_Ý̵xJPpu \DtVFf@&!fŪTDKFRףJ" ($n m?!Ā$ 0g#HgX S(X X G@Y-?oK4 PN|/b ACFc 5&%&&'& (@OR (4ҠH P8)(QR$ $`V0F·pJAZz`!i &`DG+ JNpESr ! 3KA>5s)胪kE# D\R0aDf" F mkhE(4NYȩ'_*9D\6N,UAt@G&G@w?<y^,;<ADBs<#fAyiQRHi0Zo|EhOM Q Bmgonccp|/fc`7?"*PUCQ1p:c )6!0*B/'a|hAm`+6 ֈpL.I}6 ëoP6t<rSQ^ˀ3h @@$3ɝSrrplǤz.`Wz%` -{ e)[?끐&aayEKA` C # %.*s@ ̊pI\` (/f.`8 (a@YMy]t_ocl LTh>& 42P N 3NhB6?8$%e|iœ{Fɓ :0ș) 3yeϿpP1%g@KX VDu8g?" eB&pʬ;7@PwyYx@0;1ѐ–@,l rG+Mv8-AE;%~ y41`HO"D$|C0 ! h<(&A02مم \ P:R "TBDW0 4P;8c†v.v :-l@M~9;ۙ:;8DEV])d( '+"j  8ax.@! !p"@@7 AM )rG*"5'‘ b\@tGL!Qɳ8&>Zgq#L ` XS b{o&3ŧ$:`9:YlS?͖ϗQH#5 0$OTCHF A(J0%P C('!մ8)*,~3gzӺ% *M!@c '$t4t øf X!:_eWpH* *H{JT5 o1ՠ\ƚe:e~‘Q :4s F@H! C~f0@~jP%J}.(& % @A0u=N!@.IB [@ ѧ,u3 S2!7 Be999 zcb-MI/HZa@{iSNfa fCs*XT`=f9Og0E$!J+E(֐ #AlKapmxTYNFJM)t3ā;:4%h[f SC T p) <,:%Ha(I,!L\ p(0"oh%A ! EI9#P: @R ؇Bq[1?КE褀e<^IDNȆ>J#¦=6 EXCeqG==6<L >tx a F1OB @ D1GР;S?88M`9'2# ɠ RO{*! х]U @ " |M7 CT$ l7R߅H@tمT؁I%"p@3 HDLāN!$Fn3:wcY #W78^HX}H|@,ug lU'|ã.dXOmP3(JAAz*BeXM``CTL! T!4*PBUHTP"hhe%cz? $dԕ@9)7,+у@d PzhY2y5$=EDkLG C^K ԭdf0)/$RPf @J8 H<Xe7*:M$Ԡ*y <@. q@C>@rI sBj aZ݁/;M adgw}sCt f" A!WHA)Q"ND>7 DEŧ1B@_ጎ@oCaDcLwπ77Ԣ$@- zH=#(deg hlnI\.}1rR]'֧>%X+d3)ge %x8@ڜ>dɅ'S4Ɓ?8Y|pcO8 ozzU f@$'- %'-$a'-`%9}C0ljT_脨MM@ղ@3-B|`yji{ isDŽ?lLFa#O88u0!43r)>GDA90b=t Bb8$ca8@֦N7p CcS[;rNuKRϷt3?P+˪)Ҋ 7 E4/JPƅǞPT}}E@,DYBRLEV?q۽ HgJMYQU%9:QDS09A''U>wL-]fHl%MU32}>aBARt@%(q'ϐ`P'\HA~9ہB..ff6?貰E ݝp PUu2 C*# ӐKg12xZ[88dKdCd2V"`Pt 09<< l1PwL. /h5!cPa$ @Y0?]h0  0 X`$,%р_s yMT|J`Ġ@ l0 H`/@;LN0 `H%JF>C0 Pu 2`7P8d'CFm0 `@, x0X`HhbP5 Z@`'%>wL-]fHl%MU32}>aBARt@%(q'ϐ`P'\HA~9ہB..ff6?貰E ݝp PUu2 C*# ӐKg12xZ[88dKdCd2V"`Pt 09<< l1PwL. /h5!cPa$ @Y0?]h0  0 X`$,%р_s yMT|J`Ġ@ l0 H`/@;LN0 `H%JF>C0 Pu 2`FG{TSRQPONMLKJIHGmFH2vY HA PJ"H,xHE6 a2L/&IP .P,SN @I (g @BIO; y8LE~?c8Vƺ̠&0I)`Gmf䮋BvCEʧJ>=4 `~ , KN4\ĄdLYX qDzaj1+¤u$*Ԃy 4=LA+N~f4 5>i+#}P2a3[[ y QG9 vaiHvHO0P8kn},WF,: Q mLԄ U &U15345q{Aq@wڧNQGxۋ[(SeŞ+4)X*C[(SvqO0B& $ЏWhB!=a1QFJWѹ!HpCjA`VLNgR?ATlB rm}:o V8;@?0}3r:,R]E 8J2veunP$%Q(ܑ! !|lqCTa{(c#y|'Co"E`2PĄ MHl+`gᢠ2O ĂK]@DDS$_5m+yBCɈGbx*.ɀf8!(qmP({fc#$ xl:`605T|#k+Ppi7[&oGr>@1f-g x|24+'I#DH +aRK@v2# mi;,($J6b@lEohbc ,pB@[S[*Jx`U*ldlaignkFKnVt!q^Lxp)&+جQ(( @ dd@A &JXB] |.4$;3p" DP`/vCבy ;XcK`/ƀ"!u@.đP<h ر` ?e&) 4*P30?ٖ-8JEg,wC&pP`1DF) O"`$d@Db:wDdzn  @RTb-?=@h`5?F᱁NSA2'1BCd%,M~)R G(+ꘀ~qwFLJYr,v% |Ggn Da_t(^GF!8I!J lА/(ŀtkGx=# 55-M IOB#q$PS @v ,9p @O0,iB} LV$ <hF8@3 ef%pwDq"y\69W0&ElD&Ta^FhՏ"m3DR_Ý̵xJPpu \DtVFf@&!f5s)胪kE# D\R0aDf" F mkhE(4NYȩ'_*9D\6N,UAt@G&G@w?<y^,;<ADBs<#fAyiQRHi0Zo|EhOM Q Bmgonccp|/fc`FN*PUCQ1p:c )6!0*B/'a|hAm`+6 ֈpL.I}6 ëoP6t<rSQ^ˀ3h @@$3ɝSrrplǤz.`Wz%` -{ e)[?끐&aayEKA` C # %.*s@ ̊pI\` (/f.`8 (a@YMy]t_ocl LTh>& 42P N 3NhB6?8$%e|iœ{Fɓ :0ș) 3yeϿpP1%g@KX VDu8g?" eB&pʬ;FOPw[Yx@0;1ѐ–@,l rG+Mv8-AE;%~ y41`HO"D$|C0 ! h<(&A02مم \ P:R "TBDW0 4P;8c†v.v :-l@M~9;ۙ:;8DEV])d( '+"j  8ax.@! !p"@@F PM )rG*"5'‘ b\@tGL!Qɳ8&>Zgq#L ` XS b{o&3ŧ$:`9:YlS?͖ϗQH#5 0$OTCHF A(J0%P C('!մ8)*,~3gzӺ% *M!@c '$t4t øf X!:_eWpH* *H{JT5 o1ՠ\ƚe:e~‘Q :4s F@H! C~f0@~jP%J}.(& % @A0u=N!@.IB [@ ѧ,u3 S2!F QG999 zcb-MI/HZa@{iSNfa fCs*XT`=f9Og0E$!J+E(֐ #AlKapmxTYNFJM)t3ā;:4%h[f SC T p) <,:%Ha(I,!L\ p(0"oh%A ! EI9#P: @R ؇Bq[1?КE褀e<^IDNȆ>J#¦=6 EXCeqG==6<L >tx a F1OB @ D1GР;S?88M`9'2# ɠ RO{*! х]U @ " |MF RT l7R߅H@tمT؁I%"p@3 HDLāN!$Fn3:wcY #W78^HX}H|@,ug lU'|ã.dXOmP3(JAAz*BeXM``CTL! T!4*PBUHTP"hhe%cz? $dԕ@9)7,+у@d PzhY2y5$=EDkLG C^K ԭdf0)/$RPf @J8 H<Xe7*:M$Ԡ*y <@. q@C>@rI sBj aZ݁/;M adgw}sCt f" A!WHA)Q"ND>F SEŧB@_ጎ@oCaDcLwπ77Ԣ$@- zH=#(deg hlnI\.}1rR]'֧>%X+d3)ge %x8@ڜ>dɅ'S4Ɓ?8Y|pcO8 ozzU f@$'- %'-$a'-`%9}C0ljT_脨MM@ղ@3-B|`yji{ isDŽ?lLFa#O88u0!43r)>GDA90b=t Bb8$ca8@֦N7p CcS[;rNuKRϷt3?P+˪)Ҋ F T4/JPƅǞPT}}E@,DYBRLEV?q۽ HgJMYQU%9:QDS09A''U>wL-]fHl%MU32}>aBARt@%(q'ϐ`P'\HA~9ہB..ff6?貰E ݝp PUu2 C*# ӐKg12xZ[88dKdCd2V"`Pt 09<< l1PwL. /h5!cPa$ @Y0?]h0  0 X`$,%р_s yMT|J`Ġ@ l0 H`/@;LN0 `H%JF>C0 Pu 2`FP8d'CFm0 `@, x0X`HhbP5 Z@`'%>wL-]fHl%MU32}>aBARt@%(q'ϐ`P'\HA~9ہB..ff6?貰E ݝp PUu2 C*# ӐKg12xZ[88dKdCd2V"`Pt 09<< l1PwL. /h5!cPa$ @Y0?]h0  0 X`$,%р_s yMT|J`Ġ@ l0 H`/@;LN0 `H%JF>C0 Pu 2`UV^ZYXWVTypeUWC}OO(jdp N$"<I(l/ / g ,倲l"4(T`,2(jtp NJg2**p$A. J (F r%Ad``r#A`V")ҩt0G" <(j(N`.")ҩt0" <(j,NtHgvNg`R")t0l~"Jgt#B"Jgt%BdUYzIJdg0Jg(G" <(j$Nr%Ax <(jPNJg <IlN`r%Ah <(jN#Atgd <(jN <INJfr <(jNJg0"*X <(jNG" <(j$Nr%Ax`` <(jPNN#FROM/A,TO/S,TO,OPT/K,HEX/S,NUMBER/S Bad args Can't open %S %S already exists Can't open %S Option '%C' ignored !Invalid option combination N & H **BREAK Jdg$*hG|" p(j(Np(jN"tgrp(jNJgr p(jNrtgFN"p(jNr UZ`)xgt gv fRhrN%I5 Br ҉#A$<hԉ#Bd#Bd%AlBtv%Cpr#A|tnZ" <INJf&&)$)|")d <I\N <(jPNR")dҩ|tԁ(rҩ|`&)t")d <I\Nr <(jNJg*"*X <(jNG" <(j$N``F <(jPNN ***BREAK Rp$*tpn&$<X"*lp(jN%AtJfrNBp"*lҪptԁr0($!(rNNqJg>x#D t"N#A$) rNV#At") NJf ")`rҩҩ#A$)&)$GD" p$(jULXO(N")S#Ar#AnDґtԁr0($GL" p,(j(NrҩtNJf r p,(jNrҩ`#ir#Anr p,(jNrҩ`")S#Ar#An8ґtԁr0(#A t nvl`r.p0(jNrҩ`p$(jNN%X4: %X2J\g"*\p (jNp (jNJ`g"*`p (jNp (jN"*xp (jNNNqTN%AtJfrNBp"*lҪptԁr0($!(rNNqJg>x#D t"N#A$) rNV#At") NJf ")`rҩҩ#A$)&)$GD" p$(j[\ͣ`_^]\256[]NNUBHzN\PO)@N lN"h80)H+@ lN"h80) H+@ lN+h4 m0(D@H/"m2)DAH//-NVO m0( H"-/"m4)H&-//-N8O /,NNzXON]Nuintuition.libraryapCNENf2<kt"Q)O",x)NH瀀.)gKN`B_NsC Nh)@f .<N`NPONudos.libraryINuNU/ Hy0,J/NPO)@FfBHyNPO.l"Nu lFBh lF1|"lF3| l" ,"P)@& l& MANXBNXO$@Jg0/- /-/ [^={NO )|. lFh lFh `DHj\NXOHj\NjXO)@B lBJ$g lB"h$/NXO/,B/ NjPO)lB:N lF N lF!@HxHz,NPO lF!@ /,:/,2NPOBNXO$_N]Nu*NUH 0$m m (( D (&@HHЭ T)@6B/,6NPO)@>fL 0N]NuHH/ KR//,>NZO HzPHHЬ>/NPO/- / /,>NZO B2&l>$KHH* g g g g fR`  m "f2R KRHH*g JR"f "fR`B*```D KRHH*g0 g( g g[_?F g g JR` JRBJfSR2``  l:!/ N2XORR2m  l:B` L "/ `WgRA`BQNu0<`0/ oJfSH"oS@WgB /Nu o "ofNuNUH0$mBHzNPO)@fL pN]Nu m "h$/)NXO(gRHzm D/(6NPO&@Jg4Hx/ N PO,g$ * E%h%FHxHz8NPO%@/NXO/,NXOB`icon.libraryWINDOW* o Jf SNuNUJg lN/-NXON]NuNU/+mJFg,x` /NXOR0,[`NJHm0,J//,FNPOJ g l NJg /,N^XOJg /,NNXOJg /,N>XO,x.)g/ K N*_`B_NsJBf*J>g"/,6/,>N2PO ,2R//,:NPO`N/,BN>XO -.l"Nu(N]NuNUH (-r ND$@FJm0,JHlJf)|*pLpN]Nu0*|f/N.XOBp`Hp4&HCHCBCԃH@H@B@ЂLNu"/,lN"/,lN,lNL,lN,lNHL ,lNL NuN"o,lNbL,lN:"o,lN,lN|"o /,lN. o,lNN,l"o[,o /N"o,lN o,lNL,lN o,lN o,lN oL,lNNX oL,lNN2HlJf)|*pLpN]Nu0*|f/N.XOBp`Hp4&HCHCBCԃH@H@B@ЂLNu"/,lN"/,lN,lNL,lN,lNHL ,lNL NuN"o,lNbL,lN:"o,lN,lN|"o /,lN. o,lNN,l"oab>*cbHPromptacAsO6O(jdp N$"<I(l/ / g ,倲l"4(T`,2(jtp NJg2**p$A. J (F 2(jtp NJg2**p$A. J (F N lT)h8J lT/(4NNXO)@RNHB/,NPO)@f Hz`N ^XOBBBg/-Nn\O9@|f HzLN 6XO?<Hm?,NPO FORMg Hz6N XO?<Hm?,NhPO?<Hm?,NVPO ILBMdkևg Hz N XOBl+|Jop`pJldfr`rAg?<Hm?,NPO?<Hm?,NPO -`^B/-NPO+@f?</-?,N PO``?-/-?,NPO?</-N\O/-/-NPO`.?<Hl?,NPO ,b&J,g ,f l b ,g ,g HzN XO`?-Hm?,N2PO`0,H@r2)A0,|gTp,r2 ,N2)@B/,NPO)@f /,N pXO+l+mJ,g,HzN8XOB/-NPO+@|f /,N 8XO+m| }o$?<}/-?,NPO}}`?-/-dlJ ?,N\PO?,NTOBlJ,g"/,/-/-|N @O /-/-|N6POBm lcRm ,fTmNJ)@0-H`hA )HB`pN0)@NA )HB`ZN)@NA )HB`DN)@N)@\N)@`NNA )HB`d 0;NBm0-H lR"h i2-HC32-HC`3Rm m m)l9l 9|d9|d9|)l\ 9l 9|d9|d9|)l`9l 9|d9|d9| lT)h." lTh2, lTh3- lTh4. lTh5/ lT9hV& lT9hX( lT9hZ*;|`b0-|dmEsHA`2-Ct1|B2-Cv1|KC2-Cv1|C1Rmp,ra0-Ae lT!l. lTl!2 lT|3 lTm4 lTm5 lT1mV lT1mX lT1mZ)l.)l&)l*)l<)l\@)l`DJl8f9|80,H@B@H@89@4Sl8 lTp)HH lT.)HLHl0HxNPOHm`NdXO lp(r/NXO/,NXXO)@Hl0HxNPO lT!l". lTl,2 lTl-3 lTl.4 lTl/5 lT1l&V lT1l(X lT1l*ZHmNXO/,NHXOHzN>XO`^?</-?,Nd nPO`*ATXTgg쐼gFg&``.Hz]NXON]Nuicon.libraryNo icon.librarygraphics.libraryNo graphics.libraryintuition.libraryNo intuition.libraryCan't run this program directly. Please read READ ME FIRSTCan't find .info fileNo file nametempportCan't open port (1)Can't open port (2)Can't open fileNot IFF fileNot ILBM fileDrawing doesn't fit standardsIs compressedFile has no BODY blockNUHxHlNPO|f Hz&N`XO9|/,Hl/,RNO N]d odNuCan't get sprite 1NU9|0,H/Hl NlPO|gP0,HR/HlNRPO|g,/,\Hl /,RNO /,`Hl/,RNO N]Nu?,N TOTl lmBlHz NXO`Can't get two consecutive spritesNU lT+hHz\HmN,PO/-HmN4POHmN$XOR@AB0?<HmN\OJg/,/,N POJg ,P//,N POJg ,P//,N d q'||POJ\g ,P//,\N POJ`g ,P//,`N POJg /,N XOJlg HxN lXOJlg0,H/N XXO0,HR/N HXOJlg ?,N TOJTg /,TN XOJXg /,XN XOJPg /,PN XO g /,N "XOBgNtTON]NuERROR : o"o / /BBAjDSkQ`萁SkQ`$Nu i"  i&g i `@ i *i*Sif*3i0),QXX *Q"Si f "3i pNu i"  i&f0Sif*3i0),Q iX Q"Si f "3i pNu i"  i&g i `F i *id r1*Sif.3i0),QXX0:0:Q"Si f "3i pNu i"  i&gB i i i `hH0 i*i$i&i "$*&Sif23i0),Q0404:6:6Q"Si f "3i L pNu o "ofNu o Jf SNup/<`c <zb< Nup/<@c <Zb< NuNUH 8-N0$@쀲JDm llJf9|dpL0N]Nu0-HS//- /N*O f N9@dp`BB/NO `NU?- ?</-aPON]NuNUH0$mNJ&lx`0JgRDlmz`- g0Hxds,r/ NN,POg /N/ NJPOfN*:|fHx/ N,,JPOf`- fz`lHx/ N,POfN:`THx!HzN.POg /NpXO`HxHz/NHxB/NO`&0- ||f/NJzXO9EdpL N]Nu0'0 @1m - gHxB/NO 0`dos.libraryNUH 8-N0$@쀲JDm llJf9|dpL0N]Nu0*||f 9|dp`p0-//- /N *O f N9@dp` `Lp0/ fNuc` QNuQNuapC쀲E쀲f2<8kt"Q)O,x)NfH瀀.)dtygKN`B_NsC Nh)@jf .<N`NNPONudos.libraryINuNUH 0$m mJg m (( D (&@`&lHHЭ T9@nB0,nH/Nf)@pPOfL 0N]NuH:? KR//,pN~0H @pCDf?-/ /,pN: lpB0P9|0HЬp&@R$KOH:| g| g| g | g| fR`  mz "f.R KRH:g JR|"f "fR`B*```8 KRH:g&| g | g| g| g| g JR` JRBJEfSRl`ZBB0,R@H/ND)@POfBl`z&lp`$0H l! K Jfdu3S0R@HRElm0H lB` 0<`0/ oJfSH"oS@WgB /NuL 2/ `WgRA`BQNuHp4&HCHCBCԃH@H@B@ЂLNuNUH0$mBHzN)@PPOfL pN]Nu m "h$/)N(XOgRHzm D/(6Nl&@JPOg4Hx/ N,POg$ * E%h%FHxHz8N|%@PO/N8XO/,PNBPXO`icon.libraryWINDOW*NUHxBN+@ POgJlf -N]NuNp`NUHxHzN/ND?<NON]Nu^C NUJtg ltN?-NTON]NuNU/0-H+@Jg(x` ?NTORDdv{ /lm0,//,NPPOJxg lxNJg /,NXOJ|g l| Jg /,NXOJg /,NXOJg /,NXOJg /,NXO,x.)g/ K N*_`B_NsJf0Jpg(0,nH//,pN0,R@H//,NO`N~/,NXO -.lNu(N]NuNUH 8-0$@쀲JDm llJf9|dpLpN]Nu*f/N XOBp`"/,ljN/L,ljNv(NuN"/,ljN"/,ljN"/,ljN,ljN,ljN|L,ljNL,ljN,ljNL,ljNL,ljNN"/,ljdwS]NL,ljNL,lfNXL,lfN HL ,lfNL NuN"o,lfNbNUH HxN(XOf pLN]NuHyHx"N$@JPOf /NpXO`%m m |B*DBN%@JXOg / NZXO` HjNXO `NU/ $mJ g/ NXO|%|p*/N|Hx"/ N^O $_N]Nu"o,lfN /,lfNNL,lfN:"o,lfNzN"o,lfNN,lfN|N"o /,lfN. /,lfNN o,lfN o XB!HNuN,lf"o /N,lfNvL,lfNLdxnti,lfNR"o,lfNN"o,lfNL,lfN /,lfNN o,lfN/ L,lXN\$_Nu /,lXNb o /,lXNhL / ,lXN@L,lPN o,lPN o,lPNH0L L,lTNL Nu o,lTN o,lTN,:fZz Zbfd(v`Yjn~L,lfN /,lfNN o,lfN/ L,lXN\$_Nu /,lXNb o /,lXNhL / ,lXN@L,lPN o,lPN o,lPNH0L L,lTNL Nu o,lTN o,lTN,:fZz Zbfy |zDEVSypz{5{System-Configurationyzy m }sUKUKUKUsUKUKUKW??w ,EpsonK HEpson{System-Configurationy|}printersy} ~L\~Epson|}^ t tpNu!$BHVZP xHPEpson#A#/,y#CpN# glCpN#gDCXpN#gp,_Nu"y/,yNb,_"y/,yNb,_"y /,yNb,_p`intuition.librarydos.librarygraphics.library"y/,yNb,_"y/,yNb,_"y /,yNb,_pNupNuH (y lhNJfTC3| #o #o$B),iN/,yN}.|,_C/,yN&,_/,yNv,_pJLPNuLD80$tdVL>.62 f068:>@HLPTX\`bdlptvx|}  "$&(*,.0268:>N@ 5-F45--EFPWMPWWGHxxSTSTTRRRRRRRRRR R p1p0xaxaxaaxa02CNODDD (08@HPX"02DFHJLN\bp~} 7$&(*,:HVXZhjlnprtz"02@N`bpv(6<> \27R\7!\27R\0c\8/\27R\3#\27R\0\27R\5$\27R\0\27R\8\\\27R\0|\27R\2@\27R\0\27R\7{\27R\0c\27S\000a\8_\27T`~-r-\27R\1[\27R\0+\8_\27S\0002\27T\27S\0003\27T'uP\27S\000.\27T,\27S\000}1\27T\27R\1[\27R\0\8-'\27S\0001\27T\8-\8\27S\0014\27T\27S\0001\27T\8-\8\27S\0012\27T\27S\0003\27T\8-\8\27S\0014\27T\27R\7]\27R\0AAAA\27R\2[\27R\0\27R\4]\27R\0\27R\4[\27R\0CE\27R\9@\27R\0EEIIIID\8-\27R\7\\\27R\0OOOO\27R\2\\\27R\0x\27R\4\\\27R\0UUU\27R\2]\27R\0YT\27R\2~\27R\0\27R\1@\27R\0\27R\4}\27R\0a\8`a\8'\27R\2{\27R\0a\8\27R\1[\27R\0\27R\4{\27R\0c\27R\1}\27R\0\27R\6]\27R\0e\8\27S\000^\27Te\27R\6~\27R\0i\8'i\8\27S\000^\2};w7Ti\8\27R\7{\27R\0d\27R\7|\27R\0\27R\6|\27R\0o\8'o\8\27S\000^\27To\8\27R\7{\27R\0\27R\2|\27R\0/\27R\4|\27R\0\27R\6\96\27R\0u\8'u\8\27S\000^\27T\27R\2}\27R\0y\8'ty\8\27R\7{\27R\0|xtplhd`\XTPLHD@<840,($  }N,6|xtplhd`\XTP,($  |xtplhd`\XTPLHD@<840,($  H<<"o$(o(&o,vz"<$<(< Qf}y' `$C0 | Rpn R$@B$Lp B*A UJh Xf$LTB o0$$A R h Zf$LX0 o0$A RJh Vg R$@$A R h Vf R$@M`$A R h Vf R$@ o8*A$U ]$o8R*A U _2A QAfR"A Q| o8Jf DB` o8pS"D$o8R B` R$@ R |pn`, QBf`"A Q| "DB"A Q h Vf B``2"A Q h Vf B` BP` R$@ R |pn` Q f$Jf 2`Jl B2`p` Q!f Jf 2`Jo B2`` QfB QfB Q} :mf QfB Qf Q7f o0 Q8f o0$ Qf* R$@ R$@J R$@ o0 `JQf "A Q| pL<r}€t8ARP+%)H!B`7Ѐ^'IT4)ljd>A 9P)^T8T 89)`!.p@I$0^(%$ `!&[ (]k@AbRu XbAȁۀ8S;*`w)& 94H%F%"C\B E` F FHCh>SG  AD 9B\K\%@CJLy;E&D"$iʺ  # hCAC(/X$wp$0#ȁ`à8QARRf6%h%Ryy''a('y'x 8  eHp PlN(40(HS0@H_NU( c(He(pbăFĈh%(8V΄䩀%9&D--m, 8mB]%C|(!H h$t,89(59Xp9 g ')@"`!:] |x8882 D)A?+@D) $kH@AAʸCA"pnt|e;9C'xښ::ZК[AJCH?$PNe=`F,BJQ<¢dءRā7A `@l@a 8Rf bb f r P) #x_A0HQA v`s!rGE|8! ănd! QL?Z,$ d  "}ADaH611`, @<͸2 *s$(@1@ ;DB;F6lJppf@ e '` UH(̑Ci3"ʺE|8Ӥ%H'CĀ _M>8' (`001 f@((  X "`+H7  `hK00BuBK@`0P R @( "8I , "72  38b{!J<KsG">Eo  {`ie\! oHp@$P 0@=!@@P@@&  HX A0(@K@ @VGAP4@J@"`  K@" @ @"z P `@# @!C@$  0$B X($@. Q@@/  (ddoU@/`  XHT`@+*(508É@`@- SpKA@!@@PA0  t  H^$ @TB 0 @ 0Pd`AH"U@$`B@ꊂ^D8% ``88@@+   4e#X (NP @` , @̈ LO/DB$@@p,P `B^)C yA4)A@ Р@ԀyX '(v ( 8 A P(Ȫ h EP g@*zR,x#D6`P AA@@ C@΀@  o@ b Ђ"%(+bP @d\ՇHK1ߡI?)?ˀ FV 0;_*4( hp$ `|{$`!'pPM( $}00^ IJ! HxwFrC ܞ :T0I@  @J$GP XQ$c '0F#~PXB 52@  ʜ $ .\P 1w2N0 A0:@@gsP0@p3(`%`E$`@}9W8r     !p]@/` 0 49D@@-@ 0:P-@ `P#  @P,0 `E7]@-  B> 0~"2@2.@A] 3OAX@@"  IZ@@#   EY@@" P M[@@#  CX@"` 0 KZ@#`  GY@" p O[@#  ( A H@,  J@-  )($E@2QU^Q" `p<@|〙C BF NTLBW:FpN`0耀 , h1 &t/@d 0: p(z z0 ڙ:[7AH@. ` Pd( e./72h@@ H)x\E@$ ` hT D@$@   pX E@$ @ `PD@$   x<nA@'`  X,f@@'  h4jA@@'  H$b@@@'  p8lA@'@  P(d@@'  `0h6"@ 0(X@@A'AU肫'"wl \ fB@ H0Ac!NLt>  {r tI\%x (}REaTb B@M +B@C /x4"B MP7\EK &PB X ld"M(*@HDAad `ڀS# qT ;B Kމ( $"p b `@ ɨD DHE)@7؁TuzKH$! '" X2T:$81P҂!yrEP)x0pq Y턇 YЄ[+@/f&0   ̠$< C~!hD D x h`` h,Y@0 kr`oj`gpFfH9``G A 0:@r 2~ :.f qPH*t`j(%D<"P5ã`B|hNBG0*,ŊE6) "PpI # ـQ'@P7EH  JJ"J@@Je@ `  TJ`"TAR)@A` h aD(@ERI (`)*0@ A"u ʀh!;V )&h xpB:)!" |)4!@5"Hhfl* 1@!JLR,h  ,@e@̀Y<72!B@@ !ZHDȐ˘ (&# pe# DC c `4  `(PA Hx0A0:m\n0abf pihA"`o)HdHB(1BDa3'@/.a ", "!\R A"E@Г`%11[+@O`|X PdnUQ CIŌH~P'H<#'%L.!`5!^& bFQ,$VCG@R`r: `hLDZPhD`*`( P0UH,IN}C@r R x11[2Q*XtAр(b|)ؓ耜( ÑL} UB/JB"$1"3Q!   {䒇* K@4(3&P(@3B 5 09r @ԧ`8^de7E\)% Q  (Ԑy :A"@ N  KCCЏv B^dx}f]耥9a(nf,-18(GL8`P@ @,BX`:bX `Ț`K'<@ (Q̩_ ;(j3pC% J]BU\ငB Wd1D4@8P2( , 80*NABUB@b@0s`pJ .ӈnr@M^_PVT,K0<U IN` RI= C3wJ2b"Ġ0ˆ d 8]@L a@3D uGhk/P N !`8008380882@80480@6AX.D\ (e@`]H|` "AAIYS(08 RX $        "B8]DH@ QBO*.pHR!H0 b@ɹ@xU. GRAN H!HI!BV  XSl 1 4u@` ØQ8%V*RC@epkB "J L!TB  rHr@ $< ¸B9i}9W sv AL` 96 (0097@9p64 (AJ3'@+p9: TJERlȥS`s W01@00@02L@40 W3" 2-3:P4] *F A~@ $FAB@8`ytH i@0*0 23fDYPa@m)09 #/!U\`+ |Ja< Aʀ B!X>AO@)E -8b h@P,fOW+ |(Iū"!@(@_** C*F7@e$©ABng0E 9x/2 "B0 *  H|v{ÁVb`@0Ӓa 23fDYPa@m)0y #/!U\`+ |J* ARQb PtWlq,@ЀX(< (̟A@WA$@@P`mP tCNb (I8BA0P>xB; @9/pH(W4hH . (B!\fD仾H̀ Ǖ(TPiLC Up8% )2 @R@3 LR < 0  BPX( (̟AW4'$ Z&$ p˼I Rl})2HS`s_/peSDlPMIP`*T  x kHWyr;TP<¡4`"ęA0\:IXLp8Qa)XJA> q"AB\   A,AxRAXđ%%]9(a,,2d@ !QH  h%pm@d@@f_`R@$@^N M6`P+rNP@rPI\H0EBx@B AxG@) `N: \  @t@aA@+@  $LA@M ÐaE ÐI ÐsA -'9 ` @]@" @,p8R). @ }Y@@/ HD[@/@ Rl)  $xb<1 p%C!V C z6A@!ebO@&6 @ !@ " |l!6 xB@KX- `Ax`@$a5xTpH: @@@6  h \0&F,.  覀   bEP@.` 8u`A,T@. @/ A0@YAp j @A`+i 04 $8,(<>pI %)\B+x B$*BU\.IZ@w "l$a`@K B3f8"X+"r %Ed@ @*P  P H DH B@p̐$<A(p&/hdD`P<@H h %a>- xb\a҂ * U8 "˘@A TTB$V؋4IY(|1<Qz0`@z!0x}sHb bx CT =jr` xHF+VH  la y؀"h1t2pq h@'`r 0$h <с, 1@A@$  h0X@* aq@A`+ o<ˆh,.Z@@$ P h V PU/lQH} % F09FЌfd 5A9Aqr"LCE%dB 2@(>%eO UVTD"xAI^_I0`A_FPYTIJTE_AFUYB L@2  tX iqXR@$XHĹ ;N 0 N,a 1(D`D , 2J`3'H@ p%h`( @3@&BVH (-\R"&K>4(-2!G\@,$@ЀER 'I @Qp16%dh ?c $p+3 C ! H `M+-(xAֆѱ.`1t 'إs:d%d@pU!*%CADF"ȝ?p0 jH,P BUeTdp|V\Aۡ.wBB`* jb@` O\Q;.`\BȆf8.(ȡG@Ay@NY@1/!L: f0D<%h)݁p%0`AC1@1Pa`DCgH-p CJE dhXOAz `  )P\c0H} % `v:@5WFBa(h`F fu"H L<6bl(B `fPr(`-` @@V.TB4fL^A p0M " z` 9Nv ڌ* @̄T``pDR-H I$F0  ew|+I< !р 3@0jB0'$ .e  c¹8 ` f BC@ .̤5(a0D0  pJ " "APБ`BF3AB JAAƄ_dc0e!@ D!\0)RBSA`ECh]9!P@@R0YDHJICmbPX A  J@ @l00"& P!8H28OA@!@  *"LN N@@-  XtC@'lH( @EA @J@&` 0襠 p !JZ@!@  . 08Bҁ3P` 2 DF@X 0 @0H x @!>p1cQYi )z@ 2"BJ҂ZRl L,Hrps5trvpFŤedDz X`p (aPp0 x,@_dx, x@@   X$8Ed ` Ed)!A"!x%ŀ恻ȥAE)pBI J -H  , BØ(18p4T  d B @$BD6 Ä $H!̀E I! @&@p\2P.pD,P3/x; E(pl(Hh (Hj()D4 +  $:ӃD{ÒX+((䃿]@<( x0 `|i\! @ ^ =T@!>p1cQYi )z@ HAparallel.deviceyQJparallel Version 33 (rev 8) (Fri Feb 27 09:10:19 PST 1987) J>!<Xparallel.devicemisc.resourcezNuB)Jn g.ug)5f|`pB.v)5guJ)f J. fRn nu5v)5g #nZ6#n^:NuB)Jn g Sn fBnrB&u.vgNpNu0</ /,n"N,_"_|0) @ nHA pN<Q)f/,n2N,_ if .vgP9v`8 if69f.vf </ /,n"Y-iN,_"_v </ /,n"N,_"_Nu| d|`6 <a&fB&`,)gJ/ Q"i"!I"_Snrf J&fv|))f /,n2N,_aJNu <Jn gvNu <C6/,n"N,_/,nj <N <N,_/.b"NB0.n/,n2N.,_"N Q"i"!I NuJ$fB `z.vg&ALA (!I"#@ @ RnrNu-i(*B.-I&J$jv<tgv ig t<NuH,I .&f*JnrgAL"PWH0 g #HSnr"@a`"@ n*)fR ig9f.vf6 n*R*R.)5gA6rTg )$k.oL@Nu#n. v/,n2N,_B&Jnrfv0</,n"N,_L@Nuf.vf`zabC$N 8w/,n2N,_`Nu .&g"@ </ /,n"N,_"_BNu .&g"@ </ /,n"N,_"_BNuAL"P g #HJg "@a `BnrNu|/,n2N,_Nu <a999.t.tnt49apNu.vg|`i5u.ug -i6Z-i:^Nu-M X!HACҕ <w/,NN,_LJg"/,@-Hb-A2C|/,n2N,_-@jgCT/,nj <NJf <N,_JfAL| XB!H"N/,n2NP,_Cbp/,n2N,_-@"gHC6#|X |#N#| </,n"N,_ </,n"N,_,_NuB`ciaa.resourceP@LrTD 6Z-i:^NuuTlibsp 4%ddiskfont.libraryJD"9E`NJP" 0Pdiskfont.librarydiskfont 34.37 (27 May 1988) HACE" <8NLJg "@#H"NtpNu/ @#,@#Cp/,yN,_#gJCrp/,yN,_# gA* XB!H ,_Nu"y/,yNb,_"N0.nH/,yN.,_p`dos.librarygraphics.library "%6 LZJ,/ $n*JgNJjTnD"J Q"i"!I"*/,yNd,_C6 Qf if Q"i"!ISn($R`$_Jn&f`Jn(nZ"y /,yNb,_"y/,yNb,_/.""N0.nH/,yN.,_"N Q"i"!I NupNuRn& NuSn&f .gNpNu jfb^& zvrn@H/N Nu/NXONuHNPNu/ N@XNu0$KNVH>8 n$. &.,TUm"FBQJm$H*ڂgn y (h`\"l x`RDJfp0p0r Ёm:"l p&@`XRp0b4%E5lll FRPp (TJfgBHxN (@& Pgv/HyNL-@Pgp/.N-@/ /.N|JO g6Jo.`Hx.HlN~"@& PgHy/ N   F (X "  4  4FONTS:.fontNVH?< .$. z&EBx/N-@HxHxN &O g/N,ra o"oJig$<:)hl 0HԀ`0Hနp(:p)Ep(<p)FvBD0H2Hg*r) 2Hg 0@ |(` 0@ |0H2Hg*r) 2Hg 0@ |h` 0@ |HCRD DmB`$< L|NuNVH?8$n JC""/N-@HnN(@&L$ Pg,=kkkHnHnN Pf`Tt/HyNL-@Pf`8/.N-@t//NL-@O gHx/N-@PgHxHn/.N0t BO fp0. fp0.,B/N *Pgh///.N0O fD gHnHnN8P`BDtBC`$0C.H GHpXHnNưDPo84RC0.CbJBm/.N&/N0B.H GHpXN(. GP"$ApO g jfb%D/.HjNAb3P%H@*MNHj6N(RjT/ yHh*NP yRh(NtI6O`0/N0H @$HBjX`0H @"HBiJg /NhXJBl//N8P/.NX/.NhX/.N/.Nh$ Pgg / NX LN^NuH| Z N <f|      | \    dfr  ԁ Nt"FONTS:  9"o oJfNu o /`RJf//NPNu op`RJfNu"o o`Jfp`g!lp`pNu o/ ` f `RfpNuH0&/ //N @S HX` f `SlpL Nu/$/Hx//N PfHx:/N Pf`R$ $NuEH ,yL NL@ ӭNu/,y"/N,_NuH0,yLNL@ NuH ,yL NL@Nu/,y"/N,_NuH ,yL NL@NuH ,yL NL@Nu/,y"/N,_Nu/,yN|,_Nu/,y"/Nj,_Nu/,y"/Nd,_Nu/,y"/N.,_Nu  6Rl/,yN|,_Nu/,yNv,_Nu/,yLN:,_Nu/,y"o / N.,_Nu/,yLN ,_Nu$<T/,y  TŜ oN,_Nu/,y "oN,_Nu/,y "oN ,_Nu,"/N,_NuH ,yL NL@NuH ,yL NL@Nu/,y"/N,_Nu/,yN|,_Nu/,y"/Nj,_Nu/,y"/Nd,_Nu/,y"/N.,_Nu  6Rl/,yN|,_Nu/,yNv,_Nu/,yLN:,_Nu/,y"o / N.,_Nu/,yLN ,_Nu$<T/,y "Pf? info.libraryiSH5&[6Vw (E< Q5JҀ" &info V1.3 &nP6##"@#H"#Nu "/NXNu/NxXNu/NXNu/ /NPNuinfo.library~zvrnhZJ>82.*& o(Rh ӺWNuH $o NJj c*Np`<$9/ Np0*r2*Ё/" p0*/N8N O LNu oSh f(g /NX`pNub@.h8H $/ /$|Jg /NXJ$g/9$NHXJgHx/NPJPg /9PNXJHg /9HNXJLg /9LNXJTg /9TNXLNuH8 /$|(&|\(|,/<Hx/N$O fp`` R("RA,#0"RAX#L"RA&"RA#d .A"RA#`"RA#4"RA#8"RA#<"RA#@"RA4#P"RA`#D"RA#H"RA#"RA#"RA#"RA# "RA@#"RAL#"RAX#T"RA#XHx /9HyN$Hx /9HyN$"T |p "Q"y0 |p "Q"y0""T"P"yL |p "Q"yL#S""S |p"Q"S"`"S#yd"y4 |pp "Q"y8 |p "Q"y< |Dp "Q"y@ |p "Q"yP |p "Q"yD |p "Q"yH |p "}}Q#.#B"yT |

` R/(@HnNPv/HnN$ByhJPf R (=f R hL$(3h L N^NuNVH8<&.$. &|d(|\(<X/<Hx$H5/N#`O f`/<Hx/N(O f`"D Q (=f/9`/NL0Pf`Jg//N00Pf`h$THj SHhtN$S*D U/(HNhR%@d S dO l S!|d$S/< S/(d/N%@` SJ`O fp`,*D$U/*H S/(`N S"U!ih S"T!itppPL<lN^NuNVH 8 . B$|(|$BBTBHBLBP#XNJf`&/<HxHnN#dO fBHnHx`HnN8JXf BHnHx`hN&@$ f/ `HyDN4(Xf / HnHx`://+2NJPg/ N/.HnNJXPf/ HnHxNO `lN2$g/HnNJPf`JyhfJg /NX/ NHn/ NB/ NHn/ N/ HnBNO(LN^Nu@O@rH"|nfPHvbZR6"th\PD8, vnd\EiRJ*" < 0&t ^N4jZ0::B0B|h([dos.libraryicon.libraryintuition.librarygraphics.librarydisk.infon$NVH0 $|Bn=| =|\=|||-|D-|o-y0B-JBB=|=|2=|\=|=|HnND$Xg/ v//NO L N^NuH0$o "/&|d j0(&m @n @0;N$ Ģ%Hrx::::V:/9 SHhtN`// N`/9 S/(``"S yL h" (r#@h`p`/9HypN>JPf"Sp#@/ N\pX`\/*,Np`/*,NL`/9 S h/( N"Sp#@`//*,N` //*,NpP`pL Nu/ "o$o yd"(p0*& @mH @nB@0;N $(8888888,04p`p`p`p` p`p `p@ yd!Ap/),NX$_NuNVH88$nt&|X(|d&<Hx` THPHyN$x/x/HxHx THP/*,N S (=O$g S ( =f S"T!ihNzJft/9 T/(`N T/(` S/(HN>JOfdB T/(`NhX/N (PfBHxN (P T/(`NhX// SHhN T/(`/N S!DHO S (=g6Hy S/(@HyHnNBHnNJOft` S (=fHy` S/(@HnNP/HnN0Pft S (=gr/9 S/(@NhJPft T/(p S/(@NJPftHy* S/(@Hy$HnN T"(pp€/HnNJOft LN^NuH0 $/$|v//94/NrO f`Lv//98/NrO մb f`2v//9Zx^vR<.  R|N.BTDrlP\Info release 1.31%s%s.infoDisk%s%s.infoNAMETYPESTATUSL topaz.font`topaz.fontV !! ""            X`ADDXxDELD SAVE D QUIT / l˦+ $ 8 # L# dP  |P   + 7 C  HfIP  zVN"plXT  XD6H <$o&||(|$<` *2 yXp(= @m @n@0;N ,HyHx,HxZHx/ NHyHx6HxHx/ NHy Hx?HxFHx/ NHyHxHHxFHx/ NHy*HxQHxFHx/ NHy6HxZHxFHx/ NHyFHxrHxHx/ N*B U/( Hx?HxHx/ N U/(HxHHxHx/ N U ( /HxQHxHx/ N U/(HxZHxZHx/ N yX/(@HxHxZHx/ N/ NHyTHxHxHx/ N U"(OpPn(lpQgpRf` |`` |j` |v` |/Hx6Hx`HyHx,HxZHx/ N yX/(@HxHxZHx/ NHyHxrHx2Hx/ N/ NH/ NHyHxHxHx/ NOX`HyHx,HxZHx/ NHyHx6HxHx/ NHyHx?HxFHx/ NHyHxHHxFHx/ NHyHxrHx2Hx/ NHyHxZHxHx/ N yX/(@HxHxZHx/ N y\/(|Hx?HxHx/ N y\/(HxHHxHx/ N/ NH/ N/ NHyHxHxHx/ NO`HyHx,HxZHx/ NHyHx6HxHx/ NHyHx?HxFHx/ NHyHxHHxFHx/ NHyHxrHx2Hx/ NHyHxZHxHx/ NHyHxHxHx/ N yX/(@HxHxZHx/ N y\/(|Hx?HxHx/ N y\/(HxHHxHx/ N/ NH/ N/ N Hy$HxHxHx/ N/ NO`Hy0Hx,HxZHx/ N yX/(@HxHxZHx/ NHy8HxrHx2Hx/ N/ NH/ NHy@Hx`\HyLHx,HxZHx/ NOL<NuNVH08$.&. $|d&|ϼCn(|/<Hx,/N#h/<Hx$/N#l/< R/(d/N#/< R/(d/N#JhO0gJlgJgJfp`/<Hx,/N#/<Hx$/N#/<Hxt/N#/<Hxt/N(JO0gJg JgJf` yXp(= @m @n@0;N VVHx R/(d/9/9HxHxlHx/9l/9h R/(`/NT/NO0`.BHxP//9HxHxlHx/9/9 RHht/NT/Nl/NO4`/N/NBHxP//9HxHxlHx/9Їӓ/9 RHht/NT/NlO8`/N/NBHxP//9HxHxlHx/9/9 RHht/NTHx R/(d/9/9HxHxHx/9l/9h R/(`/NT/NlOdL N^NuH0$/ ydJhf y`B` yd/(hHyT/9`NO v//9L/NrO fp`L NuH0 $/$| yX (=g0 yD1|v yH1|} yT1|w yX1|wv//9D/NrO f`Lv//9H/NrO f`2v//9T/NrO f`v//9X/NrO fp`pL Nu*"r#rLxbL.pZD&n~hR$F d6h (> j ^  ;P\D8l8JPf>nPDt:xV&ҖSl\ L*VDiskSIZENumber of BlocksNumber UsedNumber FreeBytes per BlockDEFAULT TOOLTOOL TYPESRead OnlyValidatingRead/WriteI'm not sureDrawerCOMMENTTOOL TYPESToolSIZEin bytesin blocksCOMMENTSTACKTOOL TYPESProjectSIZEin bytesin blocksCOMMENTSTACKDEFAULT TOOLTOOL TYPESGarbageCOMMENTTOOL TYPESDevice%ldH8 $o$/vx jV(/*VN Xu…gv//NVJPgJf /NXv`pLNuH0 $o$/&*, *rn6l*r@g f&`// NP`"/ Np`/NX/ NpXL Nu/ $o/ N/ N/ N yX (=O g / NXB/ /*>NXHx/ NO$_NuH0 $/$| yd&(ppƀ Hy r/B/NHy r/Hx/NHy r/Hx/NHy r/Hx/NO@L NuNVH>&.. .<<=|>|(|4|@|LJgxz/.Hy0Hy*`BzHy&B(///4N,/HypN v// / NrOfp`B/ /+>NXpO L Y;gJNuH $o /$///*2NB/*2N"/0p ///,"/4///*2NO$LNu tRF%ldwH 0$o$/&|d yX (=g"<`"< S hC S hgBHxHx/9/9HxI/Hx/9 /9 S h/( / NTO,`, P//HxHxB/ N.B/ /*>NXO$JgB/ /9N(O L NuH08$/p&|d$S/<Hx/Ng2%@ SJO fp` S"h$S jA" S"h$S j#H SB yXJ\gd yX(h\`T/<Hx/N$@& O f`/<Hx/N%@ //* N/ $S/*NlXOJf S"S$i!RL NuH0$o &|d"S i  Sg"S i ( S h감f$N/*.N0B/ /*>NXO`>/9 S h/( N/9/ Nt"S S h#hB/ NOL NuH0$o &|d"S i ( Sg"S iA  S h감f$N/*.N0B/ /*>NXO`NXOL NuH><&<d(|X"C QJf`>"C Q hE Q h감f TB\`/9=*C$U j/( Nx U h&PP`R&SJf$T/</N %@\Pfp`/$T/*\ THhNx*C U h&PO `/+ Nh*Xfz$T, F$*\$H/</N %(Pf`/$T$ B *\/0 THhN/+ $T$ B *\/0NR*C U hOg &S g"C Q hE Q h감f^pL<|Nu 6*zZz(8^TVtNb=lV2>bLR h 0@@??a{a ??? ?@@ H:&o oCE,yNL\NuNu(H ,yTL NL@Nu/,yT"/N,_NuH ,yTL NL@NuH ,yTL NL@NuH ,yTL  hNLL@NuH ,yTL NFL@Nu 6RnE/,yN|,_Nu/,yNv,_Nu/,yLN:,_Nu/,y"o / N.,_NuH",yL NLDNu/,yLN ,_Nu/,y"oN,_Nu/,y"oN,_Nu/,y /N,_Nu/,y oN,_Nu/,y"oN,_Nu/,y"oNb,_Nu/,y"o / N,_Nu $<VpH0 $/&/$op" g^Hx/ //N OgF2*HpҀ0*HN@"0*HN@//* //N OgL NuH0 $/&/$o`@Hx/ //NJOg0*HHЀЀ//*//NJOg $j fp`pL NuH< $/&/(/ J$ pg/<Hx//N/@4OgHx//(//NJOgv o$:(Hpڀ"0(HN@*$o$"0*HN@*$o$Hx///N%@ /$o8/* //NJO g /$`pL $/&/ (/$|`/<Hx//N/@8OgJf,/(`%o( Hx//,//NJOgl o((HHڅڅ$o(Hx///N%@ o8JOg6/$o,/*//NJOg$o( o(/h (J(fP `pL|Nu "Rz,"fHVPd5wNVH8 $.&. /N$@( Xg|HjHn//N$JOf/ /NP`RAC`p "Qn=%nH%n\%nT%nX%nL%n%nJLg jL!J `pLN^NuNVH ".$. n=|=|C`Ep $Q-h\h=-hT-hX-hL-hH-h-hHn//NO LN^NuNVH<<$. . $n&|&<I/HnN,HyHnN8HxHnN*Ofx`tHxN/ //NJOgZ RfR jfHBBJBgJ/<Hx/./N(OgHx8*DHU/c]i/NJOg%DB*DHmNX, gF/,//./N(pOg)D/,//./N(pOg`D/,//./N(pOg)D/,//./N(pOgb)DJfJ2gRHxHn//NJOg8/</././N%@2Og/./*2//NJOgJ6gHxHn//NJOg/</././N(@( Og%L6`PHxHn//NJOgB/././N(Og/.///NJOglYXpmJFgHHxHn//NJOg@B/././N%@FiPOg$/./*F//NJOgx/NX`x` L<8$.&. $nx(|BHxN*PfHxg/N`x` ,*//N,Hy/N8Hx/N&Ogr2*p€pfBHxN/ //N(OgJBgHx8/*B//N(Og*g2/*//N(O gX/*//N(O f4`>/*//Nz(O g&/*//Nz(O gJfJ2g@/*2NR-@HxHn//N(Og/./*2//N(OgJ6gt&j6r-A`XXJfHxHn//N(Og&j6`:Z,/NR-@HxHn//N(Og^/.///N(OgJXJfJFg>/*FNR-@HxHn//N(Og/./*F//N(Og/NXHx/N%FP L|N^Nu/ o E` /N0X/ N\ XgfJg /N0X$_Nu / oHh/NPNuH0 $//<HxN$@& PgLHjNHj/NNJO fHx/ NP`Hx/ Hj/NJOg `pL NuH / $o$/SRn/ /NNJPfp`SR"j 0H#0H#pLNuH8 $/&//<Hx^N(PgX rNЁ$@Hj .N/ /NNJO g6Hx^// /NbJOg / ///NVJOf / /Nx``Hx^/NxP LNu/$/"/ pNҀ//NFP$NuH80$o$//N&( Xg(` /// NHJO f =f `&Z fpL NuH<$/&//N*X`LHx|/N(Pg ` /NXf///NHJO ft `Jg$R`tJfpL 6    nb2 "@pf .info.infocopy 5` copy of of of copy %ld of ) opJWFNu o /g fS Nup`LfNuLJfS`L / Sm fJfpNupnpNuL / JgSn`SaNuL / Sm fSoB`Nu< n2ABAHA HA0 2B@H@Nu B@H@HABA"BtҁрnRAQNu/$ B$HBHAЂH@B@ $Nu/$"a$Nu/$"a $Nu/$lD"pJlDF @an4gD$Nu/ @p$lDF"lDF @aH$gD $NuH:&o oCE,yNL\NuNu o XB @kuv!HNuH ,yL NL@Nu/,y"/N,_NuH0,yLNL@ NuH0,yLNL@ Nu 6R/,yLN:,_Nu/,y"o / N.,_Nu/,y oN,_Nu/,yLN ,_Nu/,y oN,_Nu4H`/$"a$Nu/$"a $Nu/$lD"pJlDF @an4gD$Nu/ @p$lDF"lDF @aH$gD $NuH:&o oCE,yNL\NuNu o XB Apowerpacker.librarypNupowerpacker.librarypplib 35.347 (4.7.92) J0v# x #[(Jdos.libraryintuition.librarygraphics.libraryH I(*@+H$CNh)@CNh)@CNh)@ N|"NA Z 0|.N\# LNv LpNuRn " NupSn f."fNuH *N,xJm g "p`bN|A0gNvp`L"N :0|.N\Nv$-$"MNI"TNb"lNb"lNb"Mp0-mN. LpNupNu"14>(8PL  ` H0$ & NLL@ Nu<H?>KP|x><H&{z(I" Jgg@Sg:etrg4Qg4QAWAgpg65@Qer`P* `* `* `* `* `V* `V5@* 6kCDGr@F`5@* 6kCDGr@F`&* `Z* `Z* `ZtgRgRgv5@|f|gHp 2 2@A@N* `"* `"* `"gSgSgSgSgSgSrgQgQgQA_Ag`B* `* `* `F!p 2 2@A@Ng4Sg4Sg4Sg4Sg4S1010Q6e|L|Nu* `* `* `* `* `@ `P0pH(hX8xD$dT4t L,l\<|B"bR2r J*jZ:zF&fV6vN.n^>~A!aQ1q I)iY9yE%eU5u M-m]=}C#cS3s K+k[;{G'gW7wO/o_?HA2-prxAfNuprЁH@fNu/V$ Sf$Nuz`LH.p""OpNTJfOT/,x` ONO" TX YNLz/ TXH,x/ "HPI&I/N WQHPKPKBJf n (g @I<` l*.,R Et TrHAg/N:Jf XT `"@" (Jg E2I!(I fXI*IRQ/ML|vVK &@"|fj"aR$ JSg6RK &@0g2x>Pa:($B" ӒS@grf ؁` g"a" $BӒSf`"MYSAe"Q`XNu|g(JgRv gr|gj"a KN`XvRnNJgP oA ~*Q"_Q N. _Jf&nJg ( n%eN"_Nb H3,O OJg PX200` PP20C ."$&,y NаgpO L@NuH Hx`H Hx$.`H Hx`H Hx/H,xCNhJgD,@ѯLXOHzXHx/Hy oHz /ANuO/"N,xNbLHNuA4,yprNL,_XOLHpNu!^ You need reqtools.libraryFre A 0Nu  * 5unable to open fileerror reading fileout of memoryencrypted fileincorrect passwordunknown PP data headerempty fileunknown error occured PPMMf fQP/:NuNUHH?:I&C$HHPB-p+@ JC`fA`"$<,l N*Jf.J-gp`BA`"HJfS C4f|`"tv,l N"vN(Jf~`"A$vN~ -PP20g#gf Rf~`"A$v,lI>< NUg.-` Jgp0-/HmNPOH`p0-"Cp,lNHJf~`X~ "A$v,l N"tvN"A$vNYg.-` -+@,P`R Rf~ "tv,l N`0- @PPf("A$v,l N-Jg-Jf~`~+D, "-T,xN:&@ f~`"$v,l N"$ &Nְft"NJgXp fYA,lN/@, B "/,N BC/I,/ -P,lEN$_&o, o,!|PPMM!H m\ mX p`"K ,xN..-",l N L\N]Nu.ppH./,/&oJf. SNf p'@ p`XR +rfp`FAJ `> +RJf SN'@A8 ` SNg BA. `p'@ pLNuIncorrect!Please verifyError! Restart/ &H g kD"HN k<"HN"KN&_NuNUH0.&HHpK"<N$@ fp`x | z -JgSgUgSg`| z x `| z ` | z `z | 4 5@ 5@ 5@5|p"5A "5A "5ABj5|5|5|,5A "5AL%K%mzHE(rf(Jgz@"JjV%A@"JjV%AH"AN%@e.,l(JlLf aLA` a|LA`/"H~>e.a _)OT/)H,z~ ,|eLѬ, ,gBH @ ,/ ,4/ ,P0ЎGX/ ,,0/NOLyJfX`jJlLfH*HK8e*l8xCv6,&(0HpCHEH0g^@feRdHEM gSd ,M&$ Sdrpd2U04Ce(:>`9E"9G$Lh`N lLfH 5a:*HK8e*l8xCv6,&(0Hp0gd@f1HfedLEM gSd ,M&$ Sdrpd2U04Ce(9C"9A$`Lh`H*HK8e*l8xCv6,&(0Hp0gr@bC×òf1HfeܳdNEM gSd ,M&$ Sdrp@d2U04Ce(9C"9A$`|Lh@pf|0<aR lLgFH,l(B[B^SFf<,&&l<,l(C~JlLf a(L@`aL@`B[SFf<,&&l&l<,l(<, 5&8SDB[B^Q&l<,l("H.JlLfa`:a(`4,l(0S@B[B^SFf<,&&l<,l(Q."HJlLf ahL@`^a`p0,&e(&l<<,&8SDB[Q&l<"H/>a.`&0S@B[SFf<,&&l"Ha.(Jga4`rpabpe4$p e HB2paDHBpra:Q` [B0<2a(4,$2,"SApe|d pa r` 04 arp`04 ap24 a8eapgRd.t&,8S@Q, AX"lP,I",8e .lTp`/,xN,_"ቂ, 0L~NuH*l8*<$lDt4, SG  vSdTpH((؅Ѐr2HHA22Jg(&"mBdFeBBA7="5HAHRQ‘L Nu/ *l8$lDt4, SGd2pH"2g"&"mBdFeBBA7=%RQƑ‘*_Nu/ *l8$lDt4, SGd.pH"2g&"mBdFeBBA7%RQʑ‘*_Nu"$peYHB2pa HBpraQ`S0<a rpa~NuS@dH,ze@H$H,lPAX"N </,xN,_M)NPe .lTp`BMXLQNu/X/,xN:JfXO` @ ,_Nu g/ !,xN.,_Nu* ?f |8 F26>BTn v 8d.pH"2g&"mBdFeBBA7%RQʑ‘*_Nu"$peYHB2pa HBpraQ`S0<a rpa~NuS@dH,ze@H$H,lPAX"N </,xN,_M)NPe .lTp`BMXLQNu/X/,xN:JfXO` @ ,_Nu g/ !,xN.,_Nu*kS"p fEreadme ---------------------------- - M.W.B.Software.  - ----------------------------  For Software write to: MWB PLK 47899 - 2504 CD - DENHAAG - HOLLAND. ESPACIALLY FORRRRRRRRRRRRRRRRRRRRRRRRRRRRR AMIGA, C64, PC, SNES, SEGA. ]2el Success is my Business ! (MWB)... ftware.  - ----------------------------  For Software write to: MWB PLK 47899 - 2504 CD - DENHAAG - HOLLAND. ESPACIALLY FORRRRRRRRRRRRRRRRRRRRRRRRRRRRR AMIGA, C64, PC, SNES, SEGA. u?'startup-sequence9 windoecho MWB -PLK47899-2504CD-DENHAAG-DENHAAG-NL wait 2 border off pa -s1 -h28 mwbpointer T F prompt "Type>" startup-sequenceuPyo\ wYy( E߆}(qg 8 DR#''3 @ OEOG]`'gjg ƭڦ _$?psZU=u? Y/Bl;P sg(#R.AAi  r?"lhK)#6BG*T]FRhi 4L`v|xQ8dBe!ûae\0 8xD󷲃bhu(V, `RAKQ=@OjC8!1D]@.FP;Hkʘ(@70RlP ѯƦ< 8i`z5<.\+?5Ԙ= C@ BJDF|X=* |f U Qz7 3¦ր+~!TlnI T%t,Q+mlc{AaM( uhz2 7WXrd#tL5̍ ATTISFO@hi8~E1HЃ ? oj 6΄7NzKihga- Žt0peUEi[{BIuL9ߔ5tc3*Z|!,Ke#xn`\Dِ Y -,qCcK3Y 4~ 'y)̉Uz 7GAE],a^lApjR?z!7ulڸ9zI V?CI М ׻J(f^ -suǸABW;#! )lcىW.ƠT O(~BPj ЈHbu#&^T0@F&A AIq ?K 9+`o;jOhR U"pE~4|쳝% H/dx+|^'MKPQF*=Hu9 1!< S##~v!@5O  J@ ' #zi [,-,#q>cxl dq5  LMFSZ+Ά֜`_'.9Fil] X&sìYF ,څߏ%KBΜ<Z[hcyXf7x: 5viV<]ŷ.%gIg@^=-إY#zg |`b~e1y6#*|R{fSf&3AzF .#I}pSO)QlLM-8n=L6?ƠHi<HKryEX(uNGN3 ~ -ū2r[e ս\ S( ?WrT;9C; ~9)U30dcHjz \}uqbrK㕶&VDUM8nW*Y:8܌#'Wt@3ٴ( s(} H/~# ]Q*XAp|""C݆Aao BTg5u['x޸8m 1ߖ0d+2!na,64H(^t4QLC hOUp2URL~{?V9[&0TR$pI_m &qDTJAn?m6+#-׉w.t&6\5L.Ĵb$,le&/ 2~lhИ[@6_T,DsaS\ǷutĻ5Fttš1ijޘKsذP}e7M2*nj*xKDϞgP:|sROz>r0+ *J1B:_4DMC@ ~3߻$!;W 8">qHgOI YOW- 5,RKNNg,jHƋ .ZBk:UU|GƑ^`LJqAUFej_ ^v"ń-̏H(_3*$>/̋ay&P!8=8֑y9 <1 ` b` $㑜RONf@۲#o1A-J8 H[6}'f2}' Eݬٮ_Ʉ f&O9~I̽CY;); ف5s2Gz5XP?01^YhnrEV3 飧f_teQH@.Cy"t ux""3O8UB?,:a4e2C7 <0alE3xAE *6aB)'䤔ODarV^^VnNf* x!8Eg(D_Lv7i0.@ZW `XמU}3wn T]ꒀ]$AIҌ|:KxO6P e_eN8ǏtljXz-yȟDA2FK2'a"5'¯0}QUlw$1CJ0rqr ________________________________________________________| | | | <> SuBMiSSiON DHQ <> OffIcIAl ScEnE-TaLk VTiNG PiNT <> SySoP: JPS <> | | 0/2 DAY AMIGA WAREZZ <+> 86400 SeCoNdS A DaY <+> 604800 SeCoNdS A WeeK! | | RuNNiNG On:A2000T/25 MhZ - 500 MeGS HD - 9 MeGS RaM - LaTeST /X VeRSioN | | NoDe1: +31-104-165-552 * 16k8 dHST - NoDe2: +31-104-169-692 * 14k4 dHST | |_________________________________________________ >________________________| ____ _____ _____ ______ _____ _____ ______ / __/\ / _ /\ / __/\ /_ __/\ / _ /\ / _ /\ / / /\ / __/\/ / _ / / /__ /\/ \/ /\_\/ / _/ / / _ / / /~ _/ / /_/\_\/ /_//_/ / /____/ / /_/ / /_/\_/\/ /_//_/ / /__/__/\/ \_\/ \_\\_\/ \____\/ \_\/ \_\/\\/ \_\\_\/ \__\__\/ _______________________________________________________________________ /   {; DUAL STANDARDS \ / * * * * * * * * * * * * \ /__ HS AA CD OH RD SD TR MR RS CS ARQ SYN 5 NODES 16.8k __\ \---------------------------------------------------------------------/ \ SCOOPEX WHQ / RAZOR 1911 WHQ / BSL 2091 CONSOLE USHQ / \____ ___________________________________________________ ____/ \_/ Operating At : 9600 / 57600 1.5 Gigz Online \_/   `:J< RuNNiNG oN : aMiGa 2ooo + GvP 68o3o/68882/50MHz Sysops : VOYAGER / SNOW QUEEN Cosys : SKOL / RAZOR BLADE Xtra Cosys : What's his name again? Oh yeah.... MAD TURNIP ???? CALL.. NODE1 NODE2 NODE3 NODE4 NODE5 PRIVATE PRIVATE PRIVATE PRIVATE PRIVATE ----------------------------------------------------------------------------- -------------------------------------------------------------------  L----------- Scratch of Triangle presents: Real 3D Cracked version! (Including the 68040 version) ------------------------------------------------------------------------------ This version of Real 3D no longer needs the dongle! Someone released a socalled "cracked" version of the 68000 version, but that did not work at all. In this archive you find two files that you have to replace with the ones on the disks you already have. On disk 1 j, you must replace the file "real.lzh" with the one found in this archive, and on disk 4 you must replace the file "real40.lzh" with the one in this archive. Thanx to Shock (ex. Skid Row) for calling me while watching "Batman Returns" on video, so I could crack this. Greetings to: Tarzan & Shock, Dreamline Designs (321K source for LHA 8*) ), Fairlight, Fruitsoft/Crystal, Neurostorm, Antitrack/Legend, Static Bytes (or was it Bionic Styles?), And the rest of Triangle  0b0 Scratch PS: This was released first at Plastic Passion Denmark! Node0: +45-982-38413 / Node1: +45-982-38855 +:---------------------------------------------------------------------:+ FFiciAl ViCiUs MegAZiNe Suport BbS +31-104-779-507 MyStiC1~al PlAces JuStiCe EHQ ][ Call For Your Latest NEWS/ARTICLES/STORY'S & BBS ADDS ][ +:---------------------------------------------------------------------:+ [ARaDDer v3.0 By ARc], so I could crack this. Greetings to: Tarzan & Shock, Dreamline Designs (321K source for LHA 8*) ), Fairlight, Fruitsoft/Crystal, Neurostorm, Antitrack/Legend, Static Bytes (or was it Bionic Styles?), And the rest of Triangle u Gt vy|` ~RK6RЕdhf?;PĈpIw0SbQip9:q,,F6A9FcD YAJ8QsvuO8s|0#Rº VQp΃t k( R㮐*0GJW ,:@` a?t)CۨAZĒ ahzAeU}F~f9<*tb!"OЛNY5_ph/JEnK28]ȴ* "(۸"H9eu|Q:@nyxsNqt<zwpz.S$TQt( Pz( θqip:pB!D(ARl'l/( n30Bxʻa3[ 9cGbpjeW EAR DT`?axe?S0*Z">E^|*Qva-&R+1" `2%P#"2}!D&[have been possible without the existence of the "Lemmings" series of computer games, probably the best, and without doubt the most original, computer game concept ever devised. Much thanks to Dave Jones and all at DMA Design, and to the designers at Amiga Inc. for such an inspiring hardware platform. These solutions were developed the hard way, by mind over Lemmings, and tested on a Commodore Amiga A3000. This document was prepared using GNUemacs and LaTeX on the same system. }Eh All GNUemacs and LaTeX shit, removed by [RYGAR]. All / \ {} `` '' spaces, codes, FUCKING CRAP removed by [RYGAR]. Fixed & Released by [RYGAR] Tuesday 1993-05-05, Time: 00:24 End. ============================================================================= ____ ____ ____ _ _____|_ __|__| __|__ _____________| __|__ _________/| ____________ / _ \\___ \ \___ \/\__ \ __ }d\ \___ \_/ _ / |/ / _ / / _/__/ |/ \ |/ \ \ \_/ / \ |/ \ /___/ _/ __/\ \_/ / / \_ / \ / \ / / / \ / \ / \ \ \__\_ \ / _/ /_/ /_/ / / /_/ /_/ /_/ / \ \_ / \ \ ________/_______/_______/_/____/_______/_______/______/____|\ /______/ \/ \_/-rS! --[-[ .B...N.D..C.K.S. ]-]-- --[-[ tRStAr & r}iEd^SeCtr Nc. DhQ! ]-]-- --[-[ g^sTYLe WHQ! ]-]-- [ SysP: [-sAl-Ne!/TRS!/g^sTYLe!/dP!-] ] [ CsYspS: [x-tREMe/TRS] [-rEDSKN'/TRS!/g^sTYLe!/dP!] [ThC/JuSTCe] [AdAm/dP!] ] [aXe/sUBMSSn] ] [ Ne F ThE FaStESt N hLLaND!! ] [68030/68882 25Mhz PWer] [FREGn TP UplAderS!] [/X 2.37 ReG.] [5000+ CPS] [-[[ NDE 1:+31-(0)-548-040-653 ]-[ NDE 2:+31-(0)-548-021-716 ]]-] [-[ NDe 1: DhSt 16k8 ]-] [}j-[ NDe 2: hSt 14k4 (DhST 16k8 sN!) ]-] ============================================================================= -[hANSA^ADDSCoPE/CAF]- +:---------------------------------------------------------------------:+ FFiciAl ViCiUs MegAZiNe Suport BbS +31-104-779-507 MyStiCal PlAces JuStiCe EHQ ][ Call For Your Latest NEWS/ARTICLES/STORY'S & BBS ADDS ][ +:---------------------}η------------------------------------------------:+ [ARaDDer v3.0 By ARc]R]. Fixed & Released by [RYGAR] Tuesday 1993-05-05, Time: 00:24 End. ============================================================================= ____ ____ ____ _ _____|_ __|__| __|__ _____________| __|__ _________/| ____________ / _ \\___ \ \___ \/\__ \ __ f____/ |___| |___|\________/__________\________|< > < > * SySP: tHC/JuSTice * Running On: -( 250 Mb nlnE )- < > *CSySP: sAl-Ne/TRSi * A2000 -( UsR DhST 16k8 )- < > 9 Megs 32 Bit ram -( /X 2.33 ReG. )- < > _ Nly AmiGa GVP 68030/68882 40 MHZ -(0/1 Dayz WarEZ!)- < > \\ _ Makes It w5:-( PrGrammers CNf )- < > \X/ pssible! Node1: +31-10-4779507 -(AnsI CNf )- < > Node2: +31-10-SN -( Great /X CNf )- < > _________ ___ ____ __________________ ________ < > |.~ __ ~\ | \ .\ / _~ .\ ~ _ \/ ~ _ ~\ < > | |__| | | ___\ .\ | || \___/ .|_\___/// /_\___/ < > | . _____/. | ___ /~ ~/\ \\| :| __| _|___/_____~ .\ < >g | || |: |_/~ ~| /__\ \ |_/ ~\ |_/ \ \_\ \\ < > |___| |_________|___________\________/________/_________/ < > < >- -** JUSTICE EUROPEAN HEADQUARTERS **- --- --- - --- -- - -< _________________________________________________________________________ | ______ _______ _______ | | / _s[D \ / _ || \ | | / |/ _// |_|___|| |\_ \_ | | / \ \/ _|___ | | / / | | / |\ \ |_| || |/ / | | \____| \___\________||_______/ | | | | _____ _______ _________ _____ ______ _______H ______ | | / \ / / \ / / \ / _ \ / _ |/ _ \ | | / \ \/ |\__/ \/ \/ / \ \/ |/ _// |_|___/ |/ _/ | | / |\ / |___ / \ / |\ / \/ _ __/ \ \ | | / |/ / | \ / \/ |/ / |\ / |_| / |\ \ | | \____|___\_________\ \_______/\___ |___\________\________\____| \___\ | | \| \| | |_________________}Qany convenient means. "Big Top Time" Maxkill Zero Make the 2nd Lemming scoop three-quarters of the way up the slope. Let the first bound over, then platform at the very bottom of the right slope to seal off the gap, just above the exit level. Platform halfway down the same slope with the next Lemming that comes across. Make the last Lemming to drop onto the lower platform bash left, then platform to reach the exit. Bash (either way) using one standing in the dip between the slop} n~Vrtan. The second Lemming will now have finished building - jump it from the end of the first platform to land where the first one did. Make it build just before it steps up onto the platformed piece - it will reflect. Platform twice and then build to cover over the central pit. Release each of the horde groups with a clubbasher. Click the release button to keep the Lemmings off the chain. "Brigadoom!" Maxkill Zero Left hatch: jump one out to the right, and then hangglide from })X^the end of the grass, and fan it down so it lands on the right hand side of the lake marked "Clyde built". Rope right from the grey island up to the point of the tartan. When it is about to reflect, laserblast to release the right hatch group. Hangglide and fan it over the exit to the other grey island. Rope up to the point of the tartan. Jump another out of the left hatch group, and immediately hangglide from the top of the obstacle. It will crash and reflect. Surf x2 across the wat}@7t to full speed, and release it within the maze. It should climb round to the transporter on the right, and emerge under the left hatch horde. Laserblast exactly at the right end of the gap in the steel, so that the first stack is completely removed. "Inside The Steel Box" Maxkill Zero Stack just before reflection, tight against the steel. Rope from the edge of the big steel block up to the point of the triangle. Rope up and left to the next triangle. Make the Lemming a runner}AG+J. After transportation, let the Lemming bound down and reflect, then platform starting about half an inch back from the edge. When the platform is complete, lfill x2 before dropping. For the paranoid, it might be worth a builder over the trigger as well. Let the Lemming go up to the right and reflect, then build to the next slope, let reflect, and platform to the right. These transporters lead to the exit. Rope from among the horde to the top of the stack. "Frontier of surreality" }BK Maxkill Zero Jump x2 to get one out. Make it a runner. Let it drop and reflect. Jump x2 to the left get up over the obstacles - there are obvious timing marks. Let the Lemming be transported to the top right, and bazooka immediately on arrival. Jump from the killer robot's feet to get over its trigger, and again into the pounds sign. clubbash through, meanwhile making the Lemming a rocker. Jump from the end of the ledge. Let the Lemming clamber round to the left of the exit, then }C4l~glue to make a bridge. Clubbash the step in the horde pit. Blast the horde out by repeatedly firing a bazooka close against the left wall. Polar Tribe ~~~~~~~~~~~ The Polar exit is an igloo with a Scottish flag. "Lem Me Out !" Maxkill Zero Flamethrow left to get out of the initial pit. Break into the next chamber by using mortar x3 from under the right hand edge of the initial pit. Start a runner, and use it to glue the gap over the pit near the right hand side. Glue agai}DV(n. Blow through to the exit by firing a bazooka twice, using a Lemming standing about halfway across the glue. "Ice Ice Lemy" Maxkill Zero Click a stacker just left of the snowman. Jump over and flamethrow the tree. Fence from the bottom of the steep slope. fence the snowman, and make the Lemming a skater. Laserblast after the ramp. Flamethrow through the stacker's blocks. "Snow More Lems" Maxkill Zero Note that the obvious igloo isn't an exit! Let them reflect, then rop}E_e from the left side of the hill to the rear tree, allowing one Lemming to slip by. Quickly make the latter Lemming a runner. At the bottom, rope from the long, steep slope up to the steel at the left. Rope from the left steel block inside up to the block halfway up the shaft. Use more ropers and a fencer to get out. Bazooka the tree on the right of the first hill. "DANGER THIN ICE !" Maxkill Zero Let the Lemmings walk freely, then balloon one which is walking left out of the pi}Fext they collect in and fan it to land on the snow slope on the left. If you get one which walks right, try again. Make this free Lemming a skater to get it over the ice. Platform the gap on the exit level. Balloon another Lemming out, let it slip on the ice so it turns round, and only then make it a skater. When it drops down and reflects in the lower pit, make it a stacker at the left end of the pit. When it gets up to the level of the ice, make it platform x2 while it is facing left}G, to cover the ice. Lfill x6 in the pit to release the horde. Bazooka the tree from halfway across the platformed gap. "Take Your Best Shot !" Maxkill Zero Rope left to the tree as soon as the first Lemming touches the ground. When the first one reaches the level of the snowball, jump it out. Let it fall to the second small island, then rope to the snow outcrop. Rope the small gap, then scoop at the left end. When it reflects, rope from the middle block up to a convenient icic}H\dle to seal off the return route. Bomb where it has just scooped, then bazooka x3 to get through the narrow gap in the steel. Lfill if needed. Scoop from as far left as possible, then fence and scoop to reach the exit. Release the horde with a rope from the tree base to the snowball. "Turn Back !" Maxkill Zero If you've struggled with a more conventional solution, you'll kick yourself... Have a look at the underside of the main hill. Count four major icicles to the right, and th}I&en look at the single pixel gap just to the left of this. Start an attractor, then jump one Lemming free. Stomp just left of the indentation at the bottom of the hill. Stop by making it jump at the last possible second. Clubbash to the left, and the Lemming will drop through the aforementioned gap. Platform x3 to reach the exit. Release the attractor by making it jump. "SLIPPIN & SLIDING" Maxkill Zero Make the first Lemming stack just before the penguin. Two of the others will}4` get past the stacker. Platform the small gap with the first - the second will fall down the hole. Bomb at the extreme right hand end on the same level, to reduce the height of the drop (and make it non-lethal). Let the bomber fall and land stunned (if it's killed, start again!), and make it platform to the exit. The next Lemming (remember the stacker?) will arrive before the platform is complete - delay it by making it an archer. Bomb the base of the stack to release the horde. "S}|Ke first two Lemmings from the left hand pit to the right hand pit. Jump one of them out to the right, and give it magnoboots just before it meets the obstacle. When it is about two thirds of the way round, jump the other one out and give it magnoboots. When the first one reaches level ground, jump it to remove the magnoboots and then make it a platformer, late enough to cover the gap but early enough to cause it to place all 12 planks before reflecting. Then make the other an explode}}L62r just before it hits ground level. The first one should drop through the hole it leaves and go left. Platform to the exit, then lfill x2 each of the pits to release the horde. "THE LEMMINGS HAVE LANDED" Maxkill Zero Make a runner. Jump it out to the right, and jump again from between the last and second last blocks. When it lands stunned, make it a rocker and a slider. Let it climb the first pillar, jump it to the second and let it climb the third. Let it slide down the other s}~MZide of the third, and make jump between the ledges in that pit. You might want to fastforward at this point. Jump it onto the airlock wall at the bottom right. When it gets under the steel above and right of the exit, make it shimmy across the gap, and when it drops platform the other one. Be ready to make it a fencer as soon as it stops. Now stomp from the right hand end of the horde. Do not be alarmed when the fencer reflects. Fence again in the horde once the stomper hits steel an}Nd stops. You may have to do it twice if the first one goes left. "The Vortex" Maxkill Zero Rope left twice, to provide a path out of the little pit and over the steel wall. Mortar the thin obstacle (from very close range). Clubbash out into the next chamber, and again into the next. Stomp from just about where the Lemmings land stunned (to avoid the steel buried a little further left). Stop the stomper by making it into a clubbasher (which will go left), and once a bit of spac}Oy Se clears, clubbash right as well. Mortar the two minor obstacles, from close up. "The Stainless Steel Lemm" Maxkill Zero This level looks easy at first, but there is a twist - we will be using bombers to get through some ropes, and it is very easy to kill the odd Lemming by mistake in the process (and not notice - I got "silver" on my first two attempts having thought I'd lost none!) Jump the first Lemming to emerge to give it a head start, then make it rope across the gap to a}PĚn little over half way up the top steel block (the height is fairly critical - too high and the horde escapes, too low and the jumps won't work). Jump a Lemming from about two thirds of the way up this rope onto the column at the right, and make it a slider. Immediately go and jump another one out - make this one rope the gap to the right down which the slider has just disappeared. You'll see later why. When the slider reaches the bottom, balloon it up the shaft below the first rope, }Q]land fan it into the lower of the two platforms below the horde. Let it reflect, then rope from the top of the little slope at the end of the platform to halfway up the steel block on the right which is level with the platform above. Let it reflect again, then bomb just to the left of the bottom of the rope it just made, to put a small gap in it. Now bomb just left of the bottom of the original rope - make sure you still have 59 Lemmings! "Lunar Olympics" Maxkill Zero Jump one o}R;,`ut, and jump again over the gap. Polevault from the 6th yellow block. Shimmy across the gap. Make the Lemming a runner. Hop from halfway along the last block before the gaps - it should get all the way to the right. When it gets down to the bottom right corner, make it a climber. Throw a spear from the second last block, so it lands in the block above the exit to create a step to break the horde's fall. Lfill to release the horde. "GoSh It'S FuLl Of LeMmS" Maxkill Zero Make one }SXWa stacker as it lands from the hatch. Jump right after 5 blocks, and immediately jump again. It should land on the lower of the two islands with triangles on the left end. Stack when halfway along the narrow tunnel to cause a reflection. Platform x2 from the bottom of the triangle to seal off the drop. Let it reflect (jump it to reflect off the wall if necessary) and stomp the right end of the platformed piece. Bazooka x3 from the bottom of the big slope to break through to exit cham}T..ber. Lfill or platform to release the horde. "Odyssey" Maxkill Zero Stack exactly at the right hand end of the level bit of the hump - one pixel to the left and it will be to far to jump, one to the right and the laser will not cut through (see below). The second Lemming will get past - make it stack just under the overhang. Make the first one a rocker. When the first stack is complete, jump the Lemming off to the right - it should clamber away over the sawtooth shapes. Stop t}?4~PFhe second stacker while facing left by trying to shimmy. Wait for the rock climber to be transported to the bottom of the screen. Laserblast just left of the underside of the pit into which Lemmings are being transported, so that the tiny lower chamber is breached but the laser beam stops on the steel. Stomp with one of the Lemmings in the pit on the right hand side - they should all get out to the left, and none should go right. Jump the climber onto the bottom of the chain, fan i}qV*.hould drop on the steel at the right end of the lake. Build x2 to reach the ledge on the right, let it reflect, and build left. Let it drop, then make it a planter just as it reaches the edge of the pit. Release the attractor by making it stomp. Cavelem Tribe ~~~~~~~~~~~~~ The Cavelem exit is a crude stone archway. "Audex Powder" Maxkill Zero Allow the first two dinosaurs to flick the Lemmings. Just before the tail of the third, stomp a few pixels, and then change the stom}rWԂper to a clubbasher. "Successive division" Maxkill Zero Stomp the small piece of rubble in the centre. Stomp one group through to the next central chamber. Staying with this group, scoop right, then left, then left again to the exit. Stomp to release the other group. "Mortal men doomed to die" Maxkill Zero Jump a Lemming as soon as it lands. It will bound round on the trampolines to the left of the exit. Platform across to the exit, and start a stomper on the left side of}sXyM the main horde while the platformer is still building (due to time constraints). "A stompin' good time!" Maxkill Zero Do the left hatch first. Stomp, then scoop on the extreme right of the next chamber. Rope from just before the exit to the underside of the right steel block, and stomp this rope at the exit door. Release the right hatch group with two stompers. "This Is The Pits!" Maxkill Zero Start a stacker on the small knoll on the first small pice of level ground just}tY down from the hatch. One Lemming will get past the stack. Make it stomp in the indentation just above the left edge of the water. Platform over the water, and fence left to get to the exit chamber. Fence the stack to release the horde. "Ain't No Time" Maxkill Zero Stomp out. Rope from the dinosaur's body to the ledge on the left. Build x2, from a high up this ledge as possible towards the exit. Lfill x2 the small pit. Glue to the left from the extreme right of the screen to dis}uZable the dinosaur's flick trigger. "Deadly Exit" Maxkill Zero We will use the upper of the right exits. Note the proliferation of two-eyed traps. Make the first Lemming scoop under the left eye, then immediately (i.e. before it takes it's first step down) stop it by making it jump. This will disable the trigger for the trap. Rope from the top of the rise to the small projection two-thirds of the way up the slope on the next island. Lemmings will collect between this hill and th}v[e2e vine to its right. Jump one of the incoming Lemmings onto the vine, and then platform from under the left eye of the trap - if positioned correctly, this will disable both traps. Rope from a position on the left but within the pit in which the hore has collected to a point near the top of the left stem of the vine. "Wilma!" Maxkill Zero Make the first Lemming a stacker at the right end of the ledge. One will get past - balloon it back amongst the horde, popping the balloon on }w\ɛthe leaf. When the stacker completes, let it drop, then make it stack again where it lands. Jump off the top of this stack facing left, jump again, then immediately stack again. Jump off this stack to the left, and the Lemming should be free. Let it get down to the island in the middle of the screen, where it will reflect, then balloon it up and round to the tail of rock dangling from the hatch ledge. Stack at the bottom of this rock, and jump off to the right. Fence in the corner un}x]NbRDder the horde. After the Lemming reflects, it should find its own way down to the tray directly above the exit. Lfill x3 in this tray. Stack on the right end of the leaf, and once more jump off to the left. Jump one out of the horde, and bomb to break into the fencer's tunnel. Lfill to release the horde. "EVOLUTION OF LEMMINGS" Maxkill Zero Jetpack one out to the right past the mushroom. Give it a parachute, and let it drift all the way to the bottom. Platform the gap. Laserbl}y^_ast x2 to cut a hole in the level above, but making sure it is under the overhang of the level above that. Jetpack up and onto the right of the ledge which was just lasered. Balloon up and left, let reflect so as to be facing right, then balloon up onto the sigmoid shape on the left end of the lake. Hangglide from the top of the sigmoid, and balloon before reflecting, up and round to the right onto the top ledge in this chamber. Bash right, and platform to seal off the chimney. Let t}z_ nhe Lemming reflect, drop down, etc. and then platform x3 over the lake. Bash the sigmoid, let the Lemming drop, etc. Stomp the level above the exit, which was previously lasered, then convert the stomper to a basher. Bash the mushroom to release the horde. "Ah'm No Done Yet" Maxkill Zero Make the 4th Lemming an attractor halfway up the knoll. One should walk free. Let it drop and reflect off the mushroom, then immediately glue to the left. Fence through the rubble and into the s}{Jikeleton's jaw. Shimmy under the jawbone. Platform right from the mini-ledge. Stomp directly above the exit. Release the attractor with a jumper. Space Tribe ~~~~~~~~~~~ The Space exit is a square block with a galactic picture and a revolving light on top. "HIT THE SPACE BAR" Maxkill Zero Give one Lemming a jetpack and fan it down to the ledge under the pit where the rest are ending up. Mortar the underside of the pit to free them. "Perpetual motion" Maxkill One Jump th}faxcreate a ramp for the oncoming Lemmings. A good aiming point is the bottom left square of the chequered pattern. At the next gap, jump and archer x2 again. Rope from the second red square of the big chequered block, to a point a few pixels from the left edge of the column high above with the sloped underside, at an angle of about 70 degrees. This should trap the runner which will bound between the rope and the ledge. When the next Lemming arrives, make it an archer when it is level}gbx with the top of the ledge, and aim horizontally left to a point deep in the body of the ledge island. This should seal off the gap between rope and ledge. When the runner gets up to the level part, make it an archer, firing the arrow horizontally left into the wall. Make it an archer again halfway along, firing the arrow vertically down to create a reflection point. Jump it onto the horizontal arrow to reflect it, and jump it back over the vertical one and into the horde. Rope up fr}hc4݈om the arrow to the top corner of the exit ledge. Shadow Tribe ~~~~~~~~~~~~ The Shadow exit is a picture of the "Tardis" time machine from the TV programme "Doctor Who". "Land of OZ!" Maxkill Zero Flamethrow the triggers of the Lemming traps. flamethrow through the letters "OZY". Jump one out of the pit, and lfill the traps to defeat the triggers, lfill the small pit on the left, lfill the first pit to release the horde. "NITRAM THE HUGE!" Maxkill Zero The key to this }id~level is getting down the "ladder" of chambers beneath the hatch. Use a twister for the first two steps by driving it partially into the pillar on the right, straight down, back left into the chamber and down through the floor. Use a digger, a bomber and a stomper for the other three. Tunnel under the lake with a basher. Fence through the house roof. "Twin Bleeps" Maxkill Zero The key to this level is that while the level is symmetrical, the solution is not. Starting with the }je6@Nleft hatch, flamethrow to the right, then flamethrow left from the tiny pit (this needs a bit of luck), let the Lemming drop, and flamethrow to the right through the pillar on the exit level. For the other group, rope up to the block on the left, flamethrow through, and let the Lemming fall. Rope up again, and then rope again to reach the steel, lfill the small pit. "The Pancake Factory." Maxkill Zero Give a Lemming a jetpack and fan it round to the left of the trap chamber. Bas}kf'@h into the chamber, and glue the triggers. Bash left through the pock-marked stone. Glue the three gaps, pouring the first as late as possible, and glue the trap trigger. Bash left from the main horde to release them. "Swingadingding" Maxkill Zero There is an easier way to do this, but it's less dramatic... Fan the chain to full speed. Make a Lemming a rocker, then immediately fan the chain again. The Lemming will pick it up as it falls. Release it on the right. Bash out toward}lgmHs the lake, platform over it, and laserblast to release the horde. "The School Gate." Maxkill Zero Disable the trap trigger with a filler. Rope from about 1.5 inches left of the gate to the corner of the steel. Fly a superlemming from this steel round to the top right house. Fence back to release the main horde. Position the cannon with 3 links of chain showing on the left. After one Lemming has been successfully launched onto the ramp, move the cannon. When it reaches the top}mh, lfill the pit and rope the gap. Reposition the cannon for the rest of the Lemmings. It will take some time for them all to get out. "Fritbatter Frolics!" Maxkill Zero Make one Lemming a climber, then make it a swimmer as well. Jump from the top of the blocks. Let it swim the small lakes, and reflect. Scoop left, above the left edge of the steel column. Stop the scooper by making it jump. Scoop right with a member of the horde. "Goosen's Inferno!" Maxkill Zero Bazooka x2}ni] through the pillar. Platform from 3/4 of the way down the slope, sealing off the gap. Meanwhile, make the next Lemming an attractor, and make the platformer a runner. Fence through the building and lfill the pit. Bash under the tree. At the bottom right corner, lfill to defeat the triggers. Bash x4 through the bulkheads. lfill the pit. Release the attractor. Move the left hand cannon fully to the right. Assist the cannons by making Lemmings from the thicker bunches balloon to the e}ojӶ xit. "SPINNY THANG...." Maxkill Zero Rope vertically underneath the bottom steel step, to separate off a single Lemming to the right. Make it a twister, and fan it down, cutting a step, then right and up at a steep angle. Do this carefully and with patience. If you disturb the twister by going up too steeply, let it come back and click it again. Laserblast x6 to remove a chunk of the platform above, between the bottom of the slop and the right trap trigger. Rope up to the left, }pUeso the Lemming climbs up the rope and up the triangles. Glue the trigger of the top right trap. Use a twister to cut the original rope and release the horde. "Moonswings" Maxkill Zero Make the third Lemming an attractor as it lands. Jump x3 the first one over the trap triggers, then build from the right end of the ledge. When the builder finishes, make it a superlemming and fly it left into the vertical face, thus reflecting it. Glue the top of the ramp. Let it walk on, and it s}[lkAZarm of the "Y" shaped hole, using a jumper to stop the platformer. Jump the attractor to release the horde. "RRRACKETEERZ!" Maxkill Zero Jump the first Lemming over the gap in the top rope, over the red pole and out to the left. When it starts downhill towards the collection of blocks, make it shimmy to pass over them. When it lands on the green and white chequered block above the lake, rope upwards and right, to halfway up the edge of the green platform. Rope down and left f}\mzrom the left end of the chequered block, onto the steel. Jump another Lemming out of the horde, and fence through the handle of the tennis racquet. Jump each of the rest of the horde out onto the racquet. "Blow Back...." Maxkill Zero Lfill in the pit, then stomp at its left edge, stopping the stomper immediately (or as quickly as the mouse handling software will allow!) by making it jump. Repeat this stomper and jumper trick a further three times. "Double Trouble" Maxkill }]nUBOne Rope from the left end of the ledge to just below the top left corner of the chamber. Exactly one Lemming should escape, and the horde should not climb up above the hatch. With the loose Lemming, fly a superlemming up the right hand side of the screen and to the left, landing it on the hexagonal island. Platform from the point, and jump off when the platform is complete. Make it an exploder, timed from the first gap in the steel (counting from the right). This should free the ho}^o5rde. Send a rocker over, and platform from the bottom of the slope to the exit, stopping the platformer after 5 or 6 planks by making it a fencer. Using the first Lemming of a group, fence the obstacle. "Run the Risk" Maxkill Zero Build from just before the third join in the steel, making a ramp to get the Lemmings into the small pit at the right. Get one out onto the bent pipe above by either using a superlemming or by clicking a polevaulter at the bottom of the initial slope. }_pɿ֛Let it drop down to the right and reflect, then platform x2 to the left, under the pit where the horde is collecting. Stop the platformer with an archer, leaving a small gap so it drops on the outcrop below and reflects. Let it drop, and build x2 from the bottom of the small slope. The ramp should tie up nicely with the narrow tunnel on the right. Stomp just before reflecting off the steel on the right, and then fence right to break into the next chamber. Let it walk up, and build ri}`qیYght from the top of the slope, let it reflect and build left to get up to the next slope. Make it a stacker near the top of the slope - when it finishes stacking, it will drop and come back round. This time, it will reflect off the stack; platform right to reach the cliff above the exit. Stomp the edge of the cliff so as to cut a step into it, stopping the stomper halfway down with an archer. Stomp among the horde to release them. "The Sun Sign Selection" Maxkill One In quick su}ar,,zccession, jump one over the block, jump again onto the steel, then jump again out to the right, clicking the last one while over the left bolt of the steel. It should catch the left edge of the trampoline and drop. Jump to dodge the tennis ball and get it to reflect and go left. Make it a kayaker. Let it reflect to face right, and balloon up to the top of the chamber, landing on the vaguely "Q" shaped island. Platform the gap from the tail of the Q to the steel - let this Lemming wal}bs8gk off and die. Jump another over the block, give it magnoboots, and laserblast under the right hand end of the horde. "The Nervous Network!" Maxkill Zero Jump one out, and glue, thus covering the gaps. Rope from the second glue bridge to the concavity in the pipework, just left of and below the green and white block. Let it walk up the rope and reflect, making it bomb while standing on the rope hook, just as it has turned to go left - this will ensure it continues to go left whe}ctn it lands stunned, which isn't important for this bomb but is for subsequent ones. Let it come back and walk up the remnant of the rope, then rope from the top of it to the top left corner of the block. scoop right while actually standing on the block, then immediately convert the scooper to a roper, and rope up to the concave elbow of the next pipe. Bomb the pipe, again ensuring the Lemming is facing left. When it comes back, rope horizontally to the green stuff, so the rope is pla}duced not far above the steel, and so the top of the hook is a few pixels removed from the rope. Bomb once more. When it returns, rope a final time to complete the path to the exit. Use a gluepourer to create a step, releasing the horde. "Take up Archery" Maxkill Zero This level is very frenetic. You will need fingers poised above F1-F5 throughout. Where it says "archer x2" in the solution, click the first archer and fire the arrow, then click and fire another one so that the seco}e`nd arrow lands in the tail of the first one. Make the first Lemming a runner as it appears. Jump from the middle of the last block, to land stunned on the outcrop on the right. Make it an archer, firing the arrow down and left into the block below the chequered one. Make it an archer again immediately, aiming for the tail of the previous arrow. Let it reflect, then jump onto the arrows. At the bottom of the screen, jump from the block before the chequered one, and archer x2 back to }Pw> Lemming as soon as it lands. The completed ramp should not touch the arrow. Jump one onto the arrow, let it walk all the way to the right and reflect, then stomp the left edge of the sandstone cliff across the gap from the exit. Stop the stomper after 5 or 6 "stomps" by making it build, and jump off when the ramp is complete. Make it an archer on the small mound just above the right edge of the steel, aiming 3/4 or more of the way up the slope. Let it reflect, then glue right from t}Qx~he arrow. After gluing, it should walk up towards the exit level - fence the sandstone, and glue as soon as the fencer finishes. Let it reflect and come back, then jump to the exit. Jump another one from the horde off the ramp, let it come round and reflect, and glue from the top of the ramp to the exit. Start a builder from the top of the ramp to release the horde. "Beach Lems" Maxkill Zero Jump just before the coconut, and immediately fence the tree. Platform the lake at th}RyNe last second, so that one platformer suffices. Scoop before the beach hut, and scoop again after dropping through. Let it reflect off the coconut, platform under the zapper to defeat its trigger, and rope up to the next island. rope to the right from the umbrella to just above the steel. fence just before reflecting. Release the horde with a clubbasher. "SAND IN YER SARNIES" Maxkill Zero Make the first Lemming platform the tiny gap between bucket and spade at the last second, s}Sz|o that none escapes. Jump one of the emerging Lemmings off the spade handle, and let it drop to the level below the beach huts. Make it a runner and a swimmer. Bash the palm tree, and jump from the bucket handle. Let it reflect off the steel, then jump again. Jump over the clam. Mine the beach huts, converting to a basher on reaching ground level. Platform the gap and bash the bucket. Bash the beercan on the way back. "Beach Mania" Maxkill Zero Give one a magiccarpet, and make}T{P the next an attractor. After the carpet lands and the Lemming reflects, make it an archer from the left end of the platform, firing the arrow into the bottom corner of the hatch ledge. Let it drop, then build left from the bottom of the slope on the first small island - this will reflect this Lemming and catch later ones. Bomb while standing on the right hand coconut to get through the tree, and build x2 from where the tree base was, to get up to the umbrella. Use an archer x2 from }U|Z,8the top of the umbrella, firing the first arrow into the edge of the island on the left and the second into the first, and then build out over them. Jump onto the exit island, and make an archer fire an arrow back into the previous one. Jump to release the attractor. "Sand Blaster" Maxkill Zero Make the 4th Lemming an attractor, which should leave one loose Lemming. Platform the lake at the last moment. Let the Lemming reflect, an bazooka left while standing in the notch between}V}x the slope and the platform - this should create a reflection point with the steel block. Mortar against the edge of the 3-4 pixel step at the bottom of the castle. Mortar again several times, placing each mortar about halfway up the slope in the hole left by the previous one. In between, use a bazooka or two as well. The last mortar should break through to the level below, to the right of the lake. Platform under the clam to defeat the trigger, and bazooka x2 to get through the big }W~{B*clam. Jump to release the attractor. "Surf Lem !" Maxkill Zero Click a filler just before the right hand bucket, to gain an extra pixel in height for the scooper, which should break a little gap at the bottom right corner of the bucket. Start a superlemming halfway down the scooped tunnel, and fly it out over the beercan and into the spade handle. Let it drop, go all the way left and reflect, come back and drop onto the first small grassy island. In the middle of this island, u}XJse an archer to fire an arrow vertically downwards. This will reflect future Lemmings. Balloon the Lemming back to the left of the arrow. Build left to join the tiny gap between the sloped island and the top left one - if the Lemming reflects, make it a runner and jump it up to the arrow, lfill x2 in the scooped hole to release the horde, and scoop again at the beercan. Sports Tribe ~~~~~~~~~~~~ The Sports exit is a golf hole flag. "Ceci n'est pas une pipe." Maxkill Three A}Ymfter the first steam pipe blows the Lemmings and they start to land stunned, break through to the right by making the first Lemming into a flamethrower. After it then lands in the pit to the right, make it a bomber. Let them be blown all the way round and back into the middle where they congregate, then use the remaining flamethrowers to free them to the left. "School Sports Day" Maxkill Zero Make the first Lemming a twister. Carefully burrow until it is under the steel wall. Us}Zk;e a rope up to the steel wall to separate the horde off. Use the fan to nudge the twister out under the rugby ball (football to Americans!). Rope up to the exit ledge. To release the horde, scoop the first rope. "The Octathalon!" Maxkill Zero Start an attractor. Jump one Lemming out. Once it drops and reflects at the left hand side of the screen, make it platform. Platform x2 from a third of the way down the slope, on a level with the pool table. Platform to cover the left hand }E<1@ck into the left edge of the lake, as low down as possible. Free one of the dancers by making it jump, and make it glue x2 to bridge over the water. Release the attractor by making it a roper - ensure the rope does NOT reach. "Friday's Walk" Maxkill Zero Make the first Lemming rope up to the right from the first hump. This should block the horde off, letting one free. Rope up alternately to left and right to get it up to the exit level - if it is walking right, fire a rope verti}F(&Mcally to block and reflect it. Rope across the small gap, then release the horde. "The Magic of Mushrooms" Maxkill Zero Consider the (approximate) layout of mushrooms 10 lines further down you might want to ink the route on your printout. Jump a lemming out and rope down to enable it to walk to the right freely. Rope to M1, let it drop to M3 and M5, rope to M6, rope to M7 and stomp the mushroom cap left of the stem. Let it drop to M9 and M11, and rope from the end of the grass }G$ to M10. Platform out to the exit. Use a roper to make a way out for the horde. | | ----|---|--- M1 M2 M3 M6 M4 M5 M7 M8 M9 M10 M11 ----------- "Natural Selection" Maxkil}Hol Zero The Lemmings will be split into three groups. Make the first 22 shimmy, make the next 22 float, and jump the remaining Lemmings across the gap. Use bazookers to get the floater group into the bottom left exit. Use bombers to get the jumper group into the middle exit. Use bombers and bazookers to get the shimmiers to the right exit. "The Laws of Tradition" Maxkill Zero Platform, then start an attractor. Platform to the stones. Platform over the pit under the steel. Plat}I,form again just after it reflects. Fence far enough to clear the steel upright, then stomp almost to the bottom, then fence again. Platform across. Release the main horde at this point by making the attractor into a platformer. Fence with the lead Lemming up towards the exit. If the fencer fails to stop, make it into a platformer to fill in the space under the exit. "22934" Maxkill Zero Make the first Lemming a runner. It should bound off the last hump in the vine and land on th}JŤ1e leaf on the right. Make it an archer, firing the arrow down and left to create a break for the others falling. Let it drop and reflect, then build from the right edge of the third hump in this lower section of vine, sealing off the pit. Let it reflect, and build x3 to the left from the same hump. Meanwhile, build x5 to the right from the left hump with one of the incoming Lemmings. The two ramps should meet, and the latter one should reach the vertical piece of vine to the right of}KXX and a little below the exit. Rope from the top of this ramp to the top corner of the steel by the exit. Break through with a clubbasher facing right . "Garden of Stone" Maxkill Zero Stomp just right of the hatch. When the first one drops between the platform and flower on the right, make it a runner. Fence right through the flower directly below this, starting the fencer a few pixels back so it just cuts the stem and stops. Platform from the edge. Jump off the platform - the re}L]#*maining Lemmings should fall on the right edge of the lake. When the runner reflects, platform the gap. Beach Tribe ~~~~~~~~~~~ The Beach exit is a sandcastle with a red pennant. "Quad Quirks on the Quay!" Maxkill Zero From the top left hatch, flamethrow the sloped part. From the next hatch down, let a Lemming reflect and then flamethrow the umbrella pole. From the bottom left hatch, flamethrow the palm tree. From the bottom right hatch, flamethrow the Lemming beer can. "}M^rThe Barley Mow...." Maxkill Zero Start a jetpack, and fan it upwards and left of the red and white umbrella. Let it walk along the grass, then bash just at the bottom of the slope. Rope from near the bottom of the next slope to the ledge on which the beach ball stands. Let it reflect, then bash the umbrella pole next to the exit. Bash the left umbrella pole to release the horde. "Cannonball" Maxkill Zero Jump a Lemming out of the pit, and kayak across lake. Dive from the high}N͡ platform, and kayak again. When it reflects at the top right, jump onto the ramp. Hangglide from the top, and use the fan to waft gently into steel tunnel. Bomb at the end of the tunnel, and laserblast to release the main horde. Jump the first Lemming to reach the end of the tunnel to give it a head start. When it reflects, make it into a gluepourer. "Costal Suction Function" Maxkill Zero Make 12 of the first Lemmings into runners. Fan the chain up to full speed. Jump a Lemming}Ov*/ from halfway down the slope over the ball and then onto the chain. If it is not near the bottom of the chain, restart the level. Speed the chain up again, and release the Lemming on the right. Jump over the trigger for the zapper, and kayak across the water. Laserblast next to the exit to release the horde. "Sand Stone" Maxkill Zero Click an archer halfway along the pit, firing the arrow to a couple of pixels below the top of the obstacle on the right. Build right with the next}:hVtop of the sphinx, lfill x6 in the blue painted tray. Platform x2 over the collection of blocks, and platform the gap above the vase. Bash the bulkhead. Platform the gap above the scales, lfill the small pit, lfill the pit containing the horde, and the pit to its left as well. "The Egypt Cottage!" Maxkill Zero Jetpack one going right, and fan it out so it falls on the ramp to the right of the pit. When it falls stunned, let it reflect, then give it a balloon and fan it to th};Re left. Dig just right of the division between the two stone blocks, so as to break into the sphinx chamber but keep digging all the way down tho the steel and make a route out. Fly a superlemming from the horde all the way round the ramp on the right, and stub it into the underside of this ramp, above the small island block which covers the big drop. It should walk left and into the digger's shaft. Give it a parachute, and fan it left onto the sphinx. Laserblast to release the horde}<. "HEROE'Z QUEST...." Maxkill Zero Jump one Lemming over the block to the left. Stomp into the chamber below, and stomp again through the block with the eye. Let the Lemming drop, etc., and it will end up in a small pit, the first of three. To get out of these pits, you need to jump the opposite way, so jump left. Jump right to get out of each of the next two. Platform over the pit containing the trap. Stomp when the Lemming ends up at the bottom and can't fall any further. Fenc}=5e the sandstone bulkhead, and fence each of the painted columns. Let the Lemming reflect off the sphinx, then give it a balloon and fan it gently right then left, to land on the obvious platform. It should walk left. Let it reflect, then immediately jump to get onto ramp going up to the right. Let it reflect and jump left. Let it walk all the way to the left and relfect, then immediately polevault from the right hand bolt of the leftmost block of steel, to land the Lemming stunned in}>ժ the obvious place - this does take some practice, which is why you get five vaulters! Let it reflect at the top of the ramp, then jump onto the next one. Do this a further two times. Platform the gap just left of the exit, then make the platformer a scooper as soon as the gap is sealed over. Stomp from the horde into this chamber to complete the level. "Wave Pathway" Maxkill Zero Make the first Lemming a stacker as soon as it lands, so that subsequent ones land on the stack its}?elf and walk right unhindered. After it builds about six blocks, make it jump while facing right. Stomp between the two steel blocks, and change to a basher just before breaking through to the water. Stomp above the eye, and then bash just above the eye block. Platform x2 over the lake, and stomp just before the Lemming reflects off the step. Again, convert to a basher at the last moment, then stomp, bash, and stomp again, avoiding the buried steel. Make it start to platform over the}@!0/ gap on the right, then go to the main horde and release them with a basher going right. Go back to the advance Lemming, stomp at the left end of the chamber just before reflecting, and then convert to a basher to reach the exit. "Pyramid of Despair!" Maxkill Zero Let the Lemmings reflect, then start a hopper from halfway down the little slope just before the blocks. It will hop across to become the advance Lemming, while the horde collects in the pit below. Let it reflect at th}A1e bottom of the steps, then immediately glue x2 to fill in the small pits further along (it is impossible to pour glue, hop, jump etc. in the tunnel due to restricted headroom). Let it fall into the trap pit, and use a sandpourer to cover the trigger. While going right, make it a rocker, and let it clamber out of the pit and up the next wall as well. At the top of this wall, make it shimmy just as it reaches the top and before it drops to go left. Let it climb up to the little ledge,}B!% and sandpour to build up towards the overhang. The Lemming will reflect and drop back in the trap pit - let it come round, and shimmy again, get back up to the same point and sandpour again. This time it should be able to clamber out, but if it reflects, bring it back around. Let it walk left along the tunnel under the pit containing the horde, and reflect. Immediately glue x3 to the right, then let it walk under the pit and mortar to release the horde. Outdoor Tribe ~~~~~~~~~~}C"E~~~ The Outdoor exit is a small green tent. "Pa-tent-ly Obvious" Maxkill Zero Use a twister to burrow up the pile of leaves to the right hand exit. "Swing/Roundabout Theory" Maxkill Zero Start a stacker two thirds of the way to the left between the posts. After it builds 4 blocks, make it into a filler, and then make two more, ensuring that two fills are to the left of the stack and one to the right. "Glide Like The Wind" Maxkill Zero Start a hangglider from the hump}DE in the vine bridge above the wasp. Fan it to land on the tree just left of the first frog. Use a flamethrower immediately on landing to disable the frog's trigger. Tunnel under the next frog from the step below with flamethrower x3. Platform the gap. Delay any oncoming Lemming by (carefully) making it a flamethrower if necessary. "Deliverance ?" Maxkill Zero Make the first Lemming a kayaker, and the second into an attractor to stop the horde. Use an archer to fire an arrow ba}/ 3liding down, jump right onto the platform and platform across the lake. Use another twister to get into the chamber above the exit, being sure to enter to the right of the gap in its floor. Jump over the gap (remember, your advance Lemming is a slider). Start a twister in the horde, and work it all the way right and down by the portcullis. Twist again to break out to the brown ramps. "UNDERGROUND" Maxkill Zero Fence the first tower. While the fencer is working, start an attracto}0ѻ!r. Platform to the trees. When the Lemming reflects, jump onto the remains of the fence to reflect off the tower and back to the right. Fence the trees, and platform to the tower. fence the last tower before the exit. Free the attractor by making it jump. "What shall we do now?" Maxkill Zero Make the first Lemming stomp at the right hand side, and make the second an attractor. Stomp again by the castle, allowing the Lemming to reflect twice first, and while going right. Give it }1Sa balloon and use the fan to guide it all the way up to the top. Let it reflect, and platform the gap. Bomb x5 from the top of the slope, making each bomb 3/4 of the way to the left in the crater left by the previous one, so as to break through down and left. Use this Lemming to platform the stomped hole, or if it stops and dances, use one of the dancers (but NOT the attractor!). Release the attractor by making it a platformer. "LEMMING IN DISTRESS !!" Maxkill Zero Make the firs}2`wt Lemming a runner, and immediately make the second an attractor. Let the runner drop onto the steel, then jump onto the island, and immediately jump again to reach the alcove at right. Let it reflect, and balloon back up to the island. Click an archer, aiming the arrow at the corner of the hatch ledge. Click another archer; this time aim a few pixels higher. The second arrow should tag on to the first, making the lake safe. Let the Lemming drop, and rope up to the bottom left corner}3k of the island, sealing off the route to the right. build at the left end of the small pile of stones on the exit level - it conceals a dragon, whose trigger is a few pixels left of the pile. "JUST JOUSTING AROUND" Maxkill Zero Click a gluepourer - the glue will run to disable the dragon's trigger. Wait for the last Lemming, and make it rope up to the ledge on the right. Make it a floater. Position the catapult with 2 links of chain showing on the right. Let the Lemming be launc}4~qhed, reflect and glue left from beneath the horde, sealing off the lake. Bomb at the left hand end of the horde. If necessary, balloon the last Lemming past the catapult. Egyptian Tribe ~~~~~~~~~~~~~~ The Egyptian exit is pyramid-like with a bit of blue showing. "Two's Company...." Maxkill Zero Bash the wall between the top hatch chambers to join them. Dig from within this tunnel. Use a flamethrower and a bazooker to penetrate the brickwork bulkheads. "Glued to the Goal}5"" !" Maxkill Zero Use a gluepourer at the top to bridge the gap. Use a flamethrower x3 to get to exit. At the bottom, flamethrow the pillar. Start a platformer over the gap, then make the next Lemming a gluepourer to seal it. Use a gluepourer x2 to bridge the gap over the sphinx. Let a Lemming reflect at the top right, then platform towards the purple and blue stuff. Break into exit chamber with another flamethrower. "LABYRINTH OF FUN" Maxkill Zero Wait until the first Lemming }6!is about to drop off the first ledge, then start an attractor near the hatch. When it reflects off the painted pillar, fence left into the chamber with the small table. Let it reflect twice and fall into the pit just left of the sphinx. Stomp when facing left, and scoop left down to the exit chamber. Release the attractor by any convenient means. "Spiralling DNA" Maxkill Zero "First", "second", etc, refer to the order the Lemmings originally emerge from the hatch. Make the se}7 <cond Lemming into a twister just before it is about to reflect. When the first Lemming arrives left of the hatch, make it into a stacker. Delay the third Lemming by making it into a platformer. Use superlemming to fly the stacker back into the horde. Carefully burrow the twister upwards and towards the exit with the fan. "Echo of Light" Maxkill Zero Bash the tree, then make a climber, and whilst it is climbing make it a slider. After sliding, bash to the right, and make it a ru}8GNnner. Jump the gap, bash the last bulkhead, and jump to reach the exit. Stomp just left of the hatch to release the horde, and glue right as soon as they land. Bash the two bulkheads, and immediately glue again. "RUPER'Z QUESTLING" Maxkill Zero This level is tedious, but simple. Let them reflect, then start a hopper just before the 4 small pits. The hopper will stop and drop in the third one, while the horde assembles in the first. Working with the advance Lemming, lfill whil}9x:e standing on the left side of the pit facing right, lfill the same way again to get out of the next pit. Platform over the lake. Platform the pit containing the trap. Bash the painted column, the table stand, and the tree. Platform over this lake. Rope from about half an inch right of the sphinx to a point halfway up its head. Platform left from the top of the sphinx, lfill x13 to fill up the tall thin pit at the extreme left. Let the Lemming reflect, then platform right from the }$B=nds, such that the others land between its arms and go right. Just as a Lemming reflects, make it dig - despite the steel, it will take a little nick out of the sandstone, and so effectively break right a little way. A dozen or so such diggers should be enough to get past the steel. Now click a normal digger going right, i.e. before it reflects. Let it cut about halfway down the sandstone, then convert to a basher to break out to the right. Build right just before the little step. Ba}%[Xsh through the wood. Dig at the right end just before reflecting off the steel, and convert to a miner after a few pixels. Destroy the blocker by either means, or wait. "Flying The Mad Pursuit" Maxkill Zero Make a climber going left, wait a few seconds, then make one going right. Make the left one build from the sandstone ledge to get over the exit. Make the right one bash the sandstone block with the indentation. Let the left one drop, then mine from the left side of the exit}&8!{ - it should end up in the bottom left chamber; if necessary, make it bash to stop it. Let it reflect, then mine right, and bash as soon as it is low enough to clear the steel. Use the other climber to bash x5 the strips of wood. When it has started the last one, dig the sandstone to release the horde. "What's it like up there?" Maxkill Zero The first few stages must be done quickly in succession, in the order given: make the 2nd Lemming build as it lands; make the 1st one build}'# from the extreme end of the platform; make the 3rd one build from the join between the 3rd and 4th steel blocks. Make the 4th Lemming a blocker as high up the rightmost ramp as possible. Let the 1st Lemming finish building and reflect, then build left from the 1st join in the steel, counting from the right. This ramp should meet the previous one and seal off the chasm. To get through the pillar, make the Lemming dig just as it is about to reflect - 4 to 6 repetitions will suffice}(S. Mine the sandstone on the right just before reflection, then stop the miner at the last second by making it build. As soon as it reflects, make it a digger. Build x2, placing the first tile between the marks on the pedestal - it should make a ramp up to the steel without reflecting off it. Build again from the left of the steel to get over the lake, and make the builder a climber. Build over the lake on the exit level, allowing the builder to reflect. Cause it to reflect back by ma})king it dig just before it starts to climb back over the wall. Bash through to the exit. Using the first Lemming of a group to ensure accurate clicking, mine the ramp, releasing the horde to the exit, and the blocker to the right. Make the ex-blocker build just before the pillar to cause it to reflect, and make it a floater for safety. Medieval Tribe ~~~~~~~~~~~~~~ The Medieval exit is a small castle. "LEMMING OF NOTTINGHAM" Maxkill Zero Scoop to the right to get out of the}*z#` initial chamber, and again to get out to ground level. Use a sandpourer x2 to fill in the small pit. Give one Lemming icaruswings and use the fan to blow it upwards and to the right, over the protruding ledge. After it reflects, make it scoop left just where the ledge starts, allowing the others up and to the right. Use another scooper to the right to break into the exit chamber. "SIR! I KID YE NOT" Maxkill Zero Make a twister amongst the rubble and fan it downwards and to the }+d%right. Use a clubbasher to get through each of the thin pillars. lfill the small pit. Get over the block of steel by building a ramp with sandpourers. Stomp the platform. Clubbash the rubble to the right to reach the exit. "ALL IN A KNIGHTS WORK!!" Maxkill One Jump one Lemming over the small pit. The catapult will land it in the top tray. Let it reflect, then stomp in the middle of the tray. explode it, starting the timer just before the right hand edge of the small ledge - this},%8 will blow through the bulkhead. Jump another Lemming over to the catapult. Jump it over the hole in the tray, then let it reflect and fall down the hole. After it passes through the hole in the bulkhead, rope back to the bulkhead to block it off. Platform across the water. Stomp to release the main horde. "WATCH THAT LAST STEP!" Maxkill Zero Make a stacker on each of the small platforms, and on the grassy part. This should leave a single Lemming going right. Use a gluepourer to}-i bridge the gap to the water section. Surf it across the water. As it approaches the pit just left of the exit, use a sandpourer to eliminate the step. Make it a stacker just before the left edge of the pit, and once it has built 5 or 6 steps, change to a sandpourer while facing left. Bridge the water with a gluepourer. Use a clubbasher to release the horde. "KING ARTHURS LEMMINGS" Maxkill Zero Bomb once, then clubbash to the right from the bottom of the crater. Stop the horde w}.ith an attractor. When the club basher stops, build x2 across the hole. Bomb the extreme right edge of the platform so the drop is reduced. Release the attractor by making it jump. "Let's Play Twister" Maxkill Zero Jump one Lemming to the stone island at the right and make it a runner. Let it reflect off the tree, then jump onto the slope under the hatch. Make it a twister. Fan the twister left and down, so it lands in the left chamber and walks left. Make it a slider. After s}the pit, make it build right from just under the join between the two largest blocks, to join up with the tunnel mined earlier. The timing can be taken from the marks on the stone below and will require practice. If it stops building and reflects, you will need to redo the level. Build from atop the ramp in the pit to release the main horde. Remember to use the digger to make a hole in the wooden platform above the exit. If you do not do so, the climber will escape to the left and }GPdrown. "LEMTRIS" Maxkill Zero The general idea here is to set off a few climbers at 10-15 second intervals, and to use them in turn to prepare ways through the various obstacles. The description below refers to the stone Tetris pieces which form the obstacles as "piece 1" to "piece 7", from RIGHT to LEFT respectively. Make the first Lemming a climber after it reflects. When it starts climbing piece 2, set off another climber. After the first climber reflects off piece 3, make i}w5-( PrGrammers CNf )- < > \X/ pssible! Node1: +31-10-4779507 -(AnsI CNf )- < > Node2: +31-10-SN -( Great /X CNf )- < > _________ ___ ____ __________________ ________ < > |.~ __ ~\ | \ .\ / _~ .\ ~ _ \/ ~ _ ~\ < > | |__| | | ___\ .\ | || \___/ .|_\___/// /_\___/ < > | . _____/. | ___ /~ ~/\ \\| :| __| _|___/_____~ .\ < >}ŗ$ | || |: |_/~ ~| /__\ \ |_/ ~\ |_/ \ \_\ \\ < > |___| |_________|___________\________/________/_________/ < > < >- -** JUSTICE EUROPEAN HEADQUARTERS **- --- --- - --- -- - -< _ _ _ _ __/ \___________/ \___________/ \___________/ \__________ \ / / / / ___/ }a{z\__ // / // / // \ / [------------] \ / \ / / / / / / /--> Ne F ThE <-- \ / \_/\ / _/\ / _/\ / _/ --> FaStESt N <-- / \ / \ / \ / / \ --> hLLaND! <-- \_ / \_ / \_ / \__/ / [------------] \__ /\__/ \__ /\__/ \__ /\__sAl-Ne_ /\__/ |/ |/ |/ |/ `_}d[ `_ `_ `_ _ __/ \______ __/ \___________/ \___________/ \___________/ \__________ \ \ \ / / \ / / ___/ \ \_/ / // /__ // _ //____\__ / \ / / / / / \ / / \ / / \ / \ / _/\ / _/\ / \_/\ / \_/\ / \_/ / \ / \ / \ / / \}sw / \ \_ / \_ / \_ / \__/ / \_ / \__ /\__/ \__ /\__/ \__ /\__/ \__ /\__/ \__ /\__/ |/ |/ |/ |/ |/ ` ` ` ` ` [^BNDCKS^]--[ tRStAr & rEd^SeCtr Nc. DhQ ]--[ g^sTYLe WHQ! ] [ SysP: [-sAl-Ne!/TRS!/g^sTYLe!/dP!] ] [ CsYspS: [ X-TrEmE/TRS ] [-rEDSKiN'/TRS!/g^sTYLe!/dP!]}; ] [ ThC/JUsTiCe ] [ AdAm/dP! ] [ aXe/sUBMSSn ] [-[ NDe 1: +31-(0)-548-040-653 ]-][-[ NDe 2: +31-(0)-548-021-716 ]]-] [-[ NDe 1: DhSt 16k8 ]-][-[ NDe 2: hSt 14k4 (DhST 16k8 sN!) ]-] [-[[ UPlaDeD bY: [-sTYLe/tRSi-] ]]-] [-[[ NdE: 2 ]]-] [-[[ tME aNd DaTE F ThE UpLaD: ]]--[[ 17:23:38 ]]--[[ 06-mAY-93 ]]-] _____________________________________________________________________________ \o| } (ˎ" |o/ / |(718) 397 - 5413 * (718) 397 - 5532 * (718) 397 - 5520 * (718) 397-5442| \ \o| |o/ / | R I N G D O W N ! ---- T H E P I T ---- R I N G D O W N ! | \ \o| AMiGA * CONSOLES * PC |o/ / | | \ \o| TARKUS TEAM HQ <> RAZOR 1911 CHQ <> ROMKiDS } &WHQ <> WTI WHQ |o/ /_|_______________________________________________________________________|_\ --------------------------------------------------------------------------- | A Complete "Gold" Solution to the DMA Design / Psygnosis Computer Game | | Lemmings II - The Tribes - Compiled by David Crooke, Date: April 1993. | ----------------------------------------------------------------} Wz----------- Fixed by [RYGAR]. Greetings to Baser Evil, Scooter, anyone else doing docs for the Amiga. Special Greetings to Madness. More Greetings to Hoson. This Solution works with the PC version of Lemmings II aswell. Let's read it! Terminology and General Points ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ This is just a list of some of the terms used in this document and some helpful ideas. - The term "hatch" refers to the points at which th} b;e Lemmings enter a level. - The term "exit" refers to the objective you're trying to get the Lemmings to. Often also called the "goal". - There are many references to Lemmings "reflecting" in this solution. Lemmings always have a direction (left or right) which they remember and keep to, but if they run against an obstacle, they reflect and change direction. This is caused by e.g. a non-climber reaching a wall, a builder running out of room, or a climber hitting the ceil} zm9ing while climbing. - The "Maxkill" given at the start of each level is the number of Lemmings you will lose or kill on that particular level, and is usually equal to the maximum you are allowed to lose while still securing a "Gold" - since the scoring system is negative, within limits it means you can still get a Gold on later levels even if you have messed up earlier ones. You can then go back and correct your mistakes without redoing all the later levels. It also meanu}mn either mouse button temporarily re- sets the origin to the current cursor position and displays the dis- placement value from that temporary origin as you move around the screen. The readout is scaled in pixels. @endnode @node Fast FB @title "Fast FB" FAST FB Fast feedback. Turn on Fast FB when working with a large or complicated brushes while using the line or unfilled shape tools. Fast FB lets you draw your lines or shapes using the smallest (one-pixel) brush for feedbuSack, and then completes the design using the currently selected brush. This increases response speed while you are drawing, but does not affect the final image. @endnode @node Multicycle @title "Multicycle" MULTICYCLE Works in conjunction with the CYCLE paint mode from the Mode Menu. With MULTICYCLE turned on, painting with a multicolored brush in CYCLE mode cycles each color in the brush, provided the colors in a cycle range. When MULTICYCLE is turned off, using CYCLE wituikh a multi- colored brush treats the brush as though it were a single color. @endnode @node Be Square @title "Be Square" BE SQUARE Because the Amiga's pixels are not perfectly square, circles and squares drawn with the shape tools are not perfectly round or square. If you wish to draw "true" circles or squares, select Be Square. This will square all the built-in-brushes, the appropriate shape tools, and symmetry. Be Square does not square gridding or perspective, and shouldu/b be turned off when you are using those features. @endnode @node Workbench @title "Workbench" WORKBENCH Toggles the Amiga Workbench on and off. @endnode @node Exclbrush @title "ExclBrush" EXCLBRUSH If you pick up a brush with ExclBrush (and the Grid) selected, you will exclude a one-pixel border on the right and bottom edges of your brush. This is useful if your brush has a colored border around it and you want to use the brush to create a pattern fill or perspec- tiveuӿal fill. When DPaint creates your pattern, the border will be uniform throughout instead of being twice as wide where one copy of the brush is placed next to another. @endnode @node Autotransp @title "AutoTransp" AUTOTRANSP Modifies the way brush pickup works. With AutoTransp turned on, DPaint determines the transparent color by looking at the corners of the cap- tured rectangle or the points of the polygon to see if they are the same color. If the four corners are the same, ul:4color, that color becomes the transparent color, otherwise the current background color remains the transparent color. @endnode @node No Icons @title "No Icons" NOICONS When No Icons is on, your files are saved without the icon "info" files. This option is useful if you don't ever expect to launch an application by double-clicking on a picture file. Saving without the icons saves space on your disks. @endnode @node Autogrid @title "AutoGrid" AUTOGRID With AutoGrid turuկned on, the perspective grid is resized automatically to match any custom brush you choose to load or pick up. It's as if you had clicked the From Brush action button in the Perspective requester. When AutoGrid is off, the perspective grid is not automatically resized. @endnode @node OriginUL @title "OriginUL" ORIGINUL When COORDS from the Prefs menu is on, DPaint displays the current posi- tion of the cursor on the right side of the Title Bar. By default the program calculuBates the origin; or zero point of coordinates (0,0) of the cursor position from the lower left corner of the screen. If you would rather have the origin calculated from the upper left, choose OriginUL. To return to the default origin, choose OriginUL again. @endnode @node FastAdjust @title "FastAdjust" FASTADJUST This option is available only in HAM mode, where it is turned on by default. FastAdjust tells DPaint NOT to attempt to correct the fringing effects that appear alou-gwmng the right side of your brush while the brush is moving. This improves the speed of brush movement and especially helpful if you are using large custom brushes. If you find the fringing to be annoying or difficult to work with, turn FastAdjust off, and the fringing will be reduces. @endnode determines the transparent color by looking at the corners of the cap- tured rectangle or the points of the polygon to see if they are the same color. If the four corners are the same, {Vc SMc'$?|#xfa<`)A:cU 6󋊼zt`A* JQ |՟Ib[͠>Hk@.s#>k 5 E+vh;Qe jځ0|ڣ~5*M ~*4S 8 t%$~3c9g0! ~WXy&C|^w.vOF|KA=7f(5@Jx`'xpv; ?(5^t=-sc{=xݰ|u{ƈ}P|Gܐ8'dL)OL0P>V;Vl}_-ގXG3yg aIL~9 < > * SySP: tHC/JuSTice * Running On: -( 250 Mb nlnE )- < > *CSySP: sAl-Ne/TRSi * A2000 -( UsR DhST 16k8 )- < > 9 Megs 32 Bit ram -( /X 2.33 ReG. )- < > _ Nly AmiGa GVP 68030/68882 40 MHZ -(0/1 Dayz WarEZ!)- < > \\ _ Makes It uڡ painting with the RGB value R:15 (100%) G:0 B:0 and that blue (R:0 G:0 B:15 (100%)) is your foreground color. If you set the translucency level to 50% and painted over the red object, the resulting color would be equal to 50% of the object's color, red, and 50% of the foreground color, blue. The RGB value of the resulting color is R:7(50%G:0B:7. If this color (purple) is not in the current palette the closest color to this value will be used instead. Like the Process functionuR=5s, Translucency give the best results in HAM mode. The percentage value for translucency refers to the amount of the original object that will show through the newly applied foreground color. For instance, in the example if the translucency level was set to 75%, the resulting color would be 75% of the existing color in any painting, red, and 25% of the foreground color, blue. The RGB value of the resulting color would be R:11G:0B:3. Translucency works with all the painting tul۠ools (except text, single pixel airbrush, or the 3 and 5 pixel built-in-brushes, and in combi- nation with the PROCESS options. By combining Translucency with TINT, for example, you can control the degree of tinting. @endnode @node Perspect @title "Perspective" The Perspective submenu contains options for manipulating a brush in three dimensions. DO Keyboard equivalent: Enter (on keypad) Puts you into Perspective mode. Your brush is represented by a four-cell matrix, whicuZT=h you can manipulate with keypad commands. The amount of rotation for axes x, y, and z is given in degrees on the right side of the Title bar. The center of perspective is indicated by a cross-hair. You can paint an image of the rotated brush at any time by clicking. FILLSCREEN Keyboard equivalent: - (minus on keypad) Fills the screen with the current brush, in its current state of rota- tion in 3D. The entire brushsize (not just the opaque part) is the default size for theu޽C Perspective Fill pattern. RESET Keyboard equivalent: 0 (on keypad) Resets the brush to its original state before rotation, and returns all of the settings in the Perspective Settings requester to their defaults. NOTE: The keyboard equivalent does not reset the perspective center. It is useful if you need to reset your brush to its original orienta- tion without changing your perspective plane. CENTER Keyboard equivalent: . (period on keypad) Allows you to set ui fthe Perspective center or horizon in your perspective "landscape." When you select Center, you cursor changes into a large cross-hair. The smaller, stationary cross-hair on the screen indicates the existing center. Move the large cross-hair to the new center you want and click either mouse buttons. Once you have set the Perspective center, the position of the unrotated brush relative to that center determines the position of the perspec- tive plane when you rotate the brusu)Kh. The greater the distance above or below Perspective center, the less pronounced the perspective level. SETTINGS Displays the Perspective requester. When you are in Perspective mode, you can also display this requester by right-clicking the Grid tool. The following options are available: GRID You can use these edit boxes to set the dimensions for a grid in three dimensional space. When you first open the requester, the numbers in these boxes correspond to the dimensiuæeons of your brush; the Z dimension automatically takes the same value as the Y dimension. It is important to remember that the entire brush size (not just the opaque part) is the default size for Perspective Grid and Perspective Fill. FROM BRUSH Clicking From Brush set the X and Y grid values to correspond to the width and height of the brush. this is the quickest way to restore the perspective grid settings to the same dimensions as your brush without affecting any other suWettings. ANGLE STEP Specifies the rotation increment used in conjunction with the Shift key and the appropriate keyboard rotation key. This value defaults to 90. SCREEN The default setting, uses the screen coordinate system when rotating the brush on the X, Y, and Z axes. BRUSH Rotates the brush relative to the current brush coordinate system. DISPLAY The ANGLE and POS buttons lets you choose whether the menu bar displays the angle of rotation or the position of tu0;he brush in three dimensional space. If COORDS from the Prefs menu is chosen, the Title bar shows 2 dimensional coordinates. If you want to see 3 dimensional coordinates, turn off COORDS in the Prefs menu. @endnode @node Prefs @title "Prefs Menu" 1. @{" Coords "link Coords} 2. @{" Fast FB "link Fast FB} 3. @{" Multicycle "link Multicycle} 4. @{" Be Square "link Be Square} 5. @{" Workbench "link Workbench} 6. @{" ExclBrush "link ExclBrush} 7. @{" AutoTranspu&(h "link AutoTransp} 8. @{" No Icons "link No Icons} 9. @{" AutoGrid "link AutoGrid} 10. @{" OriginUL "link OriginUL} 11. @{" FastAdjust "link FastAdjust} @endnode @node Coords @title "Coords" COORDS Keyboard equivalent: SHIFT-\ This option turns on the coordinate display in the upper right-hand portion of the Title Bar. Simply moving the mouse displays the current position of the cursor, with the origin (0,0) set to the lower left corner of the screen. Holding dowu,kl#sily see at a glance which frame you are working on. Dim is on by default. This option applies to all screen format modes except HAM. TWO/BACK Shows/hides/ the frame that is two back from the current frame in the lighttable. For example, if your current frame is number 3, then two back shows frame 1 on the Lighttable. PREVIOUS Shows/hides the frame immediately preceding the current frame in the Lighttable. NEXT Shows/hides the frame immediately following the curreurqnt frame in the Lighttable. SPARE Shows/hides the scratch page in the Lighttable. @endnode @node Backg @title "Background" FIX Fixes the BG by "locking" the current palette. This allows you to draw on it without losing any of the background. You can erase any paint you apply after fixing the background by click CLR or by painting with the right mouse button. FREE This "unlocks" the background, and merges it with anything that was painted over it, so that clicking CLRu+e[ will clear the entire picture. It also frees up the memory that was allocated to fixing the background. LOCK FG The Make Stencil requester lets you create stencils based on colors in the palette. By locking a color, you make it impossible to paint on that color, wherever it may be on the page. By using a combination of Fix Background and Lock FG, however, you can define a stencil by area rather than color. When you select Lock FG, you define as a stencil those areas on theuNՔQ page that you have painted since fixing the back- ground. regardless of the color of those areas. @endnode @node AntiAlias @title "Anti Alias" Anti-aliasing is a smoothing process which eliminates or reduces the jagged edges apparent in lines that aren't precisely vertical or horizontal. The effectiveness of anti-aliasing is dependent on the range of colors in the palette. For example, to draw a smooth, oblique black line on a white background, you'll need to have two intermu邫jediate shades of gray in the palette. Anti-aliasing works with straight and curved lines, and with filled and unfilled shapes. It is especially good at smoothing the jagged lines in a brush that result from rotating or shrinking it in Perspective mode. NONE,LOW,HIGH Keyboard equivalent: ALT-/ Set the level of anti-aliasing used on your brush when you paint. None is the default setting and applies no anti-aliasing. Low lets you eli- minate some of the jagged outline in youru images and brushes. The cost of removing jagged lines is painting speed, but is still faster than smoothing out an image by hand. @endnode @node Process @title "Process" The effectiveness of the Process options is dependent on the colors available in the palette. DPaint combines your foreground color with the color in your image and then looks for the color in your palette that most closely matches the color it needs. For best results, your palette should contain a range of u Click the colors you want to use to create the stencil. You can select colors by clicking them in the requester's palette, by clicking colorsuxF in your picture, or by clicking colors in the main palette. When you have clicked all the colors you want to protect, click MAKE. The colors you select define a mask that protects an area from being painted over. The shape of the stencil is what is created and saved not the color information, which means you can change the colors of a "stenciled" shape, and still retain the stencil. If you have several animation frames, DPaint automatically remakes the stencil u9 as you move from one frame to the next, either manually or while using the Move requester. CLEAR Clears the current color selections in the requester. INVERT Inverts the current color selections. This is useful if you want to mask more colors than you want to leave unmasked. When you are using HAM mode, your Make Stencil requester also contains a Show button, a Fine Tune button and a Tolerance edit field. Show toggles the show stencil function on and off. This woruܡDks like the STENCIL>SHOW option in the Effect menu. FINE TUNE lets you add or subtract individual colors from the stencil. The TOLERANCE edit field lets you click on a single color in your pic- ture and simultaneously lock (or unlock) all "similar" colors in the image. The Tolerance number determines how different a color can be and still be considered "similar" to the one you clicked on. A low Tolerance number requires that the colors be very similar, while a high Toleranu\ce number requires that the colors may be very different from the color you clicked. The range of Tolerance values runs from 0 to 48. At 0 tolerance, only colors that are identical to the color you click on will be affected. At 48 tolerance, all colors will be affected. REMAKE When you have a stencil active and you apply colors to your picture, the colors you apply are not protected, even though they may be locked in the Make Stencil requester. You can lock newly applied colu45Dors by bringing up the Make Stencil requester and clicking MAKE, or by select- ing REMAKE from the Stencil submenu. If you have several animation frames and you make a stencil, DPaint automatically remakes the stencil as you move from one screen to the next. PAINT Keyboard equivalent: CTRL-s Uses your current built-in or custom brush to paint the area you want stenciled. The image under the stencil will be displayed in a "half-tone" mode. When you've finished painting thuQe stencil choose PAINT again to exit this mode and activate the stencil. Stencils you create using Stencil Paint are "area-based" and apply only to the current picture or frame. Also, if you choose MAKE or REMAKE to create a "color-based" stencil, your painted stencil is discarded. REVERSE Has the same effect as clicking Invert in the Make Stencil requester. ON/OFF Keyboard equivalent: ` (below Esc) Toggles the stencil on and off. This maintains the stencil but turns itu]F off temporarily so you can paint on the protected colors. FREE Creating a stencil uses memory, even though you may have it turned off. Free deletes the stencil and deallocates the memory it was using. LOAD Stencils can be loaded as separate items. They are full screen only, and can be loaded only to the position they occupied when they were created. In other words, you cannot create a page larger than screen size and load the stencil into the middle of the page. The LoauBd re- quester works like all other Load requesters in the program. When you load or save a stencil, you are loading or saving only a layer of data that indicates which pixels in your picture you can or cannot paint on. You are not loading settings for Make Stencil requester. In other words, stencils you load are area-based, like the stencils you create in the STENCIL>PAINT mode. Area-based stencils do not apply across animation frames and are replaced by color based stencilsuX[F you subsequently create using the Make Stencil requester. @endnode @node LightTable @title "LightTable" ON/OFF Keyboard equivalent: l Turns the Lighttable on or off. The Lighttable lets you see the animation frames that immediately precede and/or immediately follow the current frame (or the spare page), which gives you greater control while creating your animation. This effect simulates the "onion skin" techniques used by traditional animation artists. The lighttabled framuz|]es appear behind the current image in the BG color area and can be dimmed to a darker color in all screen format in all screen format modes except HAM. MERGE Merges all of the currently viewed images into the current frame, and turns off the Lighttable so you can see the result as it actually appears. You cannot UNDO this command. DIM Keyboard equivalent: ALT-l When dim is on, all frames displayed on the Lighttable, except the current frame, appear dimmed. You can eau9 Area to. > Click COPY. TO appears attached to the cursor. > Click in the Mixing Area. It is clear to the color you selected. ARRANGE Keyboard equivalent: P Show the Arrange requester. It displays all 256 colors of a Color Set. USE BRUSH PALETTE When you load a brush from disk, DPaint continues to use the current picture palette, even though it may be different from the one the brush was created with. Use Brush Palette to switch to the brush palette. RESTORE PALETTufjcE Returns you to the palette you were using before the current palette. DEFAULT PALETTE The default palette is the palette DPaint uses when you first start the program. LOAD Load a palette that you have previously saved, without loading an image. SAVE Save a palette without saving the image. @endnode @node Set @title "Color Set" LOAD Displays the Load Color Set requester. Load in the first requester, a second Load Color Set requester appears. This requester letu5 you include which colors from the Color Set are to be loaded into the current color set. To select colors, click on them. The ALL button selects all colors and the NONE button selects all colors. After selecting the colors you want to load, you can either ADD them or OVERWRITE the current Color Set. If you choose add the colors are added beginning in the first empty slot of your current Color Set. If you choose OVERWRITE, the colors you have selected are inserted into your u'current Color Set beginning at color 0 and the new colors overwrite the previously existing colors. SAVE Saves a 256-color set as a separate file. @endnode @node BG @title "BG -> FG" Changes all pixels that use the current background color to use the current foreground color. This provides an easy method of changing colors globally--all pixels in the current background color in the picture are changed to the current foreground color. @endnode @node FG @title "BG <-> FG" utSwaps all pixels in the current background color with the current fore ground color. This is similar to the BG->FG option, except that the change occurs in both directions. @endnode @node Remap @title "Remap" When you create a picture, DPaint "remembers" each color on the screen by remembering its location in the palette. If a picture on the screen was created with a palette other than the current palette, Remap finds the locations in the current palette of the colors it used uӖ:in the original palette and tells the picture to look there for its colors. @endnode @node Recompute @title "Recompute" This option is available in HAM mode only. Choosing this option recom- putes the picture data by doing a remap with the current palette. If you have loaded a HAM image from a different program, Recompute may reduce the fringing effects you see when moving a brush across the screen. @endnode @node Bush @title "Brush" BRUSH Use the options in the submenu to u.Zmodify the current brush colors. BG->FG Changes all pixels in the brush that are in the current background color into the current foreground color. This provides an easy method of making a global color change. Because you can select any color in the brush as either the FG or BG color at any time, you can make intricate color changes easily. This operation affects the brush colors only and does not affect the picture or the order of colors in the palette. BG<->FG Swaps tu09he current BG color in the brush with the current FG color. This is similar to the BG<->FG option, except that the change occurs in both directions. This change affects the brush colors only and does not affect the picture or the order of colors in the palette. REMAP Use Remap when you load a brush that uses a palette different from the current palette. Remap looks at the colors used in the brush and tries to find the closest fit within the current palette. This option is du|NNifferent from USE BRUSH PALETTE in that it does not change the picture palette. Instead it changes the palette locations the brush looks at its colors. CHANGE TRANSPARENCY Lets you change the transparency of the currently selected brush to the current background color. The Effect menu contains several special features. Its options let you create "stencils", "freeze" the BG, and define planes for drawing in perspective. @endnode @node Effect @title "Effect Menu" 1. @{" SuJTtencil "link Stencil} 2. @{" LightTable "link LightTable} 3. @{" Background "link Backg} 4. @{" AntiAlias "link AntiAlias} 5. @{" Process "link Process} 6. @{" Translucency"link Translucency} 7. @{" Perspective "link Perspect} @endnode @node Stencil @title "Stencil" Creating a stencil allows you to paint around an image without painting on it, as though it were protected by a frisket. Create a stencil of an image in either of two ways (painting and lockingu), or by using both ways together. You can "paint" an area to mask, see PAINT, or "lock" the colors that comprise that image. A stencil will also apply to the brush when it is captured. Whatever colors in the brush were locked when the stencil was made become transparent in the brush. When you have a stencil active, an "S" appears in the Title Bar. SHOW Show dims the colors in your picture and displays the stenciled areas of your picture (if any) in a contrasting lighteuVY!HOW Click SHOW to see the results of you color selections and placements. The band beneath the bar shows the gradual transition from color to color as it would appear if you had access to all 4096 colors in the color universe. RATE The Rate slider lets you control the speed of color cycling for each range. RANDOM When you click the Random action button, a check appears. When Random is on, the border between any 2 colors in the gradient is randomly mixed, depending on uhow you have set the Dither slider. Click the action button to turn off Random. DITHER Dither is only active when Random is selected. Dithering reduces the contrast between adjacent colors. REVERT This returns the Range requester to the condition it was in before you displayed the requester. UNDO You can reverse the last change you made in the palette by clicking UNDO. @endnode @node TAB @title "Cycle" CYCLE Keyboard equivalent: TAB Toggles color cycling on/off.u=. Color cycling uses the range you define in the Range requester. @endnode @node Pal @title "Palette" MIXER ON/OFF Keyboard equivalent p Displays/removes the Color Mixer. You can also display this mixer by right-clicking the Color Indicator. The Color Mixer is the master color control panel. From here you can mix and modify colors, create spreads, and copy or exchange colors. DPaint lets you modify colors with either the RGB or the HSV color mixing systems. RGB is the defau >ult. HSV simply breaks each color down into its Hue, Saturation, and Value. HUE refers to the color's position on the color spectrum. SATURATION refers to the strength of the particular hue and the extent to which the strength is "diluted" by some proportion of white. VALUE refers to the amount of light a color reflects off a surface. COPY Use the COPY button to copy a color from your picture or the palette. Click the color you want to copy. > Click COPY. TO appears u rGcattached to the cursor. > Click the slot in the requester into which you want to copy the new color. Use the EX button to exchange the positions of two colors in the palette. SPREAD SPREAD helps you quickly create a spread of shades between two colors. > Select the 1st color from the palette. Click SPREAD. TO appears attached to the cursor. > Click the second color. PICK Use PICK to select a new foreground or background color for your palette. > Click PICK.u "g The pointer changes to an eye dropper cursor. Position the point of the eye dropper on the color you want to become the new foreground or background color. > Click to make the color you clicked on the new foreground color. Right-click to make it the new background color. To copy the new color into the palette, use COPY. DELETE Use DELETE to remove one or more colors from the color set. > Click a color you want to delete. > Click DELETE. TO appears attached to tu dhe cursor. > If you want to delete only one color, click on that color in the color set. The color will be deleted. If you want to delete more than 1 color, a range for example, click the first color in the range; click DELETE; move the TO cursor to the last color in the range; and click the color. DPaint will delete all colors between the selected color in the sample color box and the color you clicked on. UNDO You can reverse the last change you made in the Colu #Q/or Mixer by clicking UNDO. REVERT You can clear the changes you made in the Color Mixer by clicking REVERT. COLOR MIXING AREA Use the mixing area to interactively mix colors to to create new ones, and, if you wish, add colors to your palette. You can use colors in the picture, colors from the palette, and colors you mix to create new shades. CREATING A NEW COLOR You can create a new color in the Mixing Area in 2 basic ways: 1. Mix a selected color in the Mixing Areu.'$a with one or more selected colors. The resulting color can be a new color. 2. Edit a color by adjusting its values with the RGB/HSV sliders. Here's a step-by-step example of how to select a color from the current picture, edit, it, mix it with another color, and add it to the palette. SELECTING A COLOR > With a picture on your screen and the Color Mixer exposed, click the PICK action button. > Move the PICK cursor to the picture and click on a color. uThe color you clicked on automatically becomes the current foreground color. It appears in the sample-color box, so you can paint with it immediately. The color slot of the new color appears indented in the color set. This color can be edited. To edit the color in the mixing area: > Drag one or more of the RGB/HSV sliders to change the color values, which changes the color itself. MIXING A COLOR > Click a medium sized built-in-brush and paint in the mixing area. u:1 > Choose another color, and paint over the first color in the mixing area. As you combine the two colors, new shades are created. You can repeat this step as often as you like. > When you have created a color you want to use, click the slot in the color set where you want to place the new color. > Click the PICK button; click the color in the mixing area to make that shaded the new color. CLEARING THE MIXING AREA > Select the color you want to clear the Mixingu frame, the position is set to the first frame. GO TO Keyboard equivalent: 3 Displays the Go to Frame requester. This requester lets you position the current frame to any of the available animation frames. You can also display this requester by CTRL-clicking the Go to icon on the animation panel. REPEAT LAST GO TO Keyboard equivalent: SHIFT-3 Clicking on this icon brings you to the frame number set in the Go To requester. You can display this requester either by chou+2osing CONTROL>GO to from the Anim menu, or by CTRL-clicking on this icon. PLAY Keyboard equivalent: 4 Plays the animation at the speed set in the Set Rate requester. The animation will continue to cycle until you press the spacebar. PLAY ONCE Keyboard equivalent: 5 Plays the animation sequence once through from Frame 1 to the last frame. PING-PONG Keyboard equivalent: 6 Plays the animation sequence continuously as in Play but plays the sequence forward then bacu-+kward then forward then backward and so on. Click or press the spacebar to stop. @endnode @node Met @title "Method" The Method menu contains two submenu options which can be used to specify the "memory model" of the animation sequence frames. The memory model refers only to the animation in RAM,not to the disk file. When you load an animation, it is loaded into your current memory model. COMPRESSED The Compressed Method, while a little more complex than the Expanded Methodu@, offers the advantage of permitting many more animation frames in memory at one time. It is slower than the expanded method while animpainting, loading and saving are slower, and memory tends to frag- ment, making it easy to run out of memory. EXPANDED The Expanded Method represents the simplest of the two memory models where all of the memory for each animation frame is allocated. If you are in low resolution mode and you have 10 animation frames, then you would need enuCough memory to hold 10 complete 320 X 200 images. 2 advantages of this method are that the frame flipping for animpainting is very smooth, and you will not run out of memory to add an element to your animation within the allocated frames. If you set this option and then request animation frames, DPaint automatically inserts the maximum number of available frames in the Set Frame Count requester so that you don't have to guess how many frames you can create. @endnode @node Colr uQ(@title "Color Menu" 1. @{" Ranges "link Ranges} 2. @{" Cycle TAB "link TAB} 3. @{" Palette "link Pal} 4. @{" Color Set "link Set} 5. @{" BG -> FG "link BG} 6. @{" BG <-> FG "link FG} 7. @{" Remap "link Remap} 8. @{" Recompute "link Recompute} 9. @{" Brush "link Bush} @endnode @node Ranges @title "Ranges" Keyboard equivalent: CTRL-r Displays the Range requester, which you can use to define customized color ranges for the color cycling, gruO(VSadient fill, and Shade features of DPaint. The requester lets you specify the colors in a range (max- imum of 32 colors) and how the colors are mixed. You can define eight ranges for each picture. TO DEFINE A RANGE > The RANGE slider indicates the number of the current range. By default this is range 1. You can see the range of colors displayed on the range bar. Click to the right of the slider or drag the slider to the right to access an empty range bar. All ranuG[ge-based features depend on the Range number set in this requester. Once you've created ranges to work with, you can step forward and backward through them without entering the requester by pressing ALT-] and ALT-[. > To select a color for the range, move the arrow cursor to the row of colors in the requester and click one. When you click a color, it appears in the sample square. The arrow cursor becomes the color bead cursor. If you don't want to use the coluMor you chose, click another with the color bead cursor. When the color you want is in the sample square: > Move the bead cursor to the range bar. Position the cursor where you want the selected color to fall in the range and click. The color appears in the range. The position of colors in the range control the cycle direction for each range, and also sets the direction of the range when it is used as a gradient. The start color is the color furthest left on thu ue range. Any color cycling begins with this color. REVERSE Keyboard equivalent: ALT-r You can reverse the direction of the color range, and therefore the direction of cycling and gradient by clicking the REVERSE action button. > Select another color and position it on the bar. Repeat this step until all the colors you want are on the bar, click it, move the bead cursor to another position, and click again. CLEAR To eliminate a color from the bar, click it, move thuo(=e bear cursor off the bar, and click again. The arrow cursor returns. To eliminate all colors from the range, click the CLEAR action button. Each color you place on the bar appears in the range sample. The gradient between colors, that is the transition of shades from one color to the next, is calculated automatically. You can place original colors far apart to create subtle blending of colors, or close together to create more abrupt transitions between original shades. Su~]$8fied by the dist. and angle edit boxes. DIRECTION The Direction action buttons control the direction of your move and the order in which the frames of the animation are painted. MOVE Lets you choose to have a move drawn in one of two ways. GO FROM starts the movement of the brush from the point where you stamped your brush and paints forward. COME TO starts the animation at an earlier frame and moves the brush forward to the point where you stamped your brush. RECOu;RD Lets you choose the order in which the frames of the brush move are painted. These buttons are available only if you have more than 1 animation frame. FORWARD Paints the move by stepping forward from the point where you stamped your brush. This is the default setting and the one you will use more often. IN PLACE Paints all of the move on the current frame. BACKWARD Paints the move in reverse order by advancing to the last frame and painting backwards. This opuLQtion is useful when you are using Trails. PREVIEW Click to view (in "wire-frame" mode) the move you have set up. When the preview is complete, the Move requester return. To interrupt the preview and return to the Move requester, hit the space bar. TRAILS This button is available only if you have more than one animation frame allocated. Clicking Trails is like clicking on the Draw button except on each frame you get the sum total of all "trails" of the brush as it movesufH)K. FILL Works like draw, except that when you click it, the move you specified is used to draw a filled perspective plane based on the rotation of the current brush. DRAW Executes the move that you have specified, causing the brush to be drawn into animation sequence. CANCEL Restores any settings that have been changed and exits this requester. EXIT Exits the requester and keeps all of the settings that you have entered. @endnode @node Fra @title "Frames" Presentu cs a submenu of options for manipulating the frames in your anima- tion. SET # Displays ;the Set Frame Count requester. DPaint will try to allocate as many frames as are requested. If there is not enough memory to allocate the requested number of frames, DPaint will allocate as many as memory will allow. You can use this requester to add or delete frames to your animation. For example, you could add several frames to the middle of your animation by stepping to the frame youu!  want to add frames after, and changing the number of frames you want to add. Similarly, you could delete several frames from any point in your animation by stepping to the first frame you want to delete and changing the number of frames to the current count minus the number of frames you want to delete. For example, if you have 100 frames and you want to delete frames 41 to 50, step to frame 41 and set the number of frames to 90. ADD FRAMES Displays a requester that letsu"% you add any number of frames after the current frame. DPaint copies the contents of the current frame to the added frames and makes the last new frame the current one. Keyboard equivalent: + Click on the + icon in the Animation Control Panel. ALT-= will auto- matically add a single frame to the animation. COPY FRAMES Displays a requester that lets you copy the current frame to a range of frames or to all the frames in your animation sequence. Use the Insert Before ediu#dt box to place the copied range of frames in your animation. DELETE FRAMES Displays a requester that lets you delete the current frame, a range of frames or all frames in your animation sequence. If you delete the current frame, DPaint makes the following frame the current frame unless you are already at the last frame. Keyboard equivalent: - @endnode @node Con @title "Control" Control displays a submenu of options for moving around in your animation frames and for playiu$9ng the animation. PANEL ON/OFF Keyboard equivalent: ALT-a Displays the DPaint animation control panel. It contains a Frame Counter scroll bar and 15 control buttons for working through and playing your animations. Click an option on the Panel to select it. FRAME COUNTER The number of the current frame and the total number of frames in your animation appear in the left corner of the Title Bar. You can move to a specific frame by dragging the Frame Counter scroll bar, cliu%5cking on either side of the scroll box, or by clicking the Next Frame or Previous Frame icons in the Control Panel. Any movement you make is reflected in the numbers on the Title Bar. SET RATE Displays the Set frames per second requester. The default setting is 30 frames per second (fps). The speed range is between 1 and 60 fps, though results of settings over 30 fps are unpredictable. you can set the frames-per-second rate by entering a number in the edit field and clickiu cng OK. SET RANGE Displays the Set Play Range requester. Use this requester to instruct DPaint to play any range of frames, or all frames in your animation. PREVIOUS Keyboard equivalent: 1 Steps the current frame to the previous frame in the animation sequence. If the current frame is the first frame, the position is to the last frame. NEXT Keyboard equivalent: 2 Steps the current frame to the next frame in the animation sequence. If the current frame is the lastus'ur brush. When the requester is not displayed, you can step backward and forward through the cels of your Animbrush by pressing 7 or 8 on the keyboard (not the keypad). SHIFT-7 steps to the first cel, and SHIFT-8 steps you to the last cel. DIRECTION These three icons give you the choice of flipping forward, flipping backward, or ping-ponging through the cels of your Animbrush as you paint. @endnode @node 4 Use @title "Animbrush Use" Makes the last Animbrush you "picked up" ut(\3the current brush. This lets you pickup an Animbrush, then pickup a regular brush, and then return to your Animbrush. You can also restore your Animbrush by right-clicking the Brush Selector. This toggles between a standard custom brush and an Animbrush. @endnode @node 5 Free @title "Animbrush Free" Releases the memory used by the current Animbrush. @endnode @node Loa @title "Load" Displays the Load Anim requester. This requester works like the Load Picture requester. When yuu)g gou load an animation, it replaces the one currently in memory. When you append an animation, the appended anima- tion is added to the end of your current animation. It is also possible to load individual pictures into the frames of your animation using the Load Picture requester. To do so, go to the frame you wish to load a picture into, display the Load picture requester and select the picture you wish to load. Your animation will take on the palette of the pic- ture loaded. uv*4O:If you want to restore your animation's palette choose PALETTE RESTORE PALETTE from the Color menu. If you want to remap the picture just loaded to the Animations original palette, choose REMAP from the colors menu and select current frame from the requester that appears. @endnode @node Sav @title "Save" Displays the Save Anim requester, which works like the Save Picture requester described under SAVE in the Picture menu. The one difference is that the Frames edit boxes in thuw+pee Save anim requester let you save a section of your animation as an animation rather as a series of pictures as in the Save Picture requester. @endnode @node Mov @title "Move" Keyboard equivalent: M Displays the Move requester. Use this requester to define a path along which your brush is painted in 3D, either on a single frame, or while stepping through an animation sequence. To use the Move Requester: > Stamp your brush on the screen at the starting position you want. ux,P > Choose Move from the Anim Menu. > Enter the Distance and Angle settings you want. > Set the Count edit field to the number of frames over which you want to animate the brush. > Select the Direction of your Move and Record. > Select any other settings that apply to your animation. > Click Draw to paint the animation with the settings you specified. DIST The Dist edit boxes let you specify the total distance in pixels that the brush will move along the X, Y, and Zuy-Z& axes in your animation. You can set the brush to move along the brush axes or the screen axes by clicking the Brush action button to the right of the Dist edit boxes. ANGLE The Angle edit boxes let you specify the total angle, in degrees that the brush will be rotated about the X, Y, and Z axes. You can set the brush to rotate around the brush axes or the screen axes by clicking the Brush action button to the right of the Angle edit boxes. Brush axes are active by defaultuz.˗R, which means the rotation is always based on the brush coordinate system. If the Brush action button is unchecked, any angle rotation takes place along the current axes of the screen coordinate system. The "screen", rotation system is an Euler system, and the order of rotation is always X, Y, and Z. When you rotate on more than one angle, or when the brush has been rotated previously, the rotations produced by the screen angle system are not always around the axes that are usu{/:ed for the Distance moves along the screen axes. Generally it's better to think of the screen angle rotations as "non- brush" rather than screen. All rotations occur around the brush handle. If you want your brush to appear as though it is orbiting around a point away from the brush, you would want to offset the handle from the brush. BRUSH Click these action buttons to toggle a check mark on and off. The option selects whether the Dist and Angle movements are relative to tu|0he brush's coordinate system or relative to the screen coordinate system. CLEAR Click to zero out all of the Move and Angle numbers. GO BACK Click to restore the brush's starting position (for the next movement) to the last place you manually clicked it down. CYCLIC Click this button to turn it on, if you are creating an animation that is cyclic (that is, one that starts and ends at the same position). For example, if you have 10 frames, and you want a brush to rotau}5te 360 degrees over the 10 frames to make it look as though it is spinning when you play the animation, you would turn Cyclic on. DPaint would calculate the rotation. EASE-OUT Set the number of frames over which you want the brush motion to gradually accelerate. EASE-IN Set the number of frames over which you want the brush motion to gradually decelerate. COUNT Set the number of times the brush is painted to complete the total movement and rotation as speciuh2N shades. Smooth looks at the current palette and finds the colors closest to the ones under the brush. Thus if the palette contains a wide selection of colors close to the ones under the brush, (e.g.the selection of grays in the default palette) it will have more colors to draw from to create its weighted averages. Smooth is useful for creating airbrush effects and for eliminating jagged edges. @endnode @node Mix @title "Mix" The color of your brush mixes interactively with tui3Ohe colors already on the screen (in your image). This is particularly effective in HAM. @endnode @node Hbrite @title "Halfbrite" This mode is only available if your computer supports it, and if you have selected 64 colors from the Screen Format option in the Picture Menu. When you are in HBrite mode, painting with the left mouse button darkens colors on your painting to their half-brite equivalent; painting with the right button lightens colors that are halfbrite. This mode isuj4cg especially useful in pictures with shadow and highlight effects. The Amiga supports only 32 color registers directly, but Halfbrite uses a trick to double the number of colors available on the screen. The first 32 registers are standard color registers; the second 32 are halfbrite equivalents of the original 32. Pixels that use halfbrite colors point to one of the standard color registers and indicate that the color should be displayed at half its normal intensity. This meauk5%Tfns that the second 32 pixels are not independent of the first 32; you can change the color values only in the first 32 registers, and the change is automatically reflected in the halfbrite equivalent. Not all Amiga computers support Halfbrite. If HBrite is grayed out in the Mode menu, you can't select it. @endnode @node Anim @title "Animation Menu" 1. @{" AnimBrush"link AnimBrush} 2. @{" Load "link Loa} 3. @{" Save "link Sav} 4. @{" Move "link Mov} 5. @{"ul63 Frames "link Fra} 6. @{" Control "link Con} 7. @{" Method "link Met} @endnode @node Animbrush @title "AnimBrush" 1. @{" Load "link 0 Load} 2. @{" Save "link 1 Save} 3. @{" Pickup "link 2 Pickup} 4. @{" Settings "link 3 Settings} 5. @{" Use "link 4 Use} 6. @{" Free "link 5 Free} @endnode @node 0 Load @title "Animbrush Load" Displays the Load Animbrush requester. This requester is identical in function to the Load Picture requester describedum7 under Load in the Picture menu, except that you are loading an Animbrush. When you load an Animbrush that has a palette different from that of the current picture, the picture's palette remains in place. Nonetheless, the brush palette information is loaded along with the brush; you can change to the brush's palette at any time by choosing PALETTE>USE BRUSH PALETTE from the Color menu. @endnode @node 1 Save @title "Animbrush Save" Displays the Save Animbrush requester. This un83$requester is identical in function to the Save Brush requester described in the Save option of the Brush menu. @endnode @node 2 Pickup @title "Animbrush Pickup" Selecting pick up is similar to selecting the Brush Selector from the Toolbox. However, when you pick up an Animbrush, you pick up all the "cels" that make up the animated sequence in the Animbrush. Cels are to an animated brush what frames are to an animation. When you paint with an Animbrush, the brush cycles throuuo9eggh its frames automatically as you paint. The brush will continuously cycle on the current animation frame unless you hold down the ALT key when you press the mouse button down, in which case the brush will paint each of its cels separately into each of the animation sequence frames. Choosing Pick up displays the Pick Up Animbrush requester. To pick up the whole animation, click OK; drag the cross-hair to select the entire "animated" area. When you release the mouse button, up:såDPaint attaches an animated brush to your cursor. You can use an Animbrush with any painting tool, just as you would use a custom brush. If you want to make an Animbrush from only a few frames of your anima- tion, you only need to pick up those frames. Move to the first frame in your intended Animbrush and choose ANIMBRUSH>PICKUP. Type in the number of cels that will compose your Animbrush in the Pick up Animbrush re- quester. Click OK. Holding down the ALT key while pickiuq;^ng up a brush with the Brush Selec- tor is the same as choosing ANIMBRUSH>PICKUP. The Pick up Animbrush requester appears. Type in the number of cels that will compose your Animbrush and click OK. @endnode @node 3 Settings @title "Animbrush Settings" After you have picked up an animated brush, Settings displays the Animbrush Settings requester. Use this requester to control the Anim- brush. NUMBER OF CELS Shows you how many cels of animation are in your Animbrush. DURAur&ʇTION Lets you set the number of frames it takes the Animbrush to move completely through its cels. You can also think of this as the rate at which the Animbrush transforms. For example, if your brush has 10 cels and you set duration to 20, your brush will stamp each of its cels twice before flipping to the next cel. CURRENT Lets you type in the value for the brush cel you want to start with. This is very useful if you want to continue painting from a particular cel of you]=/tion. SHEAR Gives you controlled distortion of the current brush. The top part of the brush is anchored, and you can drag the bottom of the brush in either direction. @endnode @node Bend @title "Bend" BEND Use this option to bend a brush horizontally or vertically. Choose BEND>HORIZ from the brush menu. Drag the brush outline left or right until it is the desired shape. Release the mouse button. VERT Lets you bend the current brush in a vertical direction. u^>XteChoose BEND>VERTICAL from the brush menu. Drag the brush outline up or down until it is the desired shape. Release the mouse button. @endnode @node Handle @title "Handle" Lets you specify whether the cursor holds a custom brush by its center or by one if its 4 other offset positions. CENTER Keyboard equivalent: ALT-s Positions the arrow cursor, which represents the handle at the center of the brush. This is the default position. CORNER Keyboard equivalent: ALT-xu_?C%v and ALT-y Positions the arrow cursor, which represents the handle at on of the 4 corners of the brush. If you have a custom brush currently held at the center, selecting Corner moves the arrow cursor between the lower corners. Use ALT-y to move the handle to the top of the brush and toggle between the upper corners. The location of the arrow cursor the next time you pick up a brush de- pends on the direction you drag the mouse when you pick up the brush. If you drag down au`@Cnd to the right, the cursor will remain at the lower right. If you drag up and to the left, the cursor will move to the top left. The same principle applies if you drag down and to the left or up and to the right. In other words, the corner you drag to is the one to which the arrow cursor will attach. PLACE Keyboard equivalent: ALT-z Lets you position the brush handle at any position relative to the brush. To place the handle, pick up your brush. Choose HANDLE>PLACE. uaAj^iDrag in any direction to offset the cursor from the brush. When you release the mouse button, the cursor will hold the brush as you specified. @endnode @node Mode @title "Mode Menu 1. @{" Matte "link Matte} 2. @{" Color "link Col} 3. @{" Replc "link Replc} 4. @{" Smear "link Smear} 5. @{" Shade "link Shade} 6. @{" Blend "link Blend} 7. @{" Cycle "link Cycle} 8. @{" Smooth "link Smooth} 9. @{" Mix "link Mix} 10. @{" HBrite "link Hbrite} @endnode @nodeubBҝ Matte @title "Matte" Keyboard equivalent: F1 Uses a custom brush in its original form. Those areas of the brush, which match the background color that was in effect when the brush was first created, are transparent. Matte is the default mode when you create a custom brush using the Brush Selector. @endnode @node Col @title "Color" Keyboard equivalent: F2 Uses the shape of the brush and fills it with the current foreground color. those areas of the brush, which match the ucC˓background color that was in effect when the brush was first created, are transparent. @endnode @node Replc @title "Replace" Keyboard equivalent: F3 Uses the custom brush in its original form, except that no colors are transparent. @endnode @node Smear @title "Smear" Keyboard equivalent F4 Smears any colors on the page when you drag a brush over them. This is like smearing a wet watercolor with your fingers, so the bigger the brush, the more pronounced the effect. Smear uudD,{#ses only the colors under the brush, and does not add any new colors. Current brush color is irrelevant. @endnode @node Shade @title "Shade" Keyboard equivalent: F5 Shade helps you create subtle shading effects on those colors in your picture that are in a cycle range. Like SMEAR, Shade ignores the current brush color but uses its shape. By dragging the brush over those colors in your picture that are in the currently selected cycle range, you can paint over each color witueEs"&h the next color in the range. You can paint with the next-higher color by using the left mouse button, and the next-lower color by using the right mouse button. @endnode @node Blend @title "Blend" Keyboard equivalent: F6 Like SMEAR, Blend affects the colors under the brush by running them together. Unlike SMEAR, however, Blend uses additional shades by averaging the blended colors, whereas SMEAR uses only the colors under the brush. Thus, when you Blend two shades by paintiufFI&ng over them, you are selecting a third shade from the palette, the closest one the program can find to the average of the two original shades. @endnode @node Cycle @title "Cycle" Keyboard equivalent: F7 Uses the current brush shape and cycles through all the colors in the currently selected range as you draw. A range is selected if one of its members is selected. If a color is a member of two ranges, selecting it selects the first of those two ranges. If your current brush ug1color is not within a cycle range, it paints with that color only. Use MULTICYCLE (in the Prefs menu) to achieve the same effect with a multicolored brush, where each color in the brush cycles through its range independently of the others. @endnode @node Smooth @title "Smooth" Keyboard equivalent: F8 Softens hard lines and reduces the contrast between adjoining areas. DPaint finds colors in the palette between the two bordering colors and paints the boundary in intermediateuRH^ ives you a screen of 320 X 200 MED-RES Uses a screen of 640 X 200 INTERLACE Uses interlace mode. If screen is 640 X 200, interlace will make it 640 X 400. If screen is 320 X 200, interlace will make it 320 X 400 COLORS Specify the maximum number of colors you want to use. HAM The Hold and Modify mode is used. @endnode @node About @title "About" Shows the programs version number, author's names, etc. @endnode @node Quit @title "Quit" Keyboard equivalent: Q - uSIQuits the program. @endnode @node Br Menu @title "Amigaguide Help: Brush Menu" 1. @{" Load "link Load} 2. @{" Save "link Save} 3. @{" Restore "link Restore} 4. @{" Spare "link Spare} 5. @{" Size "link Size} 6. @{" Flip "link Br. Flip} 7. @{" Edge "link Edge} 8. @{" Rotate "link Rotate} 9. @{" Bend "link Bend} 10. @{" Handle "link Handle} @endnode @node Load @title "Load" Displays the Load Brush requester. This is identical to the Load PictuTJ^"ure requester only it loads a brush. If you load a brush that has a palette different from the current palette, the current palette is used. To use the brush's palette, select PALETTE>USE BRUSH PALETTE from the Color menu. @endnode @node Save @title "Save" Brings up the Save brush requester. This is identical to the Save picture requester only for brushes. @endnode @node Restore @title "Restore" Keyboard equivalent: B Restores as the current brush the custom brush you lastuUK used after you've used an Animbrush, a built-in brush, or modified your custom brush with an option from the Brush menu. Restore does not reverse the effect of all brush manipulations in the Brush menu. @endnode @node Spare @title "Spare" The Spare option's submenu has options for manipulating DPAINTS spare brush. BRUSH>SPARE Keyboard equivalent: ALT-n Moves the current brush to the spare brush position (which is hidden). If your current brush is an Animbrush, the curreuVL5Atnt cel of the brush is copied to the spare brush position. BRUSH<>SPARE } Keyboard equivalent: ALT-b Swaps the current brush and the spare brush positions. METAMORPH Keyboard equivalent: ALT-m Lets you create a special Animbrush that metamorphoses between the shape and colors of the current brush and the shape and colors of the spare brush. To use this option, you must first have a custom brush and a "spare" custom brush. When you choose Metamorph, the Make AnimbruuWM^(sh requester appears. Enter the number of cels you want in the Animbrush. Enter a number and click OK. DPaint creates the Animbrush automatically. For best results, your custom brush and spare brush should be picked up with the same dimensions. This does not mean that the brush images must be the same size; but the area that you surrounded to pick up the brush images should be the same size. The resulting first and last cels of the Animbrush generally do not contain exactlyuXN + the same images as your original custom brush and spare brush. Usually you will see some change in the colors of the first or last frames. @endnode @node Size @title "Size" The Size option lets you resize the current brush. The submenu presents the following options: STRETCH Keyboard equivalent: Z Lets you freely stretch the current custom brush in any direction to any size. To stretch the brush, drag it to the desired size. Select RESTORE from the Brush menu to negauYOte the effect of the stretch. Holding down the SHIFT key constrains the stretch operation so that your brush maintains the same aspect ratio (relative width and height) HALVE Keyboard equivalent: h Reduces the size of your brush by 50% in vertical and horizontal dimensions. DOUBLE Keyboard equivalent: H Doubles the size of your brush in the horizontal dimension. This option is useful for reproportioning images that you created in Lo-res and then moveuZP to Med-res, etc. DOUBLE HORIZ Keyboard equivalent: X Doubles the size of your brush in the horizontal dimension. DOUBLE VERT Keyboard equivalent: Y Doubles the size of your brush in the vertical dimension. @endnode @node Br. Flip @title "Flip Brush" FLIP Flip a brush about its X or Y axis. If you flip an Animbrush all frames will be flipped. HORIZ Keyboard equivalent: x Flips the current custom brush about the X axis. VERT Keyboard equivalent: yu[QW+ Flips the current custom brush about the Y axis. @endnode @node Edge @title "Edge" EDGE Modifies a one pixel boundary around the current brush. OUTLINE Keyboard equivalent: o Adds a one pixel boundary around the current custom brush using the current foreground color. This is ideal for outlining text. To increase the thickness of the outline, on pixel at a time, select Outline repeatedly. TRIM Keyboard equivalent: O Deletes a one pixel boundary around tu\<=he current brush. You can trim repeatedly. @endnode @node Rotate @title "Rotate" ROTATE Rotate the current custom brush in any of three ways. 90 DEGREES Keyboard equivalent: z Rotates the current brush clockwise 90 degrees. ANY ANGLE Let you rotate the current brush any number of degrees. Choose ROTATE> ANY ANGLE fro the Brush menu. Hold the left button down and drag the rectangular outline about its bottom left corner. Release the button at the desired orientauGS9hows all assigns on your system. The Parent button takes you up 1 in the directory tree. The # of frames edit box near the bottom lets you load multiple pictures at one time, as frames of an animation. The pictures must all be in the same format. If you already have animation frames, those frames are discarded and Deluxepaint creates new frames as you load. @endnode @node Save @title "Save" Keyboard equivalent: Right-Amiga-s Displays the Save Picture requester. This requesteuHTHr works like the Load requester only it saves to disk. @endnode @node Delete @title "Delete" Keyboard equivalent: Right-Amiga-d Brings up the Delete file requester. This works like the Load requester only it deletes the file selected. @endnode @node Print @title "Print" Keyboard equivalent: Right-Amiga-p Displays the Print Picture requester. The print requester brings up the following. ASPECT Specifies the orientation of the picture on the paper, either Normal, the deuIUDfault, or Sideways. Click the Up-arrow button for Normal or the Right- arrow button for Sideways. IMAGE Specifies whether the printout will be a positive or negative image. Click the Plus button for positive or the Minus button for negative. SHADE Specifies whether the printout will be in color, in shades of gray, or in black and white. Make sure the setting is appropriate for your printer. If you are using a single-color ribbon, click B & W. If you want to translate yuJVU;~our image's colors into shades of gray, use the Gray setting. To print in full color, click Color. For your picture to print out correctly in the B & W or Gray settings, your palette should contain black, white, and a number of grays. PLACEMENT Specifies whether the picture should be printed against the left margin of the page or centered on the page. %/DOTS Controls the size of the printout by specifying the % width and % height of the printout paper. The DOTS options luKWvZets you specify the size of the printout in terms of the actual printer pixels. If the % option is active then the following parameters can be specified. % WIDE AND % HIGH These let you change the aspect ratio (the ratio of height to width) of the picture by setting the percentages for each. The default values are 100% wide and 0% high. 0% is a special case and tells the printer to maintain the same aspect ratio as the screen version of the picture. To change the aspect rauLXztio, leave the % wide at 100 and enter a new % height value. If the Dots option is active you can set only the printout width and height in dots. LINE FEEDS Specifies number of line feeds you want to insert when the picture is printed. COPIES Specifies how many copies of the picture you want printed. FORM FEED Lets you set whether or not you want the printer to move to the next sheet of paper before printing each image. This easily let you print a single picture peruMYEF sheet of paper. CANCEL If you don't want to print and don't want to save any new settings. Click EXIT if you don't want to print, but want to save your settings to print later. Click PRINT to print the current picture. If you wish to Abort a print request before it is complete, take your printer off-line before you click the Abort button. @endnode @node Flip @title "Flip" FLIP Flip a picture about its X or Y axis. HORIZ Flip the picture about the horizontal or X axiuNZns. VERT Flips the current picture about the vertical or Y axis. @endnode @node Spare @title "Spare" SPARE The spare option presents a submenu with options for manipulating Dpaint's spare page. SWAP Keyboard equivalent: j Conceals the page and displays a second or spare page. This means you have 2 pages to work with. @endnode @node Show Page @title "Show Page" SHOW PAGE Keyboard equivalent S Hides the toolbox and title bar, and displays the entire document, if nuO[}6ecessary in a reduced format. For example, in 640 X 400 page size in Lo-Res, it shows only every other pixel. If the page is oversized, you can move the rectangle to view a different area of the screen by holding down the left mouse button; dragging the rectangle to the area you want to view; and releasing the mouse button. You are returned to the current page ;with the area of the rectangle in view. Pressing any key returns you to the current page ;without repositioning the viuP\7ew. For more exact positioning of the rectangle you can move it with the arrow keys. The arrow keys move the rectangle one unit at a time. So with 320 X 200 screen format with 640 X 400 page, the rectangle moves 2 pixels at a time. Holding down the ALT key and pressing arrow keys moves the rectangle in screen size increments. @endnode @node Screen Format @title "Screen Format" SCREEN FORMAT Displays the Screen Format requesters. If you select a number of colors that will euQGdcxceed your available memory, DPaint will retain the format you have selected but use fewer colors. COPY TO SPARE Keyboard equivalent CTRL-j Copies the picture on the current page to the spare page. MERGE TO FRONT Merges the spare page in front of the current page. DELETE THIS PAGE Use this option to delete the current page. @endnode @node Page Size @title "Page Size" PAGE SIZE Displays the Page Size requester. Select the page size you wish to work on. LO-RES Gu<^and D Filled Freehand i-d Filled and Outlined Freehand Shape e Unfilled Ellipse E Filled Ellipse i-e Filled and Outlined Ellipse f Fill F Fill requester g Grid on/off G Grid on/off using current brush handle position as grid point K CLR (clear screen) m Magnify on/off p Palette Mixer requester P Arrange Palette requester q Curve r Unfilled Rectangle R Filled Rectangle i-r Filled and Outlined Reu=_>ctangle s Dotted Freehand t Text T Choose Font requester u Undo v Straight Line V Line Spacing requester > Increase magnification < Decrease magnification , PICK color cursor . One-pixel brush [,] Change foreground color [,] Change background color / Toggle Symmetry on/off @endnode @node COLOR_COMS @title "Amigaguide Help: Color Commands" CTRL-r Range requester ALT-r Reverse direction of range ALT-[ andu>`D. ALT-] Step forward or backward through available ranges ALT-t Translucency on/odd CTRL-t Translucency Setting requester ALT-p Process on/off (Tint is default) p Color Mixer requester P Arrange Palette requester @endnode @node PERSPECT_COMS @title "Amigaguide Help: Perspective Commands" Enter Enter/Exit perspective mode Keypad 7 and 8 Rotate about the X axis SHIFT Keypad 7 and 8 Rotate X axis by Angle Stepu?a;da Keypad 9 Reset X axis to default Keypad 4 and 5 Rotate about the Y axis SHIFT Keypad 4 and 5 Rotate Y axis by Angle Step Keypad 6 Reset Y axis to default Keypad 1 and 2 Rotate about the Z axis Keypad 3 Reset Z axis to default Keypad 0 Reset all axis to 0 SHIFT Keypad 0 Reset all axes, positions, and settings SHIFT Keypad 9 Fix X axis SHIFT Keypad 6 Fix Y axis SHIFT u@b?hKeypad 3 Fix Z axis Keypad (-) minus Fill the screen with the current brush at the current perspective Keypad (.) period Reset Center (;) and (') keys Moves the brush along its fixed axis in a direc- tion perpendicular to its plane <(Shift,) and >(Shift.) Modify observer distance from screen CTRL Temporarily fixes the Y-axis so you can move your brush on theuAcRw X and Z coordinates \ Toggle Angle/Position display @endnode @node SPECIAL_COMS @title "Amigaguide Help: Special Keys" SHIFT-? Display about/memory info box Delete Cursor arrow on/off F9 Menu bar on/off F10 Toolbox and Menu Bar on/off SHIFT-F10 Hide all panels (Toolbox,menu,etc.) Cursor keys Scroll Page (except in text mode) CTRL-Cursor Keys Adjust screen positioning uBd$I(Adjusts the position of Mixer, Arrange Palette, and Range panels when the cursor is over the panel) n Centers area under the cursor SHIFT Constrain cursor CTRL Leave traces with line or shape tools CTRL-a Display available Memory in the menu bar Tab Color Cycle on/off S Show page CTRL-S Toggle Paint Stencil mode ~ (Tilde) Make Stencil ' (Grave) SteuCe "ncil on/off a Again key - repeats last menu command SHIFT-| Coordinates on/off Spacebar Cancel operation in progress Esc Stop operation in progress j Spare page CTRL-j Copy to Spare ALT-/ Step through Antialias settings Help Selects Freehand tool and single pixel brush Right AMIGA-l Load requester Right AMIGA-s Save requester Right AMIGA-d Delete requester @endnuDf1ode @node PLAYER @title "Amigaguide Help: Player Commands" KEY EFFECT Tab Turns color cycling on/off Left Arrow Slows down play rate Right Arrow Speeds up play rate r Reverses play direction Esc or Space bar Stops play 1 Go to previous frame 2 Go to next frame 4 Play the animation 5 Play once 6 Play ping-pong @endnode @nodeuEg~ q MENU_COMS @title "Amigaguide Help: Menus" 1. @{" Picture Menu " link Picture} 2. @{" Brush Menu " link Br Menu} 3. @{" Mode Menu " link Mode} 4. @{" Anim Menu " link Anim} 5. @{" Color Menu " link Colr} 6. @{" Effect Menu " link Effect} 7. @{" Prefs Menu " link Prefs} @endnode @node Picture @title "Amigaguide Help: Picture Menu" 1. @{" Load " link Load} 2. @{" Save " link Save} 3. @{" Delete " link Delete} 4. @{" Print uFRA> " link Print} 5. @{" Flip " link Flip} 6. @{" Spare " link Spare} 7. @{" Page Size " link Page Size} 8. @{" Show Page " link Show Page} 9. @{" Screen Format " link Screen Format} 10. @{" About " link About} 11. @{" Quit " link Quit} @endnode @node Load @title "Load" Keyboard equivalent Right-Amiga l Brings up the Load Requester. The Disks button shows all the devices or disks mounted on the system. The Assigns button su1i;nOode Grid @title "Grid" Keyboard equivalents: g - grid on/off; SHIFT-g - grid on and use brush handle location as a grid point; mnemonic - grid Tools affected by grid are: Dotted Freehand Straight Line Rectangle Circle Ellipse Brush Selector Text Right-clicking the Grid icon displays the Gridding requester. Use this requester to adjust the x and y spacing of the grid. Right-clicking the grid tool while in Perspective mode diu2j,splays the Perspective Settings requester. @endnode @node Symmetry @title "Symmetry" Keyboard equivalent: / Symmetry tool helps you paint symmetrical patterns around a central point or based on a tiling scheme. Symmetry works with all tools except Text and Brush Selector. Right-clicking the Symmetry tool displays the Symmetry requester. Use this requester to choose between the two symmetry modes (Point and Tile) and to set parameters for each of the modes. POINT SYMMETu3k 2RY Works around a central symmetry point in either Mirror image duplication of each point or Cyclic. In Point Symmetry you can select the number of symmetry points by using the Order edit box. You can also set the location of the symmetry center by clicking Place and then the point on the screen where you want the center of symmetry to be. PLACE Lets you position the central point of your symmetrical pattern. To reposition the central point, click Place, move the large crou4lYPsshair to the new location and click. Subsequent symmetrical drawing will be centered on the new location. TILE SYMMETRY Creates "tile" patterns. You can set the horizontal and vertical dimensions (in pixels) of the tile in the width and height edit boxes (Tile Symmetry requester only). Tile is useful in creating fill patterns; once you've created your symmetrical pattern, set the Grid to the same spacing as the tiles to pickup exactly one tile as a brush. Tile lets you cru5mwJeate an entire pattern just by drawing one of its elements, and is an ideal tool for textile designers. If you want to use Tile Symmetry to paint over an existing picture, choose BACKGROUND>FIX from the Effect menu before you turn on Tile Symmetry. This will protect your existing picture from any inadvertent alternation. @endnode @node Magnify @title "Magnify" Keyboard equivalent: m - mnemonic - magnify The Magnify tool divides the screen into two parts and displays the rigu6n9 5ht-hand side in magnification. This tool is especially useful for detail work. When you are in Magnify mode, you can use any other tool on either side of the screen. > Select the Magnify tool. Position the Magnify box over the part of the image you want to enlarge and click with either button. This divides the screen into two parts, with the right part magnified. You can scroll the magnification window using the arrow keys or the n key, which centers the area under the cursou7oZnr. To change the magnification scale click the Zoom icon. Clicking Zoom enlarges the magnified area; right-clicking shrinks it. You can set the Zoom level before you magnify an area. Changing the Zoom setting will change the size of the rectangle attached to your cursor when you are in the process of magnifying an area. @endnode @node Zoom @title "Zoom" Keyboard equivalent: > enlarge; < shrink Changes the scale in Magnify Mode. Click the Zoom tool to enlarge the image; riu8pv$ght-clicking to shrink the image. @endnode @node Undo @title "Undo" Keyboard equivalent: u - mnemonic - undo Reverses the latest painting action as long as there has not been an intervening mouse click or a refresh of the screen such as that caused by pressing F9 or F10 to hide or show the menu and toolbox. @endnode @node CLR @title "CLR" Keyboard equivalent: K - mnemonic - Klear Clears the screen to the current background color. If you have multiple frames, an Options requ9q4uester appears for you to indicate which frames you want to clear. @endnode @node Color Indicator @title "Color Indicator" Indicates the current foreground and background colors. Clicking the color indicator ( or pressing the comma "," from the keyboard) selects the eye dropper cursor. This lets you select a new foreground or back- ground color by clicking a color onscreen. Click the on-screen color to select a new foreground color, or right-click to select a new back- grounu:rXd color. Right-clicking the Color Indicator displays the Mixer. Use the Mixer to arrange, modify, and mix colors for your palette. @endnode @node Palette @title "Palette" Clicking a color in the palette selects that color. Click to select a new foreground color and right-click to select a new background color. You can scroll through the colors in the palette to select a foreground color by pressing the [ and ] keys on the keyboard. SHIFT-[ and SHIFT-] to scroll through andu;] select a background color. In HAM mode an indicator appears below the palette to show which area of the Color Set you are viewing. Click the arrows to move forward or backward. SHIFT-click to move to the beginning or end. @endnode @node TOOLBOX_KEYS @title "Amigaguide Help: Toolbox Keys" b Brush Selector B Restore last custom brush/AnimBrush c Unfilled Circle C Filled Circle i-c Filled and Outlined Circle d Continuous Freehu&t1Yjse" Keyboard equivalent e - unfilled E - filled: mnemonic - ellipse Paints an ellipse. Width and shape of line is determined by brush. The upper left half of the tool paints an ellipse outline using the current settings of the Spacing requester. the lower right half of the tool paints a filled ellipse using the current setting of the Fill Type requester. > Select tool. Position cursor where you want the center of ellipse to be. > Move cursor in any direction to form shu'uape you want. > Drag mouse in a circular motion to rotate the ellipse. The degree of rotation is shown in the menu bar. > When the ellipse is positioned in the orientation you want, release the mouse button. Holding down the CTRL key as you paint an ellipse, causes the ellipse leave "traces" as you paint. Holding the i as you click on the Filled ellipse tool causes the tool to paint shapes that are filled and then outlined with the current brush using the settings ofu(v: the Spacing requester. Right-clicking on the Unfilled Ellipse tool displays the spacing requester. Use this requester to set the spacing between "splats" in the sides of your ellipse. Right-clicking on the Filled ellipse tool displays the Fill Type requester. use this requester to set the type of fill you want in your ellipse. @endnode @node Polygon @title "Unfilled/Filled Polygon" Use Polygon tool to paint polygon shape using any brush. Upper left half of tool paints a u)w'Q polygon outline using the current setting of the Spacing requester. The lower right half of the tool paints a filled polygon using current settings of Fill Type requester. > Select Polygon tool and position cursor where you want one of the corners of the polygon. > Click and then move the mouse in any direction to pull out a side of the polygon. > Click to tack down each corner of polygon. Clicking on Polygon's point of origin by pressing the SPACE BAR. This automatiu*xupcally completes the polygon by connecting your last corner with the origin. If you're using the Unfilled Polygon tool, pressing the SPACE BAR will not complete the polygon. Holding down the CTRL key as you paint a polygon causes the polygon sides to leave "traces" as you paint. Holding down i as you click on the Filled Polygon tool causes the tool to paint shapes that are filled and then outlined with the current brush using the settings of the Spacing requester. Ru+ylight-clicking on the Unfilled Polygon tool displays the Spacing reques- ter. Use this requester to set the spacing between "splats" in the sides of your polygon. Right-clicking on the Filled Polygon tool displays the Fill Type re- quester. Use this requester to set the type of fill you want. @endnode @node Brush Selector @title "Brush Selector" Keyboard equivalent: b - new brush B - previous brush; mnemonic - brush Use Brush Selector to create a custom brush from any image u,zx@on page. > Select the Brush Selector, and move the cursor to the page where it becomes a large cross-hair. > Drag diagonally to enclose the area you want to use as a brush. To select a POLYGONAL brush double-click the Brush Selector. Brush Selec- tor now looks like a polygonal tool. You can surround area you want to pick up a brush as though you were drawing with the Polygon tool. As with the Polygon tool, pressing the SPACE BAR completes the brush selection automaticalu-{Aly. Using the left mouse button to pick up a brush simple copies the selec- ted area as a brush. Using the right button to select the brush cuts the selected area from the page to make the brush and replaces the area with the current background color. When you pick up a brush any colors that match the current background color are transparent. If you have AUTO TRANSP turned on in the Prefs menu, this additional rule applies; if all corners of the brush are of the same color,u.|7? that color becomes transparent, regardless of whether it is the background color. You can retrieve your most recent custom brush or AnimBrush by right clicking the BRUSH SELECTOR or pressing B. Holding down the SHIFT key while selecting a brush with the rectangular Brush Selector will constrain the brush to be a square. This means that it will be the same number of pixels high as it is wide. Because the pixels of the Amiga display are not square, you brush may not appear u/}ksquare. If you want a square brush, turn on BE SQUARE in Prefs menu. @endnode @node Text @title "Text" Keyboard equivalent: t - mnemonic - text T - Text requester Use Text tool to add text to your picture. > Select Text tool and move the cursor to the page. > Click to place the text cursor. Type on keyboard to enter text in the current foreground color. The text will automatically wrap around the right edge of page and restart below the original cursor position. If pageu0h. size is larger than screen, the page scrolls as you type off the edge of screen. The text tool does not automatically word-wrap like a word processor. To exit text mode press ESC or select another tool. Right-clicking the Text tool brings up the Font requester. Here you can choose what font to use along with size and features like BOLD, ITALIC, etc. Clicking on the up or down arrows by size changes size of font if available. Clicking SHOW shows the selected font. @endnode @nu~5Iircular fills the object with a circular (shaped) gradient radiating outward from the point where you click. Like the Straight linear fill. Circular does not take the shape of the object into account. CON Contours fills the object with the gradient taking the shape of the object into account. This creates a contour effect, reminiscent of topographical maps. HI Highlight is similar to Contours, but optimized to create a highlight effect. Like Contours, the object is filluYed with its shape taken into account. RANDOM When you click the Random action button, a check appears. With Random turned on, the border between any two colors in the gradient are randomly mixed. Click the action button a second time to turn off Random. DITHER Deluxepaint draws patterned gradients by dithering, which reduces the contrast between adjacent colors(without changing, the colors themselves). When Random is checked, you can adjust the degree of color mixing iuvWn the gradient fill. Drag the Dither slider left or right to decrease or increase the amount of dither. Setting the slider all the way to the left gives almost no mixing between shades. Moving the slider to the right increases the amount of mixing at the color boundaries. @endnode @node Airbrush Tool @title "Airbrush Tool" Simulates the action of an airbrush by spraying with the custom brush. > Select the Airbrush tool. Position the cross-hair on the page and drag to paint.uyy2 Holding down the SHIFT key while painting with the Airbrush tool con- strains the tool to move either horizontally or vertically depending on the direction you move the cursor immediately after pressing SHIFT. Right clicking on the Airbrush tool lets you size its nozzle. After right-clicking the tool, move the cursor onto the page and drag the mouse until the nozzle is the size you want, then release the mouse button. @endnode @node Rectangle @title "Unfilled/Filled RectanguJ le" Keyboard equivalent r - unfilled R - filled; mnemonic - rectangle Use Rectangle tool to paint rectangle shape using any brush. The upper left half of the tool paints a rectangle outline using the size of the current brush and the current settings of the Spacing requester. The lower right half of the tool paints a filled rectangle using the current settings of the Fill Type requester. > Select the Rectangle tool, and position the cursor on the page where you want theu  Drag the cursor diagonally to form a rectangle. When the rectangle is the size you want, release the mouse button. Holding down the SHIFT key while painting with the Rectangle tool con- strains the rectangle to be the same number of pixels wide and high. You'll notice that this shape is not necessarily a square. This is be- cause the pixels in the Amiga display are not square. To paint a square turn on the BE SQUARE option in the Prefs menu. When BE u!SQUARE is on Deluxepaint IV adjusts the height and width of your square so that it appears square rather than being square in terms of pixel count. Holding down the CTRL key as you paint a rectangle, causes the rectangle to leave "traces" as you paint. Holding down i as you click on the Filled Rectangle tool causes the tool to paint shapes that are filled and then outlined with the current brush using the settings of the Spacing requester. Right clicking on the Unfilled Reu"Nqctangle tool displays the Spacing re- quester. Use this requester to set the spacing between "splats" in the sides of your rectangle. Right-clicking on the Filled Rectangle tool displays the Fill Type requester. Use this requester to set the type of fill you want in your rectangle. @endnode @node Circle @title "Unfilled/Filled Circle" Keyboard equivalent: c - unfilled C - filled: mnemonic - circle Use the Circle tool to paint circles using any brush. The upper left half ou#f the tool paints a circle outline using the current brush and the current settings of the Spacing requester. The lower right half of the tool paints a filled circle using the current settings of the Fill Type requester. > Select the Circle tool, and position the cursor on the page where you want the center of the circle. > Drag the cursor in any direction to form the circle. When the circle is the size you want, release the mouse button. The circles that Deluxepaint IV pau$Ռints may not appear perfectly circu- lar. Circles are painted to be the same number of pixels high as they are wide. The circles do not appear perfectly circular because the pixels of the Amiga display are not square. If you want your circles to appear ;circular, turn on the BE SQUARE option in the Prefs menu. Holding down the CTRL key as you paint a circle causes the circle to leave "traces" as you paint. Holding down i as you click on the Filled Circle tools causes the toou%sCl to paint shapes that are filled and then outlined with the current brush using the settings of the Spacing requester. Right-clicking on the Unfilled Circle tool displays the Spacing reques- ter. Use this requester to set the spacing between "splats" in the sides of your circle. Right-clicking on the Filled circle tool displays the Fill Type reques- ter. Use this requester to set the type of fill you want in your circle. @endnode @node Ellipse @title "Unfilled/Filled EllipuP%Dfter pressing SHIFT . This is useful if you want the ends of your curve to line up horizontally or vertically. Holding down the CTRL key as you paint a curve causes the curve to leave "traces" as you paint. Right clicking the curve tool displays the spacing requester (see Straight Line Tool) for an explanation of the options. @endnode @node Fill Tool @title "Fill Tool" Keyboard equivalent: f - mnemonic - fill F - Fill Type requester Use the Fill tool to fill an enclosed auf8rea using the current settings in the Fill Type requester. To use the tool: > Move the paint can cursor over the enclosed area you want to fill so that the tip of the spout is within the area. > Click to fill the enclosed area. Holding down i when you click with the Fill cursor, fills outward to the background color. In other words, the fill spreads outward until it reaches areas of the current background color. Holding down the ALT Key when you click with the Fill cursoru, animfills the shape. This means that the frames of your animation will flip, and the fill tool will fill outward on each frame from the point where you clicked. This option works with all of the Fill Types except the gradient fills that use the gradient direction line to define the gradient. Right clicking the Fill tool displays the Fill type requester. The options in the requester are explained in the following paragraphs. When you return to the painting screen after chout(osing a fill type, the current gradient (or pattern, if Pattern or Perspective is selected) and its orientation are shown in the Color Fill box in the title bar. SOLID Fills with the current color. If you paint or fill your shape using the left button, the shape is filled with the FG color. If you paint or fill your shape using the right mouse button, it is filled with the background color. This is the default. BRUSH Fills with one image of the current brush and sizesuהe it to fit the filled area. WRAP Fills with one image of the current custom brush and adjusts it to the horizontal and vertical shape of the filled area. This gives the illusion of wrapping the brush around a 3D solid. The effect is most pronounced if you use it to fill a shape that is very different from the shape of the custom brush. PERSPECTIVE Fills with a pattern of the current brush in the current perspective setting. HBRITE Fills using the Hbrite painting modu1#e. This is a special form of tinting that only works if you are working in Halfbrite mode. When you are not in Halfbrite mode, this option does not appear in the requester. Drawing with the right mouse button over Halfbrite areas reverts them to their full color counterparts. PATTERN Fills with a pattern made from a brush. to use this option, you must first click the FROM BRUSH button to create a pattern of the current brush. This pattern remains the current fill pattern unukVtil you click FROM BRUSH again to create a new pattern from you new custom brush. RANGE Fills an enclosed object with a spread of colors from the selected range. Type in the number of the range you want to see. Click to select one of the fill options, which specify the direction and type of the gradient fill. You can only use one fill at a time. HORIZONTAL Paints the gradient horizontally. VERTICAL Paint the gradient vertically with an even distribution. HuORIZONTAL LINE Paints the gradient one line at a time and adjusts the gradient on each line so that it follows the contours of the shape being filled. GRADIENTS Deluxepaint supports two types of gradients: Linear and Radial. A linear gradient fills an object in one direction(in a line) and can either take the object's shape into account, or ignore it. A Radial gradient fills an object in all directions(radially) from the point where you click until it reaches the boundariuGޢ{es of the object. Like Linear gradients, a Radial gradient can either take the object's shape into account, or ignore it. LINEAR GRADIENTS The linear gradients are LINE and SHAP(ED). When you fill an object with either of these options, a gradient directional line stretches from the center of the object to the cursor. Use this line to tell Deluxepaint the direction in which to fill the shape with the gradient. For example, if you move the directional line to the top of youru shape and click. Deluxepaint fills your shape with the selected gradient from top to bottom. The first color in the gradient appears at the bottom of the shape. LINE Line fills the object with a uniform linear gradient, ignoring the shape of the object. Shaped fills the object with a linear gradient taking the shape of the object into account, so gradient line tend to follow the object's contours. RADIAL GRADIENTS The radial gradients are CIR(CULAR), CON(TOURS), and (Hu~.I)LIGHT. When you select any of them and click on a shape, a gradient directional line stretches from the center of the object you filled to the cursor. Move the cursor, which is attached to the directional line to the spot where you want the gradient to begin and click. Deluxepaint will fill your shape radially outward from the point where you clicked. Radial gradients are especially useful for drawing shadows and other consistent three dimensional lighting effects. CIR CuפN Go to last Animbrush cel Space bar Stop the currently playing animation sequence r Reverses animation sequence while playing Left-arrow Slows down animation while playing Right-arrow Speeds up animation while playing ALT Held down while painting, turns on Animpainting mode M Move requester Animation Control Panel ALT-a Anim control panel on/off l Lighttable on/off ALT-l Lighttable dim on/off CTRL-1u. (main keyboard) lighttable 2 back on/off CTRL-2 Lighttable previous on/off CTRL-3 Lighttable next on/off CTRL-4 Lighttable spare page on/off ALT-= Adds one frame @endnode @node TOOLBOX @title "Amigaguide Help: Toolbox commands" 1. @{" Dotted Freehand " link Dotted Freehand } 2. @{" Continuous Freehand/Filled Freehand Shape " link Continuous Freehand} 3. @{" Straight Line Tool " link Straight Line Tool} 4. @{" Curve Tool " link Curve Tool} 5. uqBB@{" Fill Tool " link Fill Tool} 6. @{" Airbrush Tool " link Airbrush Tool} 7. @{" Unfilled/Filled Rectangle " link Rectangle} 8. @{" Unfilled/Filled Circle " link Circle} 9. @{" Unfilled/Filled Ellipse " link Ellipse} 10. @{" Unfilled/Filled Polygon " link Polygon} 11. @{" Brush Selector " link Brush Selector} 12. @{" Text " link Text} 13. @{" Grid " link Grid} 14. @{" Symmetry " link Symmetry} 15. @{" MauوMYgnify " link Magnify} 16. @{" Zoom " link Zoom} 17. @{" Undo " link Undo} 18. @{" CLR " link CLR} 19. @{" Color Indicator " link Color Indicator} 20. @{" Palette " link Palette} 21. @{" Brushes " link Brushes} @endnode @node Brushes Built in brushes. Right clicking invokes the resize brush option. when you move the brush to the screen, your cursor will have the word SIZE hanging from it. To incu ?Kvrease or decrease the size of the brush, drag the mouse. You can also change the size of the current brush dynamically, even while you're painting. Press the (+) key to increase the size or the (-) to decrease the size. @endnode @node Dotted Freehand @title "Dotted Freehand" Keyboard equivalent: s - mnemonic - sketch Let you paint freehand with the current built-in (or custom) brush. Hold the left button to paint with the foreground color, or the right mouse to paint withu MpG the background color. Holding down the SHIFT key while painting constrains the tool to move either horizontally or vertically depending on which direction you move the cursor. @endnode @node Continuous Freehand @title "Continuous Freehand Filled Freehand Shape" Keyboard equivalent: d - mnemonic - draw D - Filed draw Click in the upper left corner to select Continuous Freehand Tool. Click in the lower right corner to select the Filled Freehand Shape Tool. Holding down thu 8~ Select the curve tool, and position the cursor where you want the curve to begin. > Draw to where you want the curve to end, and release the mouse button. > Move the mouse in any direction to form the arc shape you want and click. Holding down the SHIFT key while painting with the curve too constrains the tool to move either horizontally or vertically as you paint the initial line, depending on the direction you move the cursor immediate- ly a bk of stone without possibility of returning.This way i could keep an eye on her,but now i can do no more but give you this warning. The only weapon capable of killing this monster is ERINWHE'S MAGIC BOOMERANG And the only way to get this weapon is to collect the 5 crystal which are kept by the guardians of the 5 worlds. Seek out and fight these monsters! TO reach each monster you have to find the parchments which i have hidden on the way during my last visit! I hope they are=| not faded with time because in each world you will have to collect the three parts of the SCEPTRE OF BISMUTH in order to fight the mon- ster, and only the parchments show where they can be found ". +++++++++++ YOUR ACTION +++++++++++ ANTHEMIS is moved entirely via th joystick or keyboard . here is the table of commands and their functions. ================================== = UP = climb or jump = ======,œ============================ = down = go down or bend down = ================================== = left = run towards left = ================================== = righ = run towards right = ================================== = fire = shoot = ================================== = p = pause F, = ================================== = esc = abandon = ================================== +++++++++++++++++++++++++++++++++++++++++++++ + EVERY 20,000 POINTS YOU WIN AN EXTRA LIFE + +++++++++++++++++++++++++++++++++++++++++++++ TYPED BY IZZY/FLT FRANCE! Oo-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-oO | ...A=0nd don't foget to call the ITALIAN BAD BOYS EUROPEAN HQ! | | | | ' THE HOUSE ' | | ~~~~~~~~~ | | -=> ONLY ELITE USERS AND ONLY 0 DAYS WAREZ ALLOWED <=- | | - - - - - - - - - - - - - - - - - - - - - - - | |MaYbe too fast 4 U +39-40-395286 = MaYbe too fast 4 U| Oo-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-oO [ARaDDer v3.1 By ARc] .....and don't forget to call!!..... ------- /\____ /\ /\___/\______/\__ /\___ /\/\ /\ ----- ------ / ___// / / ___/ ___/\_____ \ / _ / \/ /_\ \/\ ------ --- /\___ // /_/\\ __/\ __/ / /_/ / / / \/ /\/ __/ \ / ---- ----- \__ // ____// __\/ __\ /\__ / / /_/\ / / /__ / / ------- \/ \/ \/ \/ / / \/ \____//_/\___/ / / \/ \/ .:+:. Call now and Dial +31-(0)79-ELITE .:+:. Sysop Just Another Freak (JAF) -*- You've seen the rest.. -*- -*- Now see the Best!! -*- Amiga/Global OverDose Consoles/[L]egend Date and Time uploaded Sat AGUpr 17 20:09:17 1993 Get the New User PassWord =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-oO [ARaDDer v3.1 By ARc] .....and don't forget to call!!..... ------- /\____ /\ /\___/\______/\__ /\___ /\/\ /\ ----- ------ / ___// / / ___/ ___/\_____ \ / _ / \/ /_\ \/\ ------ --- /\___ // /_/\\ __/\ __/ / /_/ / / / \/ /\/ __/ \ / ---- ----- \__ // ____// __uUoS} 9. @{" Menus " link MENU_COMS} @endnode @node BRUSH_COMS @title "AmigaGuide Help: Brush Commands" F1 Matte F2 Color F3 Replace F4 Smear - Brush smaller F5 Shade F6 Blend F7 Cycle F8 Smooth + Brush larger ALT-n Copy custom brush to spare brush ALT-b Swaps current and spare custom brush ALT-m Metamorphosis from spare to current custom brush ALT-s Center brush handle ALT-x Flip brush handle horizontally Au܈fLT-y Flip brush handle vertically Z Stretch h Halve H Double N Double horizontal Y Double vertical x Flip horizontal y Flip vertical z 90 degree rotate o Edge >outline O Edge >trim @endnode @node ANIM_COMS @title "Amigaguide Help: Animation commands" Animation Keys 1 Step to previous frame 2 Step to next frame 3 Display the Go To frame requester to jump directly to a specific frame 4 Play animu1ation continuously until spacebar or mouse button is pressed 5 Play animation once 6 Play animation in ping-pong mode 7 Step to previous Animbrush cel 8 Step to next Animbrush cel SHIFT-1 Go to first frame SHIFT-2 Go to last frame SHIFT-3 Go to last frame you did a "go to" to SHIFT-4 Play animation continuously in reverse direction SHIFT-5 Play animation sequence once in reverse direction SHIFT-7 Go to first Animbrush cel SHIFT-8 *YK#>2xb[9!WfX̺8l=yFH~D;`yz pWqH@5f]\~xCG@Ah9^@'v{! K?A?IL 20R\bK xJ*ց*("#H*JT% 55 %TCZ#򴤈<}'pk.0.·}@Go6F?} D7l0P9aV@"+EYXF9BU`5 ch)\ ޯs\%X$X AHK$'J!CJ@`1pJP ť- Q˸J_ ?xT@q3! ֯ <(0yL2t7qXzb`4蘥>0Q``%7'CFUg,Rt4Ԟ୥P#QR y{=|ث~QP"D>dX] F|4jc, ZAGFۄ8.]*>gFb( DW#KiZ , }N)$:CU%@!/ߥBx a&u˽ L= 8:Hc G*zd,rO%YJf S! w`BJ"=VCv3Dͤ~&qskhw{)"tCI{+qEXVHٷƊ- asu27[ N&ff^S*^{:{>a% y `Y˒HBBS eg mL1~<^y_?htz OY%lE8T KZnMٲ `ԙa™(7AvbezY6i\TDD8B`_/[yquv7C!W>;LA%*Uk53aUۊ $;y\1Aͧ\/PȈ U WV4\@pjD ŢHX΂03˜tFaj-# bz4. l]]@%Uū`X6  tо' 77}ÝiEgvl2a3{J IÈXr*(. ɉӸ a5!~h0` \@2ݶ,h4)8}pqΔGgKsHNpꍰl Fݽ@G JApI`+8= uR;WAӪ(mvTsuyO)cp ZHپ0{>$$ 2"<؉0aEK 3Ɩf]  5Ξ )m+˛c],UT"hwA+73\DY0!: $8 ?}G4o`3/VNݳ mN2|@F KEzoHQWN@ae*{ ]4W#SZ[{BN}A9p QD[ Kq+Qc@"/ߖh #@<9DI*^~i[7I}W äm3`ҔX%imeIS܈jr 0b'Np⅊ eqAaBL4Lk?ocdk#7idxfugN eApL߅OfÓf7'Y8F/ C XhVTͤHjU1rl6Mlc`zj|9:8 i`[ p;(E dC'zD"T į k?v1>l0N> LEq|zx^&=M];'' 0Iv_aQ4s=A/9a:wAY ‚7MNŘx/a=r[Җy m;h!d>/0k8bHs @C8 ,?8nGglgG$X?GXwt\sP Z?+C K fhGBJ=S/ <^vYr.ZP /{~dJ>_bcC4EGc&C7 'M>8gKMsE1WT !XSGe@vGyeE{ 1(S`!24wȴMNӚc iht@B0ʂ0rz0!e)ca_Ǽ*U35t摃xs0KI9b B3 \  *+4the council:that of Grand sage. Today he has disappeared . Searches made throughout the universe led to be- lieve that he had been permanently reincarnated.That was until we received this video-message. Here is the last message from MILIGRAM the WISE translated for you into EARTH language. MILGRAM'S VIDEO-MESSAGE FOR HIS DAUGHTER ANTHEMIS ------------------------------------------------- "ENTITY has escaped from her monolith! i myself have been reincarned into this bloc /^yERJe =0ӻʪ<;<?qo?q\~PATTF} ~.\B`7 I.":! 97K_%; icGpƘ@t[ /?18jan\><j Y72!utѩ`CE=i,f(Yn+Q<]A fbm d+?PErs2n) F>o1%K Lj{`3w|H'ɌÀW7-)a*֡^O^5(Xg?s*cKckX̔Pl$f7x _") {PbI`(1x xO(rt1_c V:G'YϓY㩠aS,8P_> )e%ڈ`4VP˙f$#t½"JG)#PAJ{ZZڕ0. FhU#PE K&Dw%l<id@z\$DӁk0Ճ pw @q{(8 Z:zKYO"(G xr CyߕDgFش P,&X]t"?L 5y9ǭ+ 0ݵԑQM8~IPRNF@?Hls!V&aX"zߋҶPl'e.]_/HP-艍uWŵ0syydŶ D <'tB(e` gNp1 }0Ė t8Ok YQtE`\D<вo6 +KgA5 %{#"FA0K*?Dc8℆hߙž'هh@K۹mp^pur(WL+Z~^X%L5Ő%lǶ<0 DZ6>"gb oIˆPu@M_9SK7kF%"S0;Gl"%:4AG3Gp}YOW89kȢ}1E!*~B fzE( 4dה7 vx8:-d I/x&"p~Pm#_#@ v`%|L X[*"d D)($*'P8PDIqrÝзx'jùQL^x (8u$ X}"v riUF֠Y%Xo8W~Xq niI0,NYnLL~' |pi`!93]zg]әQQ1O\0ZY"62.tR22fXdłv h=#mS9Xzv|G?_UX3w/3@L/ɏ8( ` 1[P +8?:߾`9b:OM5`8+5 $Esg~;|?'ii$_{*Q(7PvT)mc Y쇰TvfR* !NʩȪ I_1AJg UcBfSo&B#I,P%ID6Po KA8tEҐnY4O,7Dy G3郸2t) ;OQOHo]l+D~~ϊjP_+:"ЦT>D]Xæ6zl^9:c>d"@&TA`l3Q]+D&Ne'P ;Sw"քmpG9+8ZY?NdNc`c qC`ffH{xL8Š-89r kB5_q?xn?8V+1J+pIb/!,WḫN- ܄ hU;MB}8z/]zY^mpC2ҹ4P>xps~h>*~^9Y&i՞gG7Ygjr"%Zz1pN)3+'Go ;}bf~~ج`| ]QnS9% ȩ65.Z^P~$Dl*W8Ｐxf`g'p5xBBoޫ:\/ Ʌ&Vډ~2:'4ygޱ1@}Mg! UPR>70.akuhS?8TGhs@*P%r.ת[ &z&/s 6W q 873  ?c,*~#2'͊bx4BXh^^ǟa7%ؑ ]Br`/%=N6@1Py 0 H ,fC@>Ѹ%`1ؾGo[,|P8`4[Fv/(`APRNEVND@J +eS˜^c¼GJ Lj%-]Ͽ \:3~pO|)-Qa x`n~";@˕^#]4Xã6BQx^?u1gVyˆ#З*P.I>w{<AB~&A0ISbG _0{1m V (OZNH#؃b[ĈpG,EƮ6.p8oJDAҞ.c(QH3/ 绅8m;扇Np)Z A1p d< YT"ay&Cp& a'Br `#'ȓmN:w /Lwʦoiy%eXHO'5ӐPZca^ҹA K R''m]{iQ`Ž@ę@5h2veAnYRцVQW*n 5lH>SbM M;{%r#c>VL('GnQC:W}X/3~Qg*?u8b|e+Vw%LL~ .x=8S+ׁCx5;<= m>dUC87L;"+Oi t Ba .{Q bHomYRDXwFW~|~ȈN\m-aߜɐNM5$yXRΖ^DcP34C^1;v~Jcΰ1ݒ P71U[4}ZE'USev? ҒBN/)"nb~=olx2DYU*FL,~N8^3O!`8(N`?j9EF*|w(A"\5sN0@V3#Ȃ,P?@P{!V|~qpFp!CD .J_n7aJtD8rE` FAo)($^}e]aH.||>}HREH&q %EQUg&RML5M9OPÊ42vC;9H\.ILgxI {w)Nr͏UPfG1E\if"x\u%BI%FXp`kcX ^"\ˀM&pkdi`#Fy / )a%嫞xc DzK=.H?8a%NsH r' ,8|5 8D%d.7>с^p~+N$~uC}8>qET-@o04'L_Ĉ3pQ'kOBhM6zE4RnP 8G# wwg!A)x 9v*P; jQL(AP HA*3z8S(u΄]$8 `I,I*C('"##炴pL(Q\dP{f$sAWLU D'/ !dT@pB(Uٌ(CLnqLj;/  iFZOظa"L|aF3pX `0UA"T6Yb$y:L1e@B0gcH$,|̏U*ibL$0'rN0F0K )q;9NBC)_l qaoמ-~ ӸKs OӨO?cΨ^!,i'q3pҊmVh/X)p+Њ@H4&S4%%D,l8_ȖAc4Z\q#&/ SQ)iHӇ`)9%>\p `N )$IA0l~`ǜ.υZK%Rv  O<4J)q(X88dO &&YEmM+0'Max$D37-p028j(z40/I9"*Q;dUXB"?&z&D#Ie V?W@i#"rGHTRK*y /@V"@p `)(GW=pu>U4Bl Y vD-ddn=͸n؁ 0h#wDcd/ݦ fA B-! tPY(SS`fJ!퍭-\~.a !-LhAh`Mlm  , ] ]-휸  mL?DҒ"JP|7K?>i#~q'6h40`XCF fK!ҭJS6 J?Z ? ?d>vm^ $>!|ޟ JG*A 7H_H؇B &1A94GcUr5t7B<At/vGRXNZ0{ P}# KӬ@W/i @ Cr B\\C\:]<#oR }"ŏ1q㴋=zJ< >8 33$X%>\:T% 55 }[8@OYQY#Q^| TTI׸ jEcAK&L6AB#!)/,1P)*(0аjMNCm.0@4!nWmPQX \UjQRVQm" 쏤 ?GNjH X DBj D$"*do/b(D@Kz(?S`ph@hxaT";`O t!|ޟ JG*A 7H_H؇B &1A94GcUr5t7B<At/vGRXNZ0{ P}# KӬ@W/i @ Cr B\\C\:]<#oR }"ŏ1q㴋=zJ< >8 33$X%>\:T% 55 }[8@OYQY#Q^| TTI׸ jEcAK&L6AB#!)/,1P)*(0аjMNCm.0@4!nWmPQX \UjQRVQm" 쏤 ?GNjH X DBj D$"*do/b(D@Kz(?S`ph@hxaT"No{unit is the unit number. An example CONFIG.SYS file is :- LASTDRIVE=F FILES=20 DEVICE=SETVER.EXE DEVICE=PCTCDROM.SYS /D:cdx.device,0 You must do manually or have in your AUTOEXEC.BAT file a line like:- \MSCDEX.EXE /D:MSCD001 /M:8 /V the only argument that is important to PC-Task is the /D:MSCD001. Notes: MSCDEX V1.20 doesn't like DOS 5.0 unless you use the MSDOS command SETVER on it. It will come up with incorrect DOS version error otherwise. cdx.device requires some OHU sort of signature to be in memory, this happens when your drive is mounted or you use the Signature program or something. See Xetec docs for more info. cdx.device can stuff up if you are reading from it with two programs at the same time. See Xetec docs for more info. 5.8 Getting as much memory as possible ************************************** If you have 1.5 meg or less memory available on your machine you might not be getting 640K for your IBPpM-PC emulation. Try one or more of the following:- Software Make a boot disk that only runs PC-Task (and TDPatch1213 if 1.2/1.3). Select MDA instead of CGA, EGA or VGA. Switch off Serial and Parallel. Disconnect external disk drives. Lower the value of "Minimum Leave Available". Run the LeaveSlowFast program if you have a 512K Chip/512K Slow Fast machine. Don't crunch the PC-Task program. Hardware Many A500/A501 machineQM%s and A2000's have 512K chip memory and 512K fast memory. Since this memory is in separate locations PC-Task can only allocate a largest possible area of 512K. Most of these machines can be modified to instead have 1 Megabyte of chip memory by a repair centre. This would help PC-Task get more memory for emulation, and you wouldn't lose any speed as this "fast" memory is actually as slow as chip and not real "fast". Buy some memory! 5.9 Getting fRpaster emulation **************************** Software Methods Use the MDA Graphics Adapter which doesn't have the colors and graphics but it is faster updating. If you must use CGA, EGA or VGA, add MAXDEPTHTWO=ON or MAXDEPTHTHREE=ON to the PC-Task icon ToolTypes or your Shell/CLI arguments. These keywords reduce the number of colors displayed but make a large difference to speed on a machine with only chip and slow fast memory. SG=M Don't run other programs in the background. Use Kickstart/Workbench 2.0 or later OS. Hardware Methods Having at least one Megabyte of true Fast ram (I recommend 2 or more). Such as that goes on most Hard drive controllers such as the A590, A2091. A faster processor such as a 68020 or 68030 or 68040. It is usually very important to have at least a megabyte of 32bit ram with these as well. Having an AGA machine such as a A1200 or A4000. Some of the disTφ!T3play modes PC-Task uses will slow down graphics update on machines with the ECS or earlier chipset. The AGA chipset does not have this problem. *************************************************************************** 6.1 The Boot Procedure for IBM PC's *********************************** When you switch on an IBM PC or start PC-Task inbuilt routines commonly called the BIOS do some initialization. Then the system checks for a HardDrivUГ'e C to read from and then give control to the DOS contained on the boot disk. The the first sector on a DOS disk located on track 0 sector 1 side 0 called the boot record, is loaded in and executed. It contains a routine to read in the ROM BIOS interface for the DOS which is usually contained in a file called IBMBIO.COM or IO.SYS. Then the actual DOS program file called IBMDOS.COM or MSDOS.SYS is loaded and executed. Then the root directory of the boot disk is Vchecked for a CONFIG.SYS file which can contain information about device drivers and various other configuration details. The AUTOEXEC.BAT file is executed line by line similar to the Amiga's "S:startup-sequence" file. COMMAND.COM is loaded and it is the interface between DOS and the user. It produces the A> prompt or similar at which you type commands. *************************************************************************** 7.1 Technical Support W5V ********************* I can be reached by the following methods, but these could change in the future:- Internet: bytey@werple.apana.org.au (Preferred) ADSP: chrish@hames.adsp.sub.org (note if you don't get a email reply assume it didn't get to me or my reply bounced) FidoNet: Chris Hames at 3:633/353 Voice & Fax: +61 3 802 8513 (GMT+10 hours) (03) 802 8513 in Australia SnailMail(OhNo!): 6 Pamela Crt Blackburn Sth VIC 3130 XAZAustralia 7.2 Common Problems ******************* Disk-Full requester when selecting CreateHardDiskFile:- You have tried to create a file larger than the space available on the hard drive you specified. Either reduce the size of the hard drive file and try again or give a filename with a path to a different hard drive. PC-Task68020+ hangs with GVP board:- Some old GVP 68030 Accelerator Boards have a PAL (a type of computer chip) that will wY5ill not allow the reading/writing from odd locations. If you find that the PC-Task68020+ version crashes or hangs soon after the emulation starts this could be the problem. These people should contact GVP for a replacement PAL which fixes this problem. See the section 2.10 ToolTypes/ShellArguments on the BADPAL option. Wrong program for your processor:- You have tried to run the incorrect version of PC-Task for your processor. Try another version. Error Z?Νopening or using parallel.device:- PC-Task cannot allocate the parallel.device for use. Possibly caused by another program using the printer or no parallel.device found in your "devs:" directory. Error opening or using misc.resource:- PC-Task cannot allocate the serial port for use. Possibly caused by another program using the serial port. Error opening or using ciab.resource:- PC-Task cannot allocate the timer required for use. Possibly caused by anothe[ˑr program using timers, so try again after quitting from other programs. Keyboard seems to miss keys or similar:- I suggest users delete the keyb entry from their AutoExec.bat entry unless you really need it to remap to a german keyboard or similar. 7.3 Bug Reporting ***************** The first thing to do when you think you have found a bug is to isolate the problem. See if it happens when you only run Commodore supplied software \א:as often third party programs are the problem. If you believe you have found a bug, please try to provide as much information as possible. The following information should be always be provided with a bug report:- Machine Model: Kickstart: Worbench: Memory: Expansion Boards: The Workbench 2.0/2.1/3.0 program ShowConfig which is normally in the Tools directory provides all the above information except the model. So all you have to do is to open a shell windo]ؠow and type:- "ShowConfig >ram:config" to produce a file called ram:config Or "ShowConfig >PRT:" to print the information to your printer. All of the information is important for any Amiga program. Now some PC-Task specifics are:- PC-Task Version: MSDOS Version: Initial BIOS screen: Memory Available: Technical: Location Allocated AUTOEXEC.BAT file: CONFIG.SYS file: If the problem is with a certain program, please provide the program where possible (p^x'Qlease ask before emailing me program). 7.4 References ************** MSH "MESSYDOS FILE SYSTEM HANDLER" copyright by Olaf 'Rhialto' Seibert. Is a freely distributable piece of software that is available on the Fred Fish disk library collection. It allows you to read and write IBM PC 720K floppy disks as well as possibly hard disks from the Amiga environment as if they where just Amiga format disks. It is a shareware product so if you get and us_*-be this software please reward its author. MULTIDOS MultiDos is (C) Copyright 1990,1991 by Kjell H. Didriksen. All rights reserved. Freely distributable, except that it may not be distributed for profit without written permission from the author. It can probably be found on a Fish Disk or on BBS's and networks. Fred Fish Library Is a group of disks containing Freely Redistributable Software. Disks can be obtained through Amiga User Groups and dealers. `;}m 7.4 Glossary ************ PATH The description of where a file is located. Can contain device and directory names. An example is "DF0:hello" is the directory path to the directory "hello" on the default internal floppy disk drive "DF0:". So if you wanted to refer to a file called "world" in that directory you would give the full filename (including path) of "DF0:hello/world". DOUBLE-CLICK Two quick presses of the button. DRAWER Directoryaj=. Allows files to be stored in a tree like structure. GADGET A graphical representation for a function that can be used using the mouse. PROCESSOR The main CPU (central processing unit) that the computer executes instructions on. The Amiga range of computers is based on the 68000 and later processors. DEPTH Often when talking about screens on the Amiga the word depth is used. In standard display modes you can equate the palette from the depth. ForbLj example a depth of 4 means 4 bits are allocated for each pixel. The amount of colors that that would normally allow would be 2 to the power of 4 which equals 16. So for normal display modes (not HAM, HAM8 etc) Colors=2 to the power of Depth. EMAIL Electronic mail. AGA Advanced Graphic Architecture. The chipset which is found in the Amiga 1200 and 4000 models. GOLDENGATE The GoldenGate II bridgecard lets you lets you use AT-compatible IBM plug-in cards in yc.YFour Amiga PC slots as Amiga devices, controlled by Amiga software. The GoldenGate I & II expansion boards are by David Salamon. PC-Task will if a port is unknown try to use the GoldGate port. PARTITION Subsection of a hard disk usually treated as if a separate hard drive. Sorehead-TRSI Architecture. The chipset which is found in the Amiga 1200 and 4000 models. GOLDENGATE The GoldenGate II bridgecard lets you lets you use AT-compatible IBM plug-in cards in y $6::::::|| ||::[9.6-]:::::_/ \_:_/ /\/ / \_ / \_ / ) __/_:::::::::::::::::::|| ||::[14.4]:::::\__/\ /:\__/::\__/\ //\ /___/___ /SbA!:::::::::::::::|| ||::[HST.]::::::::::\/:::::::::::::\/:::\/::::::::\/::::::::::::::::::::|| ||:::::::::::::::::[CYBERSPACE]::HiSTRY:iN:THE:MAKiNG::::::::::::::::::|| ||:[MegaCooL SysOp's]::+-[AMiGA:ONlY:68030/882:POWeR]-+::[Cool Ratio's]:|| ||:::::::::::::: YouR SysOp> CouNTacH/X-trade ::Co's ARE> ::::::::::::::|| |+==================== ==================================================+| || LiBeRaToR/MoVeMeNt, SAL-oNE/TRSi, PeNtHaGoN/CrystaL, RMAN CHiLD/DsR || || +------------------------------------------------------------------+ || || NODE1: +31-73-230-472 | 230 MegaBytes HD Space | NO ASCII STRiPPiNG! || ======================================================================== .....and don't forget to call!!..... ------- /\____ /\ /\___/\______/\__ /\___ /\/\ /\ ---- - ------ / ___// / / ___/ ___/\_____ \ / _ / \/ /_\ \/\ ------ --- /\___ // /_/\\ __/\ __/ / /_/ / / / \/ /\/ __/ \ / ---- ----- \__ // ____// __\/ __\ /\__ / / /_/\ / / /__ / / ------- \/ \/ \/ \/ / / \/ \____//_/\___/ / / \/ \/ .:+:. Call now and Dial +31-(0)79-ELITE .:+:. Sysop Just Another Freak (JAF) -*- You Or've seen the rest.. -*- -*- Now see the Best!! -*- Amiga/Global OverDose Consoles/[L]egend Date and Time uploaded Sun Apr 18 00:40:52 1993 Get the New User PassWord HD Space | NO ASCII STRiPPiNG! || ======================================================================== .....and don't forget to call!!..... ------- /\____ /\ /\___/\______/\__ /\___ /\/\ /\ ----y v#!6w#O c?z( PY-B})W,]ǗNo(&~| Pί >b4BM[z >gPOͲ>  i/a00&d$)ڼӑ|u6P`BX:\l̆U> /SR}Vo,@k^_S t_Iƨ@gﵗWZZ)Pt C!p`5;fRYل*d#E1gi  dl/fc(,|Uފ_ )b5S{F:<xh}+h1P>̪S_V8 ByQ FvR\@Z-OyY"hj g z0e)7*ǩQ˱/^8assSA}y Kpi^(]5Y{QU 'ւ0zli W-#Й@ qkJƖ0EXCO!z-8` &*5N ₘSIBo{[)A80au3 ć'AK+H(K)FToS )+T`Z((2qZzwዸ`;Ȧ !]6%u"SP|lOdalԖV⋡'Af:KY0y , ?pGϧ( F K@K*,z=7y/ˍO vwhB: 7G rN@pcJ3JPZ~~,A$& NHv?zW 0}E'/Ě' @̅p|p&?0|MDPHd* {TlHm !($,'p&PS,'aYu>| -7gaL$ ? zZ}CX/ LGgԖW>OET1|8f< mb%nGp[?9-;ZEￌYAqQZy #Zfpfgfic(Ǩz^fE(`Tzr "Qd_ ;gK#|/CʮzB?1aNO Zpv6Sd~rP \k辶 tL!>w FY. fidW,t:5Ӌpn<̡t %B;d0HMr+>Hs[lL0,^tFO,,'"6`AxD>1R8y*y!a+/* ݋95?䧖 , ˻Wsx%e`8!?F(;x`Aj5yQa,lck\y|f 9?ucXX1F9?CL!La\&OBL d W%Y[*OS l{_}*Vд}B(E59/ @v ϬxaO\B2q1L ɖ([~i<|N>ϡ0M؃HC@7'ǰhDP3 ֚M\xZ+RW`_ 9q)~ zT5 k<d .O'q7fmߋ5~/e_7CJüIuSD41D7a:/2Gd}p{D)F7q냡fzܳ~h8gV`Cؑl=a ^+F ' :[X`:&@ixfy0|`J/=*G 6Rp=r"c* ~9(PTG<8ꝷa' S>7' cmYtea-UQ\QD9 5iƐ\i~P^wXUOZSHbPY_9_8 > i8!̹uL?<ض8&wN6ܴ3!,L@ܟiH@+ Bn@nBaAu/Aȵ FE"}D#SOD |U$-Ca~cA`;U[yl`4OHft<IN8d荥PHDҊnːn8haj @UQ> OZ043>0BqM}Wz'`[Kp+R8s~MtcY y3)9|0 p/; A|CTf[9qt2BOv I9"x(&G'O7:68/P'piT8;94Vҷ `867)BYA9q(biiX QHXOR?]b( AxPZZC!ZaK#ˆbȮ꿩c e 7%w?<{~ag " zWlLꃗˏ ed)DcP2x,gSѫXiVTTU 1C /jHۓ~5 Lgqe@;I !$hd.])rWh/DS܃V=k؟; IG88 DqxQuF$_ǃI-SBEy@8`.WSR*¸VCoӫm 247M. xay!y.$6kUx0SgǼB < GCDZCO4N(CiΘ>8ǧ0A8'Zf0/=U/Ɲǩ mNkqx-_5A,$}?BqECdW_bȵKZք5 gh7?,\8< oKf ~ _p]Ւ@Lh?Pmfa03^v %t /poJ6r "T+?,A0(yޘz+* 8& ~`M І\8d{^2[!Z2=d.le$3۾\R( JזС}ohX~Z9uyZ|2sy$EeRJn?#T*ܾ' NW[ yV%7eb/Qv]^"T}м I,yw>P4 PCW$8/G׆k!hم@ L(,H'P2_Q8>L.әԦYa<|fqgJ 65&̟4PTF`4g> 1ˋ l,1ᄓ;L$)>TB d=c.ze U@%:5 5=A#-$ ߩ. bX5hCϔfzۢYA`(n1fi :G$#!U4k¥tKB1!} μX='H$ ffeR(<2ğ3 $[Ho-*<1Ka}N:\jH'냃_0܆1~TJ4ǎw:wRAوaF\%M; a O$y9zr NHgWN 8 q.kI F&4{Z ]<ᠱ%dj!AH)8?8;ڙ(4mMLfLyNo4 /bki𷱱0%<;ۚ>ljW ,%PyDeQ!\!?ٔ䲴e1iȊO6/)9J#&b%C[`(UIH8Q9QYMYŒK>5CV*!+l4b6دYi {!!LjKdN*0=P'QF`IB| Ď H"F8E$ hD@KJÈ3q!) *C Ȩp$c@5ĕU$TUEED{Ӓ*K˪"SsH%򼬔"(- JIˋ(* J Jr¢?/Ǿ_O"jh0)s @fk՘A!5*><*_ S# b-bg/9翆d"bJ=1RE9!{٧#(.ey!dM9==AggBB62OQO:k!4ݳ0y>{αxo)>jb2gx 1aK0d!v sTS-ɂR< ] @{i4/#p„ f?O9\:+"vsanp>  &? gB-}$=[8vx}M`q(@^%O,*Q]≮}@diq_ى@:H V@l1DpOLA!xތ\=`H5gΓDE4-a Zs\( 3 |$ëX&ڥ?Ҩ!=_VNx0SX0NG BaZ_72g6#22{so UĢ+yEc QLG¡#1`d$K!Svࢁe|r_Jyڡla#J ]J^\`;vXGX>gDư/ t7][FeenϜpEjQyuSBh®09'J*,+aug#O` }B*@>B IjBPA^ KH(h&&0a,}S[CB -osW; fpKT˩( *) ?&t^AJݵ&YMX\MX;wh>,D'iWZx`L2txyD[TFQNVu8+8SPb4",ʪ1\5cԅتxAyp_DE,hӿ'HAL4/(-0,꥕cERy))$)Q? 8 8=<;:9876"!      s PLK 47899 MWBPointerpsFORMsILBMBMHD 8 @CMAP0` @𐐐`pBODYs? ?? ? ?? ???? ?? ?# ?? ?? ?? ?? ?? ?#? ????8;??? ??0 ????????????????????????0??0?8;???? ??`?????????????????? ?? ????? ?? `?`?8;??? ???@ ?? ?? ?? ?? ? ?? ?? @ ?? ?? @?? @? ? ? @? @? ?8;?? 1|? ?? ????>????????????????????>???#??#??????#?#> ??8;??? ?? ۃ@?<?<<<?><<?><<?><<?><<?><<?><<?<<?><<C?><C?><<><><<C><C<<@?8;??? ???|?8|| *d?<||?<||?<||?<||?<||?<||?8|?<||?<|?<||<|<||<|8|?8;??? ????0?8?8?8 [?8?8?8?0?8?8?88880?8;??? ???? ?0?0?0?0?0  4$T?0? ?0?0?000 0  ?8;??? ?? ??? ? ? ? ? ? ??  4A?>A?>LA?8;??縀? ???~?~<|?|???????????}#? }܀c?`|`?8;??2? ???|?|????????????C?@?<?8;??ɓ? ????????????????|?| ? | ?8;??? ?܌??????????????????8;??? ????g#???????? ? ???" ?"6 ?66?8;??? ??8????_L??????????D?Dl?ll?8;??? ?? p ????܀??܀??܀??܀??܀??_`??܀??܀??܀ #?܀ #?܀?? ܀?? ܀w #? w܀ #? '܀ ??8;??? ??@@??_???????????????????????u˨g6Ì7u`/ʚy62" h]\La$X*Jo^%Mm*ŀ(P]3[0ÆVM:i4|3 Ɩfưlzp:5$}4Y)oVa_az48bfO#-NQg7)i)@n񇐔  3{*Ny'TRD?@SlQ/~ i嚱wYK덥Vb5L!Te#F2Ntۺ#BݠL$~T\4;Fa#CULysfB}$:"16P ."xV?*|!-~u-9{Yc'[#AXgt"m8_uգlu.@_X0E!d\ -tu#hL$8h **OhJ7I I?|Ў&?vkW ψcq ĜDh}-%uӊYJi4'nkFg^[K׾)Gr^J;ӅȗZ'Cf m56cBM]x(lQ(E+l:TO0B9˴kIx\nk);7#^  K(VIAF)@!Nj0.[D8l hgI%.7=f+()R|uB9"XKck;{9{ 8ߏ"TJ" jiB8w8XB2?tE#(Q1J~WM 4]4J(E I ʨe?۸ca8ʉ`u|vWaZ*(T=s !,uM-(J>???@C??@C????@??@?>AC?@>＀AC?@>OA@?8;??? ???~|?~?||?||?||?||?||?||?||?|?||?|?|}|?|?|}| ? }|`?`||`?8;??? ???~?~????????????A>?A?>?8;??? ?? ????????????>>}>} > } ?8;??? ??????????????<<<<  ?8;??lZ? ??4??ȇ?܇?????????88" 8"6866?8;?? p? ??8l???️?????????00D0Dl;0l8Đl8?8;??!8? ??p ?$?$t?t??????? ? ?  w # w܀ s p'ߌ p?8;??? ?"rC?A?_L??L????????????????@??@??@?@?@C@@>@@@>O@?8;??? ??`?|6?>?|}??}ܿ????????????????????|  =|``<~<`?8;??? ???~??u$fw&:V) 9y0 ,=B11qcOa%@N?Ɋs,,#[I%M(_!.PAH=qλ&6϶\3XѴ䮵P'Tni7dSD'Kc-A@΁OV~?'-SD-tpn$sbQP9CH ai<F6NHT|̃5rrs PG;APDhY&rjea \:@:`۔X;bdY`DhE!I- ŒRd Atm1300М (' ),"% $ 1K'Ja蠶XF=K'<(g`9r_Ro⿧P^ p9Pʋ(Q%7C6YŰ ~w _$QJkqu%ZSA}S$ bCha-"|n c9uJr؃󫱱eפEQB!&Y>96UX@xm`H-`+>g? =_<R8 ]@`1m T %\2PV{sI(( F*@nوL(( ^dGVA9i'zMz < jZ.%$5Hqof4S2?OĆ;ҐLi(|"!Z v~/@:QH3lW$0ZK4!Z=[8% ,~(C_lBv`5*I&y&|@PY+`=O]. N/~CP7|lJ DŽOL(JGcdKp4τu Gx6YXx]uPID'>BRMh`9֖D( BAlE`8`* H,{t`"8Hp.SB2[څҖM!%&3WYSGW JcB0B"2Zc< qQl#džbh8Bx+ ZA-܄)x( "@R` y 3 lM FPL0 PChad;Ε8nX3ےΘ8 F ||IuT.#[% -\[0)* 0L 1`/=@`Kol k`k-\AɡonIjKТ,#%Ut%?J8C*-Ɠtb49P3_:C_%O Vp lzv (p*`'O 71l5怷o#WL,k4 x c?^ox:{_nnj7Qw`KcC2࿭h$ \BUyCt gz#`a_ّzcQa^4k?BXљ rrP/eq{{ =11aLPd- *L1S4䠡=LrTj%dB.%Υ9q9/?ㆫ 9>>QT^5lx^'ƊIy -[YgqrXyfz}%q2!cሩ"y $  &RjvļSOmMa <vvADMF Z-l2c .u)+"pu2K!lėѲ#dɿ@^ZN—۠<[{I~.U`!!a#H9bd{(^-@60уѥ8K_g4Kۚy@X$#gqهuR.وhyPq#8['jؚk cbq hS 82%s{6 x x>4CRRN'F79 pjͪe2¢A4SQHeFL.N"Y( CXvnH4-JzK$*9Vp P*`1̇gi9&YH(XA IŰO;CC!ljsY.@@Yl4~s`}qP-f(N$Ȉ) `8d5KIy!hJA  e :u*{J{yߑ0I),J㫧g}ydmqW^8).7BlxqQ;&Gǻgw%aFL eZWH"@jrrt>pZԺQeX$_kHsVL?D~:#tNPœs,}{Ľ!o{NpfE  O#UP<1'Y)n ,pS0mN<}[>y2 #QDGHX0)YГZt$f4 eUDaI iaҒ{Ǎ3az|F(E?|qGPA[G/ dqXHǫɨy`OAv 0ck0yܱPp,wgQx)`P0껎 dd> %` G ??g8u+MJ'tUѢ] xs #ƊϵPVx} >PP8KUaS\PwrܘrLr1"VGB$(5kw1wu$X$xʹ":x/BB`P g̴wLF(X!4^cD~dRSZH11r _Y>6$BHI8GC3ͼj҂ Mw6VHyR"- @Ud S OЊYPƃ20H:a0$ ig/,xD%~B tt6t=2 @, o֤#fgKH(nbk?Ja 0'/Dp)#40d`gabeNE_2Rߗ/_O-ǜZ)CWuL >~1_u,B셔GxeɆ_6~>&ߟo/)j- !{)=Ambb=uRTW#ٹMyI=?Nh73^O7~.?|gE0tv*O Ol=:N3_$RPhFP[d_s"R ` t/kICRf,qGn^aλLJ' LnTs^J~< /06ä"$@ VDPĉ=i ؖa \L_ǝ .Ё=hHb *-@T% Jʺ*c)%I(: 㖰/³7m!ˀ$B^ *ܐF@Nb3) 7mÖ3=h^_-l!n8IQBk[CQѬa```#"?8hdh`7',Ld.bw,,̴ll?_T[!rZS1Na,֝R6)ݶsRrN$̭-.6=ٞ7(}( efFNNf>Ϡ@>=pԡ.8i5?HSalJ *Ar:u.〪d&{OK\e WSO3 !g@=o{^ܳ"\PEB^QA]죄hR{{tԺ~GǞ-a-uii"l0$i<$$ZWݲ0&{=u [ǡGgLk)A԰r JGOeF'C`GTnB`[ƞi`*Š;1{:t̓(GAl/Dٯ!0FNQcAYvmX-g p(&8Da0xb*9YMK@:[עql"O 6(A]*2ܪvB$ C#N iȘutqXFg6p~>B`Z-ܝ\eBņ;Ȓjd,-<$\%p,Н*hh"*P\9AݭP&n2.M(,^Yy "8W-;u/i@OXU+0=iД@Hv@DL{]m p,E8˜M]A}-`Q]a)DpQWE&"{8ۡ7h:0n Qؚ`ii"UAO`J*Ȫrjlidc!:qN),!'[$( *@#rBJv@89b@Q0rP32Ѳrdt<9\ap&Q1ѽJ` ..m\a ?4qn32ϔN FZ벛Y)hcd+(vNCNNo&V.ha:4ro$ YyFg}ʥ"t*Hv3sz.,<T3`$,x|HNlWݔu0BCYs</,Py!4L6JFNNf R^TX' *",B^ 8t4; Fo(N& -=hÖ@[  @檵tWEcVt*(XvD;Z@Dt{0LU:>2G݁dc@XU*_ #@hJ8"chjR`ALaC)GCKFP~C^NT@^ETW>rC冈GР#QrC *B -=V1^ =PS{n]bt:a %2| q=2K UP10E*K(:eq@ H˰[`+&.۪1Hە@m],a`CPj-A!Q c(Q/#5P u 34ڍGY(<%Gqx){ʄ_Q뿏 ;g"Nw$NU%8˞V1[W糟O܎pOBrSvUP !;e蝶TE4WA09l `|]5ڸ-jp4iAefo~r} NPmDRc] i X(1H`N\ܺU62 pF=Z8/ h/sq 42t.&ܼ& OS 9+.D2:5Q8B8#*wbU`!~ L|hF0 猌^/=@@3$ |YSGB>6=~k>K*$ Ap]ܱ$igqza+1 A{KoLW- 4+jb]p TAB!ьLQqqOu!4]Aܡ\2J <Bu5D\pL&v`X8s~ 2H>Ύ@+رQJDJG<(bJB",|2Ø hRWΛ?& GBrgG `ئ8Ӏԗk% 1@Zr}{kPʘ̯&2<\6RN\FTNr^\IPVN3,'ژ 29ES@"a=U9 Nh^ʡ !@FK/$BO4((a>tuwxde?TfF r}MrSO1*\HY@֐$0n%p) -tG8m,$M$lmM,\kqInNC8&נo뗖j^NSM = dBΔXf |&6u"5NpqzB@#!L,@x \LkB"62h@d 140$e`e`ef`d{p$|?8;??? ?? ?|?8||?=|??????8|H[??????????????}Ȃ7}͂ 2}?8;??? ????1?;???????????? 93F????????.$?8;??? ??6??#?7?????????????? ?? !:" /???? " 6 ?8;??? ??l???/????????????????????";U޻;8,88?8;??? ?? ?'?'ܟw?wܿ??ܿ??ܿ??ܿ??ܿ??ܿ??܀??ܿ #??܀ #??ܿ ?܀ ?ܷ # 7܀ p# p 'ߏܘ p #< ?8;??? ??A@?O?O??＿??????????????@C??@C??@@?@@?@@C@@@/@@C0@@@@?8;??$= ? ??`?||??||}|??}||??||??||??||??||??||??|??||??|??||?|?|| | ~?|?8;??%>;? ???>?>>?>?>?>?>?>?>?>?>?>?>>>>>~?8;??&?:ހ? ?? ?}?=}}?=}?=?=?=?=?=?=?=?=?=====?8;??? '@,#????;?;?;?;?;?;?;?;?;?; ?;;;;;?8;??? ??6?(Ad ?7?7?7?7?7?7?7?7?7?7?77777?8;??? ??l??/?/)Bfi{?/?/?/į?/?/?/?/?/8;?/į///88/8?8;??? ?? ?'?'w?w???ߌ*C'Lv???? ?p s?ߌ     p  p p ?8;??? ??@?O?>O?>??????????+D ????@??@??@?@?@@@@?@@@?@?8;??? ??`??<?=??????~<??????????,EPQj2??~<???>??8;??? ???>?9>?;??????|????????????|?-F?>Á<~?8;??? ???}?2}}?7}????????????????????=8.G=ʇ?8;??? ?? ??$?.????????????????????; 1 ?8;?/H??? ???? ??????????????? ?? ?? ? ?  7#?8;??0IyQ? ??8???;????????????????88????/;8<8?8;??1J? ?? h??'?7??????ߏ???????? +??p p+??ߏ  ?>4Mb@?> ?> ?>~ ?> ?> ?> ?> ?> ?>~> >>>?8;??? ?? ? ?= ?=?= ?= 5N?= ?= ?= ?= ?= ?= ?== ===?8;??? ??  ? ?; ?;?; ?; ?; ?; ?;6OQ ?; ?; ?; ?;; ;; ; ?8;??? ?? ? ?7 ?7?7 ?7 ?7 ?7 ?7 ?7 ?7 7PdY?7 ?77 777?8;??? ??0 ? ?/ ?/?/ ?/ ?/ ?/ ?/ ?/ ?/ ?/88 ?//8Q)N //0?/0?8;??? ??` ? ? ?? ? ? ? ? ? ? ?pp ? ? ?  ? `9R )# `?8;??? ?? ?@ ?? ???? ?? ?? ?? ??@ ?? ??@ ??@ ??? ?@?@??8;?:Sހ?? ?? ? ?? ???? ?? ?>? ?? ?? ?? ?? ?? ?>?? ????8;??;T1? ?? ? ?? ???? ?? ?<~ ?? ?? ?? ?? ??Á ?<~? ????8;??<Uk? ?? ? ?? ???? ?? ?1 ?? ?? ?? ?? ?? ?1? ????8;??=u? ??  ? ?? ???? ?? ?1 ?? ?? ?? ?? ?? ?1? ?? ? ?8;??{W!Z]_`\Bwd~;G5Gog,=wz쎧 YyO^F1d},^0~?ʁn/eBQ¢R^hyQK9Pz1W&%84hiv 56z@8aX . e aO@}e_J!zvWPƅC:筐1LTQ]AQ9Na ߙMEҼ0&G@'9M͵ r}\o>ty*r?`Uay,:8LZ4r?K|=ǣL͹GB 1] %@~??<{?|͵1x%O8{ ,>Dϊ~dPM|\ɯѫvC9^c1>:$.b3zwT;kDo m1DzyAښ[YI+-q?vq ?P(gDda馿]5„OR'9 ,Ät~\>XRMp0tWc .&.&' l/ eÞ^S5ҡ{^|=_zU6q3ѽ{Yz/EHaA<q5.oxЈxQAw^O9,/=t81x @y‚*ot T(Yyam0s?!GEiN:Y$I'䏟#b1 &>)4P, $ \T "  hX!\n8AX _?Q;bf-d3fVB$!> Km Ho@4f(k S;ĸ a!|`~VC?pLP| sҐwSה}wD)A23ᗞVl^'N*Fg`8WT _8(?GG퍮4njh!G_B8J4i* Qybidu7*>C89MC#czCn1A5H,{Zt'K R `%dT%{&s m^'ŵ?' .{ =BQ2t75ŘIMD1  HʌBXk σ P/=]{rnÖ =ej?i!,Yy%"W9žӭ~@X!4&`=&qÍtD:鉔Hj>Iu= 3X{ 7>ub5aU%vyf̓fbI=rtݖːL:Cu=#/ Z(:H7 Q1L<cWNeD7.n5cҬq@Y~x :AX+`?yOOXO$O$iO5BXdh9q)Gg>qhϑpo@7(u<Ş; <+{_ gCF.">LÂS WX 8M=>%RBsMFջ!% rDLaU`s!vLF`B 4MvM/PwEW>Ө<$>Hq"c|1tDd!^LFyApy{)2#'Qo6Q߫x '. -|Â0m;Q1i ݥY'KO-e5T80btLXcy6XQ P9yzdg x~3O}cGxWpzxP^(0CNxȩXN})S\/x:_$<뛾jT\Yg4y9<"8ptM4kCJAF!鋈fX+ y FXʯm s A>vf-˞>ކ0I:˲9YQhG3u:zSaZR~ESpjEV:rJj6X1HxNGck)L/ٌ 7%)퍬!Єhx4!tEO|E@aê9^% 㨥GMlFCWuk v@Ε7PM7H窱3 tƑ\3Q:ϫ|hyuvP1r2-p=7n{ ap l'&P9F29Ŧ99 `C ~& Pp QMq(K+@a+@5,ᙍN3tme3PD5T mh*d' 0v,6H? $(!댟8<t-I\2M2Ho]$,ǕTҔ`8ZM`nΖF?ggBd]~k &ag3 !A-\wG GtZz1O2`{-'xtC>0s rXyǹ|ÇF9o2lwDxP?agq(\X@*) 7"[PI*ȢL̂Ta9"yܣÞU#/ld#y tPD4dxaDf<0KA(:"* tnC* xA@`C P T6'4'{ bIORX`z>`C`C 1eđl *nD'^aRod@phnhAZJP'BƲuRg c$Tg:wYq+kJt6h ƴ \%,%CuO,Y8F%ᄀDD|;MsB4!@fI=$Sb ET\X~s&%MKG iwF C4 3(x>W+ A7'N(NDc)Uaޠ,GLE>O >iQZ,/Y_C L/ K<Xesy+r6ɒUGf}1 P0x 8yC @6{ c #;cCF= D(>PDH?^X1C6XY{Y0x>݈`,8bdT=rT?U"`E)$( G[0'))5o2<0F6pZG)LLQ}Al:j``Ga"8rI9YGp;.Ȉ@69Pķac4c8 Rr=h( e#Tnp N YI!l^pm@ԠtF*PaC ( HEpq6 ]TN::8I𓐈k8 Np*aXdH\€I% ErΎ@ A8BC5 \s=RA/) FP 0-t61GZDl;0a$R F@bvcٚɨK;!Bpfn[Cg)[K''Y{ *'f X ŀ&8m$36yKgwB <\,zPx5u4uu353zxA@s'L\m ]-i=]0t0 i0T(р{C;sS> ƄW;<@JJ Y>L@TYATXE@IRHFW`A Q@}  B* C//',K@Lk )G*Eh-\ pm@ԠtF*PaC ( HEpq6 ]TN::8I𓐈k8 Np*aXdH\€I% ErΎ@ A8BC5 \s=RA/) FP 0-t61GZDl;0a$R F@bvcٚɨK;!Bpfn[Cg)[K''YrfOSH BESTEST BUDS OO CHILDREN BLUE STUFF LEOPARD ALAN B STARD DANNEEE LOWEEZ KATIEWOOH RADCLIFFE IDONTLIKEBRAWN GILL NGDES HOW MUCH THE SLOBS MRS T ALMANBURIE rg5С GALLOWS FIELD PLAGUE PIT CANDLESTICKS BROWN SUGAR BABBLE BLATHER TRADER SCARY MAN BOILED EGGS NEED MORE TURBO NUTTER ITD BE OKAY IF THE FIRST LOT HADNT BEEN PUBLISHED POUCHED rhiM WHINGEIN SAD BOYS CRAMP GLUM HASSLED GOLD LABEL POULTRY GOOSE KATE4LOUISE0 DRAKEER SOURFACE LURCH ENDOSCOPY JUST TAKE 5 HAVE A BREAK 3 NEGATIVES GIMME SHELTER ri\ BLOAT ON STAGGER HOME I LOVE ME WHO DYOU LOVE AAAAAARGH SOS LUCIFERS CHILD PYTHON LEE QUANTUM LEAP SISTER BLUE ARIES TUARUS FATEANDFORTUNE DOES IT MATTER WHAT WE PUT THIS IS Ir>,T SEE YA FOREVER CANDLESTICKS BROWN SUGAR BABBLE BLATHER TRADER SCARY MAN BOILED EGGS NEED MORE TURBO NUTTER ITD BE OKAY IF THE FIRST LOT HADNT BEEN PUBLISHED POUCHED tm[K" p0(j8N"*ҩ#p"*ҩ#p ") ©Jfr`r#A $)ĩJfr`r#A gJ f$) G " p0(j8N$) "*p0(j$NR") p0(j(N`"*Ҫp0(j,N#j$r#A($n2ҪJg"*ҩ($0"*p8(j$Nrҩ(`"*ҪJg"*Ҫ$0"*p0(j$Nr%A`"*Ҫp0(j,NB$"*ҪJg""*Ҫ$0"*p8(j$Nr%A"*#p,J,g$*,l#B,#j0"),$*R"#A40nBҪ$0"*pD(j$N"*ҩ4$0"*pDtnA(j$NRR$rҩ4`"*Ҫ#p(J(gz$)("*p<(j$N$)("*p<(j$NR")(p<(j(N"*tf"&*֪x8f&)(g$)(G," p<(j8N``<$) G<" p0(j8N`$$) "*p0IlNtgtvg`$*"*p0(jN#A$$*"*p4(jNҩ$gGT" p0(j4Nrҩ `Jfrp(j NNNq in drive 00Replace volumeis out of range is invalid- bad extension- not directory or filebitmap checksum error`b$)G|" p(j8N``"ҪJtJl$)"pIDNN$)"pINN$)G" p(j8N`""0tgvg`N- bad block type- unexpected data block&*ցx8f(JgGx" p(j8N` r%ArN"$)fJfJ f Jg$)G" p(j8NrN- second root block- bad directory&勴8fJ8g*(*؁*0H8g$)G@" p(j8NrN - bad header#p,J,g$*,l#B,#j0"),$*R"#A40nBҪ$0"*pD(j$N"*ҩ4$0"*pDHJy{q{uyr3N}uY]er MWB DOX #42 2qtlwprsihgfes 21man.codcodpreRY"The Humans" /ParadoX-Release, 07-04-93: DARWIN DOOM SPYDER 480 BILLS BROKE AGAIN OUR SHELF NO SUPORT MR PARROT 7 MILE WALK BLIZARD MINI EGGS KEEF WORLDOFOUROWN ITSTtv4Enmlv!8Disk-Validatorqu#xec543210/.-,+*)('&%$#xAp27ws+oldrumours.TXTptll&G$ #Bv lt "*Nt0҂`r $)( r0Ҫ$)( "*XW%A%j$*XS%BB"*p(jxNB#jr#A nҪt!rҩ `t "*NJg0r#At #B "*N") $)"*Ҫ!$*"*p(j$N$*"*p(jN#A$*"*p(jNҩ%A`J$< rp(j(N"*@&)$0(G" p(jNJf"p(jNrp(j N"*@Jg"p(jNB#j"*#A nL#Atāv#C#A$) m o$) Gwz&Ktz12EATORS.DOCpuhLPP20 CS@.\}qHs|75*"(omwv,O7-Y9kZ"7OrN4I33 x|;#* Okjl] i< LKvV-%Y9iYYh~ڌltp&Ă y~b2Y"HwP$.9I9Q N ȉ)*(&B<eE xl=L*J\?NNtB#ںTOHuĔ . x5y?bˡ*!Dz_p&D q*Jyt6)sӄ)|pQ>`+0ח p )KjXw:8Ang ! >;bތF6z E!L"p8ŞGķ}za`|f|x3ݪg3l OP\vqpҭFT3!JZ)]-Ɨ80` wP=x 1ti֫h-g\ a~,Ac"zfcc ^15iЄ\x-"|IT=5}h%TL#m@$,9:v1=Q^>2I 7y'?.#Kkh;wB2|?TT%r{(pW0[fVRv*U"2;G 2ʼD[(%w[IǬ Ș`m%n7)vyEBZ'rF18p6*p- Efj39oGpyal'C:E\O#!5^&\v  (C0!0l MiT tX9\{/[/H+  ^fbi<qlX⃴@o!AYckl1>`53-͑l? IBG>G(@y;O*Af4"T2Nȷ4mRC)KHaH.2eR !80AJ+_5*% gՏ`}pM L#LL(ow5k)yDs`g?Tυ(Gr9 22X gqʆ`XzLT-PÀ#h,bt;CIpL2'2bԕ[KF~qruqǜ I`Kh^PѰo lh!_ʵSC -0TR mVP"ӈ9ı4>W[C9Oz9dGW>!#'Lm& Oc^^ʦp(Eppp_ wa V[ 4(S P  =o]&T i A0;{I.p1dhbyc"8`i!\$6$)"(G_vEĐPBE/-$.p[/*%(OQ R?@9q2<|/πH I?φ:zCKHs* LB{aE2]2bGbrDďU.?0/@;}B :c𒨠x2|? xB:YfLgS>~?VK(\it?X7ڷҟF0aʪf#" N(+*+ @NqR3 bV}-( !g8yƩ2~>U!ARWVS#,J$CgOpT:JET{HI͎ksB\?d0ElY yeI9q8RyU%XME yn>R/#GW@Cx~L"I^0j!Η/Ȓs?B^ yCwxq^kK8YOmMl84+[2<0m(S Vff\>RˠGg9誺lgJ'zx]K?(?܊_)\)=1{z{򚁖 LO{:EOp # 4׽JżLܒy& e8oVpZ~"3~qsʂDWCL3 qJnY!3'2zm _:q taF"׀t"c0~zUx޸8Pj"|KJwO WSB$}uŏ}>9$|uSE/`esyj/ΎS-*[ׯ4>"@S A|\6wbNnCIDb[]h +p۷)M@j(J[+ك`O4&a{E+۸!DVì`C8btʻH*De{-];X?.EJ'Iʟ:@ (^80C <a+/ Iu |_WُBh M 1?G.\?oňVwL<\Jz;TA0:+< ${lee~LC7臸E8DYYз -e/W&XETIVDThh VJ!S"QT|w;:A{ryRIH3#XYs l K12*6a6 M =HFFpBh~AbZ<]*OyW iFV*^pZ[96 `'`˰EK0vSS碛t`Pljlȕu{3~p+3CA-10)'۠v0;?( (IˊV? 1V;M?AǯSBGS"8~6몯6L@: zA'S5t_; Hc 6*Ƀh  `,OG״F? nJ ݁kE;(W 8Ӑ]y~CL$3*F SžvG,"&0GWE½56YrRO0 &< !.Iy  %?D.61soh==ސ%DaW|X=Œ6C-=퐉Uh#[yܒqO?d)_Q4GALDRX3|H `/ ؞ gO\l=2aD9KsxOy/Ehx/rQ}[̫j; P_~HGUo>{ԯu)H# kÎa=99~yIEyk->f>]8d9e8; iK6ߥa(!@ӵqnA9:{ pSpp߸4o`aW0ζ) moV{v2qcIgA3mT2x/2.߳ /cXqkj|(,!gd0ad*``Ps07ttleisl2levelcodesp{e³ For all thsoe peple having problems withe the copy protection in Abandoned Places II ...... Just click on the appropriate x in the box, leave the 0 alone. Have fun with this Game!!!!!!!! Astropath ***** T M D ***** x0x0 0x0x 0x00 00x0 x0x0 0x0x 0xxx xxx0 0xx0 xxx0 0x0x x0x0 x0x0 0x0x 000x x000 x00x x00x x00x x00x x0x0 0x0x 0x0x 0x0x x000 000x x00x x00x x00x x00x 0x0x x0x0 00x{i0 0x00 0x0x x0x0 xxx0 0xxx 0xx0 0xx0 AA AB AC AD AE AF AG AH BA BB 0xxx 0xx0 0xx0 xxxx 0xx0 0xx0 xxxx 0000 0000 0000 x00x x00x x00x x00x x0xx xx0x 0000 xxxx 0000 0000 x00x x00x x00x x00x xx0x x0xx 0000 0000 xxxx 0000 0xx0 0xxx xxx0 xxxx 0xx0 0xx0 0000 0000 0000 xxxx BC BD BE BF BG BH CA CB CC CD x000 0x00 00x0 000x xxxx xxxx xxxx x{_\jxxx 0xx0 0xx0 x000 0x00 00x0 000x x000 0x00 00x0 000x xxxx x0xx x000 0x00 00x0 000x x000 0x00 00x0 000x xxxx xxxx x000 0x00 00x0 000x x000 0x00 00x0 000x 0xx0 0xx0 CE CF CG CH DA DB DC DD DE DF 0xx0 0x00 x000 x000 x000 x000 x000 x000 x000 x000 x00x x00x 0x00 xx00 xx00 xx00 xx00 xx00 xx00 xx00 xxxx x0xx x000 x000 x0x0 xxx0 x0x0 x0x0 xxx0 xxx0 0xx0{9@ 0xx0 x000 x000 0000 0000 000x x00x x00x xxxx DG DH EA EB EC ED EE EF EG EH xxxx x00x x00x 000x 0000 0000 x000 x000 0000 0000 xxx0 xxx0 x0x0 x0x0 xxx0 x0x0 x000 x000 x000 x000 xx00 xx00 xx00 xx00 xx00 xx00 xx00 0x00 x000 x000 x000 x000 x000 x000 x000 x000 x000 x000 0xx0 xxx0 FA FB FC FD FE FF FG FH GA GB 0000 0xx0 0000 0xxx 0xxx 0x{9x0 0x00 0x0x 0x0x 0x0x x000 000x x000 000x 00xx 00xx x000 x000 x0x0 x0x0 xx00 000x xx00 000x 000x 000x 000x 000x 000x 0x0x xxx0 0000 0xx0 0000 0000 0000 00x0 00x0 00x0 00x0 GC GD GE GF GG GH HA HB HC HD 0xxx 0xxx 0xxx x00x x0x0 xxx0 xxx0 0xx0 0x0x 0x0x 0xxx 0xx0 00x0 00x0 00x0 x00x HE HF HG HH x0x0 xxx0 x0x0 x0x0 xxx0 xxx0 0xx0 +[31nsiblesoccer93.docp&jU SENSIBLE SOCCER 1992/93 SEASON EDITION NEW FEATURES AND RULES Written By Ozzy/2OOO A.D. The main additions to the original Sensible Soccer rule book are as follows: RULES 1. Back Pass Rule. As in reall football, the goalkeeper can no longer handle the ball when you pass or kick it back to him. In this situation the goalkeeper turns into a normal player and you can move hi#Q7X04-CONST.DOCpY &PP20 |o/ 8=B>9 ;8Yţ> Teć G׎a^Rd \F֏3v ug6zM \5Н0|P|H|1:RF>vk`(>y ieX^U.ɖ\, ~,2taj]L@2, S:"Щ+*XR>Q^g%!-T ٬9xQЦ#0y)h3M陘MyDOA[KqC^j 5 ̉B2%4HB(iNd%GY4$^AIC[[S'g8xe H8pvq+ Y9XxpNFn]r&Lť }P+5p h}ɘRs'vpu=p ]=q!h$16tity.dococpI_>- -- --- - --- ---- -** JUSTICE EUROPEAN HEADQUARTERS **--< > ___ ______ ___________ _________ ___ ________ ____ ___ < >|~.~\ /~ | ~\ / ~/~ _ ~\~ \\~ .|/ _ ~ \ \ ~ \ |~ | < >| \/ :| \/ /// /_\___/__ __/___| .| \___/___\ .\ |: | < >| . . ||\_ _/_____~ .\ | :| | :| || ___/~ /\ .\|| | ___ < >| |\/| | |: | / \_\ \\ | || | || |_/ ~\ /__\ \\ |_/ |< >|___| |___| |__| \_____f_____/ |___| |___|\________/__________\________|< > < > * SySP: tHC/JuSTice * Running On: -( 250 Mb nlnE )- < > *CSySP: sAl-Ne/TRSi * A2000 -( UsR DhST 16k8 )- < > 9 Megs 32 Bit ram -( /X 2.33 ReG. )- < > _ Nly AmiGa GVP 68030/68882 40 MHZ -(0/1 Dayz WarEZ!)- < > \\ _ Makes It w5-( PrGrammers CNf )- < > \X/ pssible! Node1: +31-10-4779507 -(AnsI CNf )- < > Node2: +31-10-SN -( Great /X CNf )- < > _________ ___ ____ __________________ ________ < > |.~ __ ~\ | \ .\ / _~ .\ ~ _ \/ ~ _ ~\ < > | |__| | | ___\ .\ | || \___/ .|_\___/// /_\___/ < > | . _____/. | ___ /~ ~/\ \\| :| __| _|___/_____~ .\ < >M | || |: |_/~ ~| /__\ \ |_/ ~\ |_/ \ \_\ \\ < > |___| |_________|___________\________/________/_________/ < > < >- -** JUSTICE EUROPEAN HEADQUARTERS **- --- --- - --- -- - -< Why God made us so fast ? ___ ___________| | _________ - I T A L I A NI-:d B A D B O Y S - \__ ___/ |_ |/ ______/ | || _/ / _/___ EUROPEAN HEADQUARTER | || | / \/ \ | || |__\________/ >>> + 3 9 - 4 0 - 3 9 5 2 8 6 <<< |___||___| ____ ____ ______ | _|________ ______|_ | _____________________ PRIVATE \_ || \______ \\_ / |_/ _______/ sa ______/ ELITE / || |/ /\ \/ / |\____ \ \ _/__ SYSTEM! / _|| / / \ \ /| | / \/ \/ \/ \ / \_ / \__/ \ \| |/ \ \Mb _/ || \ / / \ \_ \________||____\__________/_________\____________/__________/ Master of Disaster: DR. G/IBB  SUPPORTING OVER 210 MEGZ OF * ONLY * AMIGA 0-0 secs WAREZ! >>> INJECTED ON : 17-Apr-93 AT : 10:47:31 (C.E.T.) <<< ...and suggest you to download this piece of shit! [ This file has been leeched from ]  <<*>> S P A C E S T A T I O N <<*>> /\________/\_/\__ /\_/\/\___ /\ _______ / / \ / \/ / / ___> // / / / ___/__ / / _ / / / /\ \ ~ / _/ / _/ / / / / _/ ~\ ~~ / / / / \ /__/\ /_/ /\__\____/_____/_/__/ /[JB] \/~ \/~ ~\/ ~ ~ ~ ~ ~\/ I T A L I A N H E A D Q U A R T E R -(*) SYS LOP:TRON/FLT COSYSOPS: - BRUCE LEE/DCD - REFLEX/IND - ????? - (*)- -(*)->> 600 MEGS ONLINE - 0-0 DAYS AMIGA WARES ONLY - DUAL 16.8BPS <<-(*)- -(*)-/\/\/\/\/\/\ ->> 3 9 - 6 - 4 1 8 2 0 2 2 <<- /\/\/\/\/\/\-(*)- THE ENTITY (quick documentation) ++++++++++++++++++++++++++++++++++++++ THE LAST MESSAGE FROM MILGRAM THE WISE ++++++++++++++ j"++++++++++++++++++++++++ WHo WaS MiLGRaM? ---------------- Milgram was the greatest of all the timeless wise men. his mastery of the sciences of time-history combined with his extraordinary powers of deduc- tion led him to become ,at 420 years of age,the yougest member of the coun cil. The council consisted of 5 wise men from the five known world .This council was particularly famous because it had to confront the greatest conflict in the history of our universe. NO dou Ybt you are well acquainted with this heroic part of our history,when the fight against the most terrible of all worldly monsters,ENTITY,came to a happy end.We owe this victory entirely to MILGRAM the WISE:he fought against ENTITY across all 5 worlds ,and his victory was complete because he succeeded in encasing ENTITY in a monolith ,a solid block of indestructible stone . indestructible ..... a hundred years later ,MILGRAM was unanimously elected to the highest posi- tion in HI#~}|{zyxwvutsrqponmlkjihgfedcba`_^]\[ZYXWVUTSRQPONMLKJIHGFE03osAlmanac.doc.ppp}* . . . . . . . . . : _______ . _______ . _______ . _______ : _______ . _______ : _ _ _:/~ ~\:/~ ~\:/~ ~\:/~ ~\:/~ ~\:/~ ~\:_/\_ _ \/ V | V | V: | V | V: | V | V |____| | | || | | | || |____| | | | ____| | |: | | | |: ____/| | :|7X | | |: | | | |: | | | | | || s| | || | | | || | | | | | :|s c| |: | | | |: | | | | | |c ~~\________A_________A_________A_________A____A____A________/~~ Battle Isle II Level Codes Ripped By Network Ten Of 2oOo A.D. Lumit Lunar ݙ Lutof Sonix Sowyn Sosoo Sonaf Rache Rampe Rangg Filmo Fiest Finxt Ebene –ͼ Ebsyl Ebony Karst Kanto Karot Kaisr Sybil Sfinx Synom Lypos Sonne Sotex ł$n Rasen Fisch Ebton Kabel Sytax Dione-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- . 2 0 0 0 A.D. . . _ _ _ . :_____/ \___/ \_________/ \__________ۛz___: SYSOP: |:::\___ \:/ ___/ ___________ _/:::| COSYSOPS: |::::|. \ / | _____|. __| .|::::| PENNYWISE :::::|: \_/ |. | |: \___ |::::: FOX - 2000 AD ::::s| | | | | | |s:::: RAMIREZ - MAJIC 12 |:::c| | | : | | |c:::| DEATURE - UPFRONT! . |::::A____| __A______ A__ |____A::::| . . _: __:|_/ _: \_/ _\_| : 6J . :________/ \_____/ |_______/ |______/ \_________/\________: |:::\______ \_ | \_ |:::\______ \______ _/:::| |::::|. | |. | |. |:/| | .|. __| .|::::| :::::|: | | | .| | .| | |: \___ :|::::: ::::s| |____| | :| | :| ___| | | |s:::: |:::c| | | : | : | \_______| | |c:::| |::::A______ A______ A______ A__ |::::A____| __A::::| : k0 \_/ \_/ \_/ \_| |_/ : . : : . +45 7512 7052 : . - 24HRZ - 16.8K USR - ELITE ONLY! - -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- . |::::A____| __A______ A__ |____A::::| . . _: __:|_/ _: \_/ _\_| : 3 )25awindowsdocspPP20 AscO/SG`Y@Dz* ? 3(:rd dl!h#\ C@*0*tLAPC847!C Q^|\2pVĈ@CZ#P+sRZ<@Jİ8a:vZD1Ӟ<4A[[)"nrd<0A0P,l+r Yϯ祼ڃP}[JPը@IOo8=ХSCNl l޼|?HgGy=ɼM4釤UGi#Y ia=g%V*|ZG{«ِ4?dy!V@AK pGtXՈ>H=0oMD UB2zO=pᢺ|̔'0 $ k-PmcŚ,7ii~E&/oG^J8A504܊;'\:oPQ}X+{jх7d<+tR8J14OCi}Y&> *񍆋x/*y0s31g Q E@N+&##z*J*8-=pwE#ctIύz`iyD@,4 =UtNV ExaQHxGd.AXWm@XH7҃>z /X6@v䨞hI/>~vn'4$s ?(>$urP}7ăy䔷[gB yyVK[L"cx% 0OƂ.>Q{'q\ J t5q8MJ``~@.x 1GpkO9b`D(ǟXtKF 9T i̼ZƊH!^2V ;S񄞀j~\pc110^]`d?c27J z_糘y҇!EWm`T 7Qz2ϸq /Q@~Iap]A>n #&0aBocX+ ?Pv6=qP_ [eT}RW z#u(Z?_?|{Y!=7WpEOОo)>I91/|1'˜/$$e >Ӊ J*pj9K^~RyY9͜tؘ:P:o%1^#7_=S8AI1CjN? ^|nÜN" 2x0 w.Go============================================================================== Last Minute Docs Please Read This For More Info ============================================================================== ok then the docs are built into the program just click on About/Help to view them right then i thought id better let you all know that you need the following files in your c:directory =============================================================================a0= EXECUTE this can be found on your workbench disk in the c:dir ------------------------------------------------------------------------------ DELETE this to can be found on your workbench disk in the c:dir PLEASE MAKE SURE THAT THE DISK YOU HAVE LHA-WINDOWS ON HAS THESE FILES IN THE C:DIRECTORY. ------------------------------------------------------------------------------ ASSIGN this is also on your workbench disk in the c:dir --------------------------------------------%%e---------------------------------- MAKEDIR also on the workbench disk in the c:dir ------------------------------------------------------------------------------ LHA well of course you need this to run lha-windows thats the whole point ermm!! ------------------------------------------------------------------------------ ok then that is it for now i shall be updating this program so any ideas, new options you think i could add please let me know you can get in touch with me on%n my bbs the details follow: ------------------------------------------------------------------------------ The Amiga Zone bbs On Cambridge 0223-359940 300-2400 8N1 Online - 24hrs ------------------------------------------------------------------------------ --- update news for version 2 --- ok then first things first on running lha wind@Hjȩ@? 9 JD T T $ ~< ߀op.~Oz~&~^A,M/*gnhQ'"I}O/X0>>w KQt{0s ξҀ 﫳Bшgh޴@~=0#\A/ZL_rh 雥pq8aJqp΄Egvr@Tp~\I hcFp.-KZ[su/_gFc#xկi^M|eaB0NApa[ !´U)7kHnt *V꺜J$&&C8 a]q6?4!M#,o%͠JΌ]FL0tp¤e5d"PH! '(YpB vk%4+~饊R"P8&_y|ta}7AKP$` }l'  SÔkb3I; `P' a|L~cŭ<~h%x)]R!2t#pr*8XI`i 0!xx"%Ҧ aaOl(#|"q!ʛ6傘\2⠛-S P!őѤFHnK!BnwQ&o*ec*'6%Z\*ifTVO<%^W։\ 5tln?INE_ x> 3O‡T> t }~ܽZ%WP+Ro.(~S޺D7ky|S8(ǻ8)%eBSϡ\?l-Pq M$^:P0 X% lif2vw7j,]|8h0)bCU_BZ1WA_w0"RE0 i] OgKcZ; FBG9F Aw9"+%eo:3W>e]`8ь yyk☌ύkx7' :VV9ݳq|2ƀd%ʞ?PPܽf$|{c`|BLǨS&{h`l9`CtHn︰c@"sdž211p+PƏXBr `u#k (-m)؜2o<g)1caz ib*'KGjy4F P_;C',?q !x)` @t )*Fl\s ~j~ood=bM'e aBF%M(K"CpO *gtp A%YAayyQIA<P ! 2J**7z/P"a'Ŭi}kAtRN!)zX'-)"R]PBppm̞ȧyI5,p.w/be+ٕvu2c:3A A1,z&Nxki&?-8K *#N*Wa*Em u 0nN< (cBt".CeKg/ \z; `;eh=!-Q[ڸ~L \-,~ATAw^F@$AR>ec TR\BGsΊ I'V軯RR͘>2mٌB cdDT:^20X J’B2%ݤ/͈C2D^uB 73J"=) J (\̬X$*IjeHTDe P1ď3J*3u7(,#+fT%IP6UQT!ʩ(**sCSB],70i Ɔ6@pP,.ؒ a cbIΎI&Km?\\pzNҚEΆ() Re,R|ʢ(4 N^ABSFFRXG$T{ !Lf M%#`v 'dc\v/)@FdӁH<M'tJ8Zz=[< &MUej(0gB]ː`D? (jDmu ʼQ0٪5GF+(w%pspZ=pNK Ђ&"5tL72bZq2#@ qL\6#X۬ĉ蠋Չ ^4.{fa{FQ 4Ŕ$bax!+3c8pS3}"PWTsOL0e|=Yk'MT!),:tu/4;u܀Gu;R4%bW;L+8JĥRp<|0Lɑs ">W}A8hQ\SfJ{}="ː9b!cYI1lp029Xt<(^QA*$9 {XOdPjUZn_ |)"2PCkgED?++qQeIa]Rz?50- nQ%\7~\^n'TDk֢r*Mf d v8.(}^ eD(m$.B0y;w,]d1]& =b3 %]M5$7Kϣ ckE―^z,*",+yia(wJ| ~ ;Z/+mp Mπj!+j ai $(O48rw w ήff3Ak'SZ@ƫ Y*f_D=I Xˑz 8TkrA(H} ٧2[yXawĵ FӠ"{ WRVp)z8lB{*"#HJE0ɗ!!RRDP.>Mƴ]zaI4e`Y) `*B_&QGW@z 3P ɀDd6ptBjp3e  ! $=<ӝ=FgQ +a4Wvr&0edޟX F xNbpp!eM:Q,-Xl2 Xء/$ T"Dr% I).gXv&*%]q\C)` x(;" z \Uj 4TJSa"bٜHМpmwႈ p߷jրC^\/ۆTh2 /!jK G6NM˘,R Mʀ 2Y}3CH++" ps+ADŽa6e`/I X$VWfdy`i 529̂UYD?,,,wC1k`0Hfce "}2} !P.`{׵>.GZ˛KGWKZp`J3p H~߅bz݁ˀV X|e"kHHl=4m;ˉ:`qh !L”K*+:+~ƞb6X}@  e`qxw 2ʸf0_6_ H(u7ts[g*|`"4DhY!X+v{7OM0F# Y |2 0~CW'%R;9\(Rx 8G>7x-̹,Sa,Ԣ f8ꝄC@r>X: *XHq†'FqllM$kg$mѽpQ [r~sF5%m=s }p.NeF8 is;8L^IVV?>LPL=!~XT.ң ˰mv/8HhҊa!h a5mE2IadotLh+HLEZuAiz8;3/NEE$m$HFOa١6in~V>z/B#l ø(]]!tylqP ߚ5>Tq ɽPاYHCi{h`ATIF&FLPETN_Nm\0yΉh.!D(W;4J[+0F. e#syUq Z`M%U9H (\Mbg1q'+pH>ْͯdv7فfFR4 j+#qTg_ 1+u+~ &~ohRTI>@ b`/VGqd)}<T?_?+ i曉OL*%|ɂЖg!?v a*xL\a ='\_Qz16RW B|Y3ޮr~9B:V x[q:=5\'v<,4=hRD;U+-?RII~[<$!˒ka wuh&|44V͓<0:/j%:z a)"1W Ʃgf?^=K'-aPҦ;'•0rրn2Voipte"[b#z(Qx `EBk"wXhsqblQf8k!qtȮa=WgruؙIK>6߶< z*J!PDVFMݢ)i]Y]졒 )YOD9?LP~8F敱Ujc\98K.a0U1I0(4S%AgZ2uŏY>L ݥ'o²A-}RUV@UFLPG.~J*J<uյo{ ` Q@;t421v6oLMtCT'±ƿyj=Rq=(p O-vS==AavbN#M BxMZ0 +d0a C!W8/; ζ~!JeoW>zQJ 柭!x_:Xy_9PV@?'ʃAw*=@KlK` R1Ž9zԉ,΅;`Ad15ǻb4]F؟ch3B(ɰ#hikcLIG|'CA!mр|qU 1Æ^=Zqp6>玮C(i:b<MC"pmKsLFV.t\)ppFE7zFʞUmx=ẁ>n7D`I8YSыGQ (H!{(_>YA,%4DGڛO q@[PT@Gp f JT)}n-=_|]m-O ࿨M7n9`ɈqKXs}q`W&cj/b%FLpkتT2J"r=߇cEz#51d2]ہ pWK[-־M(# s0Ν-Z AS_/㲶 /֘':<\t:66 ^+G`'CZJ (8!ZnM=/D* IRX]VcϷ}_GzuU9vWDDF^ĜWo+24G_. a9b18. LL`:]U;3@k}|"<"pσK*  %b{<*?'rwl1Ct폞}ӫg 諭.DŦ$¬;kK槂I/##IcT0vơ.~uygFeJUŖv  Vt񱾥u 'r/F>; ZyLXK݄{ƮNMGhIXUKa %ytWcOKMT{}9M3ѓs 5yOg>,$AVb!Z{CVS_YWQnFw|Q芦,#?W >AƦ.:c~ f=>B6l`L%5cM!8$7Hc ?J ^ xʒG:~-LXa) cxPF?\>w {^ 'X&[ڂ8j % U&HOPF@RFGkHT!.`O2e=n56>, ?^b&?.\hm6prohlyaFvhaUM5OPR5QFJ#0sظOPffGeUQ QQUU_Q6B 7x'dPf ҹ8N9ȘLrr8a0c޿H^VF9XEHN uI pA :c1fJÜP؋Oy"$)/,))'#e?E[?*;`_J5% 3&p1m5d= ,)o>YhإK)@I0BDZYV&~IQ}0VSD I M%I^oRzȼ0ǒui8QT%F⠖W33S x{Dz9#@ID O=ze*QP @[ d-wb <)(ʿR^'T.CFX}OdseS҂m<,mHRNE 2]a&B.CyrBl*#$'Cz5& svi@A?x5ۅ3KJz'aakF}0﾿ p0&iX2v\"5t]v[$M6=Lߑ'0OK&Rϩ0NH0u}ƻ)9dCSEIR\FSXBF^WзYfysu])[!9ue>{dTqѰ @\0EzΏC,9 rpKQA;ҋN=JiPRQT[920A8ZXAH2̲ oggDK,1*A-8@3EW20g 1֞QjP\po:gCGikJiW./ WTVSK($Luȡ IN n*g{J*701aN;w 1*aqaYSFFRUVW#<%2#,H  /d(lgyyz14O2fFg b9T<6p|zpR*8i!>Y@0A(`QDzqa5`JNxJjg<$u< ;I /|hܗgP u,O&d!䱏YhP,Ҹ@l\0*I4CMG0Bk3iIn~="Abo߿: עclI><Ř2@(/.g\5e9 -:bS[h#4Ć^8Q`4,4CdeNa{!e~Y^`EѥM` QU(4~TթAa%nB&ñ%c#q?*ptN >jJTȣgnw-@DA(Wh|dF[[-ܷņ `J6bZ~~[,k.43GJ犪sȩ* jxS1 4 %`_羾+溩BXNES6!mM <* Z(J HD)!--Q N id)G XPAQ=<'60U \SDz  {x0KFu&7^Dw*_J 639^ S/aK avba"8erJdd.u],{THtI'* O!_ςvV=e֞בʗYPx|U'{[)Ȱnc 21x`԰tMeM$jI je⢃S* vUP@A% e ~ql4`F>B B<.!84+^ym-`䙃ie`%9<ϭT[n9 WXSA@~X5t;;:}`69#S['CO~HrxWk_*Hɪ(HE,`$?(k5qi5W#Dc1`bI^}t~ ?N%z4_*ޢa0яP-)БpDQ r `NrOfBҖqF{9J=_i1qu5 y[VxX^`=b?3`L3ڻ9A&Ѻ\#ì{~{ (k!A 6@ `0p LITlfpİk,")* L!#';k^* Cй YzX< a;⺖?[n` 8H ^ tB Vpa/3{Zka/߸F04Y> V0(>" 뙙:P1O䔅$Udx⠃"€|D`0ym v%ve: VځnÞfՆ}Ⱥ6 =@gp~#Lňg*YByz^T珿W jrgSIO.r,'<',)#+7B5$cB0.hq^0T1(Ӄ cf+q{b݆|84QpA #NrᱱJ4 &odpOx7%O  j 4^ y h%xM@B-m\UPPQjRP*w\ 滮Aws !OOh=OLAT] )CC υt(?!|9p/ X v,`l&T44@ z7z}q 魣pNa2SrgqYHe *`"X^yVð1brhV7>W Y{OB&Z*Tإ@郥 Hr(9Ơ†<Ӄlc` L XJsg?O`4mpL пxH41Zm'_=馀;],&4W_=W䉇-7(±5=?;Tօ%TGВVCD@?7C*j C.tGF˘\Hk%%T`9mRP9<0.>a"1"pM5(,a ˘}H rB\TcFm!+ʾH]Hƻ&;؆Lrfjd)ʂ Jp$DSz*>~ʍ@vwie*eX ̉~)9BeDV p LUQTՔX JZ5tt i61iAs)Dd4k BÝ0-BIu:"{2@A Iy1xR'3@Ѓ0hwW&`j{<†&E/;$ 'ռ/tH 8&@l&3%C҆0̳'CO-.6aK/Aڊ֦Bt٢aV8E5 j*I*2|0Lt(roVTr2BD0£_8n.R(#m,MhF>Taƍr#b9@-&`Xwxp8)wL+ep$}AcvpR$/̕v1)򬪊/'fn+@Z!3^=\̗ A c̀t8w ЄreQNkC]o[EZ؆~VREXBVK Ҷ SM, 9Ⱦ 5tN50VFEO8WN)`;Uܗ)o(0 Bo\  ›qOWŸG aN aqwұ, X/f&D$ZzXtJ)_x8 'yػj!GG0BhU@^g"":thh',IF!Ko]z Bqì z442Y?ps Ӆ7^~.7e!J0R4=|ciKw\*bC'EYj,Ms 3T4 x5h8IqBH(CYT@(aT0MvɀX> %|٦N#FV`4c (ʠ*,^ aY=l6N\bXHד5B5s2UaQA9l?9C A, @ *8uך,8[.:Cy~fD"JhJ*' LGWK!ܯOׅ?;I3M,_]"a>go"ԉ_4Y OHc<\[,WKUΌjC3Έ gXszBsW`~͉Df2<> ߸-bK宠&3~AI.@3X`&CQ#T#$$4䘪|&Aːےӡw~az0$xAaOUh GDk][0KŽgyICRGJ}0b#l8pc=U tYIʽj=s@''=k?6A;›ZWQV(P'Kjie&0qb0| E 4#OyS/RRV^zUTUp5aHxt[W\ Psa]Lq;Cc*`xU7ƘML4+-#էf櫢/1lkO9¥|s M9ȣ4R{! T{ |RFS 8lsr h ި3qǷth6Lu =}~0ػ61cFYx_XlW$ں:͝!\* 'e|! !1p!21:0)Pq7N ǭ5zv͉E[.йL w0HlͷMU'Ғr<#%7 T۸){ Dzvb$xA`cS@W *:X {jb ?ikZ x? L=#ϿʧiOϗ ̲{#P\1 | X|d-tS>x zhl2[z t>G%}@pVM~hH^Uƫ)hm jЮ44OjkU鼿+m` >p%՜0QRtΖFIpϺY 8|*Ѻ,:BJ2m0HPDz21% VFoj2~@W 3敦|JQ{ T[_$9CaPA6=kևx "EL!s= ~kK!9=Dl 0"$\C@f 4`L21'30"]-hm]' U2IT ?2jo1 ~P` F(AWdE $eUDg *QG|0w8g)A'HLz#<&K$u6=[_h62#L"ښt+p歽tBVPV%?*GƆ/y_ I! m d {7çmY3x2eо`DDje61"M)‹HWShNQ)^4S""J*r/W0oz´Ej*Gp Q= 9)۝"7Wp\D}abxB㠴ܧ釅[GΖK   +f\Tzީ+jwGmh1mrOCHCkK* 4Yeʈ[Vם_gWeUTch[aBIׇ3BGDaF[-B߰ʱpsdG h1VtðOb_ёIA%% QA^_E- l! ;2z"`H# z`jELoQXFe `1-*)aU;F1љȾРS~hZx̍/lc8¡,?H 7#OG1WK (#Q^?y{/ &50+&$O|pf('_) k 6lN{cE6f6<]Uۿ.ƀP ń),#),)MD,ÑT*ίeWԑ>z&$/m'yj}Qc5~-RI(~0ImDΟ!8T}H~]@nB; 4\C@08)E+1:UtBgVN}[n|Ӏ`y#{%&1g|sv/ u1aLLX4E} |'y!}*<+:NS/uΗpUnu_P_X?[:mUQPrk /bh6Ou}>ןC-Hvb9$rVϨd+$h 4B_튘M ~K}Egtyk{)a'] G*@?즔 a('<9"g&GTaD#JFG5NJvxHoa6:sa+l!#p~&m+ˮ0xYhhhWf6"ta$GhBwq矱4б@[3虜Ng%0X2&V<'gAQTg6Ҕ[Kp `t#TtปTH8t/\x']G a:š _<+{^Y<,4m!VO.F/9pn%l-0o#5Msà 6?o 콖9gWJ/]hB"pw-Kvx.>d7vhdd"Ͼ8 `n'AC\ywkpKM_Ccg=ǀ 0ЁA?HG.Ifj0󮡸s>'`4Old b P '2ҽbߥwr3,ހmN'q?.#B(J! n{wG궕Xwt`~<@vQs&؋B!XDI8ݸLLH+/֐WNX UnmKSDG";\{EA;Cay}%ks(_84&)c"5%Q46Q; .٢Us3`'/OTTy=c: 0K8@M-=#W13 2QpSt=vb^KTb:ce}VJQS Q'p~9A+mar~]AN cpJjBI"c8YxsTV^IIB^RDGf6Û@d@Za:].48”S1= Cg 4^{5J1 5\e :-`$\#xy㧬:im5#8ߒSzP\JV 0| Ԧ*;߃T τ#AÉ|C|5^b|l]?@X;Er|.qX)ރHp ,`X6r$k+ՀVWK_V##9RJ ` |on ܦr;eUdadH`GNt=ЄPz {u|Ms%HW`MUܪv ' BxN/ H3 K<5YAg,B+0 b0H5q9OwtRb\[(؂$ 7+g8zAm:Yٚ~ k>alDtF(! `]]ƏpO FX^{0Ύ\{w@ιZ+,dIմtZ(۹$.pE͂{Hrǐ \3082G "t)Gmp*UHyηtx"eGWKX[;HT8D!D(=(iiȞѝPSY:)p Cøx2bEX=\a1Nx&ap0{`s;˿N"$ Tgc@(P cjBDjýܕ.UE橈˦|KݪtC !?$vO``O#cA0v}C:z/A$O,p8r!2-0W#gKcO :Mej% opi'=[\eBu?Q3/OпIr&hБs4H\K?}lD0piAYi ן2'D<`(l#,ƮHcXr'y|>!0띱UnHGw%M,a8(yp@|FVH$$u2c+Qq9A9aM^ߗ?Bk`3];|Kb]Oϛ]-B>K&LpQ#ȸAF`6w@8E^9w_x~+#' S *2[x߶Q{I^| =1ؚXݑ6\pf֯8z]d6_op*jxht O\  qg8Q.LjeM)"'h!B'*#HO_b7w19R D9i8d,HFF7⧈ @^ts`i9LHeq;3V"r=bc'90SRNt.giT1@Ҋc@ ač_l@G-oF>I5R0r4.rL++*J (d҉*Jo7 x |E`d Kg M(`Ԣ=Y>υđr|l%H\9pjH۠?5ʭaCPGpe-aIh9u'~>RG;[B׭|vx`.FK-'>3 @JC`O֙K3KcXw|i%D\.ZRI2UƝaZ2)։~vIm>d@X&pPa\I\K44ּ~r80{KJa{DEKux fC&#e4y4 pC 3,_$yk30 ܧ1 `Zp ^.:Gyab m PVק M0+%C&NPOG&_%-@]tsDڌ󆤉R3xFSIAIaA?' ?mO@10Jo2|cEJA Ai'攗F!XZiMZňX.fA ],w=u~5T =Lvf9cm-}$ƹȾzM~8DN[y (Ll}oz}gCt@57r+; zz/T&B\䝄=N_*i:=`^ O*+8-D  +Evt+#N;& AFm<{w8 ]1ab#DDb[|b 2=C^R0ӶDEUG 0CG"_a#'n^%7~C[M vt [DMo,8Uƿpt>WW$RL0]ptMO]6z5@FjD'P,MzWPgB.4-RGЉQgLa>h;f @"b-`U79+`HV<`#{09pX Æ $+W\88Za4A× OجNαʄ=,] ̛Di*3øjv4~ӰgKN lm IBM file exchanging with Floppies 5.3 Amiga <-> IBM file exchanging with File Drives 5.4 Amiga <-> IBM file exchanging with Partitions 5.5 Using a 5 1/4 40 track drive 5.6 Using an Amiga CDROM drive 5.7 Getting as much memory as possible 5.8 Getting فfaster emulation 5.9 IBM PC Technical Information IBM PC Boot Procedure 6.1 Other Information Technical Support 7.1 Common Problems 7.2 Bug Reporting 7.3 Glossary 7.4 References  LC 7.5 *************************************************************************** 1.1 Introduction **************** Even though the Amiga range of computers are excellent, the world PC market is still dominated by IBM PC's. So you might want to run some programs written for the IBM PC but don't want to buy another computer. This is where PC-Task comes in, it allows you to run the majority of IBM PC programs on your Amiga computer and  1)( hence make use of the memory and peripherals you already have. The speed of PC-Task is directly related to the speed of you Amiga so when you make your Amiga faster your PC emulation becomes faster. Multitasking is what has set the Amiga apart from other PC's and PC-Task works fully without taking over the machine. PC-Task just becomes another application screen that you switch to when wanted. The emulator supports two floppy drives as well as two hard drives 7m so that you have a versatile environment. Pseudo hard drives can be created as a file on your hard disk. This feature allows the use of already created bridgeboard pseudo hard drive files. You can also use a partition as a hard drive. MSDOS is not supplied, I suggest you use version 5.0 or 3.3. You can produce a 720K bootable(system) disk usually by putting a 3.5 inch DSDD disk into a real IBM computer(or compatible and at the MSDOS prompt typing(Ass /=<;:9876543210/.-,+*)('&%$#?19EDDY.SOLp"$3 FREDDY PHARKAS - FRONTIER PHARMACIST TYPED BY THE UNTOUCHABLES! ==================================== ACT I - LIVING THE COARSEGOLD DREAM Problem: How do I prepare Penelope's prescription? Hint: Consult "The Modern Day Book of Health and Hygiene" that came with the game. To make pretty Penelope Primm her prescription, go to your lab in the back office and click the Hand cursor on the lab shelves. Grab the Gradu"%a,ated Cylinder by clicking the Hand cursor on it and place it on the table. Locate and click the Hand cursor on the "Pepticlymacine Tetrazole". Click it on the Graduated Cylinder until it reads the specified amount. Pick up a Medicine Bottle by clicking the Hand cursor on it and place it on the table. To finish up, just grab the Graduated Cylinder, click it on the Bottle, grab a Cork to close the Bottle and you're done! Take the Bottle out to Penelope and she'll be eterna"&1ylly grateful. Problem: How do I prepare Helen Black's prescription? Hint: Consult "The Modern Day Book of Health and Hygiene" that came with the game. To make Helen Black's prescription, move the Graduated Cylinder and the Beaker to the lab table. Then select "Bismuth Enterosalicyline" and put the specified amount into the Cylinder. Click the specified amount from the bottle of "Phenodol Oxytriglychlorate" on the Balance. Pick up the Balance Pan and click it on the Be"'& %aker. Click the Graduated Cylinder on the Beaker and select a Glass Rod. Click the Glass Rod on the Beaker to stir the mixture. Take the Beaker and click it on the Pill-making Machine. Take an empty Pill Bottle from the shelf and click it on the spout of the Pill-making Machine seven times. Now cork it! I mean, get a Cork from the shelf and click it on the Pill Bottle and take it out to Helen. Problem: How do I read Madame Ovaree's prescription? Hint: The first thi"(`ng you gotta do is figure out how to read the Prescription. It was written by Doc when he was looking through a whiskey glass. You'll need to do the same to read it. Go to the saloon and get the Whiskey Glass from Doc. Click it on the Prescription. As you slide the glass around on the paper, you'll be able to read it. Problem: How do I prepare Madame Ovaree's prescription? Hint: Consult "The Modern Day Book of Health and Hygiene" that came with the game. Go back to ")your lab and get a bottle of "Bimenthylquinoline Crystals". Click it on the Balance until it reads the specified amount. Click the Balance Pan on the Mortar to pour in the Crystals. Select the "Metyraphosphate Powder" on the Balance until it reads the specified amount. Click the Balance Pan on the Mortar to put in the powder. Click the Hand cursor on the Pestle to grind the mixture. Move the Medicine Papers to the lab table. Move a Prescription Box to the lab table. Cl"*|/,}ick the Spatula on the Mortar, and then the full Spatula on the Medicine Papers to make the proper dosage. Click the Hand cursor on the Medicine Paper to fold it. Move the Paper to the Prescription Box. Be sure to put the correct number of medicine packages in the box per the prescription. Take the Prescription Box off the table and exit the lab screen. Problem: What exactly am I supposed to give Smithie? Hint: Smithie needs some "Preparation G" from the front counte"+hfsr on the left. ACT II - THE PLOT SICKENS Problem: What am I supposed to do in this Act? Hint: Pay close attention to Willie as he explains a little bit about what's going on in Coarsegold. You will have to solve this town's immediate problems if you or anyone else are to survive. Problem: I keep being asphyxiated from the horses! Help. Hint: First thing you have to do is clear the air. For that you will need a gas mask. Go into Mom's Cafe and pick up the " ,*ſCan of Beans. Then walk down the alleyway and around to the back of Mom's Cafe. Pick up the Ice Pick and the Elixir. Click the Ice Pick on the Can of Beans in your Inventory window. Walk to Smithie's Shop, get some Charcoal out of his fire pit, and the Leather Strap from his wall. Open your inventory window, click on the Charcoal and then click the Charcoal cursor on the Can of Beans. Next select the Leather Strap and click it on the Can of Beans and sure as shootin', you " -с now have a homemade Gas Mask! Problem: I'm fully equipped to deal with the gas. What do I do now? Hint: To clear the air for the rest of Coarsegold, go to the General Store and click the Hand cursor on the Paper Bag that's on the counter. Head to your lab using the Gas Mask as needed to make it through the now tracerusstreets of Coarsegold. Along the way to the Pharmacy, observe the horses and click the Paper Bag on them at just the right moment (wait until you see th" .teir tails raise) and collect a sample of air from the horse. Problem: How do I make the horses stop flatulizing? Hint: Consult "The Modern Day Book of Health and Hygiene" that came with the game to prepare the Deflatulizer. Get the Elixir from outside the back of Mom's Cafe. You have to have a Bag of Horse Flatulence too. In the lab, click the Elixir, then the Matches on the Burner. Move the Spectroscope in front of the Burner. Click the Bag of Horse Flatulence on t" /xhe Burner. Grab the "Sodium Bicarbonate" and click it on the Balance until it reads the specified amount. Click the Balance Pan on the Beaker and move the Graduated Cylinder to the table. Choose the bottle of "Furachlordone" from the shelf and click it on the Graduated Cylinder until it reads the specified amount. Click the Graduated Cylinder on the Beaker. Add the specified amount of Water to the Graduated Cylinder. Pour the Water from the Graduated Cylinder into the Be" 0]eaker. Grab the "Magnesium Sulphate" and click the specified amount onto the Balance. Click the Balance Pan on the Beaker. Stir the concoction in the Beaker with a Stirring Rod and place a Medicine Bottle on the table. Click the Beaker on the Medicine Bottle. Get a Cork from the shelf and click it on the Medicine Bottle. Problem: How do I use the "Deflatulizer"? Hint: Select the Deflatulizer bottle from your inventory and click in on the horse's water trough outside "1Pyour shop. Problem: How do I stop the stampeding snails? Hint: Looks like a good stiff drink is in order... but not for Freddy! To stop the stampeding snails, go to the Bartender, Sam Andreas, and give him money to buy a Case of Beer. Walk to the church around the back of the main street and click the Look cursor on the door on the right. Take the Church Key out of the lock. Walk to Robertson Cliff. Robertson Cliff is across the old bridge. Open your inventory wind"2ċow and select the Church Key. Click the Church Key on the Case of Beer and click the Open Bottle of Beer on the railroad tracks to fend off the mad herd of stampeding snails. Problem: How do I rescue Srini from the Anthill? Hint: Talk to Srini and walk back to the Schoolhouse. Get the Ladder from the slide and walk back to Robertson Cliff. Click the Ladder on the Anthill and you've got a friend for life. Problem: How do I purify the town's water supply? Hint: C"3\onsult "The Modern Day Book of Health and Hygiene" that came with the game to prepare a Water Purification Solution. Go to your lab and click on the bottle of "Bismuth Subsalicylate". Put the specified amount into the Graduated Cylinder. Move the Test Tube to the table. Click the Graduated Cylinder on the Test Tube. Click the bottle of "Orphenamethihydride" and put the specified amount into the Graduated Cylinder. Click the Graduated Cylinder on the Test Tube again. Clic"4:Nk the Matches on the Burner to light it. Click the Test Tube on the Burner and hold it in place until the mixture comes to a boil. Move the Medicine Bottle to the lab table, and click the Test Tube on the Medicine Bottle. Finally, click the Hand cursor on the Cork and the Cork on the Medicine Bottle. Problem: How do I get the purification solution into the water supply? Hint: Walk to Smithies' shop. Get the Rope and the Ladder. Go to the Water Tower and click the La"5dder on the Water Tower (with the dripping spigot). Click the Walk cursor on the top of the Ladder. Click the Hand cursor on the Ladder to retrieve it for reuse. Click the Ladder on the top of the Water Tower. Click the Hand cursor on the top of the Water Tower to climb the ladder. Open your Inventory window and click the hand cursor on the Rope to create a Lasso. Take the Lasso from your inventory and click it on the top of the Water Tower. Click the Hand cursor on the "6㟵hatch on top of the Water Tower. Click your Water Purification Solution on the open hatch and you're done! Problem: The Assay Office is on fire! How do I put it out? Hint: Outside the Pharmacy is a delivery of Baking Soda. Get it and walk to the Schoolhouse. Place the "Baking Soda" on the east side of the teeter-totter and get onto the swing. Click the Hand cursor on Freddy three times to get him swinging higher and higher. Your timing is critical here. When Fredd"7nܡy reaches the highest point in the swing, click the Hand cursor on the roof of the Schoolhouse. Freddy will climb on top of the roof. Jump onto the raised end of the teeter-totter and you will catapult the baking soda onto the fire, dousing it. Problem: Act II won't end. What did I miss? Hint: Walk to the Brothel. The Brothel can be found by going South on the road from the blacksmith's shop. Listen to the Banker and the Sheriff. Enter the Brothel. Click the Hand"88 cursor on the French Postcards. Talk to each of the ladies roaming the Lobby. Madame Ovaree will have a warning for you. Act II will end. ACT III - GUNS AND NEUROSES Problem: I need a disguise, I need some guns! Hint: Click the Hand cursor on the Nightstand Drawer. Look at it with the Look cursor. Take the Desk Key you see there, and walk down to the Lab room. Click the Desk Key on the roll-top desk to unlock it. Click the Hand cursor on the desk to open it."9?e Click the Look cursor on the drawer to see the Letter. Take the Letter from the drawer. Open your Inventory window and click the Look cursor on the Letter to read it. Problem: How do I get into my safe deposit box? Hint: Go to the Cemetery and click the Hand cursor on the Shovel. Click the Look cursor on the tombstones to find Phillip D. Graves' grave. Click the Shovel cursor on Phillip Grave's Grave to dig up Phillip. Click the Hand cursor on the open grave and "::get the Safe Deposit Key from your old buddy. Fill the grave back up by clicking the Shovel on the grave. Walk to the Bank. Once inside the Bank, click the Safe Deposit Key on the Banker. Problem: What do I need from the safe deposit box? Hint: Once you get a close-up of the Safe Deposit Box, click the Hand cursor on the Neckerchief and then the Pistols, then the Neckerchief again. Leave the bank. Problem: Where do I get ammo? Hint: Go to Mom's Cafe and click ";RAthe Hand cursor on the Coffee Pot to get a Cup of Coffee. Walk to the Sheriff's Office and give the Coffee to the Sheriff. He'll give you some Ammunition. Problem: Help! My gun keeps exploding! Hint: You need to clean your gun to keep it from exploding. Get the Horse Plop from the street and drop it on the floor of Mom's Cafe. Go to Mom's backdoor and steal the Pie from the window. Walk back to the Sheriff's Office. Offer the Pie to the Sheriff and he will give you"<^b the Gun Cleaning Kit in return. Use the Kit on your guns. Now you're set for target practice. Problem: My shootin' is ok, but I can't figure out how to complete my disguise. Hint: Get Freddy's Gunfighter Clothes out of the Steamer Trunk in his bedroom. Open the dresser drawer and get out the Boot Claim Check. Give the Claim Check to the Barber and he will give you your Boots. Problem: I need a new ear. Hint: Get the Silver Medallion hanging from the wall in the "=qPharmacy. Give it to Whittlin' Willie. He'll explain what you need to do. Go to the Church, open the doors, and get some Wax from the burning candles. Go back to the General Store and get Willie's knife. Click the Knife on the Wax to carve a Wax Ear. Walk to the Cemetery and get some Clay from good ol' Phillip Graves' gravesite. Click the Clay on the Wax Ear and you will have a Wax Filled Clay Mold. Go back to the Lab. At the Lab Table, click the Matches on the Burner,">n and then heat up the Clay Ear Mold. This creates an Empty Mold. Place the Crucible on the table. Put the Medallion in the Crucible. Click the Crucible on the Burner to melt the Medallion. Click the Empty Mold on the Crucible and you will have a Silver Filled Mold. Click the hand cursor on the mold to get your Silver Ear. Problem: Act III never ends. What did I miss? Hint: You need to be in disguise. Click the Silver Ear, the Neckerchief, the Clothes, and the Boot"?ns on Freddy and you're set! ACT IV - SHOWDOWN AT THE HALLELUJAH CORRAL Problem: What the heck is going on in this town anyway? Hint: Talk to Chester Field as he parades up and down Coarsegold. He'll tell you what's happening. Problem: Aces is cheatin' but I don't know how to stop him! Hint: By using careful timing, click the Hand cursor on Aces' third hand as he raises it. You will catch Aces cheating. Freddy will overturn the Poker table and dive behind it. "@p To defeat Aces, shoot at the foot railing along the bar. The bullet will ricochet off and hit the chandelier. The chandelier will come crashing down on Aces. Problem: Cowhands are shootin' up the town... and me. How do I stop them? Hint: Avoid the main street of town. Exit the Saloon via the back door. Enter the Barber Shop from the rear entrance. Give the Barber the French Postcards you picked up from the Brothel and you will get a tank of Nitrous Oxide, or Laugh"A԰ing Gas. Leave the Barber Shop through the back door. Go up the steps from the back of the Hotel to the balcony. Place the Nitrous Oxide on the rail of the balcony. Go back down the stairs. Walk back to the front of the Brothel. Enter the Gazebo. From here you have a clear shot of the Nitrous Oxide. Shoot the Nitrous Oxide. The cowhands will laugh themselves silly. Problem: I'm up against the Lever Brothers arcade and can't win. Hint: The object is to shoot the L"B';#ever Brothers, Snails, and Vultures while not hitting innocent bystanders. If you have trouble, select an easier arcade setting. Problem: Kenny the Kid keeps pluggin' me! Hint: When you face Kenny the Kid, you'll be looking down the street from behind Freddy. As you see Kenny draw his gun, shoot him. Freddy will get his ear shot off and fall to the ground. There is no way to avoid being shot. Problem: Kenny left me dyin' in the street. Now what? Hint: Click t" CcOMhe Neckerchief on Freddy's ear to stop the bleeding. Walk to the Schoolhouse and talk with Penelope. She will eventually pull a Derringer on Freddy. Quickly grab the Student Slate from the table next to you and deflect her shot. You will only be knocked unconscious. Problem: How do I escape from the Schoolhouse basement? Hint: After Penelope leaves Freddy to a fiery doom, click the Hand cursor on Freddy repeatedly to get him to rock his chair. Once Freddy topples ove"!DaN%r, click the Hand cursor on the Silver Ear. Click the Silver Ear on the floor to sharpen it. Use the sharpened Ear to cut the ropes and watch Freddy dash upstairs. Problem: Penelope keeps slicing me up! Hint: Grab the remaining Saber from the wall and fight Penelope with it. Back her up as far as you can. If you back her up far enough, She'll lose her balance and fall, dropping her Saber. Problem: Kenny the Kid showed up again to cut my career as a gunfighter shor""r%PUyu9(Q1X@%Iq ^EqO8W"=":)3^ q~OY|~p&NA䃟xVM4 G}eOy͗^C]_i?T=rxn|Sԕ+/zgUS; k/P0ᵼo)#*=A_u.ɲSġ&SHG+(h 9)N$'j6LDN}iypru% f)D;?|k|sICÓ b˞3bQ-fb8u C yAꃢ*<y?8p'&l3ߧ$x?Wp(΀#Vx|Z^9~Ha<` TC>!4aʱͼgx lΠ >t }_[.o+L $X\Teä>KqqDf@Pr`/xZ?v #2 w>0鄰 4Bp (!8^ *^!.:aF.y,1*5Yϰ-7/capP AS5#[ϊ ?>:>>8,&Lb$2ن(``}S 澐CAA\ϗyhL;u>h˚Q߇{*}XnsI0e_# m9v=+Cu'~U͹Cs1phh-;U荦Ov`d]uL~\t~8 ҩȪH!Nsԯ=b{o~ X k|BXAc~rpPG@~Ì?!0H^ЪldvH$"*("#MyU%XH`Y@ۙX^ITG=^M#Ƥ' Pe`a@9(s#U q!! @`L6IBy>ۛw$cVZ8Lg($ߗ\s2(> G7ńIȫ>4 !N옄hkڑVϪìZCACji3 g;B4I -C߄X[a23(@D7h2ڎP3y S,=LMa>90m`F_y,U t!41] +1~`b!SQO99 LZd=#ŧ@i#>a!|ŝ "@y0,Qm(F֔0 6A敆Ss~y{6#;[8Ϗ hq#8Z h|"=au!P_Q}Uq)加 |-hE-Q  Xn #oLD01~) $+FI-)#.iD 4 8 nCڂKO(pxJ@O:BFa,`̸{7Ë?wgVB JZ>d#*C_0)bgaxs4pF[lr8u!'O:|yvx"%|lv8(Ӄ4 ;{侅 ֍bՃp{[E'.8jMOV֑Cuts})`o=&R<[׫N%lP(GGW&Wqx`&=Zw۱r` /( {(K(Z};Y>">&9టP({ 1+x\+ SP~9Ui~ NgQh6zC8S9h| iQ  Zi.͂-Pw KHul-d+Q׆~8gv^sB(:>(cLJ_FOBWqN:/E}gG|51ҙP4ܹS` u32PR/5-sime0.-Tw0°c a4/Xu;PSD"spOMiAcć*c<+-64*?ŢzXl!6l:% z:|&Ƒ P8jptoƑ)'?XZ ,'N!n[}3|=O?MAN~A|_'} '}K~'wvFA?PuP/><] LA&8YHrtjJ2aGH/kAil^>:2"Ta8 C_$y LLV_"N0ֽr sN@kbFF7t4m\y3 7ؓ ݿ i, x5|Rk#8<5(_8/5ʯ <GWo 436ZE9@8#BaLP*POgc1y54]_gsʴX8<3>|L|@_!p>k# >z%4ʒ[Kұ{ / CU=aԩW=[=JP>cr[_ Z Sv+EG0~y?{y; EO;9ϊ+=]o82`Py8;!*oGVTsY,6CḞ MvT;k<@lM=y~O'<#=p7xO[a(R09kLp>HhǰI~̏YSĻɅO M|}CWFd'n FGIF9wC@_H9 b/ش|tz܆C8AZ  ,ni(₢t žHGrQc)PʟôH LɈ>Nugp3uXVt91%v`k$ `Dl13cD N* CI@1P7!}KGaRTlhJt X a Y7phH $O!\'RL^Z\;lp_⛱<}6m3 [z(:ayFF] ѤA}v#I7O2ц64І Rxru5tx\-I3~ ||AhcNH`wAoςok?ҿ>"+lYTJOP*?PPr*hP~Oڂ1K\H>ūRDaGr|_Ş:~@>&[_3PwQ}: ~_F>~?_|C~O??u???0Ӈ&?ߜs38o|t>@Q\_]&<9|N`w" sjc0r ?xG ` ܣq RbFNH4YxyU};.*0'vx+ec z-DG볋aĕ{O,CX"Q?!OH+?a%@̃zmDJw0DZL wP#`+!Q罧ƙgGcQ)+4:IGM7%d.ܾ,”218nMwďz7D_ָWhf `:Q13bmH8; =*Z(Dx@{נ:Bl)`-ܾT8wJ*9UYw}Y#c|WǘzDǪVL z`! B8AC5_IS)_/~#҆{&ǕQ A L5*@g;e4<.*`(q cy>>!LD]|YA6곮 \ȤeoҊXϊ+AsˆOjvF[t5 zEVa~)a,+jeV˦Wmv~BZh&<VRtVnh "}Ưृ::(0ANd0y0yȡD! 0t)ɣ\~kW\_" x>78 N@>1ra0gb3% Qjqq|XwxtY{B5ʄ:GyeUD<,ǐPN D{]4q?9p^T]# ?<zx3obie&?ҿ+4'MRLxځ-_0Rj0l"}: f/^^><Yx}q AҞ#1l0 Pв3xA}9~q&! ۈ=`3Fsx~5EBCS' :xb]Uxd!AJLP6(# ⢃$?Ǟa$ 5HD+b -(cI3JcpGg^AH}BnCP'T*ew$dL̗"~8XrCp^ki?a^#gz`<7UXJύ&}'Ϙzkilx f鯌hNe@.A%BRUVw3(AF%R$}PW=q^9vV(Y@  B%j HXWxX WɽRAPU^Tk.A02^p<38!r'Yh?8 %pGψUxznBWQNs`U_b45v PPC(ܡۭ ; g`<1QGEѵZz@'m-{SkI"`%k`S\ދÊy}0_>G@rXPƖ]QR4HA`4Ay z =$i3'Cy yA2zI >_DGx$.¬SBG`j7e|0PTBdDPL E`?@H~BcWDUr(AdcFi=bs +/>Va'̄h0X&!`?._#ý1DP甾-d&PpDZ~praWx;tOo/ d}[ eP*8 Tf.B>F|<Х?jm6:Ǐee4m]|4t0F;PI%$ PBL BTIT@N7܎^P&O | d(#s` 8אyP{ p}`E  !j?jv $ D< &XP58j3A3?j 37B\$oK +SĿ1[Ѡpm"r}E)Qm(c&*|PScKJl!_lTbcGv?>=q|J'B5KlٖvxG}Kp^燌X1r&L% N: 1qB:<,]&E.:Wj-'A= Z+Ю<6t(J3ݰ֒}z)2Ә2~H-M8FU:t] @'YD>pOGA Ʃ| _7 ?e 0octCWbNTG b=odo$Cϗx8 Jkr #K+_^5>'UIya7ռyNÁt ,`9I!')~c!=}̲x\̻uA9z: Bb=4Z8H9zԟhHdI48ct_M /XuÔxE/&ƒae H,ҷt|qT0e(]'hWS$1*ݐsl ZG?Z [X 4ij8>^J&-▽k;K'y@o ?Љ|| mP ?pY3<rO?Nth]f xv\"ÞdҮ6L8vlnq|1^+L0pbbc//g MR]_`hC @ y3yM =$G&t^ <(:pkBIay:=\g vr}gy z$JS<@։(ʈh^JӔ3lC4k6W:x̴0PhkIi|=Bi>QUQr)qF'F=^Ӟcսc0g ӝA:?iY-;g/f*g" Ke^Lo,e1[-K*dy~|sWJ~)|V&w1pJjoJBZjcƄnDTj@Ilh]8d/nGϒh0 UxO^ߎ_ZiMBll8I M*d '=,7p+a_f 2gCD9P~Qgjc'nC3{)Ha\L !e?K`H-#!y}:D`%v>%Ձ%¬K>MdF>~ ؠ6X2~Y8(Ǐ;X`]vSRޜ)t1u2r q]Z(5m@e*㽜Xǀn\XX iC;WC:R/v~o=/>9YX )ؘR002RP.埕/Y9P c^?-(?pybWYȨB#A`HQ%aAeQc Ca^Zw;$F1$|Zp³@4&rpO ]w'\ 2'1$cROrC"(??d']+uC<̧\vBiS ^y ]:VI P6[W;IrБtGЬ|qWåZ5IfF k*{"qAYQ}e%IQe:A!i_#y AH;<܋ڹA \KPto ^پgWVG|jk tƃz6KHAJ~;(<(J,*D)tn ýЃ nm <Ŗ07l7q9xLbeѡX˰{AUˡAi~@ zfe6qtrt66{90_+гѦxF‡x4 .) h) >L_qFrIp4}}GwF;4}Ӻ灣|^AM}uM+{ GuB'#0?!or +@ 0Pن_h2Y|^Í*ux^E-#?[k1([WM p@=#>Hn0=.( ?^'|z=U`kş2jd<2nKz7AM]0d%z9i D F'ãK3i?Xhx[wOP@w7w[ ѿĻ܇y'}hO(a PIf.'B&_he'hS"&1qvQG4c F :Rpe9vd'|q# 9XS.PvwjwЃY'T>Nlxg?-‡B<(I!cg<<(nwGhzJS@[1ROM MH{G\v 9@xk}M@3ښ~Ϙ/o,|6FH+uKQh @Ry(} ~%WAH*QpΚ%+?;z=$\ywAP$0=@Mˁ]񒩛}u_E Y . 1)JMjӵ: Z@ ą{/= N"l}Sw/LeJ20I :1 bлhG/XX,\ @:/4SDy2~'L/{qu>#S Ǣe-\-f هǯ QOןuތR`#CD_i@B ? ŧ<2tYFRKA <N5sT<$}yohx c^h!d8hܢ=Cc/P!b Wu6XUlOaA1w,߆:W8}أRm_q'B #BF#tGIW0ZF(3N ~Xy] ?K<` 1~iTXw$4"8D>˴=՜}8}Y~՝"cl@^P! @6X`@& hI(q!>d]CDtA^=(P;Z@O /?M"<]%g5 `=UʿEx қX|0p Z)!h6GupR&J|X,}EQ؃](~xxJ?VamVPj^P}O,?8xT?,dždJ>dGD3D1wj #> >x:qd3F)XoL |A]1?X_så>6?2CI+H1EpA+#duK=3q5&TG뽔nM3q03#ԇVPOo*ICp5 Qr+эOU`<}l $( zdk$OZ ן!8j>&ŇDQ4tjJJ>!}U7'aOGC1t>?uNĀGWK/cޫ<<# SW(!q]ik5\ ?O`#ل.nߔEݜpF(D pi{2B?zM(>'얞](kl# .ivx`T^j׬sOPj(Ї=02ƱqG|aXvu@J$ub6A0 Aå: d>l3N>( 'u&G pȉ/s7{WʾOÖР!g=]̦FeI~{xWc&Gsu/!0vȟET3wޖOxwx'$RPcdPvB9[^#ܥ#;ZQ=ѩ=V%t/ gsHpHDW B LyzY1|T)Exr(ArSՌtur³qhWEU7\|eg^h=/gwF%fgQiީ BsF2y -.x¿O<>[kre`1  :tzg̾Gh8p:4 OaA03 z|vtMJp560L*z!p~WKTvЏ5y4>6 |a@1 Nty}_| ໅o׀~sR?jECa&9-2q@zm#1;瞧rQDTXK,C '%/)ni_$?5*,燐X5Hzj!?K5+*FFӛ3ٵP9SR/{UO&g}pN&~{,a0/  PW u8RI%'Bv`!"2NH>AЗMA}`$Bd(LTGG@wx !"wYp l45Æ<^ a!?8s|y*[>E\15Ę~t/[o+007ԥ@pjZ/ee(;iV3'h+،`"/@eF H, !_ !hb`RSY/!,Ut$Xs/m?Q?!,gcۺB4pM ) !q@eHӦ 4|ݔ}w#€*g4AH4$*b?3TnHCs$BNJ0RB9'шC?`[ \lphC h]Z͚ f7: g釱wF.BsafH:`ke1( WL~Ѳh֠q RA"8js_XÆE4}-\c&p@_{aOPrOJmY.oNDRywx^{@gyur[LoWt2q14Ow$耺 y&"OmdIJ~=c&C dӞ7.4 ʱ9AfRFPi{?$_ 1 )j@ ;AĨG֞ze4_brh k*# 0VaQpqSǚpXlA0>}?IH[$P[' 6QQ ?=pM{OVy>Q/h(*#^u_`<xD78 ?ϟѹQY@n3uM}p’SLsA=8Ψ|0 dp#kp ?#i~P;'R`7:=vO0ŸETYnϋjgYCdIgK? o%(YLY" (?mpPtaX}cGa >UOǕ(ci =eu? ph{Fpk yg̀*kA PE8h 13s{D,N5&A+;{ik#M.a~} G8|H[~,30' b`-11can)GkD* 1@;b Toh %Oy8Mk4Q:t8ݾ;05VW9>VC% >DȁV=C䫉{L'L~yw[H HihGҾ A =@,}wit%9@$$AR6bX:z`,(6.1xXC#_Az!DXqE0[n@ n؛VU@tjo@ .3!GG?IKg)e~7p$Aqt%v0 tl,}Xca7o q+l۞ <}'f-qxO<<t~ ;'* S!}{l8(U|O#$܅HU'0|`/!CE=qz9B^J^Xn3I%G_lA 0%%[y+_ua<@rJ}P. hiĜ{(@e_M@k ʉʨ1U|ÂMMIӍ9L1iW=4>=5x2RYJaܠK(,+8 ~{)Qa}Y+Sc)<2y^!pP(|W 0D_}šBJ L?tBw4g'F0řq00 J 4:d,pȏ~Z >1{$?,m4$b^;@df8$1ye GQ5Oᏹpx:Z ^NߑI/l>c*={d(5_0z`%%f N $ٶHKUƖNmdL]~p wDzIW8P#"\ENd(?M ڦu B\ɜx# N0>x:s+NxsWER@C0L×_v}` !-A2x `a@c<=Bx-<8|7ʕvÿXM! Ƌ5mOJ0`IB]hڷ,Lď-AT* ;APB #K2S!TX'}9@:=`[EsC˻Ô-nSkØYA< o@]xWI>w֛⯦_Y9h߆=x8ZI8;<q*^.;U\|Hl'${ 6e ^m1`m>$C&( I4 Q{xQ,[A]t d;DY|"C\WADT`X+ rapAUM44vN\-E0JKB̿]1F7 @o|FtԤY4>hx_ jAA#`΀FܚlfPCTw]&$vlį|&/P\#svFG/})szJQsLsyY!aOpY01 pUayPx%'߲Y``Ry Yb J.o0ڽπTzVEL~<ܑ,xU3 xMbLp ^x?ǝ (~1sҥ 4|QB5(t?:1n =G?} K#{am\]h@G*OmׅpY#@]_. zaa8aʾ1ïL9@>y/O>63 C-v& :'El Ft72n_6"#ua[s|WCÿ{}5 p|Nŕ{ /ګ\v/lki|APCT3$aaG{*q4ҦC ,,(&bX~~+?>L2j\}Ӝ6O$?'Vzd ldU'i<'8W> ~x?칅dfA%a/GUb/R,uwT%ϹCb> {b>D5`pƁ 40bb=#==1rTb7 \(#ºuF'pQH6s,?ذâF02 y&kNq ~X= Қ[i#0 `AC`0 H `0C!gZAx{A7ܳ.0ӊN69InYy"")XXRqAAIbD89*nY`,*E@3$&&A!<4sxۂn Eܳ p B<fCqt>& X0 ``(.y80 p`$!XCQ TH b@wBeW ~'o %bύQ|dB86֌v e$ r2RS =t((~`%''rl^G'W6Co+-^x{碑2sI5qxG-y')Єic]ұ:oȒ j02x(vfi{C%VdXb=b<>iI,$U BBL;!@|Дy%T v孧!z| bbD}ZBL\$j33(fr6kվ@!TM ]F,,l6J/n4e?Ku}O![e#̋u> fB2"xf0O}*/E>V˽`%kIAXUHOF@{HMϠc13t۠fu3IjiWF1~O" )&>ǎw}|36R-(=y<_WaPa}Vzt}h|J|G ߁ iDxP~AQp @v aJXWj* ǂl:'@$I@Oh]<2F&ff4{8*, a9cᐉ?+hGgv),#0 + *#F$(',)F!J|ۧ~8pf\M;Cj .rPAwyP<9L :YKK^"ɽB$fü"ìH5Z n>]02'YGİd/ T9q*֠qK|g{JNASz{Ax5Z`g/Dub-3 A O -aX|hx6'N"oRl7U@/QkG(.m'"F㛰 7#~寖:YJ( Ԓ|d)v41!,@q޸ z 8y> >}}Y^3̓P HN䊎IŠBAz>3k PKy@-K""&{^ta_bM_6_󖃯63M E n*  ?p+CÍ|+?ˇN`nPfZ^a(׎S?H9Ld/⮽d5Hak/ Hd-l4~'UijSc5vto|&&v"Ys^:c>y>cbǤuurrTdhyNOdpޯz&;=qLEd=*p|f[~ys1xf&,`;tq&ESL&KJd:>jpwJ@w22"2~e$;pxK`!I]gBQ09nPW,sF03$N"Z8PC9d>&Rbz~=A8mUw7k;;`F 7}6 sfTgơ r\/4Vڐ{1O{X8'Rq 8Tǎt?݁B}]X(= PU_\"B"-8 dՂp!P!5T1dL3hT?P4őg6wJ C}DClAᱱ7WͿ?`<5WO'ُ hCJ|J=5{=GY=WJY>*cTzëN/VA-@A0q/~4ɇNfz O:l?ἳ~ WnJТ (tx0l4W_ 1X5O* \Cm;`_ۜu?@!?bYLLX{ qN yN Jz H HqHE I -`qpHrO N|:` a5{W}+ QҒIPyhk.e7Ee<7bP="@RDJ7xb<J;k6|}–4wAfՖhldj ÂQ:dj>I$yԅ,{ ;O$JX jmJdԃ3׏ _Fx)^%/!g|Gl#\6EE[֑|Cp@sCåapF+P蹾We&?4x?p|sy1Iz.)%+JT%)*~wyKW(ŗ{*΄8FDxW ~o+t@a^W~xC/xgoz+GxJ' .7ã3]@T:/}s4Gy|Gl9v3(bUE`=B+]ðP?V΄EǜS ДHLzG7| Ұeg8yU?8PO"E )A*ĺ>jX]bXG rpfoQ1? NG?`:aXٷ^@K~~H3p&ÄWDb'1>XcabeKZPC|a"&a'7t2\zHGx9]y~T0Ss(A|vw~P A#^㠱hO~;#b>aW-M8SR4&~~TYb7 I ޕ8 dc~0  %J/(L/k,ODX ;/RKFe2Z9"CJ~{Q[C *WAv|A4,fGǍ)q\_*Ǒ&Ǩ|\AUsNBXџ lX04E9zB7<+x kS(laa`eUt5?ziݐ T˲Pn'ŴZ<wZag4>RN&e:U2y"=IxmɩîURm& c>w$ְk gF~zhZӟ G6 ] >l;K81R 0i#gwl~ >vPp`č[3&EF=׊|sQ8Ԙ?4u ܟlk$tka=/|b(0 //տ' SxM`q\'_P'zJQ~(kr >Uv`ËqϺI2x] *6_L7OJo%t""I0ՆC2F6zscܹ)|}3N0j5PKG}~Vݺ3?OxP6J(ڼutf6a? ac۹ꭀQTBQ%Mx/0 . Xu31 R6p)9 xBGB l<97 tlZ##|ꌞZ!,궟J稞3 Ǜe<}e bdGאheB|b}}9}xlgGH<އva,ˢTWi 7Fާ6Z%? yً?ƟX{7'.(c@kd}Zuxt__~w Bd3Ѝdcȩpev:11gX$ZSJ*j 0Fg /<  z%#QKec^{Oa<:ySmS0Y+ mi4zu,3+{pa g,~'[s8%qY u'|߲\\6%S)8&¾W Q -pbF_9jG>q;9cݦ0yސriދ?$-Ph'=59Ƒ?'{'R#2?#3׽j5Ϻ\&poQ"|pj<0>U'aaVtbuP.^"\靭# IHnՇE'8PPOr@]G_><=_^UHF"?)TDgoC,cilgL J\2QU>+ڈ:Bx*è`>DQ ?߻,zר YRݥΐ// ~<ʏrQ%B] Q\Z>Iz8/{?=b`e}Kx@_0ǡwo`S(oby4G4z ~R}FɎGvsAq0ؑ YŞuаU}6܁D_>NL0p`'+ɔ%h49q'­}=ξuq2Ø(ϻoֵx"s)_p&M'Sbgt?0PRgWCi8YY߳Ł.d5lXڤ 7-s߯GQ>d#=f?O/ȼ @n{ xR=miJ4?8ޝ\쓁UoWxp) ;ϥUL؆cheCH-GMpҀY1;xd?ȻB%G!OUh%:[m>x7@=#q>cid=X=Q:ƳB$dh`?pFRTNV^MW}啥e ,9~ IA9IY^j0p  K;R1^L'"/ yXE&fF䞌Hamz^B I+ N p.ittWeh@dq80Y5TDEED~ʆ=pƓsnH`?1# a5=zGN`hN_.QA4Y P,D yD|{ NaMãa!m:B~3?P>r'q|| up_GOOÀC> )7/0TN XC`r8S^!8Tv㘫Nfp0W(Olx^?70rLyǮN!`vOЃL30K>Xu)aul$ah&0lv.졼=\MlR3> 14E,0?둕 -;U$'E3@LWU}z~X3l 4# HbОU>Dbw| tH;Q? A)/A  ՀzP}L$p|GA|'іe[w-auh{+rNnh ${8A-}8`n6 Ji}s.0@/뻧.0vyNX& b 3Krrmxt]2_i~h;AJPxK,/Gb$)rtW*FD~C?c}7Fрb0FO,q)*A3,fGCtǬ/,h"P%ghxr*1x/6$yj!4 lAۇNVɈ5yM0tNW@N&RL<3q76ډA.|u|"KcM93|:7}{$n/Ov^`1<ԘiDkЁ  e4UD>DZj=;o|T8`١^ 021JZC8]x`%,O\I'"$ xɯUvmͼ:= O H>MEHJ/7(} F#"ܯ?O(&9[zs\A"` ";F/IkECOAJ)A~4(oj%mi-Bu`] 6^'>dtx=_hBڙ9V`Ъ &F0|q%9$|,P z?1 r `~s>ggu3(fu<ʃ NpF̤;9эȆkxg|SL´<(^IDTINREFTV+AQ}Ƌ%-EK{I\ oɡ"n': yaӞM=zSx.@+]lJ=ZE&n,S*C-^J.#iDGQ`Peh3JCeV&݊z㿁hL=Td68a a2#8YH VAmiնCJ%7`(\/jw_̪D {5NBl"|RΪm ,a΢npA-̣ F6F$? <xfuݿXzȎ!PX遊 2L=;=>rM֑ %E/tAĤ<!q=Pt`hb/? :yQDPbG=$epŨ;wң ߞt@YgܘQYiaFGM.о#j_ W i0>Y^Oҳ@\H4U02* hGʴyUy8TyD)8|Y^A)3x|yURc'p j%ྸ&|X@ P d/ A1=+'< ?ء~i|D;RH@^}2& s PpН|$vX#ỳW~^W <4*XB_\OBkxc>X+(~|}(vKSo >vl/Hc ,&: ^аu;>nD>IъIdn9c郄ylЏ4lDEfl, x`R6?M !Q#~<P.ƋP38vd=X]ƃOD Ej,̭pcY M(Ó" / <:)cw>koBt Oĺxr`(~h5v@{c[xfr yqg,NbG2SGW"a|rߞT~05u\ЧU c偝X5s!u V:|<%㣹 3I|+uc|n*yY\GfOĈykX_OW(6Fq(ο)dDžH !>M?Äwa$2R ;,uyh'/}9+wWU!hriTa1@HҘ %zcK1hu_i8,Rݏ~QAhu P>(5?`] =@[M|zPi'p("O>M<^cR-s\v{>Q(?!v>]ikdi_ %s wɷXHV({C=2``I}Q2?=Ȫ1_`K6: ZsxQ\-$5!0_I`x zF@^ ~dx 9IUM3PC x&.'{)W/*yv}gHȈG8[}!@R{< x~K-PJ>:'Rz0BP nh?v>3J hpnz"*^ <׏ &%|L'~y{﮼k{]?^us=+L4} ĊclGA#Ym a}jkZ\kjS@yKɢ\ 0Q0@aӸ[ Y1y+I2p n(1 Xϭ,MeQ]A1?Q\uHEU i'MpSa\#;h6惣2 {'U1A@ k Y™3k3mhrBNQY @,Ht>ti C)^ )[P &j>iB(3<0D~̢۶mUzQ3CDqPc_,0Sh\ExGǓ 'axW T(Y;*yYEo?! ~NTW~`y "䜰 65x5`>712]ݎ-S<Q]O'<@*č7|'M)?F&KtbK#`('OXIpjTI<}4\!*P`A:Y> ѳ_!a0^׫Pǰ(bJG{3k>wx18KI&#i94(XhYi W;}!+HB(SDM~00rSi; FOOF,R=TqP28.$ּXiX@ٱr# l4lE:B >{i?=EJ)XKZqM1eWp pTb5T[jSy@0 2?H[tsKzG4'cʈ' gP (. L=n." #{ Ly3^aŌDI3A1B']*:>K*4^jp+bCd>MCCaXp_~dPˍ y l#CBL5"ǖ&&Pr=<0L*Tܬͫ >r಼}7}VQ=1i5 1 %hR`Tx0}g#x hsoiUsTD^aP(5`x.BaICfl.$`{<&0C z@L:t/de <{#\ڲ19W" S @zK= h8@=2<‡Z*}`XS8~Fp<ܨt J{Kbh Xf7:Ɇ& JƔ {ZL!h\ =@2^bD)52!$* =BG@;ycaX%0:.Gxѩ'|#*gܶpg_ oMǡD0 %=Jb#Ԇ@# mUfq!3\/XANWģ"DP̝N4-fJڸˢ8<{rQ>FUXsdfQ%J|ɋB.:L<(x>0P,CG KqI (t4T341"cQ QZSz$i wV 2!@ 4arJàn\TF;L>" p S@"0|5&!8QL$#SSΦPJU R/\}: 0P,CG KqI (t4T341"cQ +6067TECHN.SUPL.doc.ppp8FPP20 Gdp=x=ǘ@·X~Ad,DO:H3yHH]bp(iz s/-(L G@{8:XxR`9Gϔd {: $1r0 F##V/'Bæ;1FaH: BH/5%<_y:LHy"O0Z?0>΅sԹm %-x;txNJ @izB: T5RIRJFNN!π @ljIˊC(0LB(*+;Jٕm @~`DNv-J͊$z3hv@!'~,]-i y@? v8Y&Te\zS4;ŀ҅A> O $ D7Fyt@^CMX 5KSwyW^^AS@I^ETXWS1 _\tzbpє(dX<|Ak ʫVG4Ws"/'+;6}V*S<P5lX* СDv 3yL`kD/.P^ {b¢Xb)JBХf! U+;DbL#x__O q (_qs7t2)鈩"|cj% (7E2&yYF?¸Z}YCk. @Y1O5>~I_ux>.bvte1q9QxH9A)*{^O̜0H.7g%{`1A $]x`}w zxLfKTZA,?K>jೢuepgPVMp=}X0=k1R4"B+o 7t~!gj gQƕph*D=Qowh Q{Z%@ 0D8M=?pS `rc N XN_~=HkLY{FB4@%C'u<3̖\C0CBPk p879Ⱦh\D[4rk`q%{>w c3w'3,LI^V@PIWeiIN#\O6wN+iztr|1a -$iA4Dkh ă,RE ,pb8['9B 4&yz2zC.S@-*cM)`.hIp~8:y.h@w[J raP ÿW!LK?IOGC/5k@e0f˺Lz~XhmPwIiTWϹ]))P"JV٣\`jS# X 8lVh2M(Lg!ڙ|L\i@\y}<2ÓFzRVUFGAaQDcR TU$@ QCdZpL$*', OXh(tbcJg&hEx$}ha{bSoc3{Px xG4v`=V̇@'.57S_!"(,nL`edd WWΊC':C 4{? C&(Q(e~ET7k'&(.5!9k*,k' 7( 6q-[?6^zw9Z}CR'.)$* % iyKBL)3W*dTy|C". Ҡ.O5G|!%r`>!SEUIaiYA%LAsJO]{B!h ȥxE&oߋPў {YA.Ifg7tWaZ: \PKU eJ/$éݑ(BiAFzY Q Mhh2 &a5 OOӳDLRJ^UTjZjdTUDI^FF]'Յ -~#Y֕T ?8B sB/!ϷhAI[1D~>4el dKf!  -$WW,(&.("/'#K! Sy!FހTu$G#[,_N3>_"68h/!ZFvjR'2"jAAѰ.%E~"ߴ_I9ͷXAM6<xF0A:fa4ā~;vܧ\K`&8Ey5PG+]\`GX r`y02B` &7QN~ BZԻc V>r/r c ~dK!@݊;Ai@46 ]=?0H2p04u62URA\gG$O*|v2/P|[{ #ګO>9f_P qdZV7*J2Dx\f@jh2C<ݨ -U!"@9t Ȉ=D# ,Kysů- KP M,X 4㏏Kʋ;#Fl3Auq2$ʴ8(&@&E7A@="uA6\MXǗSI:#! aTIt^Tdx~`2 fKHܳ <@  LF,~ddvX"\vXg(P^^|>SO(YX?3LwÈrtS d.p(sNIyqx;@Fg/lPN_-HbNmKJ؆gϝ3ʀ>o `8T.#vA"`S@q`C-΍4vRj=(GW@҇cC.M$! hX^QV0v% @F$tY6н/p)%!g Tw[iPo',eEBEJ̴N\RNVPL5 !Oz|4W&eC8 !O`' &Q>y`L]l߄uiވDžd=}(-,= 7 r}BUT$~ҰIm aL/ 8?vkm- cdl l h0 c";ifhP?TGa]8P|~nƸfX!SYPHQ@`԰t4y|il#080 a:ߡM,ܳCmC˔!O#[F `6x7{KgB޸`AV1=*p<+*0`]0!v4"ZaO Nr6*Hȫ)T`yUYIaID'քH$st*Smdl qteѡп0y{)rMCr8EȢ_z~p ʀRfl:2 \!Fl`½aAEcp&l Og _ւקI@Qm 65`hsP6dy*YSg%pe4+a$'AxE{'BPS.@r˴w=JaIJnlbm1@Ngo 8YQ dp؈1g *J@,+0O'(@4L AnQQ6Qg!|Awro&צ189~\3bK~#WdcsK'(,ͼ8_vxRnqz=w>fEvsG+1o$%A$FE^VW[+RDzCOý&=; xj0pkhd%ZtPP@q.ȣPu@nLB.P LDH'Rs`"t1t75 8'_C5/v=/Lu1RFDdW2t m<<:AG71v2(<#KF + JJ“IZU=TI=v!a)%ďPRs pEV>Anh`VAPa!9WǦsG<P\byP7Fgf: J@L"&),*"*, 3/("#0@$#*+,Nۀ@dV Av?XF6e\3 amEFk1ȈNpKS'"aJ/M p}#X62[Ax =/ h WI=(DWI0BJс`Ї9v]Jl8ʈ@ ya%H#y=|#2+_`y?9nLB< #C ]3!u Q7؆aIy9AٓI^Itc1e\[s枛R2ld2th'axs,lpY~ZvPEIv K?zx^hASIq I iY!?ǘ>S.ƨ`;*(^XZFps0.r1ʟ_]jT"I#]Je$A3IyXQ4Z @p;iME:0A>=#..Gzt au8g՗ ^Җc$ϏPGjuBFs"~T?s~y5k L@ ~GG7^_#|u? hM0in a0.xw|K%~7TҡLG}>LWB(e5C+g8 މZX9u `>o[T4 jъ$P`,{C"=􊙣 `9@y^ʨYɸtARw2d8DPHȨ¾!ߋhXNe2k:|}8=O D?  G3t^頹D#bdP"R xa1wBu zs ALolm`k@ߑ 'FHP۔~Ktr}lGTn&S}WXhih8yQ㥏ў*rNWھSΗz3_xpa2hI d zeC`'tDLBM6=trA/-ȾW#- fA]Nx'D؀=Ψ)n.f4, HO螩 /i?7$$w;WpD]sUʂd|xA~.#X%³T'+HBX" WT*50wχ74 QM(JhAm fL'l!vffq+-!~<^J}fpu2*F-'+5(M )|Ց>ҀLjP,` C Ke!AM$v= Y a;mh?[bGwHJyJqGuŽ Mx Lw(&.+? cqq[C p&DhB|< I! AnDS8,GP(X"$H'MȰr+ )uEeIXU3`H*^UYVR?11LP I#$6p@gCLT(R Ρ`Cʂ[a $t[$O$j)~ 4}]|xx^ֈ{yOO*Gm{[ݍA&GwRG7I JC~SS`ba+DUNNTIYKTLTNDRN\O<R׆ؼ#{˰lOo9*b>BtPR*}*ШPt6523*:pK$%(*;+C[sW^;g(J~P7凑U[{:M0j.B#ƙ੦]>Q\2G \DI1 0&Y[tdl1&>)C\;0DhNv pj9!,<Ňf Oӈ+T>O9pIq0 z L͖X( eP UnȿR{vtL}ބ-qCb9Cw UQxʉ*KH*J&Qy/8*?87vD^~?]R-)v+ I;az&/hՄsCL\$OC4'0ryU%ȿl~|a:WE,Wv[`p,`PS 0b! ,tMF(K*> =`X*g/OT@G  =Qx P8.qϿ&RA{N J߸TCV5W& xBŁQ@@RF^E@^NEI^FOG限xDlBtN(_<nncg3r =<4P"r3ah,S;za[RF|  @JO m[Rxu^a>M/M> gT$T0Β7AA?`&&Y\,՟fSOo1N9H a0W?ϼR' LlL0e_Q Jz,*Iykj|p>3h]ɟS@H5zCUm]f+/~&/DŵtL6IdDa |qp P4zv 253DAmCX:ZFjn 4,  :S+A3C`p)ØS[V?_GTQxqU>YĘHބKG!ZzXe8M e 2B[URYFխ [#+-2Hζ@rJ)_p\?O5tt "\A 8]ҶF|0hAG<(Sck)櫭.ΈMk.Af Oe X!>N]POr1~l;l,H02>nptM`K ?8@& RJH @aUF!40D@`hy ) E9TVAUETVP^NEI^F@I@YTJz@FE^@ZRAGBIYQ%2 w #*j 4LeC(C@8i:{8'`ܜT CBC*Wh Jr'4/j,~c|ֱ?,(L>)o(#MƮ `Te욘Ln` !QKfnV3`~Rs5tt:CGQ{Z9S(&E fTG0y קo7; @q^PP_cx<~+;.]F3勬7`Ae{8WQ{MP`#W')cìmz<{񧰦r?#i8}:(ʸPz؆Fc -y^Fir,S7}fsWZcbp/n4} pAID'&p6Ax5(0NgQe)1*HeNw-m L\jh[=sJ+s;_B8쏐*YW8G rld)ƚҞ_AQ$(-cp ~jSZȆ[a3`AX?#L 8ZQ@KB^ҐB0,.dcik%$bKHFB1䟘<)"8 #/( 9Ut{HԌ+:P B`W[K[W[(XAqq1 ,I'. D##+(&1hf:az-TEpH/Wg, K''\ j@위'"aJ'`R`;{Dw89dPAҐOq'CkSg|H3(3SSXg L坹@Mp `IbDccg@@B#;- 6@۹ؘ89(Dnh&! IPqqЊ }bs `cO7Z0N\`X[^>)ƚҞ_AQ$(-cp ~jSZȆ[a3`AX?#L 8ZQ@KB^ҐB0,.dcik%1j 8ith PC-Task to turn the mouse driver on. If you want the mouse driver to be on always you can put the PCTMouse command in your AUTOEXEC.BAT file (see your MSDOS manual for more details on the AUTOEXEC.BAT file). Note the top part of the screen is cleared when you turn the mouse driver on and you can no longer use the screens drag and depth gadgets. 3.3 Quitting the emulator ************************* To exit out of the emulator press the LeftAm2AKiga-RightAmiga-DEL all at the same time. You can also use the MSDOS utility PCTQuit that is supplied with PC-Task. *************************************************************************** 4.1 Rebooting ************* To reboot the IBM just press the Ctrl-Alt-DEL all at the same time as you would do on a normal IBM. 4.2 Getting programs to work **************************** Some programs might work when you use a differ3%ent graphics adapter, CGA is the most compatible adapter in PC-Task. Make sure the program you are trying will work on a normal IBM PC and does not require a 80286 or 80386+ machine, or more that 640K of memory. Use the 640K memory setting on the options screen as it is the most compatible. Many WordPerfect 5.1 versions require a switch otherwise it just loads a bit then stops. Use "WP/bp=0" instead of just "WP" to start it and the problem is fixed. 4K? 4.3 Getting around in IBM DOS ***************************** There are many versions of DOS for IBM PC's here is a quick guide to some of the most common commands. The basic idea is to type "a:" return to refer to drive a and "b:" return to refer to drive b etc. Filenames are usually of 8 characters with a 3 character ending describing the type of file. File's ending with .exe or .com are usually programs which can be run by typing their name. Script5 type files .bat are text files containing a list of commands to execute which you can execute by just typing their name. General text files usually end with .doc or .txt. cls Clear the screen. date Enter/View the date. dir Show's the names/dates/sizes of files and dirs contained on a disk. dir/p Same as dir above but you press a key after each page. dir/w Same as dir but spread across the screen with just names. cd Make a directory the current(def6%ault) one, to move in and out of dirs. cd db Would go into the db directory if it was in the current dir. cd \ Take's you to the directory above(parent) the one you are currently in. type filename.??? Would display to the screen a text file called "filename.???" del filename.??? Would delete a file called "filename.???" copy filename.??? b: Would copy the file called "filename.???" to the disk in drive b. 4.4 Using Co7(+vpyToA & CopyToI *************************** PC-Task comes with two IBM-DOS utility programs. They allow you to copy files between the PC-Task program and your Amiga disks. While in PC-Task you can:- CopyToI AmigaPathFile IBMPathFile To copy a file on your Amiga Harddisk to your IBM floppy you could "CopyToI DH0:file.dat a:file.dat" CopyToA IBMPathFile AmigaPathFile To copy a file on your IBM floppy to your Amiga Harddisk you 8"~8could "CopyToA a:file.dat DH0:file.dat" To print a file using your Amiga printer driver you can "CopyToA a:file.txt PRT:" Or to copy a file directly to your Amiga parallel port you can "CopyToA a:file.txt PAR:" *************************************************************************** 5.1 Creating a Hard Drive partition *********************************** The setting up of a partition on your hard disk is 96gra lot more complicated than using a file as a hard disk. I suggest users use a hard disk file as described in section 2.5 (Hard Drive options). Only advanced users should attempt this and even they must keep in mind the wrong setup could cause the loss of other data on the hard disk. You must assign a area of your hard drive for this either using software (if you have partition creating software for your hard drive) or actually create a mountlist entry for :the partition in file "devs:mountlist". I suggest you don't create a partition of more than 31 meg to avoid various MSDOS problems. The DOSType (sometimes called Identifier) _MUST_ be set to 0x4d534800, then specify the partition as hard drive C or D on the PC-Task screen and use FDisk and Format to partition it. MSDOS has a series of restrictions on the size of various parameters of a hard disk. The way PC-Task gets around this problem is if the DOS;VäType=0x4d534800 it:- TotalNumberOfBlocks=((HighCyl + 1) - LowCyl) * Surfaces * BlocksPerTrack MSDOS_BlocksPerTrack=26 MSDOS_Surfaces=((TotalNumberOfBlocks/26)/1024)+1 OR if ((TotalNumberOfBlocks/26)/1024)+1 < 2 MSDOS_Surfaces=2 MSDOS_CYLINDERS=(TotalNumberOfBlocks/26)/MSDOS_Surfaces If you do not set DOSType=0x4d534800, then PC-Task will just pass on the parameters to MSDOS. So they MUST be within these restrictions:- Surfaces - Must have value in range of 1 t<0P2o 255 BlockPerTrack - Must have value in range of 8 to 63 ALSO: ((HighCyl + 1) - LowCyl) Must have value in range of 1 to 1024 5.2 Creating fast temporary Drive in ram **************************************** Some IBM programs do a large amount of disk read/writing of temporary files and so you might want to set up a a drive in ram for them to use. One way is to use the Hard Drive D (or use C if you are not already). You can do this by cre= ating a HardDiskFile in ram, then going into the emulator FDisk'ing and Format'ing it then quitting the emulator, coping the file to your hard disk and then creating a script file that copies the file to ram. So then you just have to execute that script file before running PC-Task and you will always have a fast ram drive. 5.3 Amiga <-> IBM file exchanging with Floppies *********************************************** The software that comes with W>^orkbench 2.1/3.0, MSH, MultiDOS and similar products can be used to access files on IBM PC 720K disks from the Amiga environment. If you are going to use one of them specify the drive name used to access the floppy in the PC-Task option screen. WARNING filesystems usually make the assumption they are the only one with access to a drive, hence they often keep data internally. So don't write from inside and outside PC-Task and expect both system to know about the change?  :. You can use the diskchange command from the Amiga side to tell the Amiga filesystem that the disk has been changed since it was last accessed but no such command exists under MSDOS. I suggest you don't write to a drive from the Amiga side when PC-Task is running. 5.4 Amiga <-> IBM file exchanging with File Drives ************************************************** The software that comes with Workbench 2.1/3.0, MSH, MultiDOS and similar pro@~Wducts currently do not allow for reading of these PC-Task and bridgeboard type file drives. BUT provided on the PC-Task disk is a device called "hardfile.device" which can be used with software to allow for reading and writing of files from file drives. You must add an entry to you "devs:mountlist" and mount the device to be able to access the file drive. Also you must assign HF: to the directory containing the hard drive file. And the hard drive file mustAr be name HardFile0 or similar depending on the unit you use. The hardfile.device automatically gets past the partition information. This adds the complication that you loose the first track which must be accounted for in mountlist. When PC-Task creates a Hard Drive File it always uses 32 BlocksPerTrack 4 Surfaces and varies the amount of cylinders(16 per meg). But with the mountlist you must allow for that missing track. A simple wayBĮ to do this is to set surfaces to 1 instead of 4 and to multiply the cylinder number by 4 and subtract one for the missing partition track. Using the way the hardfile.device calculates the drive size we can check to see we are getting the correct size for the harddrive which is the normal size minus the missing track(which is BlockPerTrack blocks). Here is how the hardfile.device calculates size of a partition:- SizeInBlocks = ((HighCyl + 1) - LowCyl) * SurfacesCH * BlocksPerTrack So for one meg:- SizeInBlocks = ((62 + 1) - 0) * 1 * 32 = 2016 (which is 2048(1Meg) - 32 ) Here is a Workbench 2.1/3.0 one meg hard drive file example:- MH0: Device = hardfile.device Unit = 0 Flags = 0 Surfaces = 1 BlocksPerTrack = 32 LowCyl = 0 HighCyl = 62 Reserved = 0 FileSystem = L:CrossDOSFileSystem Stacksize = 4000 Priority Dx.= 5 GlobVec = -1 Buffers = 5 BufMemType = 1 DosType = 0x4D534400 # Here is MSH example for a one meg hard drive file:- MH0: Device = hardfile.device Unit = 0 Flags = 0 Surfaces = 1 BlocksPerTrack = 32 LowCyl = 0 HighCyl = 62 Reserved = 0 FileSystem = L:MessyFileSystem Stacksize = 4000 Priority = 5 GlobVec = -1 Buffers = 5 BufMemType = 1 DosType = 0 # E!DO NOT use this device name(eg MH0:) as the hard drive specification for Hard Drive C or Hard Drive D in PC-Task. WARNING filesystems usually make the assumption they are the only one with access to a drive, hence they often keep data internally. So don't write from inside and outside PC-Task and expect both system to know about the change. You can use the diskchange command from the Amiga side to tell the Amiga filesystem that the disk has been changed since it F敱was last accessed but no such command exists under MSDOS. I suggest you don't write to a drive from the Amiga side when PC-Task is running. 5.5 Amiga <-> IBM file exchanging with Partitions ************************************************* The software that comes with Workbench 2.1/3.0, MSH, MultiDOS and similar products can read and write to IBM DOS hard disk partitions. Most products currently have reservations about accessing hard drives G,;jso, proceed completely at your own risk. This following information if provided as a guide, consult the other product documentation for a more complete explanation. This subject is further complicated by the option of getting PC-Task to give MSDOS different parameters to the real ones using DOSType=0x4d534800 as outlined in section 5.1 (Creating a Hard Drive partition). The Workbench 2.1/3.0 software appears to handle getting past the partition infoHˀrmation if you have DosType = 0x4D534800 so you just need to create a mountlist with the actual Device, Unit, Flags, LowCyl, HighCyl, Surfaces and BlocksPerTrack. For example:- PCC: /* These values must be set to the values for your particular */ /* hard drive and partition. */ Device = scsi.device Unit = 0 Flags = 0 Surfaces = 4 BlocksPerTrack = 32 LowCyl = 551 ; HighCyl = 653 FileSystem =I֭< L:CrossDOSFileSystem Stacksize = 4000 Priority = 5 GlobVec = -1 DosType = 0x4d534800 Buffers = 30 BufMemType =0 # WARNING filesystems usually make the assumption they are the only one with access to a drive, hence they often keep data internally. So don't write from inside and outside PC-Task and expect both system to know about the change. You can use the diskchange command from the Amiga side to tell the Amiga filesystem that thJ͛ Ve disk has been changed since it was last accessed but no such command exists under MSDOS. I suggest you don't write to a drive from the Amiga side when PC-Task is running. 5.6 Using a 5 1/4 40 track drive ******************************** Some users have 5 1/4 inch disk drives connected to their Amiga's that have a switch for selecting 40 track operation or are 40 track drives only. These probably can be used with PC-Task if you add a mountlist entKHΕ2ry so that PC-Task can see that they have 40 tracks instead of 80. Add a entry like this to your "devs:mountlist" file:- MS3: /* Or whatever you want to call it */ Device = trackdisk.device /* or mfm.device if you have it */ Unit = 2 /* 0=DF0: 1=DF1: 2=DF2: */ Flags = 0 Surfaces = 2 BlocksPerTrack = 9 /* 9=360K 8=320K */ LowCyl = 0 HighCyl = 39 # You can andLϺX[{ probably should use a MSDOS device (such as mfm.device that comes with Workbench 2.1/3.0) if you can instead of trackdisk.device. If you are running kickstart 1.2 or 1.3 you probably have to provide a MSDOS device because the trackdisk.device you mount won't get patched by TDPatch1213 and hence will give errors. Execute the command "mount MS3:" from a Shell/CLI. Then just specify MS3: in the Drive A or B entry on the PC-Task option screen and it should use that M"|Ldrive a 360K 5 1/4 disk drive. 5.7 Using an Amiga CDROM drive ****************************** PC-Task comes with a very basic CDROM driver called PCTCDROM.SYS, this combined with the MSDOS CDROM extension software should allow the reading of CDROM's from PC-Task. You must get the MSDOS CDROM extensions software. Your config.sys file must have a entry:- DEVICE=PCTCDROM.SYS /D:device,unit Where device is the Amiga device to use to access the CDROM and E08AOS.codes.pppwPP20 (/,J'.)'ʉC L/"*,Ƙ&$S"cHSLy`19 I! IlLXؙ X 8 vp @Lư TIMT@CRYJ  HCCHAOS.codes.ppp  Qm`09AOS.MANUAL.pppPP20 h Lp"e x9N]v()$).!"؊Qi Ӹ~"ސ!CJ)>Ay'?X`e B8*zPQ`NPӣ"UA 0d *h%f#RԦa`<8:YC+R?"8E 9>J4 2* CzAwD=D hO(Z`((`A0X X`bI1UDyzI Mq%\Gq3_iИ0āЇڌ?EsO\m-c ( fu=UkG4 1ekP / h/v Lt ˀgQN %D % 9 KJL8PI=XLzW_a0/x( p L|ޚ7?Y8? a_]k|a5t-0YO _lB_AL u(xA|q`eeQQa]PxdNEF`,$+Ǜ#Ñ-+>PTPן9G¦=c  Q5&T<(IB@|B66~)?Pl/72Y;AbpߠsEu{# 1ȕf&.0/Ȍ]pE une%fNȔQ)yMeIair> !SV k(DH$dE# &US ,9m8A _lJvp_Gt?0@7 'vlspbzkwx׈n~nb<"D,ٿ_wSxǠc] ty@'k/YŘcv EQ埀  0I $4KHŸ4DY3l58u΋!8J w☐Fu @~/?,ފL)#RjGO0j%h[ BE^_S>kYaC.1za'A_u;H= }8Tu~!*!H~HրF<hǪ!Oa`gy],=䑇L3ǫZ>Dҭ7Ԑ^Җ%H6闿lw4L%[b|)Ҍv~OP_MD. υx:RFFF /bMѿ+4B{0TTDFPoFkq-Z>yc*"J8:20߿ @SRpctU+>_CO'>>G=&o$.ՎzοR` ЧwO{ڿgnaP<|@P!z A^!*x׹'Ou|l]^4b7$m̗VR PD(* Jz=GD{G7paDܷ?x<*=<_zع x5є7zl<ŧ0*J9'4.M '8~suS,|CS:|x Gz> _ @X }e Mf`\/\?6޳$'^Z># #Zy;jy^Yz~aH( Ma,~J ~a 1wt4}4d|XuUMu9GrQMV ]M*EY̭ԦC1(*1= u=xkѴA?”H]~k= _K`25GԿǍH1d݊Ew~d7m- 0{1(G|m \Gcgv> ^`s0|__ m󥇒%şzZO?Qa +Z+,xр` 9b#./F/g A(8’&¯V킱0eedGT`H D8RI/{|y^A.>> !fod >,E\6CԙGv`QۏPpt2 } 0I4ωMK `_x3^4nSKc*. }I <&}^,L忨X% mM?X82nmW'ı{5ʋxgU\~OdC|nGZ#+E %Ĝ?NQ[ -H{*9p*Pk9Ȋ I O$>N %WZ(I 1\9R-?4ASOhЃl}Ot"]*jLRFY$]Z˳ qJ*@+ AGCf.}++E 9O3rЇY_§!OLm<(9dnN,2d>#{-AW lPZ-Ꮭ滼BW5)qڡ,8だ!Q1-@dV_A{Glc۩xb޽LC;z\IϦa[bxMp?fHURU]sc F!bD]"ۇ  ;s Ƙyħ h6{/)qOR$Ct &)gqxNL:I֪<8sS@C[Q o'({K8PlZ"*d!_I {I,wPQ܁FPSV* Rg܅xq .A7ZxIir@cLIoz 0P / ?hF ]xD~Iv| -JvPϊ&␈TKOD:6`H.G5S*(+*Sy CD@' o'F-THBa I_kr"t؟+9 e/L< ;T)/Nb $X5wX&6lU! da^ 0JZI=uV{JZX"jܚ@D@`6A'yp(]S1:HX& pٲH{AXT EZ|kt.!;T}׏bHt{{ ǯ)Se>uc<{K! ݛVVd/x9[2*C@|b덢lDV. WǮ}!$+Eh>0 u+# tո8A>~p(ʙCvYPcx8xg xl?D,g1C 7%?*S :>U cت)q@4j=7O)${:RmKϝ,<<aT(#m,Hlr*CYق ~8Dƣb'Br`U{ I)hBBX8xt b Ц>AN +X!ql UuX<׉>t<|[ ЂvP S x8+I'{7KHU L0 <0E<=#` >L{`uMp?A˻]WMf$W ss΄+$hj]ԱQ{='Ӊog c9v |*UYEJ"O*r~)ŗЏ }=L35 4ga:?Bbiylabh*0(ItuC(-O(P [yli{9r-`|1IspΑ f{x&HLnXL*Q(ŽVI'CPrFa<**;f,$Ē)Dٶ@B[ZI `C;  veb@TNҁH>xǓxhT<`:81 ԑU0hcpf%SnP&ATpde-p k" r. eU=2Ѭ*[ב-WЈd4rh@H b@GÄI 9%.P r&!2F HN-m,.ѐ`HA+h khf1hBd2"ݴ0ua<60)bF9i{%C!@p[WH¤Jz!ɥ]ȡf4Îd Ulr~yY,p#;Zg/?H*p q'Cc&({eM# L ~!XxiǁÃ,p,h@üC'  }è \H[tacBPV 2!i\di1BXaHF> H^ɘ( WOGi!x_ PbQ&v3@AoccJ.P8$8{҂v%è$ o%8@epO{WAVDk%`N 0=rŲr3. 53'% Q5; QDQ ?GpCggwX0X4PM\0 OXl Dg{(O8z6 ` ! liC:A E0#''/M%Ȑlq1"U37413@e{3wC'T,KYC!'{ S'gZ_ %=3-'3h5;Zg/?H*p q'Cc&({eM# L ~!XxiǁÃ,p,h@üC'  }è \H[tacBPVԚ~10AOS.tips.ppp⽡ PP20 * Q ƸPᶎb ".ɒ<є݈߈!pIA.I@*@y  |: @ #!à 1!)1(9jJ; ` L } j |1dr*_h|01(F#"QP >??">5@yNx@ ip-(z"X=EtBT ()b4Xƈ)(P91eFW #G|rq/%$\Af,Q,Ph #)& n D%0:,  2*};@PA jԂJP*H*J 26"ptr*2} r"r⪲rPBJPPъF#"QP >??">5@yNx@ ip-(z"X=EtBT ()b4Xƈ)(P91eFW #vPP20 f,J2s2PMO 0 a#XzO BzH+kpJH0}Z6<A_@_~NA] >ok6JXNPiPy!Pq&z1z$5gaC9 fijc/.3`vq>C3iC*k(Iɋ<{8Yl'l&a_}XFm|!Lidd! b.MzPF !du˒pP L,-@]FGIjq!2il'2$*RtT&/ǰ\= avBAHIw}8#ɪ-׷ҋ+_ʀx  q WW͋E(9B*f7LE ;p5 N(H0B4(t̋$8s]LŠ#CHfPX=LU@9r2+ wR,xy>Rok4}4L젵@@SלWl"bFV'5MjljLSR#jBJ\٣Vrpԫf199!kHuH$tsaJŁLGHZKx8:p8XHLÂFȱ,MgYl=&BOX:&hdwP| ( xP jY~=[&P#XFe fH8bHQSW/o*.ο䊀`&(.qu!eDRQDat3xEociI,¢P*( #q䈨 0 My#"Z[7S\Ei t2rԁ֙TƘgvs%h#tCNw>ZbcDH]sUD TPFJ Nʅ ,FtK,aJ22X on+'KH9-K"6t2WWD }F.Q,(Jg0_3Ul]<ᩜ 'KG0A(A7U;A8;K-qpO:  mW]̅`tʛOJ#q,=0n6f r9Y J<_Z$#I>ʓNXO% ՝Z TC8o̧K݈/.13Æ&FTI\a H;C~|b8RO7$d}\lOiJ)Ө= 뷲G eUVPSx'( Lh#kH:0X k`$Ay:Z S`䟓UOJ @ m#K04xOXDe;%' ǮKh0ah $iwa =3 3{8&MJHϲEA7l:r6ոTu ,J2`M^qИ*6CKH"5??t*V`(\ ŬP1+pp1~%V;D/w@O$*;:/ßh kI __dXE? D ^;?lVUg^?֮E]4%T]/pJ15\SgeU0P5Iٺv)BޖYȽ2pH$#cPx,_F6#T;v6Uv:[) w\@Em lh zzΜ"'^_3W$ӴEӬLԳ Ohd?v{؅MHQ}x0sB $P*]$!ADL)@?`cpn d4?Y(2I#?ʪ0 PX 6qfpB,UpEETNER^NKh [CK$VZEXD-g$^j3aJޡ=@) O"(+(.*"#?ZBpM%ZǪ S:G$zQxpmӶF, zDQ l}kI0!LxRDUY (EU4utt3%V˿u+G`I,; a1B p6C|TK:*ƴ(@Jh$Ƀ(fjmilmkrvւo ΏA5,@фtg*r򪄿 Ltne.5-0(=y!*\v66X S8LF/!t 'Up- mL`)KO\\,ca_}s,{ @oOdLnjlOl.\Ox q il̝LMi:AY, "<# ?. 6!zb6\BH *r"tE$tvtP[C'K;#>\X~Ho߿L14sertStrike.codes.ppp PP20 / 4O^y6v< gP-;ohkwL.Y8 y,N,5YϿ=@1]ʬg@^? iC"b9:2QRL̿)-h8+ier܄QWp}kSr!dm}vt|cFAY<«y`sLcs{Sg._73uxTTӬ2j= f 1 3 IJ-򰪈.*J̨K gD;H_陔QPtVHPYYNREKoϴEf0p;ϿGB*228@cI fJ^^4⮑Z쌏T{(irB&kO"O5'hN8DTARTk Ȋ*HsPB:?{G$~`H Z2pt -gLWD*A>|*J3Ǭ袔&0xEl@0l6쥲 (~  ؚpʊKh VĈB]9210/.-,+*)('&%$#"!      |20obalEffect.doc.pppVPP20 zKQ΂G !A>Kp~Z ?>pOC/_w?.>Tϥg'?T88pE&R#xC)O7CZ׿ى+H )((RlHqg#BfuY$Dd!5cBU~b >.C jB(G+O+NO8?P]SC T+>0d}-* k(bF4P%2yA!/YP$dN6&:fVFZZ>)q`ăH] ƄA 9@AWP 8,x*JIy%QEDD 0# @9b(2UO^}[{,$zG| ©z0oi1x( . HK?ʃ9 \9VbPʢ\ga)it)81$?-< ؼ‚ni-$%IPgYxp&sԡlq]0z.@!GUD0h;}OWB GJ^( #1u_TtPM]X  @.N/L=^*E( U`$1zu2zPyA!/F8ZPzQ/D1 73ωB(Y9ni'WP\?u(W[[(!G &O9=$R ` mjd WP#*Z#Ű \+S'J- =4y34؏H(L$X99A ` `uBq F 9ct4J8<&[Xڹπ32LƧ@I aP GwĎ#¥.ZXx?PL%Cq8> A胒!ɲ!𽦇v6X %rR#1]3N )LM/,3|{; vs}€C(e€xiG̣1Qi q B#H3y c| ջ ũ=8"J^'p)Kၬ];ŒG3`"^Z1G?e" c}g3FF':xz˘# I (09tR} ol8VWXÏCCVS⻿F5uU &~i!-&='x'2|bg} rEz{8~Q^˼=A=(Bh>^? 9τc*fr`09 !׉|゙Ǐ 4hqjqa#sGz˅a%Fwe.M_T)@0vhƩa#צsOl7edf 5t\sY2x1eoYt|\OxaG,K< TP*[A&52~h\0)%nL<#ms|}kk;2S*Cg,%t"@2, h@>n|OxG)?pT'EF XN*ssǙm!w<~Ke T."3Rnhޯu2tR?\߰SXK~\ K[07 15:2/2cII@׳*|8,'&SL$#+1)8,TC?=O gvERoR0Կh>5"S Um'T*ʘ6RRsҹB!t*0H Dg<|{ Lvfھ YЩ14<υt3p~v_ M5|q^roSh| /m: = | G *<7\09z7pQA}{y"/ZXh`L^VV^D^ITO?~|[ *oxxچxZ6yA ߝB3`5YeNqI>~0CY{ 0 > U ɗDkE,-{yw!Ĉn Z.{gzLE_; ~j¤52:H},t_B<5!ZB2_QV(Af Xa  Ws #)Dj+ph˿$nØ'c]3]89_̌a=!܃.ޑ0pTz,,44o弄߁0ǿ'#|ďӹn*B& ֟&;ÿc%![c!QcZyۭs~HǢ$B~_{M j`,8^VAPERHFTGD%x% W>PC=2Ǹ(1QB4G֗ ~ER),]݇8&u$EotU1&u tO%OBi d%Ȑ),7 >HT }ϓHDAl"ra, غ,3A(`8Љut 9vڞ C'=iB}8LMx͟D^8[a9t`/ xOPZhJ_d 4s'Uud8&#'GӚx(X2J R`fNRt1ØB\sQ hOR mb2C06y@{]p 0 p(]WN ! W\} m>t~(zW Q$`Tc9ETJ>SnYFPa!&Nf^3}ࠟ1㳟"/<Q`Z %@|7 2[ƥNpv!TzUHZ)h^+sJ5qqgٳV2{zW"OVYP}1*;C Һ%zg;M_/OP6ap*ʋIˉDJCb`KP˨䇈x$*7{_<|~BzCPÿ=(3-Mh<(t> %WACh~g4E'_ 'Og5ϟg:~'n0m? uzGxj!Gf{bA=p7qI$L>g ; THt Ǿ9ͅiz?3g 6އ}u`?=Mr$Ca*Ծe[HQzV"I1dOa^P5pPsi<xT8`ɿ0e UֿmMG2X?*Pb_'5탫AmH* }Q&\ٿT լ|dw_(KT›\:Yyb} 檼AC'>4?$b:4t=P1~SאּPʏyq#݆ϴ?I*~CeKv0$(8OȈGǛ{`5%;4J@N p! (GWzmd={po 03x*75rA/!/AD+G7BG8.xݹN{FwGoi -)yC{e*S]L&0OpB`pܵ~?_$gZQ5V;k[(%y%v'z w-/\5qLOAh&Ov [ ?@=3eCf AM0! f t~#W"{^gsD!E}炟[^]S <ޣ3~ACX`A?q^%|sPm# @ P%FTOX HaVe>b0{#0; `&(L0d^S4#Dj8x_KRPqFuM/:>@ɋ@U|ė|g{G{|#C-dcmvQO[+C+ЄxWs Vj_N A Awt3 F*i3X>1]۴*'}ۤ{W@909!p"*"0-P2"}M_BP"ThBQ\;&5?z<2^O| '? t$cK@A-]lY||HPd:愉;Un:NM d_EfQ*+Y$ O8^D`B732x a o+ku%a!b~P#²^Y,gH>A=OuK `Έ])UW{8Fi2A|&˙0y'k&0/*D%2"p܌COf%T>{:oG+~M2 w{\ W_D|׍ & H#z &B!t[d`.'BN(B|rh|X#S- ?EO'zt`;$DW>!kDě"M{_Cohϧ ᑐo'=Yizg<鎘#>B;^ Hx(g bP=g"~p Gjw 70,M쪪+3HЃX!RMnb-9gAM& 0ɍb=} E&0Ձ+1ǫ|XA%,@%m8P8j/hgdR< 3P^M0S \/4W>w1(T1_.;u}GPm-xyZUzP|5A uɆV{a:Q]4_o Rha|tNGRw449ϔ\0),MǠ@Ѡgܼ:_0~j| ݠ\pq~\bі xĖ;C[/>e,sFS`~cX GᔔrҪdEcONA|)' ׆6tSR3kuCumdGKB | ` < ;ڛI߈S!4Km{n "5/x9.41714?3_!+|fy"x&$ `P!VTQTuz*AΜ}{d('L"[33pGoZ1qH_PF_>~z` _ϸG跬!8diζw<)W pSb y 4OP%qXxXLPҸ%E=Y1 9'$m^w$(W6$>ixu+1HIwBsB f9aÌKQ=npFhWoDXj|p*-7Z: :ziy(o#[543$\ b=1PJ,8]"Cʼn d/A쥄[Dv&徘]\|lɫH71f#ǁ{ǃr<VL:Б|!BFd )=~Wu 'rƌ5o!׶8KcPVNWaO0ˏߢ|׏zZ v0*,?9'+ UiWy#dxM/#W|i`."ursAՆu+a@,<g44a9,SՍ9N0C}>`QF<`xs (!/N  qA?ЅIs8%9JiCϹXh?pќE8I0C0``j#!z uͽkTe֋.HPO\b)[dJ.^b4$=ݐSBoIΚ7sZ) .,L}|Ę:li_ q||BVi>C c ~( |4 N&,c(ARNXCpOnfv&pU %u:~*(L$vF3؏:8)A€M>|C-Ne'~ԧ|p~?~xPN2/c3}7cρ0Fg b`Y[}ˊ|~WLxA,CbpЏm8_Jrr.!jeˌxa>(l(q pF)X0v+| zV`15# gaV?YO,/S +l3|d" (s*x!3: eKA<>^ 54!=w+\p"F!TCP /^RcQ>N7|DjSZ/prxp{`5N+eB| ЬbKɄm/xdl,"&%1 n G (M`@A>PR>β/LOԩp4r583p~gdž&u,|?*^Sb.PL=V]sj/x^gSOma+Vh0C ?l4@8CZK(Pى$lv#5pLvIsBM}}G{}Hn>6g}eeмSm܎||GP⢍ 8> ,31L{d5>^r xP LODL[\ T%4?; <8Y Vc*\_oHO.vZ^YOXY>yT:aeN5s{:|Fp?%?Y¡ aZ 1ʏFƞ{;OF | ѥqO8-KδY3T=a fW|HF3 ̏E@&@i, ѼA;5󋧨 zW^wx!44dXTw o:w$<2 x~OvwO~+~`"~ 0 e Afߗ!$^9̈́xK~{vޢNǎq d||U9hEJZEpPbpo.0j.l Pڨ^6`8 ~P? *뙞  iRB_`Z$`ZNxa(em~L( >@{%Vqj..?+/+$hMU񑞾L<x|$>534zHrX{b~j=3T)%9T7ɜɕ kNr;%[x"Eg! R#.d} V& {,}a^`0Ui6E3Vy!Hk=֮ΜD<`$S@=8: 6:+\,wXqA߇DEow ^61K/#``!'"B . X< !E,'bh4 |ǀ 6EX@BI:B}ƸR߼:S̡?+ f>ظS3Z\zHGHx0tGMJI]BWwGKj J2_&B kG-;`P Mh5ESOb(0΀xB@YgP;]nydDZ4.5 }$8 vnPXG7#\^k76#Ǩ>4FP@e%UaX%KyyeYc&<.$6x6!@?CvLOc/x+CFSm ݂iЭ2z#WH7 (Sხ)Ӟa C̳g1LN ̾wjPpe$錰G6CX)|4],v{n^#í~!ܝےnԪ^;RH?UH<*sc;לJ ɦa`)~$o1r:3XۅK^VP$+:.`i@| -}MxD\(אL'%DB>CCFk6/ \(yG8vB2Pq߀AXz44U?%a&{=x |w|G\Jg<1OҮ=AC疿#xǘO<"TB=n`K(!ٚ)gMwA*5A}(5$Ƒ۽gh|{>3MӸ"%V+>#C+ZuiidO ju6,|cؘ>lA 0aK-G =P̫\o F a,~tCÇɜ:A~ >EZ)V|!YC9af">8wJ1;wJ #,yx)\,i, <7 uق} _-p5z|eUV0HmZd2>PF7/)bY&Or>áH?*;N* F($#@=h:x"'{zл6ZQshݯ4Z4P̞Aϟ)}2igIgVH|}?"r'Ob'f<8OJ`(Jbpw(xǡŰz~hA ҵ#1>a?fwdqorՁ} *Py cCB<\xpQC(8{{Ŵ{β <Z i8:1b_]R>CRĐXgE5e$~"ǭ(yϊ|&Ch/ϔzȰ @̈,>4AǏZЬz,?pOY?PV gH8w0)$'&,>}Jޜw{ [ _L,sv!= d|N<wWvd4I,Iמp?^B\{!$ZAX{%s*)Iӈl<w񵏅>u& /U63F3AwD[BwB׾ۂ9^*8`oüd5<" |>078[k(?ܪ.-g4EE%BMJS=0 y[,Q-bD]y0ʹϨB-t1u92#S!)Co`9ѭ,L֧o㊞)l >zx_XUtA θ?>+D?:1F_F2Xd)+y~ˆ`J>qH1USپGp^NRLTIGۇ>>Q|'7@uL] N90(?PC*!,!#4y#U PD<(CV>D-/Ȏg89?zvk:>pǹ`L~2|_ߛK7ޫ!<؁)< *6t ?C .T zx?1GYX?|& PBTiHY@Q#:IBJ[a `_OE9c _}Sgf#Hu>@>2A)PpA}? [ds> 7|Fn8(+Gu|D_Xn4P?L;d Q/L_lkb #_|6o z|]@e3c^5A \G_r|0 !(GY~FJT=~>=ixX|0m3I}A0F N9X~ 3p#I t|o#D~( ?TH~brl}./m #+&,?l<=_XmN|VtIhpxc+H[$'(<$C2#i~uO*\_PpCouZN NXAQ4~F .=7#;{I9$OW}[=bH H~i?YHѧ=ƹqސ6N&&⋒ȰNJzׁX|_ }JEGp5O! =酁G?4# rz.4s(dc)FT l 3WFgo?IС䝛QmyU4 |{sBy>PP]A:ZTn\J7ۓᴬ OD'!!z_>:'P 'n~㮿'o~ ~gcCOV(b@z9F>B$;_SןmxFCKgǼ``bU@9QJ~ϥy0H`Ƿݞ8}0g, ~ NG@/ǔ@,`V)teKMD?AFkBt''M7w#Ĭ=mxO@:ptG xOTA@>؂cwGH<0y 0ȷb+F7赟$V:H>#$ О %UΞ4z?UX#TB20a 3O- ^x !-A%m+ڃ&^.#=]{귻g t)~gFNOM^ߗ.3{<S݆~чDSN47,vUT"gF_+=EB$?tOg}Ƕȝߠ#Cܘ"NwĤIdB{?FլZ&c *I$dgn3s@ӖyAAN>3>\?gt|A|ԼX?|*Be>$yC@+xsO+Nʗ}| g= } RYW`MNDe|^`SR<~1W&I?.X.r/QƟ䙼WS=Cc&" ;.w˻!ȯ4nZ@l xyΗxHzy<xF{Fi*,&b){ ?jSzR9%PI\o X]Kpz*22쳙0$LS3yMCP^:1 7c? ?.9)s\;KlO'rGǓPhv8~4э'7ֱ~*K**(( sRAoϱ[ M1r 8Hcx޾:bQϛ$x>62,q_ply)(=?@ P'`;=<6 X wɁgPO('2W᣹–9 /KsP%!;䈼_II9q[UI@RESJߔX ~ JzHx8?{1+0PhDYxUXh*OO.^8e}#y{_{~Iv|~˷sz+` .A +F7B?mS_)Ќ~A_8 ?~@e< G5{GPuw?&,{%rYQϑn!;6B>Q Mzp*eˊ]!D~ ^je0^D>v4x+,hx68ҹ_Au.t, X ,S>${ v% 7EOJx)Ӌ~`~< SAzq2ncuy\(2s`` (^pt>~ߩNXtƍ t9-?] ̟r주)#GQm $|O<+}0P:VQ#&isw<=s$V´d~؁A{qy/ؓ)l'Nxe~׮rAQ<Ϧ (J `XHzXN'zuOHkHm}HW/k̅0]CqbbL:dy` T0.t  p w*ϝ LK5c E'2+C@l%* ia8P*{S-ud?o#=œ=G_{Q^%AXtY yw"a g[ Ax$5zP֗}&wᯢiZ8A;cHw<*`YޤVc>kG}OF#jh'=&z+c>sB@+G 4Ʌ2A{R| '9B辚ߟ! :ڪ8Ylр=-^&),ÄЙ{6ۜFcM9a,FՄJaPU;w4,ϯbb~] u-f9?z~f:4K 0`!bε݅8OaH^ͽ[d=U0OGqpY|PraU2"^=0L]ܩ$"էe ol1ei id3iv|pNExpzzgUwu %KHc\i')  eOq G=vp$* Tn|z Pָ_LKZkރw!:X<*^ 4' U"8 fӋ`a0 u^Ҹfa"]0\8 7BCo`3ዧ Pz^K$_ -pOt!Y}y`Q߅&և>>&xz >(_;-UV;3 6>*34O#vrPhwICr"ZO9ߞ; } MႸaBE8~p#`5$1@\0'iُ]?XdMcP>q :Q 6 .w&*8OY8DpӿTA c*V~#^W̋~ ֒(3T%QQ&TQU~pL2AFN-»|AglrNjyPRA|fG94̏z9ტ^|h|9d؜?VWjLa|9(~0c _>#ٟ<ÚvX^ڸtAF@s0l/o~ 4/DO !$9W={4|xf:^X9,>By_|ЭلDҀe/ kջFN1Urn/p\C>vIi4sgYT pI iQ}=8{͏xWPٞ1Ay_y_95?xsa_)X}~B9qx*?*z}X}06r29?ﯷ~u*,"}z0QɲU{ ;yϝ,L&XptHAoGZ{pX5a҃|Pho3FY ' of,:x}G`xysȋ\D}0.E1"dWDx5AyX-ok§t|GJ(3"<p!~2 }: gOi4~ _>n狽]l RI@Mci>8V*4^a=/w@.;G2@|K<n- 4?zAV[AI^+\4ǩ:|3O?Ecn}]I; xooOl$עGx_w<aٯdrs_*S>||DžxXԼG{pB\|C&2_wrP ^x ?Rv!0 x.K2#fkpIoX4/8u G6raÌHP~P4zl@_h7ς`?Y!.=K-Sh8 Rw"ߝ'g|СڰPX|NWL2~tR|iYBUfPQa Eh38:PScu@vo)m ZF+hfD1X4%ǧH]~=]b=$#d>ɻy3b/l򯊖k0Ğ'ѡ )@poC86tњ\ZHz w`(/ov*c 7V0"G܃Η)<) `*+#Jz>]. OEr_0ƵN (:pi@A( ^}.y_6ܦPAayU%eQL!oW2N *x1a' aOA ' de%xGVk̆&Ba t!!r‘Κϒ;y % ߓ$**ʷ̲L5IET>p a26 bB Nai]UEh1a 7yE%dx2z 猑‚r¢2=09{t( 4d  CɎ_B|J!|*:=h4S5&i~ol!K*K( 2H(.}a `{D8uC(W`:a} xSMQ p!B[0IaqYj͏CL- _Q0xMGx@&& V= a]_#㧿Ã)c|Q@Hqb_iks8>6s IB%B!Z!]B~4ptBOhx$Sz`釦P:å|y@;5ttpe >@Y%:$L[[1CPp`Z;O,8|4f} ZGj3 I O^C?ʟvqɈ (Yw7*|,ƒ=iXP ܨK@s|:6'O! 8D|~`?Nh3A=U_n{(oOw'1.IWgi&xq(Lʌ`h"~QtdsyрPd.*4V.)-^l|+}B>}JTy@aE[k\_ߚ{)a0>;'P'#^Jiljc.Tlj' "P~w,O#ZQ ?Es#jτ*?ΩgD['\ a\doSqΖZ]N3>@)&t|BL!M>Mj' bkK@ƂM,P#ySA7ruǏ11|3t>O \kߟJ7(%loF޿Ï_p\#OT܏)S)TДBpl}Iw}n|1 dAy(N 4Sy_:P3|!|S JI˽3B "3xT"nutkZ rYKҪ.B O,}~ =%U-m\E$`v'x򧲌xi´<_}XLjC 5ЏD2?3=[ :YF)^ie8d=\x`DzXfd Fl=di}?C=0xte3⇶@O՜}ǥi8CO(t0*>2ۙ(1kpA2kkK&͞)ҽ$~Ў)>gLIE;6NS+Wٹ>*c|PX`@'CA\0[D}!@ xAxb^!c)6/㚁K5g3 :Ͼ[3#`hvq P.`16' u0+5 C D|D7|C9*N3MX {7. :'?\4 1V? Xx gJD۝] s6CcI4VL(gY,/WC)q49)䁣|OaCWyw @T5_5кyAs,~/m_,9S jL> Xv[\&Ǡ]y"?>epD ? ]&C!x!lݲk\ S_T|ٛWEW?(? ]Z$ϵLG:k{($qq3P3|ixG ^/S!&;nl~93M_b l|Z,|g!yϒ.qy#(>CG{Y=CA.};/O#%>xhzy=dn]S>F I&ƼQ11Qaed1?䃅WQfp\QQz:`l(Y탈3G !V P~ _-%qO =lr hȘF9^xxdRParL 4MtOM:7qGØP ,wa#  [,}s;,a [b>s]'CRi rι&' [Z4z#[^4CY,>Gc&B(U!2zŃHf5[Obb0ayOPB*/Pxt|9zg,}~G/hljB ~6^ F>HDRei79`4Jak^?62j>L0D\'D0T$1WWXaY~Ǭ7g@11ϢWc QKL<-ZzoCO{qJX@8, 򨤲 >>C4V-~v~o7Tdh?"H^=!};1R߾_jl {g}kNٜ}C;p}TnRz`#X}*Ay+j2qk 8}x)rtXxBǔK=H@NR(F=XB!yP4k alphTY{=bzur2mBb@#I>1^&Uu_.Cyiπt`'y5>C>!Ѭ {ṅf pax&2%I/f\,16Ar?Ն@:#:!A̜ik H4{  >J^AC JGZf6~mh0W!zcW/uC !;c&`fjp$@?>8Bp]Z X{{FMA90L@\&cßUXDu$(C7CXdf=S*ae+N#>P?ٜ6{ À,=HUj3*~?Va-d r&O |mp4 Y<{({HSOZGѤYt:QT_O0s8(ާ~]9p~(ĄcwԆjQj!L4"5ɅHԠ]Da&HTjE!rnACofkD1HפQxq:G|; u\k!AWBKre%q G.—z@ Z b 0Je1.<0D+P'iC ,`#h%M]E<̿NVCߑ7} Oe${ 9URyQ%QBfX}@1V"ި| 1@zH%X54x=1@8% (\>sL R2 =T,#UŜ +_J$taȆKfE y׎ΐSך&A, r᪈}=gBKh0JU*ZFkA3D<:o*aC"QIF a;(Q51<Cy+\5d HjC H0o[X eڿHe \!PĈ>\:{Jy 0ƈpJAa8KD|epKԐ5!8:T4׸ F8Aغe!X*քel($#*+ 5 lEG t&d ?C9UL(A k`¾\\k@ 4A2 L&'tG!ʒrHegt1zm05B}!#|R9ht214rpq0k2 {wg.9L(yVRXXX4`!+G9$T>uu2t3A(0{@d* 8xO -o80 Bcpkj`Nojc ,(C;YKJLL -  =\m< 흝~de$vC9  N@QLƚ d=@0 FBPE @X@Eܕ! ъK m̈́P ZZ2"$V 镤H:++B#lL(&4b24r4cXJ@)Bv\!0iy(!yAO%m p~@rrr== *OX-02HI ziAB M= IB@"&ac `' Th<1ʎ4b($#t @ H(hJK(HBbJP*" D!#蠠P^x C{*!QaK"-R22P232\n6d֦>p]CCjlB/llC)ddd0@@hiLlkNfN†TPvC9  N@QLƚ d=@0 FBPE @X@Eܕ! ъK m̈́P ZZ2"$V 镤H:++B#lL(&4b24r4cXJ@)Bv\!0iy(!yAO%m p~@rrr== *OX-02HI ziA34&d1MLKJIHGFEDCBA@?>=<;:9876541|22perCashe.MANUAL.ppp35r)PP20 q1ǨCOg'9 Q[Tӣ(q0(%[0\B~/gIE^E,)Al4  z"85P AW@=`}.?+@ O>GZKF­eZQZ9ZZe>{@W qN  )T R*r Қ93ؚW`,4d*ȫG/F ’# ]?*w>Y=a -\dnq~` l9؃p#5-Bs .Yz ihc|–*b CdzMDP3y@3j<[gDkQF]}c125s3ppG10 -h{` 8``|-Zވ>ɑYt~>q36-_>uXtQ .a{|{hڨ {,Y"oL); 3,~U Cp\nw0o# RNEI^DUXG{xP׼yςdi cA +PKb6{kZC^1x&: # 0lS-#"$"&' b&e4!A%U ~xhtv4Aj=FF8½A0A37:s>X: !A L'[K#Dxэ0VwݣƛD2ۖOhv'PM ыXRA-JP9pn : f%zsAgjidؐ&nG_c?pE օ#:`%11CsBhBC\_O֌KB^@!G$wKw[zǛ13a:9ŚvE 8C6`׋1T &``7Iֳ>0! 'O \~z0`+u+1 ^DZNDwa 9aAmJ )'v/P(fd>2UGR#ʚr $*I*ʉȨRC-(??_\7O pL)TDs ~/Kcbu/*D2L49RW9@38MOkIAdn3 a#)UOSeBLa_)O;S3(q3LAY!  A0h)fWQmsȩi lTH9q$Gahi:zh%yaN5?xV 08 T̑P,9@3cE +rqcϼo2>亅vaܑ0,@ )8gg5쨩u$sHɅ `W }cB.A.kS0xs2,vs7'C%>L.^.H#Bjp]>eR ؆0DŅ>=lgSQCeRD#7&HH8 `' 5noҭ=OeR^8#ʰ΁֗#ZAܫjUfXxmX`U*.ߑNe39sтpKFC[+׻a-BlAn5,=:ڌ.èY 1@f@ nD dS ; 0Zkם!5Oh*#cnɾ8wAŽk/'=$?%D3 Ysg `9(h_x I 3m%C*??X0yLLFTA#U a دgå3NP^I,}r`zv!'iM]dkhibLaG!%gOBMm ZS/ \78n&.!w],2I7O^'xW>@\iP}`P30ØVF&i͟{1_?̥?R_X>mf΄V}TݍR 0: '@CN?YCdc 3:((U,Frj+!@m"/|2WQQT=/8 K?.evgHsPsdIuA )pkS|/ft3 o1${Lp<14`ߙ g F 1`y`g.pXg| H).*'(<ˢ& eq=Pwкa.,σxC.x``Wu?*wUO &H"-κ2tq am` kWc^9B0t\٣)gߜu߅;H``d~݃0FR, I`[d{M02| ;Y@#-w.헔|"ZiB`.L<ʦ. ڄn܀E̔A@ C[@3;ѽ7m- E{ H\%dC c蹵'y&i75 ~ B!Z( ?'Š/.> 䤛ۿe0p!|ݸy ~ oܪ(D(+2 _ !+LdO08"UZʪ_`q轳f!o?PCܱn']eAy-=5Et3An~7-` & H/M'*oHlS>dZN}/!^ye):, K!/\$X`J} n`a#yR_\H& YOCZ5*p X(*h#\,8v;Qֹpe!ʋȤB*U EO2m P, &L4LL43Dad"t(Ac a5Ft \k(uBp8v)>1x>~| [ ˑUޘ8'¦p. fBVW! Q\m7)L7}tA#p"al{ěb&Qabi!D{o trc\boiTގw?],U{҃ndcIq.2޼w} S"O/}r{Ot'lNAN?p~(1A;f7@FUc%yOD. >72.qZcيDZ V>ڱ"7>-2w*Uj6K{ BE`@(:|^3 = ^]Y|_8l5z W@ÃhL4\Pѿx'B m\)dS; 퍬AIXo=@$\,#HA6+OO͚"Thȅ4F(JS?w?Ysb޿}WOB"ϒ!(aϵw`D`2ep8qoh' |Gh}&;Ǜ.8Ɣh 8* bwki| ʏrpae6tAg$:R6t,y&^D#HͥeH;`ihM\A`A>}?JC;I OD;,I%x/|C?@\ϒڄĴW0@nsl_);}@&22dž2qn5d8h;B0rC)W3 >㕞ǡq{X=G0 lH9 루y{y]哷  >V'jdc pi4|/YIfuYФ`#a96P8>`H s'%(F ƘPj= 6A L,2\b2 wXat| pP< \P'K&Wވ3[O?WL= 7li(?i7E6ÿt7̠N"g BC ,/Dz} bD{¸d԰PnߣOWٝ,j"kU.p#rPSF8:G_Կu'ޭ1(0NR׆CLG&b :3+l 8ppAeMx{z@?`pP@K@BQc&1Ñ"xS!`s73 ?RmR*4o- ۯ^шS47F11qC!܉YX#]kJ2Eᲇ8 7?@Ɔa65VjTٽQ,*L2@za I>vNAOqBxAs)6 L^h[?ӇxyQW0_`%g^ΧpPpKE1ҳ8PUXgZon,ȟ(s @%1ϢW5x}VZg?)w) F6 ;^c/jug,T?&lMvt,!!^|Tq,is#+YP\J|ecDC0(n]p6ȨA ~;D3 @'Nr$ëz=Ty_40MQ 8gɅb#&gQt{SLB6ev22Y-!(g0|o0#x|ቧ쬆N /$D6CRܩhѡ9;1D~Zlr0m bcj/3ǽE8ݧA&vIMH OĦa;?y>'`@ # &tc* 3uz5b0ڸ aA3ONvm)xbgp/#߂˛ Ǽ.ކΣct:!NE~u<"2Dx}@ a X1r7BWm- E{½-S +b%Csay8`\|^9<`TR[_|Pz.>Ի hi%c)> B!!'G2(7G\"ʹfEXp< @wGs(XV y3B0X4ak?塣|U$- :' tO&?xQ"Ө 8>o 9)ѫT:Pȼvujz՚/( h-%''_qͽ{5(c|P  h.)<}a~yxHU<æ< ™W͇QΝꢃWy `WB'Xt(v;ϜiYXƖT2?kSS4a=^L :7#7Ϙ WkkAE9o0v"gxB K 5",_:VhKPS„J_2Qg5"J6ග#;6uGf,ʆt3CIjW6~o' W?aêa{cb φIVpf7-=G!a!cj`:zpH`2-k} 96'9x`6i${}lf'!Xt04}ul$yn^ s|޲ڑ{ nj>rD-=tt ]6Z.И 6UOWӅJ |SdET=M,NE3D2oyQ1 N(Aލ7Si%L\]01s <€GgLL\ꎃ tPxJ>j=BX|rFk8`4^#;(4$zm#["?XPΕABf:f!Q9a YA%i%yq%AYe#s'.no'!_[FإXsoImHPh^lJpe@A3Drޝ\Hm0"(Q=l;D/ f00|P$e`=3{'Q> xL/ f%vBc$@;!Ԗ]1O>5%XGL@sѯ: BrLaV/@" XI|V^._&B?@L;ð)Qy%Px`]0 덐]Ap/.&;H9^}q  ?O 3ohEC>_<À{Q,KتЌDggNAT0'r"4bw LC⽠Cqު:cJ^7%eecݡ"d-9K zJHɽ QV4 B6G&#N"x_*FS0+d#)D\.}AQw>-okP] Wo$K1_c5槌ہg0ܫC(HOtijBT56 "p{Zk3FSCpWPBةHBWwopĀG -Bm)imC^͘k 6-$HE#_`%.A/ { w`X<=wNrE $;vCZX|00zx9e"a`zP@\Y"f=R`p.xlfKl$ژ:pT>iO(FR WhcaTPXBT@II^IW P\TYVc$/LƋ컲g'O $Ji|}@O751r0n銰%[{OQ?░҆0s1Ͼ>4O\aǬ{( B8{f9)d* O_KהO /1(;B3Gr`4>A.t΃3c>Mv`+` x' 80^;,µ' >uMm*O mUDnSW ސGWOu(+inhk! DD4PET ESrZ f `YɅ`W>E̽D|0@ U(՟=9|a0fLv~#}ޚ5a09\GYx&PQL2N8WO/`rZʨ ~نlk&f˜ ?\ST0 ʄ#Aj?g Sg;G3GWF2!(|Dom Y$+%F6JDdc YH3W82ܤިSg*h6=YxTE׺K5ሽ|q\ys#yE0_D:'O!]Lo; 3HmeBQP-!i/q5A:Jf"` T}E^v ,U9 *N b 7ê5PA Z$t p5Ŕ0Eg(>Id1Ԉ0Y+/4x @< JbJr¢OK@;eL]\¨`@"ӡR=0OxZ_ gxj"DPF5q8fV s{ 7o Oߓ'SR Zh-{Řga,7/ x@[a^x4e3Yn U x-xKA.622({~ LY"S5W)!%jdCJ3Ukmb|^gW1+FR=4p<4gVD0fz ӍC:< v&}H%3Iab"a\~s%9N10  %ϟo>>`B` MM(fAg uP =X (pnFLIUz FGbCEacŮP xShnA*DbGy-8DECBhǟ:D `߀ N==?--aQQ8|h*]6ֆ4Dp` O}P30yng0<>A&vs葡GwqE@cXB^;5ϑ}7'! B>CL)L yFVo@MjM S#fB>¥22ċ4O `hakad;K/(f cqA;c{A Tj.5rhE'ڑ'(6: %yU!Qe yy? UEU%~J3J䄌wJT5er/P w >ސ$ɏ Xf04_Ɋ9?Pdf}!ȾE s;~,5a<-u43phhp$Rryhcx~h豂 O =scd~x~> p,|XWbh(ñ?J[!D dN'N~8>#v@࠵@!SS[rSU{$Ǭ7T4%؟9mQ.M2=uolWs'CYfB`k gp/E5Eڭ se憃C:oFEsLt J"3j $a 4р`S_[ CǍIU**BEKjGHeP)#r( cbگlhN2ģ>PW#`$F[ 3K2 OJ*0ȿhƬx50D*x qBelXNFab]Gga+ Xؿ/@r}nY7 8V$WFV5͋+j O^?Q12j R!pW8f%`f"82b5tmFJ $BP0P#+ `жY5bu8q >2Akq;z.}%u O**jx!2|Lw-ɋ) )w@%UQ"uIg "+D+'DO1Ŵ fr0z3Ćޢ@Oק Gi0MS4d9Ǟ3]NGl#\j|U^<( h-E& Xc?JaZ>:ov0o7ܧǶB8w0σ )!]z}|3Lu |I@5s=:]@6r5<|Okl(C92՚и&ܥW%tBs!w+O8~Dx#0HG&ҡll !ފ%-$o"'#|\0«9Dt:APl?[a0)V!% MrgG:8gD`oE0]y75qвt1UV8)rE6!u9\9ZGo ~HqUR ZQFfXj,xpbV;ZO:YpxK{M"3B}Zwd.! ¥! %p6'#zE:&d2NmW<$Bi1wP >C 01arG}6CGgPLJ3M5iD~ cKz`5uMN,vUI@wH^8@|]X>Ac77/M;zƦYh{#ޤx4'fS' ҀxG6"Έvh hiK'"_:h,"# ZC( I}C0(Z.E+W* rGA ,@m- "h>C?&bC;*A0,r0%>m Sߊ;OÌ;{LUھ9l wE'a% ^Hr cK:gO \GWN8IюMLLldBp$0;B9(5A@7 P26|q\00 Ҹ3ݷQBpj` ?pla<30GF`>уe#- 囦Uz#hu"S]%l[{ck:90rYon(3>!PJx9aƵ7 Z;^N X/E+m3h9Oa >U,aYCVG0DIat8/Rc`!UfAA^IEN@p ¿0PS˰+0!HXI[@q$a'9>PʐWfbca8;B$S1_wA 0eie9&v BS[L0i1K`CCK[NVA<IwK OA&sP'O:#"6tQ&ie A΄C:C6p=f 'iP 6Í`NƮM1+9-?( lh0 hgd%:ZAx@8[ژqB2-L ̬p( (=l :90rYon(N O遯XWVUTSRQPO823B.sol.pppNPBAtPP20 a3BUT%DTdeyyUKy9Ͽހ0p !{#%U<0~)d? h2 >6AG(9HgM/=C=3I~$ǐb?a@0~&/_<<⇀z~$i^3)YƮ# ؿR+＇.#P5 ['8D_/b?SxdJaJ v ^64Q^ר=3ݯSA}`2m~V,0:ndpoK%Z>ܓuE*9)AkGJ#?oq}'DxwNR<4 \a<+҄)`ʧC(S=^gg'vt[֋N,CfyB0 )J*j5+WIu%,~]g/ YBP1h}J~~ t0 ^+=5KSGt1r5 48GPVD| p;1/y"/ϋRjAU W?ܨ]X|M6r}!ϊq>)᳃RL6j?fZ[y?s_N B/Zrcy?C}rT,QSx:'YJ|q|T;o 6C]$5篞;L~d dqȃ0bScAx.pVzJ-*z}۟oGbvIGv]O 84<;t>@\0Q"Nh@)$S,aNS9^L(32 H4CIqAAq6q%1$o /[ġe'z0ȅG _o~!aˀHG'N'xa^ 0bWs%Vv?Zw=sC«>x#ֻ+!'㉫Ύfg;^_= w K*?A<> Ed{ b<~&"<>pjz4ǎ4c MɜaOS`m<}_<׌Gsx}ņ_{=sgSO'nSN띣l{GH}mi(WįqSVW W*TP ah7+S ]o}Wb,FK}Bg l7o{%)>H8iJ^;Ja=$è'>b8:Ҟa&$ǖ|mv0SY u}U`;A}㺃^`?<\84De\>0G0`sϕ8(uyn!W#{ y=w>0ݟLg]8NU:m#K8[۸j")@`]iw6?Ş [$DINs?PCн>W1;uGDVk>h'O!Vdbq~` 0qO`NturtbʨG=.yGt~[Bx?$'O r] pz@A+e/'4C9Iz;4HH%{:21IyHB"CHr]86,0Cr `%ɫU_~蜌;$ͺe-dA'o'ۺ'ӧ*$c JFO  LJ4T;'N̯:<&Ot3P2~8Gʈ IҰRt241$=֑LK'H|uH!u!:LCr1b>''q uHƊ 7 NVиg PC :(񕁄k<s0M2Ib*O25)~DǤzP<V{񗆶=NG H8}X>`abFb_%A͛ECK#mB<ϗw\.NG^ r/Û"o2;`#Jyˆ AJ$@WzW},צӻ/Pq ׮8 nL3AFh~! Ta.=(8 a ^T=$gwvr= V={8 ! CUOm僚3{̬UN };ktFH5*@vQ(ʴ'y܎5ŰvCh~yW!(4!,V11YDJA$t۟< 9nGH *:NW6T/@ >T3h5qi-5ÜCF9(@7D<=#s={g!ykkjbihct8S7RxJvSٙes(i9 ;_n'6.ؽc9qm5'P"TqyLTC:qPÆPU>Ps ^F{gPvBZw`wK8) Qx?8DR;0P, Nq̜0{( B ;etfw a6,/z^[ehS’?:;(N9>J dϳR;bdᄊr ^=0+/<yy'`-Ɨ^6X5C*d,Rx#z?PC csȵ9)Q1O艇mh8/UxmF ~101r3 1t=P>'pRLPʌ!F~&='q HM?T6 Y  釡P 9 -d6H \TNKjkk L%9C|wR%[l0 "l h3HC*$\@pT KcupOI:-e X#4N sꁕhiV/x6` B/,)a03N0{05M;Bwҝ02jlcN10=Ar*P&" a/a( 1uu1T'b66&^X-ƊFgCACEAXL`"`D1q5A= :p85M-,]~  C!\ c.j< t*5 r"^ Pؘ٘XژSA@!.]Qp<7vIZ9r53u(>Pʌ!F~&='q HM?T6 Y  釡P 9 -d6H \TNKjkk L%9C|wR%[l0 "l h3HC*$\@pT KcupOI:-e X#4YHZPc~}|{zyxwvutsrqponmlkjihgfedcba`_^]\[Z28oPage.doc.pppY[qPP20 ,w̋3 EB),K('*`WѲM-/ pn+x?H%*"3eA%Q.^s޿3SF7wR 4iQ7]DZBb;+B䜊\7rEpg"ѠC 7 3'* 2kaUQWTe^rmeOPP1>(lC$I;zRA<{[yM$ #Bӈq@Gޡ8$.3~|pYҊ4}*6csFNpsN0BDI)^j16\@[-,Lk ztOwC8xo]U 4W'(lP\HQ%0@o}>Q<-:B[n&'Y\oA(=RwAFH3A-!A yy%[=Ox8/ Gl1rhNoʧM D.o+~ ތ =-D`ܒg6=Av`lJ0wHp1ƱBH(-%t`N59[$l8 JC""ĤT jSIm0^[ĪIK _ײAA^XrpVpQ\s{0h$r2hgo~H 0/4 h7u!p N:ƜOY+`'8< '[ (ukž!OΟf3w x ?0ܐY1#4!H΂xF:z$"*,'m+G']-mK"Q{Y]47)3~*++?2>iQp9d%i, D!"~ODfL4@}= ` [*tJU;9@spa 0TAjjd$1& #lcN &buR~'HlP hM4VzL&4~ Ba;${bHdvUܘ/7ݽ Sp`6R&Q :-cӟ0%T\@nA%LD?x@V |y1 QvXZP\TN 32@KةM%_7Y}0˓Z6Oƞ7 _Flpn 8zJ 9L⇀݉AQpS],GH3 \i.:*Yd`pJ'dU r?\O8h ?`7@2U,lD*cqBB,?$ȃx^R@KrIeaY^PǼӗ/ Ȭ R'DxX9 V]@:%`,\@E|e w hLPfi=E{F$Xm8Ce[] ˌXv],; 5 "Z P gE%N.4%ppB(e@0a_cHN BD)^QQ&aGR6 `MQFd=u47dZك(Cc'.sᕺ3ÅL] NZE2.S[i0 Uy $=E򦲊 $*I*ʉȫ)A| UY˿ .D)S69>KOjvӹ}e nWf36"H !xŝl;Qf1([Z<D@YB@0 =Hezp IFb6X04JWA׺3r˞VW=ŏ]E2D!ME 'P\2U1y lj W$A5'}hט?Ɏ8eZ0Ӊ^t˰לBĽ9܊/x(=^X3v9Eбg( # s.M@քڨu" vJℾxsWO``Pvx+ aX# G0?t/y+_;( <0ÎC |>Y`r r|Hj Fn ryw_&4[ONfgNǂʀ`މTka\wEYKNPN[D& wh85aX(!##Dh!D1!iyNU)2t2Nl:oxarVyd&P༜V P7v#, P#聘 $|uDڎvѿ+f~Sa|78v8Po-"KTpj y "STMpn 6=ZPA(Ij,_RCsN{7θ[V55|p( /J?0D ~Aw55|, >5B8}2I"釡@3?@<(g;Tϒ(Uǃ8G.R]\;ƅfw{OszK6ԐE`#WÝD| ?Yb *JVӛTdt."<لz2z)&"Gi X|c {=V\ioL,3]kC\ej w"</@f.PH}~9QJ"cDɌ#b.tPFd!Fxaۢ ~m=( JR_F.OP 3DMd5ć`?ۧٺ9w#+LBJ@  ̉"TA)f ;|Tx$lMM,ǁutS@'ckBonD̞jX"H^FDFDrhpx\mGwƥRTUy8 (ЄE=ZBS; P/BOT> 0:oG3>`W#+IZB`f 12 ἱ8}E2|^z3W?0ҕ a-ac( Y c(z΋JXi_pl젠:&*,/'(#+P3q~{X2 dcX6> ^>bJoPE,ϔXኀ1ˮ"2})7ӑC/ut6~γW'u9 ;|qsցCNZCҜ&?k|{4y|- aj: %vk'Ἃ{H/:>pt* utlF64 ,4{4`D>~m/fH9 0Mj 0S?N =^4c.a9'ƴE@i̽chUcg<^?;?(Ǒ$߲A#CӻM@>Pj{O!J$ `&6s!l k04=% ({0 ~_>?rIV]W{#VnSD82xQ\\JL"S GK2 H'O@)#/P fuOL (Bxӌ, ,:ژ+8#fYa~3-[^7nn<3K䗂 PFy)* W}hS%:a. p 6 ն]Fib  iB%|=pki!dD\9X/V< 5Y fP׌I"0R#P&/(X 1Hd  %I5*%$eD yl e%$Tɔ 4 wG01a{0!gdߚAC- "11ڍ ڲ3X3,6ya7R=Ɔ3*J*r`NPFF_! #=g~#@)&AT|r)U?x=hc%oA7rSQ.1$DŮNۨaJ "V'iV؊qӪ1–5@94P0?wWN8ŽC8XBgh%G`W NFuB5uUy, 0:a1F^Vl oh^Dva-y7?+*Kڂ5'A6AVTUURS!Y g.9<0B'Q,sBNvSU~N#զZ\ t<<$]__dPo  UOWI599Al2|e g_z;E2^I+3OKiOksƿct˅bH3Q5?9v@(_'8?:`G,˜~QAEoy㵞wa` (Ih9~Y=3ec^~F #,Vh42눿 wvڑѪ [CÚN?D qYBd 6عi /o_-9u94C7r;HH؅qLg*1e 6d^"K_7`nS;|zȟ=|kVG}yPAL388ąk"Yh7tkr $2;۹1pnmmJ1ۀ~\[GƮYxFhM\k($<_bZR$QP!VWP URP`(Ao!~Q/@fCߣi z_TTqx~XH @v@1Ͼn}poD.$Xh ^ |p=WG(_mSHA#dW TTb}|h߉Ϥ6I3@E;{IBΆݞ@]H`֒0 a W;~2+ZevPP2GnAa0֧ kU*-Lm 6/4dFVi tz^XȤt@_?ډ7ౢCGC|~5/ѼzjNk|KR1zZq$N@2 S"Bi>g2~=LYi".yKΉ?Y||Luw3̾obK\K>#xom-ZGvcP2x1|EB3f$B7W4lh=]Gn0#BPu.jSY+Ɯ g^͡HG>&7Te [ dFB\`yTn{0)@T!Z}!¨1&Jz^ sYoM\#2#r0ѠDȒBWA@Pv\p]Xqpnk ٷah:`<0Y`%LS`t}JO&aqYǭፍ n@ 4+@x Wb<֣+inhk?yxE^AFHFRYBN F2:\!W.)}1ob{G_ٱ?5$OwO+y}DKyczV0؞-3&((1R|(|-FN]4x>27yO}@ a"HQO}F=Dqϻ.>iO #;_ kk{21(]zR~d+S()=+9#o^#1l#*@58k  r4H00^*a-Fpnӻ!?3pH?:Q4*pa+55X5M\iX𼬂Yn[r5z4_gz;4F{-(< {¬cc L]'@e5 aA r9AXbh,$9Y 9ZŘ@ZE0VˣţɃ3d!jz¯_D7&@;L@X! F1CeL_k0y& x=UK<4}OxuD3p "eO_WK(W- MLܠf`n ߊ,0. `-40[)BD񊽦qdB?d#{C|$7U=`"%)%ٿPZvƋSSp\c?"pbߒ:*|`'K)]ڇH0P\IAߔ6#ȅ 'M0^҇2ts2Yq+E #zC @#Dø C7!YYHUm {ͤ;yAN8#OH6gŲT [~9 pf22IؚXx͑rx?؞G,<4?g'@&QjOOìB|xPns vڛX45a%5JI\E( ^E)XL imd ]\SB$Ck{cW9+J@hgag%ˣ4йB p+LY3&4oMMj5[ D×Jo BB/q%QAI9q^`.*#_͏R|ث}[f#ut7y,,@'N}ݡ8QA~§W# x ة 4s ܮW8U$ˆz*{=_I0>‚Yr ϸW hЋ@BCD!1*²֡u2v4Ӝ"/xC/TGtCחW,C|Σ#JqMmr3OahE@?10 (\0 0eDTS A' h=i 6TЬ#!* XكLoz6-pa(fȋ67hE+i#%8݆q{H kXl-cWMͽABjr>0>e^VM|W!6v7> SldD2}MTT{8ӥ#i}_ $@/oPsFpq4EcҢBJ"<|=ߥL/q@/'ȿH,KE"0yA S 1A@R  MOL.8y+k IZSCDu>q0\3Vc+ N x_0A @˧y0Q5F4On@`NZaLZ)@9*d,j*YHOJbnYPL;[" ~YG|`%Ĩ^ltb^o "VƮPΞ4@aep3xB,CxߖN@hz΃Ƀ."9c{A 4^VZaM/9[r`_PY96n?8P\w탡\ J/J( ]T/NAm-8Z:ty\9O!jaKp%x\ҦFV;Qr323X2Ik I0&s^z8yKk sKMy* h Ȉ) @^PDRN\RT'UVR0@q_`L߇rz?Y/ {- '12N4Ǟ;Q@ͰbMΜaw,odkck~ ūY"@!YV8GBh_PU2q t@cSJ[Y`qm:7\oY|Of\f@]/`j@PpL6`Pp_a@vh$5LH-+ba`Zi罯hvK_W>%7"kJ:'W7SXMɘm,;O!,BGpHLYu8.FLKDp=N=L<¬%DW2e>#`$vC1TCd344J+;B PxpЄU*Ɋ?%WhΈ,~k>@ƥ8:#V_lmM $=x~7' ?xq~ YvAdY' ǀBPнR> &Orvuchgkj@!Z ݀@T.KCOI09aϓоHGNb! =ڠϹ6 |8Pɱ(p,]"n⁸206|}YK tvt +n$LAת'8EBpt- TYEYPMTW(S&q ;Fu i! ,;YvX+kN,UDLcІV(t2ѐt`!zґj*'ߝLJIT}^ PRw$3P;󳏕YX -O`P㍭k7[*I05@ay$]+]/0P- n; )Iˉr/OFW?ᣕd^"BZj@4)TcKFRNBH Gߏǒ2>Owϑ3<l!#c y1Bvq:+W q:"+n mFV$A>0٢~pb?BzSw)M?~>dN$@'Y< ^-XOS1ja$5Eun7 L%(Ry"D* Q{n?;& /= ahiJ4op\ؤAξ(a!fZki&`!>} Ok͆6<-#x2t|OKH, 3A7) f30)( \s7wQAxx` U~wxY'b rRQ>= pE>_1B\D3pP e 0Hr#Yx_pzWUZ?wC#U`hg -bV(Vop֘hKKAm1yۖyu|xKR/a34` P_eOC`SI"x'8Vo@fߪʀK(FG[A%>~BYl6P.Ifsz iY z^nhPd25DyQ4tTYC ,7Ї]cBWVC˱矏|@}}

SarքzF|6 gFkUyh?(cn"_,?!Gψ?hľ_ +|0n 9~6`Z'2K.j h y}Y!{T,/AHO/k .1'5- ? u=|e]|<׻To(&ZP IN4?m3 Q $_)ѩYV0 PX@o`XRO0 Oo*Ï1ؒ\~' +1f#$' WŽMf3MTD7g1vB1u@7Q4 |da *ZiMYW 8A1`ᵂPPk|ޔ^;~x ~&Qr)GuE?8})ZL|i0I8ifc_egPfK9[s?<3ƌQу+ξ?6@W}~9' rŞoBv0A18p=m( ͫch0O{穇Y"|?d)Gqޔ7v`YzkrFDVF~$O.0@&>~4!@:~}92L"֦PC%sDhRh/[CqiaO#1?[ a |܈f7;,?p0=%cO 1⏑ XST89DDkT@\,lNmqfH/6,ST0љ0XtٛWi;Rspc 0Z:cԕ)B3Æ,xl1Uڎ% _uўX^[ 0s"Ee ( rxddp$Kk<)OM !0(0(B sG&9tFFN\llǷs& 8*`2&; (K.Qt-Γk*ak`# pwY#}PY$_ \!T<$,OtElw8L(OI$,0z qbh a!>u} @;߷9v_-"8cő5&`v\\}F ߻vohO?TpzCuZG޾va3Bu~>rr>'Gq>Pa'5#1`ݶQg `$BpX\%f ×; @R$wJIGn h(s'-:%-A9);٘܂Q!0(:tp%4( ٌ GQc%=v*`7í#P8G bLhp@JeQ%Zi(G'O ^Ql|~GPTRF Ye& c_Y$~!8/i@`2á#3OL 8SoڃNpOL=m9?zxm֝#8&ƜǶq'O+N;`s|14 ^|֧Em{!q7Py{-c $+ffB/(1L}ܗ{zlL"$]u=nMxžo2??&'$c vֶv~# C_iPoS#O0T玸L+ X?d(t 1Y% vmÌa@`Y; 'Ba*@PsE@ $bxy #'bL6&6+1_ɏ{t7q+cAGR4)0(;`m!|72#'tR?Z;5sG9!FϩqWrX,# oB9ꉞ0X$ P S"WL;: jG4.U+01Wvh*z(F(>FO? @4VT@"@^PIY&dDJ D5~!x(IU飫6列H F!;n:inacx XF "6O:( |0 (M8!EgS]z<ߩ%g ʲu7Eb c{@l%l2.zD35t)&K'QX/55x ЀX8+Miv "@?K,aoҪu*~N>z}000Pٌ8ϓgU<7^V!;@bPj圶|͞)wyloe#jG!|da:Z.Nv1|߮VbFmy|W $|Y_עM5DHoٴ Z"#' e1:lsNd}fY'+WTa~1/+E.e0.PA+jm~Ws/W9yQ.Xmc"/)+#2]wBt 7#K.K* Q&\r*:)YS>2R [uÞІ3oM>DxA_E>O#='ϰ6#!ia4Y !!&=G ĘuoQ z wAqPo e2h,'nBwDl}zBaڝ$F8m~~3ڂ~H3ٗ9`_Y(=tMA4\cuѳ>7_ n*߆p1vǂ1 pGPh4h{E$>ig!V oh6&zo+̍ҕ!գ MO/߷zgso{J$QWل@_~צ0 W3 c Pܕ9hWwW:9 S*T*߁=T漠g 5?Y),r yLi u?EAX"A?- Nhbg_k)?Kp!"9Eq j0`^zup>S2.!Lki~4>$*o_y$'[WK[% 1Q)@[ǎ7AX[_./Y*K g34 0g\&Ix ,\le(v0K33ע <HpQe?VKJ殣퓄z)ŕ4"6('<]X&4 UO<)8wJH*?[)PA6@C10]7f7x6BW5|:!dw;DIݮ8#?"׆փ~9B x-OpH]*m ]; Kc XI0{%q>9׮YF Fgȍȓ2%S )075`! T~(c{[S +6HbzGqGIȪr#)̱x9cG;ᙣPtc J/ L㴪_`9WO :*! =Џ*+뿼XR?pW~9=Y+yHXq=# APa 4LT/oJAFQLd"/+( $*#Lcb|\%MQ!s)#M~ߐh^@Pdoce ]@UĎ|Nv@st-ypTwfVxW- `qZ0 #^l,c|?^% e9:~Ι|`'鄦lW? c{F[=M=4wgNZ$&1H!DdqOjc4#,]j;jOw~IHb5L]RPFSO[s!)R?\'{򄤘X`$Mh^4Z[.oKaeNfE7ͰӆUY,Ɩ:PCc7J||n[8p526(y};ί-jw@K/# dќ[D=(IxCh҆$ 槨 g(5MbAnp 0 !;gq_gr <7vz@o3(HwwoCX}8j3'Za߁f%~?%#_dcdx~o2I(Mf5!A0-XN.mpp$DZv}EfB"3APhs.:g??.2w&8D`ˈ-L)2_yLd(c<Y.߮Jz A qGMქ[8jCo*zd12COm3(Ӆ 1X2K"G U˼Ⱦټ@8V0~N#44.HP9fj1ĄV0Y/'5֨-(?9S:@( 6ΐxq9K'N/@[y)F]_HDߜaZ†q 5w}?-aA' eL]cO*RL' (>0#Y-!CY(J t0Upr_/0t45Jl 18o(#:͖,r~@#4 yBz>a N+^H e=첩=ueL)>]3^'GیoMD0>?w!9U33& q ݇#_*>^Gvf SWjacf܌zl@-$H ,=k&*JxnX ^pw},/Y0Wõ5O0fs% kʱ2/Aw.-T_]u}9q±A ʌx ۺ;Zo6LH:S:".z2>A4g%@/:/D D0ϊuPkDxp[ r<MBGƪ5<Ÿg6^g,xmAt J /<3˜p$YMx|{K8Z` b1˪<`mqyKc k*PptCqD0so?&R, Gcɧ6أl„[ p8WA1&O+zB1rS8w W"@L@bF^ʻ@9X h328 Mi:'K~5D2 o? 9>QCN, `Ly؇TP~r,3 g!Rΰw aC+,jcyzY2>_Z#@ָAj+5TsUӜ%sHuGcbpݙ|ip{?P^cN~V$~Q1C9 ~hw;E;}A3/w}K×=3xk=$ D |[bHi7O5W]v˛Ԗx. YhHƟ22w"P"rT!],: )vw^5L,' νW!0iP o<` l#EN+3?}ʪ /A?@Lgf8$uL`L ]r!]mXL}c1qB[Ozǥ`Zd83xǠxjܨ (r`M2dѭw: &JE}H;׆.66qe935@r33IASoz9^sHY4@C' nM]N #_aiTPi0N0^Eoq^t~b1Gj>4PO١A"]w#(%BoFyrs *+NWTl ;X9M<_ߗP&A87F-O !45̨w5 z &P|_#}OGʾ /Bӟp^~@i: _6縊6:'熪O(GWǍHY5Ȧ#GW#Ѣ2u46qٽqa1bpi#,~hbd%yT@6n#]6M:,{jz#}]6RS)ȓc sm(_P'G44&offR(ڐzypP7'Kɨk)`/`[z.s {bsΦZ_DϤQ{`7$HA_Y2.{2;Xy #ܞ|D?s!?M4Π'iIi8:.Q?Ed O'[,} 7X(8!{tI zk4~lzZSC e 3SG4'LK B̶v @oDEIFF_h x̃D#P@x<'1U 4<:cP3S~X,$K̮x|BBv+$ hAcZa=$Y6L̻uа.aknB"L ˂z/kJ̙ A:ad=йc_&nBq/*CM.(gv.|Wsb<*Ϻ/m[f]s` u h H`??L#OcOKH#^r͚|hreL ;|!c6NQS Nr7BzD_NnO*I-OSԄ a6r~W#?3/Ey O: ci,"YDsJpW4 ;Z OX~$Hm͕ -:5NJ/n=/=66nPx45{ڂ?}<7rv Di@KȘ5+tu50vm3׵GpL2{MrI1рʾYWϜ@ YY7> $!%%,_O$= llbT3,x~=9)"0iQxo_f&] (AŸ6b]>9̬ZF;!CW ::fAn/ 1ph)רxaݰMQ>Om]DaQ`K?1UC"xaƱ+~ 5l~`hdY8fi [Y X|HW\ A½PZ#cb"fac!fؚ_+{Ƀ+oUgL@=iK`KSIgpԏ{џƿn#X",q%?#G?DLQUV@ _<Ig,c^'x&h g-`0Tֈ\L {8k :w/Q [{_^8?8}`ii O79ϸ۟<#M;!VkDh6BfYyƟZpXV?Z;Lt4Ff3 PG,QYFpxAࡃa_ WpW/ΖF¶Rp(%;Ǐ}i{)Q䓤 jsY945W:kl+иa%k& !H$1ׇwJTR՞?]ypJ'lk:ɔt:?x:l9$:*!`K`z|[o˸b4\]?%MŔ0@PujLkO\ W@[LȜ $, "OP9TЬ| TQBhB҄L mi-q lxKySŹ5p\)"8Jf aeLnN/ƻ$#88!tl!Jv*5EG]! eE$[A~'i8,'c{W[X`A*/aEptρ>9},#@m K Y=G}qns\?FREpFEJ|3Yٞ*nCfY:~$yυx zU=0Xh+~0N([{%R^ʉ j~݋P%R%@a -kL$`$'@&zv3N5Lz$ޠG}J0(&D2 1`ߏ9e0##_#G qSS~Bt4#!Z*RG^ H!";(A:k*` -H̦2$aȟtoa9a@/kd- :+ʧ *ȗnD 0A 4i5 O T+ X~%l.RK{ ,*RLmFrA V9I`G ARJQc7KLH<4l@9դ@HL拑W@GWƗвEB%=0SG\̲)~=px8B? x: )Ӂɝ~f n?S=iY[9@0Oo8di* ҵE.1~?GÆ@ƖY<J00@  rhd]V/m"fN50VgB.C%^T˪>"v)\h`rf휄"DRo, H1lתʔ;+LD3Avxoi(ޠW]ym0hdx.s PG.v_;(ԊW΍iT^Q'֓dk57SO_!DB d&{w!HFgtGuC^>lq m5q*.V A&pS(;g{ ,&%? M iB¬; R?#΋<3 #qjp _'\":1h` CCע@i_y* :U`9'n CbNK`z;7gFeY=7_:mƨm?Η~ ~D''A@>RgΎA¹eڸQ 9 YO,Fٿ> -'T/>8? h^kVGμE&,7ǘl^PQA=;t.9eX!9Q;?||3;l^ZʍP9-߯(_H\/y1ߊ'Y(:ߋ?HgO\|OD ɰgO," X?lH/=*OafY,8S6ZAbAFS;KO(VS{4M- Dh` m=xe(+znh_BF:=VpP%b:FEHy PO0Chg~erCzϷ2|b9R88y ^j[hD除<2ˀO&xacvr[8}<}Eal0(A,%H- *1RaiQ'~LPA4Rp X*.QO>8R0j1/CGOsg.*nt̓l;Ҩ}҇4^a+INVC"J$0ZvUOe:kNw c7O&0M= (K5 Ar*",u%@i'l(dv_?xH.BaE5p/(kq3TW9$W@vdhj=AE=:68!c= p2Rf1S´9@ncjNPeH`#҉I6 n|q9s0!5tMyObAckADA.'{qt i#0ÌWd7zAqQuyGr}VQdzP@иq${Ȕ tszFX̋GsBqvg m1m> {`jy| "7|QI '}`ySث%=b;>YAH߂T9EfM '/UXA4tA^ޯTx zG.^օBu_(11qVeݷL'䷿͸ 'c'g6Cf+kv5"VOPߢШ0(~jg/q6M 0-eC2p}$+`8/GHi+L AQ xAxNB$"|0CYS3B=v  \J; ~[ыR[[IJjSC(af]a,%gI܇ih }۹0t*6B;]`ǔk]lCo: G ZwQx#`0r@*PjK5"2,0 _S(V{^aH%0~0@sB6N "YB..t.yl$d0RJp,2dAH ;-e_@19Dʵ s P/nN&(lH!^@QueQQ%;THFߤB鎐r]Z]p&;VfCZ")C .5ڰ>UeP 0%p)[  Z FCwn gl|T3-'MPl fG3Y9m$a0b|\vZ"?讃bi`DF A%' 0}&^SX"t! cFpu1zm`+ aՁZiwCO!5αx`X?_}H}0 *Pur55 Ƌ_uA f|Ҁ6ųEPKSOo_>.pme㚯ď0*wYC?2xE= &e_>4|@Ԩ@' ,a71b#|f^yDKxےA 6@Q(! 0\18r!@ pN"q߯HdCa /-fRU rC"ou'<,`c EW7، YAj`dSwFyzz_}>+T{sJ2Ym ]PINRN\GYD>Ie#|yo+8 @a>B7EK:! (I},N6SJM02la~|W~Rz'߄$[CD,+j/!<1XH^;P8X` w%$Qd.H&FOOz{'ǵ|_Oha m g&Co٠hlBu}?5]shh2<a1mܼ-uP '3w.?wqna=dF1q`Z<#ן_O߾ojsmFUF2'M1xOUs PFJ*JrT1>ψgNYEшo@z=^0-!orZ  s]([S =gSE+0C4"S ,&[ur2\FV|y~@)+p<0J8>1Z@Fetr,4@_Ҧŵ`1,8Kݨ\O1 OBG$$կ 0`֍L߲t1Ϻ.!oiP~F'UL 86zW;$@12t1 /~"fcz݅EOZo𼻏T*D1bpXF+p$sX#)]jR&IHzQ4_T\ QVEA^}"9NuΚBXNWA,_IsE ckH 7q nYK ㈌n ?88'j]<΋_YFI9ZŔvD^!@X<0PM)o{w-X19PJ,׷&ZgpZrV2*W.:,\`HB!CN갶(dA4  {|oSZA'GGψYgvQ (//H_ 㸏C@?YFPS]>(qEL?#BÐq0PQ[E bMN BR*«`WtPoB$@l]D`(yd`"#xV l!~|qLd t&3Z;@-d63lrPEM ſ@s O&qc{Nq{OR ]V OB>~\WqߞQ4J֠CYG9u0 ð8Fw"=2=Y`ua,M 3OK<ʷS9ъgN7Pt?0B1'_}@aT^hύ > o7Ȍv_ޅ*V#'(2z2$B0?XÌWGь #LQh~}I7v{VQQUSW,xO7fpͺ`;C*DxƓ`7"vxb X^^jc5˺nPP w\LKNհw!,  Wۏ" 'ir; Cf89 rx HA3NA:c )},AKTH] v^ݾF r4 ="=1T?'Wc[p @Dfp&4YHO[N= K ®F.KcH"++R}tNt@~^fPB:KlfxOKR5: ty6t^@gKr%8ZN`ӀL!]n $bA,\߮T*V;0Jl #.= Lmrj<5r0_h>iNŅtHHZ'GGor1&dAx:1uv4J/9|s%Y" i3 EGTM{UJ`+N?"[^+{ do[$|[SAԺX.hbe)N}YM +v_i#ZrIt9D N; 8,M&dpCKs 'XrDƶ*gDA6KDHNYYI NBy!Ƀ w M,"qw )*^Z^.@]%&~=v.<"- ]fi1z\ozy'zD1GbCHi(/pّ\¨n=y11%381)bDW.Ѡ"^7`@Y([Kpdz<4^o_ \.i#(43m*'/"%y YTz'lK)h^olv*mɬυq(r9o BOnT}+/N+K#$) 1)<_I߀C[YG^#C"0\6&# M=lz@z4YJƖ7< cT5ϱGb=0Y(y{O@7Ǭ hOLBB_f?[ ^ѺGthi13CKў*!F𢡹+%u=QizIQHP\y\h5o P+3_iѧ\JWBт=>p9D8(|GWL*e!#JM6<}S=A% < 0/d .sjZ}%ەc3p7ˁQhД" L`*ep \bx2>&xdw!`BM|%l0;r"W,@ia, ا08^-=,A^ʘ;e?rG]0$w`{ !m'?(YK+P}{L lV5`Yxl# Wҧ> ̸dh6>H !(3!ަ#Ss`@o:du.G)(u ) O"D 7 3`KhJ%xΣ|TwMZ+|y;OzyW#56;C ;Bٌ$iH9B[iO럮g *ס \m> acΞY:JV&h׬_Dޠ7+ Xpc9'C:Gr7H3û( .aO^9)pBEK 1\ yO-R'& 9ku^TT^MF0F9{vb ]M`hEqsxYj$0YLC͏h]}v6.lATN}}p#K/`tl1 ҷKMd4\ &GsX^ ޗ- .: 4zj S`)gJzjn`SX Շ87dG ɻ818c61v<7 qA~  HIol< 詎oheʿx*.*"$!leeRaDzQ!bk/SSXjMeILUA?\?~Q}`wA@9qCQeeIy9A>N\TH: 9^PJuyȁt =ڹ0oL"$`1MyoͧMTZᶠ3 mg b5I #'q\=A 4GnԤ==,|'GhX1x0ڀja $YM\TtH} gŔ m4.|srm\VuG#p$GXWy(lms 3S ?~`|U`Rϫ _V{ `J%, <ɈGZ0O) eKR0sXQ[Ks$ D Rq+&bH `|vL~0DL+=![^aF!.U!^?\K˩0 J % E`P]@[fM?1 EtYNT#bRl*M5G'˷\S9"?0wQfgZJA{r @WD=\r\"`0ӽ[C:] Q7ڂ!YՆ.`H_4LʤgB+X|Cং274`APqX}32P:fg66~ Q%UaIy9< ^XTYYJ _oFҘ.hoޕ꾁\+d t-C'x5*7t~:CcLE7\'> CQF+돸 A-죡!r4ͧ}fg|tWv`Q Sd  Tcx,!rs/}(hapvtj(fT#L aP$ G<]<>hnn"+ m$Xx0Dg.YOє TK(,%#- Ovpxk~^$9#n|c y9#[Y"x!x֪u9");eT_8' `Xu g.A!HtC2F"ї/xW’s>#oO XqJ'x+c|\iqu#PX~7SPQ|D]@ $߯;/^&n3gl CloSv]zoæ HGxccB>%EŰdx ~ ,eD K lJgyu :ļؿ n|GϝSzy|P_:0 /Q.=!?O,)sCE ; 'put/D1׶W}n,`vd~qtf-|JG43 a+(c!tA,4AߨCIM=|ε }PjN YPFBZg H<;"Uk̀ HKg.Vߕ6/YfPK{~ DN握8<"/AʀjW2xЎ?<yF;3W@upbE`C"vJlՠÐ6@ϯߋS9dXZq@ΦVph \D2q2X8ěRRUz@D) yV ۥUCxj#xH}gwc$=*Sڑ Tba#Ԡ"0g&#(^܁wt<TFAC 6Sz66cb1|; +"*WG.'j%p_-PDyd϶!\m?ajh1< "g)B4!Mm8ҀX!`S`pҳg(66)ĺ@QnQ &ᇀt`T%YQ33N|(xq"J{ 5loH5特ý+=cZl 2[ `&KTB<_Ӂ}& kS,C'T`l~(1E ,B'̈́# !냰ȑ!o%~suLB4q,@D,B!53-0` hfci7t^+f `  1B< =bņDF  xd=ibjeH/շ͞^>օ6V[YeF U^wĨC @yh1p֏j~@Ƭ%w o/ /}@ V4HI BJp>\ g( D"ad.}@L4 9EupC84ڰ4z:A ϸ pl~YRD `{, h8F}L%𭁏bſE+arwTP[,b+A#%Q S&ǎ"x.#"\_A=-ן9?F ~#& zg$bl;71BcBdθ"9F\ +v ^Qâ7AZK YSR HA /_KanU -Px!9Ac9Ii"~a-vbGlO=CCdlrTԕP8@{}k?LJڵM$-!Ɇ;6C8_S2k!@5mwBNvodYt/5 {Bl;Q 6Hƛ}#Ǫ$, (x:w3y6ԔG^RO (ɄP4d}HcoƛUu+rt@饂EYT\~b=oOGH;Ω<^`X̩X r[TCm+%HxCCC`<_d8=~y'@q0n?^O(8C/B D%F$§iZpAL8.˙Gu᳔3(=pfA(2Le$L=$ @R~t$G\IV"xɾA"!C| :)ja5}ϴuB,rȵWsqt|-x8_]{wπF_9Oxyb|BgO)_:Cж䙶s1| NjU:dŏj8r=Xt M `O`$YV'\1p4xh_$&Xix:OYUYWJUl*e[ `^< 耂}Qv4,Asʫ layQvOT@h%`-ZE@ d:eq0/ph2 f@V wʟ00Xuy aVg]Rާ-_Q0=UΉ0c?Hp)8l s#2A ZX,産 G횝v.T1aP oJF@]K#1\-&|ok`=3 L &Ǖ{)'>+[+?#9 7wN]@t A$I@. =INܞ]GUl ʥqZ (sz<.#%EYXFAB6X" gI fo zNp.,!nhi +A"Y-CD <^a.LT1 ˱M]=hڊ`abĥ,IlgGuYa\zre^||\ֆQVuXRHNa@-PE( w5 VPZTLPbuWoȸxuH@D%h#0YWY)Pl, k+8_9Aw:σXQ #w|QgSj>O\~1TS?9E(%zbZڸAeYLhZ#8 6̼nepc7wP_ G<*AºV -[$-ҠEoFAZP4Q(>5 &6c}Laie-~,DepprP1;E1x9Q %W aX,\{B Vz @o=g &b'&Ʈ0 a shPrA'UET|i~D1ԈL:&O 73{w[ڨ^7GfV `P6Lo(YhCand'@6ug 5jl&4m1^:8wgPc A` YsK(?]l1Fg 9È9ȷ (h"XU@ur5ET|֏k(qLJ SbvW8W1z@ΖFTiĎq 8`z0;]*ưˎ"l|ou? ^讍 I 1T1l/`C}}W0_3ck Qb@#,{ vqjHUYYa<gok E$̠!I8 ~n ,Q2xfi|Z@./7,CH)*?|_2V TH!lK-T#B#˿g}NrEfKFE6~ M" p,QBͧ:~kU:TEߡpB&?^248'TB lSަ1O `z B #]lk /X`F ߦ4';{dtp  ;' Hٹ'8{DuD%B E>~!y^{M?f';rd6oaƧYZQx!*E L(叶#'{gCKCh],L)}?uiРOc.@bA10Sg]5.o=wTmuaNϐ]_8,TZ_9,2`44(c{*٤ǐ!er.DQ_掴g *15qPB+pgR'ǧs>syx˞;Hv̺q8phAFKL]=/(麏bVb ɵN5>E+G .=`/V>$԰,@MAmnPtpK/J POS`Gv.pΝ]0:PэJOT#_@ZRpY[~$p"lc+0A6@^Ƴ1g7c4t.AT*8DNoh$!%s i,5s;xQ8l0s/u^lh/8BaZY[s PTm #L%(#?,= CAE\$CK+J*r"=ҡ*%4 z~/{C[Z9)cplB YPPQ  fD, nXtdx%/.Dz1wP _cC$Y\9,( _){ @uz,6o rtK5hd6%pamXi9HAƬG3 z7@V=uќúp`#^Q[(A`qV6V(0}ɏCW& k!ɘ yt `5l1ҸcyhpĬ޿dxTkoJN]w읬`#B1ެWp"g DhKFhW Qͫ${O_ù "Z=q LMM C,~ O.6B!J44C;˃cXk Hific3W+~ Z@  _jC?{;o jUǴ0!^`Gt܃Odu} =y<ÞXS^j -!^KǾxBBݷwY]mI.D#8_rlY)㮪Ny2z)&"_j`j~ ɁRQ(@p^X@>J+TOI|OYK ";,`ń6˄g ndp-Se;ň(akh"ptL8./Ul5 jie|*Iˈ j)?o__Y߬(k>Cߚ{Tl9>;Ad$75u8d3vz["3=-HwrBbx>U_@fxeLyepUĵ47H!=Q7Jr% zva֬}KUNL Xpsa] lcOA?d]r5XJ&1{ ɡT5jeՊMǧxVd!Y^ڔ.PK'uÆek0-bjfeZZ @`ը8n7ߣL£N47Mخ^&XHxKq<'P[k [0Ah`_=ɏ[[E~6?̓?O@J ^1)€#5=Nh7GČRa hԸ0|2>$A!^Gq\&)U qjinac7W]w2Ǝ +s|@^Vx}j.F^*hC! G76(aWaz]k!PcPؠY_wk ׺?ъa $ | %C'2c 1v ~>2wDz=lcbj0c3>yçn XJ$<9lrGsK_Rm6R N&Ct`0S€PD6lffwhm(a\?;7Pa;|ڢ_AuS𓆀Uo+ UB_6pϾ0/? A}KϞgI:VZ`ؾ0u\_W̟񎾗5AG?# Q)PCO[3a΢UgV&RT"|8~`5##˗\{hb-\X~>ca\1}zA9%O $L=߁4aoeƯcyCP~UFD)lbfIp֯z~6”T3| O=PzAؾ9X[wɭ&T' ;Ya I8`S}hD@q'8[c^JxVY ش9:U V+¬аFF캂@)嶝Gqt#os;Bi-ftʥlʬu9׵ U x ƾ朶ڢ+HNCAQ<[0d A (~ KQ.2=J&&˭%>%J77Oc2GΧ%A>1G6 "{6.5@Ce=Ew7_w $ W|Hr\/(x9i fj=[ ` &|f`%Yw=m_h@76_%U5A@}vCA|Z&vwC1"6 H28Yb] k iKA< մ3@|Ҁ-{XR3F} C,+By5~2݆`,o `PZH0F7m1GI=~=b<"k'j Y9`e{V^ϲҏ^Ϡw$S^ɊG{u?{xoޠ. zB<,YD?>k @ZVtb5gOa%۔+IɅD%h,T:4uNoR )˓yg5(saYäFİy>2Pg̞l$ץU~oLgg(gq)7BƗ+"Eg3#fvtď ү8AoC?L#$% ؂3KZ`Q`\z`MF4MĄ@~'NTYcKa<6z!R1|u7 qd' o83 ,tY-5A-<43Hb#m=_*IsLPV?~(B<@I u7\]öYd)P} `\z 齪ȆG],(P:lX’ژ^7t*kKI s_5 WBRLEVU'];ҏ)tSC['ӱL [ FLMrJ c; LAcqKAi5SKs"?]| _}Oz 4@FA6Ngt+:b"},ab N~ o֛EbT-P]9g?ߧ|f|^ 4>?.jMܦH8%gN9ӏM~HpZU6z@ ;4`E[(G. ǟ;.4`ZQNsܠpѴMZz[8@4O?O <b!\Ye Ģ*\Bkdk2@CBd3X)3qщz?rӞL*d4qx{jYi_~-NVw4 \Jx (~#Ʀ\?OBX ><\v Qx _m&ø C0 $U h1x sm܁<`'W"J2t0u0@(Hx K ܡ[ݏ +ÏW{ں Іp^$Po9dQ@3O_H'{gNn`t72;"cv]@G)% kKKl! cJ5 Ds B,2L802ʦYr ?DJfQl &F1s(FIH0[u)Oϫ1gv#PZxA'?nX(?ߓĹpTfG'Xp~)~9p#&W#A`P]o„ƴy@lTp0 1QGxmbEI*|~PTR;A'@:6;h=#3_ "{s)aƢpUF=ȿ_*P3#y@7vu= m 4lP+A7r>y0d0 *?ѪV"{M:VU k3fYg€BmSvoʑ8j<LwKLdƏרwSI1I_|<)/-n@T@XtAN]y哔`  ~l\GxL}q -$]'j Vh+:V%] ~ѡUL]HUtVZ1@I?DEC 3'Hq<)?W(E-h` v4kO1\(k,߾ #!['# Q ޠ3~/xguXv"sRVawfGtQ}U="ދeS_ KJ1 Vm"|(~'>= Xe cms-~J_Ξhv)ׁ9 @ !P ޫe3.,ϯ\}? Q}’4V?!UDdXsABPs*|K8C(3m\+UDdhx!#琟' a [Bs]{3^.#{\EG(0P ~] h}R&Ta49qjz >ҼO$pq=gߦрl&sHchVZYiR|*eGHpTT&x~CeIi%ibƴi,ڀ+KZty/`rejOՍ֩X#| 3"BMk6I)en0@âKs-3mzCE`0=QQ6,$E\)j}$Z@ QW 1_6#QݽuPI܃7  8{Ia75 " %c:JW5ġ;~`,'Z+:<0A@GdS]ښ$}r|Y:\F[Iw3[C(L4AeaIIa! ~<~(A?rtR3j1<2RCNqǾ9f>+x>e?2S42| [T;Y/F#}Jz#< 0%|L"A Ҡ%z!Yl vd>H'd=Qω NGԠexQXA-@8[ T xUTn 1 ׀7{CJs}@9zK^bm)3t+CVa(>F~[-\bDA}=J=۾F ?P|rtU~& >0Չ`Ej Pf 6x6%X a@OWVɹ|_zw4n4 ;罫 7_fN.qfRRcK3'"&G1-Whio ]B " wAr*V'NɎt~qA>14Ikqjjv3tHciiM7I&6PKytAB*`1@r||{W %(hĸIy}^ >'Si7VFBpNp}?Ym4'唳ÿ0WlP{*=ta[K 6 eA4}>v4䕜ZZ!nf?K[ -L%C\p5WyΟpP|4&,Txy{J.d ;y-tt%2_O\sTKA"w1='v eg(,v%;`Xh) yn>RE'>O:w*(un8k& #>Q"?^}JOs T*07oB:Bg\D*,ȵD='649„WwhNF"+3k*ռ{Ɨ H\JBQwG(RY8,a5yGbzlCgP 8 @1Z.[J"_(JIĢxJwSA ɤW_ȧeJ?Ynbv}(s@~ur+Ox.{?w'R* `w?G#GrSO Ȏ$=8Fk/Y$\p' ?>i j> k+ߟVut:>:-N0,-\f_тւO9DW mi3ԅQHYoTPZhIa32&K `+x5@lp^!ZK[{'9,6eBp{} hh+ҏKW*{)W?~p"vMA z.)4? Vh}фK[X#7~ ߅2o) ~y3~egr.0J\{qk N2-JOF<\^7B;"ܰZ SΪ'ad.?as&CE!SIw O 8nvMxG٪$bvD`!Tm \dDg jbSbxe-WB2"2ߟ;jAJOtV>g3\x+3=ݩ\M˛2}dጧ1@Y>Wgq:T E9w({EËX^1 }ϼ*{/,Ej'[#F~9+$\2#Dl;JGPbwAr= /`AGb9;^0G(^#7`ד#i}9[! BÊc˅(s(O;_LEd\**?:b`UEOSSA.:9U'UTTUs_|zNDː0?z)=3b[J Tꅈtx:QԘꆀje[0Tx)x:]v?}N{E|oQ)RKO"F,ǕbA z-0 a#sˆ h5hDSYqonLC^p! _AK,vz^NҋM(Pu; 6ƕ@yf{`5HK/G8+2`jt9bCiE cPi 5е[# _ Ml`9Ǩxo G8o`p>&? hu->_O{BNӏ%2*O0_ځkv?c1UP@"97üϊjx*b<^xA0P#>y~e"ʀPscW'"1,xl+OH5C>\w!(O:Ep-kb˸{&VgMB eBuWK^Q8D\?t>OF;,=_[<12RI`7C02]俢Z2wG˓BL8 dO6(2&|oYr ]3_twh&0Aꃠ`!0GoݚXpHPZa(8.-LʻC5ljҸ ,xE* þC= 866$ "  Dwe߽aEQ4$0 7 (- x~C j땜7 >*CK!(/,qruqpoi,uw+K-h>A{@JH"Q&.`9.i|pT oPPZF@)z .3.$?YsW$@_1 _aP{l\o(P 2졕x_$W-GK8L i`%1"(m( _mZ ʍΔcq7 HC_B?}.@'pnp5`l^~%sio29GphpF& ޠ)'"vm:z^QRIͷ2&^ƈCK @h$bT@](2o2W[%фL, l0g-Ű"mS6#>wc{@}@=}J>2x 9 :'Ѭ nN=e xpD10GSה3 uqrO?П2o'O/I|9C:AOq<뭀y?l*O ,Y! U!E@,{O9XYt%ӲO`,kfrG~{]!P,0˃O'vD%>b =mvA|h(0k é!#_l3۰(M 3Fmi%U36ޔG aز& SYɬ_@P}$ T8nMhַHL1 + JM ?ɷ" Eo~X Ղa.Rste%zB5>d ԢUN@_2Xx H`q>H q0j!JvXZe(!=D1>M$gxaUߔ&z:p ~#|;`@ Gv@{fOJ:pP f&^/4Ǚ>G,Դ1wm!(ƗYu蜼sFo;PRx.@~}$ h>0]~axs>A0(NPXR'h+`W|`3I| ƋȎjP7YvTBdsߎ;OJhruǏT0 -G=a| 6@l 2PպDOE#zМ@ hΰܟXS,9f½̊8uλ 5$k b6\:z9$"a9,,{xOqdVp^׍3 Si kN?hMw :QQ^E0ͣ÷$ ֳP)k,jf_1&Ʈ.PE90m`(C#l=HPG1%+'cOS=)؛a"ah#֓b ҅sq|Ckw%zf wE G'(#"@Qx<~}SO4E9PUҾuy[CH :i)`^bN@>-d$IHS^Ȣ*q)WpDYw|I ^:3I>02Wph%mjSQ0(P X70$I62+oiI) Z``@aclKۃ*&/>a,? =%nv hOΔPQ]/LOy|9y0 |a$m(( ^ > ~t=i],>˓\+ {7O|K)DO&`beϽ)'KZ,=XXi@-C($EhK _tɦ Ut`~Pvo &\MsN1wM0/tx C`!`q?`n4XFJR{kld$XLYy8 ݜYxӿT~.􏏎<: 0.v'nbm- fAEZ f YTaF6@Ȩ| H.eQG}C .B L:JmC*2nAƮlj`Wf9PȜjU4@d򁪠` )} B<D/!<-l:ccBf R/E^O5+ܒ ~q"p P=>[I$AJ^7cY[\(!?'0p} kGz~2҉#eKI !(^ʀi2wٺl'RS&6JopԿ:COG㚆v2E\}bƮQ8EE&(P"U34n KgL=: eS!x&z{a]YyԸ2>(__}/2]ɮ54peDC |್T啒7:=oNwJnDRhPS}>o-[Ҹzl&,q:ZXmpB?I_Ď6RtbK CL 3zaφYb>OXK~d3ǜ]ZXJ:v! ^7ez>'@cdGWܟdhjYtA1A@,87<^c#X(ǟ4~4*KgF(S;2ZCʂ9pУc^;Yܗ(ˣ;]X:<4*9jCb{:@DFJkqW"sg 3ǁSWt d) )as jd.rYzՎ(^n>ߣA+`'Gkg.C>(1aC&y j`=3x9W '|nPR};̯u9*#ran 낚¯>:O ˼CsE-DpzΖ&@s6V1G7c`@=  T!4tƑϒ2FÌR^#瓠NPzf}[8&3 oǶCW}c IV!fAizz$uq) 5t(̧&XceP  RKϊj7h¶mHd+G4e`tf *<¦w"X@Doa/H}t'ey( Y|5dfO_0Z [oȏ_~'8 ?3Ot J4AXEtxuK?? X$C3H,T}YB{TWAw 3] !Pjp3 LLjpIoc;/*|B93LU1x|`'a'bΐY36I CuK"EɠJ.I,>%"HQ9$TlfHj^_βPfE>!vGﺚ|4O?0*þSP3!FT2=qlpՁWD5QUSMX__x=ʖ5T\ Ã/`MTH,ASϷVU) AZp0   1)ILaEp% 愅 yw cut40APGp)rzTQ'ژP [ #}NlnNhy`8AYC8&01(15HSS:|>R!z!?t!7wpO٨ D|/Q6ϐA}Uk0>=[~2`PC"ce:ÎqM孩}*/NMJ=AŽr'X P1K|'DAmU9tp’BJ4_w ;1iyzRX2t& ׀,Yș g9G@BW RWݦ UZ_p0ϣ$ l~"׊ pFN{蓅kږk/t}h`rm{CzT1vLM.3#OnFBy= &9YOs!8"5r܆3󃱨`+A8|vb߽<8eAHEH upAo)8ka֍mŵL,¢iz5njc<'sz|z=fpl0Yo`B3b{h3ήQ*h Э`H_ Ry`)@NzTP T6u0ahM8 @Yڀ_\*blBP;c8ATt:"KXI`tmV }j>xYO_<Y;^F=+_[21 [|}`-' 6F)PMz_[7E,*G^kkƬ?]YCE7rw{zI|,{`.xպbG(!HDt4PcP~RzG9B`I g?ߖ/H׿AJ@SAla(1qxw[?Jp97-tYinIk O϶5t<أSoj1ͫ Zs@ \?B WHS~~e2|0&Aj ܘԺzAxq!ɔi`x0l}_ hXY=C`%m$\\c:8Z38^fod7~K(:+/1PJ'8txGvUW @q 5j+\G?nO#;4`PTur5e5Ξ`YܚCxi&Y"1C; SN!a v_ ŸFRR\Z= ˚WweuhH4lHBw`Ql}GOn;/-(<#t'ۈK&(O.K7@4<Zנߠ˕ʀ9 (Fޮ*`I:U$pFFPö(AX#V`7i5g#81P bx:6ybM]*jP1Q¹dÎDž%rًD3D)|$pd!PӤo|#yA 9b\pNhbcf4Sb"#~Ho@X * "WPFM $SAwr H ƀ@'QPtjY݅9ݫx gRm]0`]=C"O{BQ ʹH\Ѫ% 7ׂUURSDf d_ ЃWGy `[F}\P}ZfVcE -;D e/MEld@G>KIhDtraꗶqe`1Aլ=}!+GQ6fXg/+e ~WĊ wqү~DAOTpMZÈ zхPC~7rJBx(ZW0[|'(57g !ԅh Ky,eOrɆІFB:AJ?_.!&Ʈv Tl>`Hpd}tٯ &-kMm0Y_/puqqYU4ބwυ|=A/ .M p u7y=m(>G/; a a%'툠q+xr4iӣ#;~{(FAJp8|hE 9$AT`' R0| Δ{|_ +@?޵w<]TJ6'`4p@+U@gP*G/ߧ(AFK-㔚kNȄ[ON٣ګm0<] SF[SA0. W53lVp2A{f@M#XDث]bw'?V\ß{NXN{^|?><3/:6E  F*@Lc&&$V1,`&yEf.q+B:\b]cO|Xn%/] WvaF-K' Y߼>0Ta+DJ ATHǢ2e @Q`3},GpFGZjE_ )~8(3k;3**zp$![(S*HD)/8+oo\Mpm z9k^uA wb Z+`_)W}PeA `,a+pʳ^=p'+F خB8Ap (d&qp&b d fz}*y A-oݙ !ÆP͠XFT!|0n"6.墳VXWsH> /Mg:9|_(>m^oQ̀n3_%/Jn#/$\'*S(=1aȈE}4Qzaz15mnT3r f$Odr$0%J) uRu\֤_akVL pCrO%T=R|2%e%;Mxpx¯T/_?WnXvV}T5@ %%w.Vvܨ3%uɞ >t?BbCxV"V켄d9B 'Ac(R$aP-m4qjC7C-P ä 0Q$j)g O1y<{m)EZzY«8n-bx0X(K DW#ZuO]Y| ihGv9uzh?*Fyg&WP Cr|eQ6cƉQiP~L_y*|yO< a8Wq9CEǷg@ isuV7 :A : xaȯwGl<僬Fy=mx|`,'vKx1HPFǨByÌaɼ@}f0z?߿u :1O iCE%d>p.>N=ދBV #>1qBC:G?j<ҟ;N8Gk, l5+_݄󌨦ٹ F>WJSq7__` u= (Cw?΍\e?G| ]=it,+c0 DMb;S9w TYΓ/ycϪ  򌐝7Hvn>9 [O7IA+_+L`ynabeMw|.?~4 ĵ8m% Wy8.-?ДuYp G5•ɩ1*?(;ŽRx(!ڨG bmWDt &PXr'3=pH&+u"0)TOw O}˿,+e$ϐtvF$7OzP?_1{øKwx4udQI>E$Y H>-yx(NƮ0htIX140)PO|ՊtgdY#tY1N G]=Pn{XmrGJY,?<Gؐw HH Zlb tr4*'B:E+5Tͪ?7'Q?-;d\9j;Ew3=?}ԸшU1ݪhBK( B$@ 0 0GWЄ@pFpCP]XOE҃4[RP @W0Ϋz7F;px,GSGjl3"!5RQA[0W0rt5&pÄpv'{ ;ut?A:wྗ\SiP,foiCWM2[u*j|}*ETU>ρ<ztܓ׌Ǐc?lON"ъeJ %K YhPÑȕM9;c@9 O$QǴ8"8ʁNU=׿ǎs 60af4dUe84@#aYDR{72t4򅝄a՟Ov*,.'' p߆boH-1b(ֆijc(BJr/ҺS8E(5^4p`}BY@*ON)P_%G|F}#tf|Y|l램@FQ *0wtOl%Ȩ 5{}RS{w/q\<].,&8S S`gC@( lDsVb/l z 4W|rzsV-0踁@` hP/4X2+ J ?7'_G1;dE?O(J0B4|3}34/NߙDBm@oN[JyՀ] U,BG ,f&K( 1tŋ?$HE残{qX1Ic <Y`\`8,Em!z0O& H >8-AIa+D k&E2 ֫",N"yȅ~jdi"sA$-Y 팛#h3X. A)(aT#TL FB ̱C-JԷ, ="i<9dȾb!By0\ z-^:c= ЯTPA˳÷qKc5ERnWH-p%,޾ȸϑt6{7Hp`|V9 f8]|#|.l肎G%8+2aEWLO ?hb´V ,ffdUYZbT|pdRr*6)Pbyg]q^M̐3H 07\7utL֐._43?22싐e Pn0/] PCQWњ3uLVVOz 8"$ $&5h%M-,]z+0 a`#x~S ^L7 e c']prw ; (2Nu^ 0rd%Ll?._R[!:cf}&>ﾃxxr7m_,[LX-W^PζTf,BngYH-TUtN GtOn 2\1f]ldz "@ (vR̴ ( 2r^ B7]Xs#N&^1L8tGO(Ƥ>0s'Xk>>_: Lن3"XM;B+߼kADB82XyCIr:R=TX/ 0:(y 3N^\`ȤE_>á?"ݿ& ״FR@@MY&0T%@a(P_XzFA=Zژ4 ;sd]za9' li_?Jz^'x7KAB|G@4OS `T,̮?s?#+pp\DӅ@B#@Н5c qP 0 -hpq#Gm|lUȳDJ?z0ѠbO"s; AJi.⏚D|<Ֆ[0(f<  fC" oݠq*%k~eh!n*$8y@ƥ>"5o0Ij;a_!  Do6vvԾH0UY$R;gᏍl;p.^`EG45{9=wo o݄&5ODi?EAÐ<\;UaA`uR!P1o iB{KnxDR 3@ mD< w@WPh[9߻x@}=`-: բR @hKyÂEiܬ_~lfTDbs'=P.ԝAR?D]*G 1UH5bujG @ h۹^v7lBw? A!I&_Ffi~P2qսh|Ib]?ah&4`OK`Z I\?nW 2 ƎEZ`Nz? |@dMz*DpYax5֘#퉈%?~h;yr#V,^p##I<_G/~K^hD 7PD Ԅy#Z $ C=Π0' P:5a9 Ȣ 1K{#mg|Z%E % \DX34N"NG*~)fPS'GvRIc~ _OCH7ʃ/Y\-WsGA aB! 3לD#\,=p_5WqEҤMN.fc{Nq(&cD˒,O0+nxLt 6(х,@$o_TJ617sO4ܯ2q<yfG({zyqy$ uY4r3$~0;m=b}A~)@'GǓUIqX~\y(dNZ].t'oY=j

QcK:)V!#v3 #*r7e'{!#~VvM(SC,'h_ clL :F1`. Az=d!M>{cٙ(v|iS{JDynqY>Ih[}CkXJoVrI0U gԄ/`}u$ɴR4AC5{Lnf^Lxo3<{~8DŽ H gDY\~hiݒ-A x:2x ќD"KAp(^3z#[oƮFi`u  rn6H|F^ O,1nC#GtWO5`?*,3_g$%3B`.!PР|rak\yPں0 Kb~1Mm3MEƈAqonC[(D"8$bC[y=ܤ_0c-QcKpt0 =dϺ eYښYxpYT3'o5Ogb|b@-.Iz0p1jgXyΡ 63# #t|GGOR!xq_}Y(f"o< ] &J֣X%$TlV45ADńG#G҃țV[<.r\L$-)Va 5Nq?g"zIΖw]0:qJv->(p";~w&X y 贈(P}}BCQ| co~z8;L_li_9muBJcĽqE2QL0T Ep9@Td*ԗweI_zRXjxh>{9s(` -WKSvYp\g&R?;r"v=Vb^d(|"i5~Hli8~9]uIxW )]<%fe,ds~E_(=G%qvr6U]@lC!00VcPA><ܿp,ì}[7Q2l+(GXF"l|AК{#C/ndc t:Iv 'Z#Pjw؏ R)F4MJ#ƣpfd`uCtv=A\W<1i M& D6-ӭ֡rC"CBS8w d=(Om\CcF?I4b8 8G 8%HCd즄@P`|oh٧|?Yk> %f wBC$Yn_:6H+ bS6J=iG0w \> h,,!ƊƤ?9(0|W4B"g{3"(V/@xN H EZ" ;4oQC {G|acQTeiM=y~o<`AqQAMyUA9QeIq9>:[ Oᰟ ~̉oO=|$OF`).Q2t&_8(CyncoH# ƩS {}x# $Q8k>11əyla0/0~40rz6 }Ot8&k`C4@j/W2 B|DnrJ;]ֿ'8XނUf`K(vzz^U!%ui=OS34X`X Xi"Y5:ScC"KLJPYgloV8k!]ЈuA P64 8y/.qk,h/8z6?7'f/P =7߹!Ǽ2a{lW @O&q8-3%0< =?o v„12~ >P_^q"1z'+(ukWl]`'=!9[Ӧgaa)Qr6)q15X&aPtobef*x[6@_ _ﾎ 2mSx buU#h2ztІp; x! qO2N2Yo>˂ LAAY$&崻)A= UI0g;SFi8VOt.Kw E-B2Їqoo~YN)P"@ptg?ISZZnQ L:^Q8׻Q]17VZN[~]pXB-mӂvZ%}CE 8)C'LaA*ZPOl`D1&) wɔFr;~mpXpXNةYX ~GH[8Avw2Bt{\N]?ɉ|M~>A8"|67xts&jyCV#Ȥ@DKBCv< )EpG:@[qŅMiM"~Kїo{8\R56XOBo]tŠ5ئ2e,#3O›WlΠXCF} &*mD{V^zVUv&!Yv%Zcۃw:px'*0q$>QP=tＤ' WYU}eHk'vȱ&Yp &5z%ߺJCc]8Fd8?'v'Xfoljcd+C]3j2z=Ynu`F 3px=jodd 2EG~g*p\۸wI($z@^b# xi'{%\)x32o{~_ׇ=x]ڹlXqu '[u t1bAR=-^ձQ"Sb)'KXaoaSa;yru$&_t&%'5q-jj`{ iYyB\ v9}~아0r˸F? eK1@P˨ 0t|[0E}[2t[*mx}ŧɃVf m XKؒAHøC&D +p-bZiBE:=YA;W/sh,g0pƼBGȼi: IpC6$U]m8$Жc,Ъ> X3 1HA].a#ypF0ܤn^)]%#o~D,% OI-6oXư lC g+G8;BE}1I3@)go @'Cx5͕ݎq(OSZ/\ao ,Le0C=ְi&qae'Yv4R߈fT)ȱ'-n_EiC> +Y r&"Y7FA@ /5r^4s9ɂeO|hAAg@g|OJ >dKsCM`; "{F0ˉ1PƗX[W#Z 1>pt_fa$?vt9է `c O ) D4ZcLxҨlDz'hev0sYJ-gơ]'CeH ,T$/`=y/? qAmh" ;s(MaJ E 3Biid%*' )FR?O"4xG ϠM)wa;:ZT}iS+PTVRZGrM)xd' /.bdl/I;H]B5 <5|b \#1x#ILs pcBJܾp &DW* ׸2Y'bIM}0(/p\3CFaUhT{V@)Ј ~J)B#م<ʀM>lO7!inDEFg3P (Y<*ٙ `4B _d" nh6>2׶K% f.,Ph@Tq;ٺ@hf_q Q\Oz& `7TPfUOh X(+?S ^]K*0oQ~*K/h8%EtʰLQs)034Q6+@knv {NH(IUppx Fo2-P"" Ȏ!B)5 #凤l4?)GchUѰ;#Լ:h 0/yXYd 0n ȠPRX77߱`$z8Ta4``("sX*٥PYpA>9n(GYYPk:/'3R~I)DU:oB+O[l$X S[Jur2Jة`Dx0&li~?_n/EX3! ^~.7&c0Tq`1gB ^[ArjYT_os֛2y8c1zd %XʋgTgݵ؇,+"+P"0> ?Y}%)J|{ޛW{ڻ@M %p%Xz`BU*k8jMNc?b$_)OTA8R K j~a)!zgP8ZGfe-E!aF{As`NACR!@lw 6?cլo [#J g.Ev T 0K&P+saGؽ^$(`6S34_٘G aVTa389|[V@v?d0Ρ;RN}VX*JTA/!ؿ*-LEL"tlvf3o`{p<;/r=\]\J0Y2.: cCW$0!,T #sY`PD ~4 p&Ṕac9u p ( -AB#CIC O:yʮ-m9CU' zmGY>ZVAxk&ccfIVept G斝S`Ӿs((8J'CZ ~{ᰘYcs@;?x zɄu$3<:dc+aX!l6J 3C ط'L)BIoEgǙ؇aP/*>I, 0_֖Y3$)@@] x#\-:dXvUx*̧K2uq1*X)5 E{ TY(`p Ɖ&%CWE%n| 8`$8E?1єerJ3B~Ƕ)B7cfeYDSP =7?mc \]2܂icʓYm遶~ȧٶW͔ ! )~ܾ0yA{򀑟_ȖE*A7v +{D9}ЌeѺ$5C7l4`Њė1>z@'Ih'$@ԧFRD (_!f>i FwsdmG! j0y '_>s~-LrV%88=YE'Y# |<'J,y_z_Ie߈Zak`/UNP T5 cۄՏp.➠]lbk@2TAFvtm4DG9BP%i) z~~'od ou~^uXG`DA: rl?4NPqs5=5"[i+%o^G ;}Ɔh=f. K'g$N9P#+ )1:fN/̡7J@\ ᮯ0y#B0{@軺2 W!ADjh3WGG!{,@^J|Оf1,sd{P + {AHTnRPnc`6RGH#|:U 9r & Ӈ ӢW뉦݁öh[^e. vZEʎ.0=ي1@njaP}{Ycaq ;v&GVDbTj!(I4"UtAp:cpC</U{A{0v|~9B p!E6Ckܗ 8uVOp2ƎdVsJo. K 7Goq q)ydmrU)O cgGP8wYz BRPmQya3M9AP_`UA4yvbB:o;r?*U*GWFiB.۫pNCdU|@ oޤ0g?@8CS[#iDztmxbH?2=@s.,|o]zu^ms!@ ]rde.'ov醁OyQ֤M* #]46fƅS῎Eȁ$Ņ}f(OHx $hx 7wx姀%~ySל3 ,;C3 "w pXu%`H|!)5젿( BUg[EJNA?CL䃰tItY8a 4d)1>_ljK$U]EK/M^0 AƄaD#g4CC^EC a9 PyҮA8r2r*P2o¸ ͫaSFt` yOq8o&Mrdz'_<ׅǺ8^(zf  G?Tߔ$OLqL:+~ Q_ėVr2pmWnn qYz(8}U&8ςgqUWWҲ D#ߚ7PPC&E8Vn+HwdaRA,(aą$W,lxxcp7M|}=y@P%ӥ&/'Gn2ARцF4)K( M@ GiY4Q _:]FM%_ 7h$R(t`\hoЄ bV(839c.]1C=9>:}~O*[[G^h2d`x}GS{W#<HAG^&O=O% 'IBs4`Q|"&= Y3< Ejcv5oN'TUS%)è1z>XBI{M)5i hU,C<ˆ9۽M- Z+0$׆$ʥSt!5DAbnzᱵb yEm|^` h-|{!GJx<!="NYENNBK5ՁcI_Koa'0CsSX` y,"pPxIa{q11:-+Nz^Ġ6P+;<@YYj@s ZX&sliP…I_š }/kOI1z0jA<Sm z@d??^'y!ϔWE^ ^AMLeuSp k j8U.o^Psn!SQ"w,N84Û#&M s DL(v}Fdk E ur5²U&| 8hE3'S<!0b]:5ɡ@ >OXUL<B"B9Ehh+ŽYzx_?*T(yD/ccjxO;8@ PGȸp0W a;(t\ji*ڞ*ǰ _\ЗVhYRd {\bG#I^JTXE@TNUO6ti󑪇5NN5.*H:8&UiK ??P…u+K;tvqC/ МK&}Kb[bά, SAH0vRuWb )M%@L]|SA@^ \,'xsg:>8{P|LG!oC淪tlݷN?Ghg*ro Li`G;{o覶!%`FC'>T@u AlE _ǎ-OWyxwV/)@0C?vCW (~ rD) ]ImxONLj, P`%CR&|R>Fb<>$ZJ?_a,0CAQ M$?D^"Ⱦ- Yr5|vRKG ت'*0 pM?ծ0L !gJ!, mYj >HD@X%&D4xef}65OxPӆpT co`'xW4܆)*O Ul&td` S1LYz܋$zvP^ !ɔ$J}Mbc3kEܤc A Q;@Q/du9:dpIZN>WRiVGq>s^?nC<>O+ya0r8: g`gD"˒vJ"< cW!ZEALqoa7Q;( 20@.=Wh $˜# !_cZ;SCt| ߸ &՗(^)],O9#9N@h[Y%mxn]7!^4|1P%|kM+)`vLB$-bP6X^bzx^'ocN @&5_+xa53._y"̤2PǛ?x!}ze/%< ~aZ>8j8 {ǁeY ɥ MekXɫ輟!||rհ)xU`%%r-4`% I~sI$@ӭ79r'bm.QS\a*"6z9˱l2uu?rߓOs襞'OS99ρN(Y@Biᶘ8T<,rt=IJ0nޗOUS*_{D9ïb~=X8f`!>uprčiyT__`:<|B84a# C&eS $}f[Rr|rT6PlN} a3Y `>|mgv@4"d O|3:ǖO ͷiI8^̛z:al0m6{|ӟyetpiCOڷ ҄@7wq.S #yQZ5W6_'.P-*ۚPG"M^Ec yF>ėD.E(h0䉰t $`0b)7Ńrk~" vtc)ݳO~ yÀ~eRQ8ˆS(""vt-Xn}"T D-ћ QG*h(Z[P?v~iO7b݃a"0öz5I:@^ _*+gntEA'qd`! g!LZSwMƇ/`;Hkl;5qzbz `oM=OǾ[!Y Ѱpr,ߑArIʕK=~q3hzh2q l\OW H_2.!P#XЁL"%- 0Вy$OA ii +yg "P>O-KKH2)D|h/OokEnvCEa\Sdz\37g-kh_n4uyk@L`Da FB`^x~߾$T08{4K[&Sy %^ք8_0@⣢x!Pp}@VGVbK[Q8omSp¨@9A ;gMa SSMBlMb(=Gf፠ Ie軜WfX815DZ1bv:F@UUg:mtdR# tdY ە do?,gY^}Sngk@+.̬h(tML܀?GBT@5߰e Sg4rs- Ac>Zx53CLlaeT?FXer5ŰOL'X#^#P>).`%TP|kgRK/#^sBL Qt|o1ߔ8HB4`2Gˈ{-AMOp*52ѰL 7"-*PH`zAA$)l``B9r ƈbi D0UPAxKGiUYXg# =]asO`4p҂uv1uuL-%,~(xvs)0O40ceBC,߶^t0SlPC:iuC^o[yt@Y 3Xu䈈>( j |TzuG ՝0\1gP>. B&t@3xUu0!$ZJ?2#GF6!{w0lRm*nW3X0Tq&G]9C*jh(\F`WB"AA~-y`S_Nw>P\T@TNUOw{/Q}zrlo | :_WRKf~@r,l3[Ʈ5T0r:Wz_^t{\Q_(gYVD 5e_NJ1"LZj:dp` *k9Dz͈ `愳@@)) N'+o[S ? C|;|*{b؂L~}@0񋩕$YSь04ϰ0bA{ppTѰjBW0/m 's|NĞ `34x\8ZY…pdlXq&5\{~QۺOwzǢ a|~|NouW+ԭb=T="1*uodePC%/ԇ =~%0HXP.4{I^tu`ms>:PK.Ipj h|ٖ` Ɓ]C9$!\vx`Nw .Zk, G`צW>>TaW73 ?yYjw`/=ȮΛ!xOFڽH~q NDxw8ψ9ĖT&^XY,)1t%i'Z}1LT_gLk?д0VK`VNOvJ(WI6Niϭ̂YsM2r0o}*9{s%uqAq#d<ȯTDP|!?5j)i8S @Xg)! KȪ͂ $~HpFocbc &IiYG_ ^D#k SZCΆc~ze]*YXW;2w M`d(P1zVl-d:Bi)׻OP/spx{+J/[R3笌ϡ/lO 3,Q-8BQ b>8ߋR )U={4 s DS%7M24)8/}gs N1,<ǬA.C!A[YoozW{{LfqŹ w8 ;U *2r/.׉\JvV֫cZn[$\F()a" %"CJ030a#+ÎXgӸ=YK0J Ҡv: #x {ExMy'ي@('vTEUINGc0ajpitGsS t(j>p2)P[ʎ_] HÓԚ]0M5ϖ c6483?ðax#+Ǒhh]%͔څ9ԗ3P'~7T*M}PeP>y*WO*6( ϊ^\R[ y! ~?%Wу` (f՟ ng DgBOkߏX vu35uD 9=s[HYVnJ8&uv0DC$@PJ -ϟ'Ɲ' [f>Oǟ [sD6yWl$&I(^R5 ]<2Iv A"i `hTо$_S7HO;)Yݖ!8:}6f)(FܹށP (tڧ'Gx/AA5[kN`o6G.9Zn%_WjPr;~N ɯ`&a+=@!y YQ9U^}_!P g(VQt !NNKA,@I, ,dXǍ/޶8#4lPc>wA21ʣlw@=,>u>g„,g:>M\F0QnH[Jx`:Z|cSCXpY[ m"YpOBci3`)t9 ] =)O#ؕ w"=h# 'o#"O*xAfgRϪ@*I&j{ k.GF_8W|Mk7]' b`uY=M Q^:VB/`!cJqI˖{fFNb_pB RG#A345qr' "=|}wnb(sEf|k@>ɏ FBZ?*mG"p^džwr kx1Y@\Gف@+ Xk|5HECYLyM+bȀVF. BpG#F<$Ig$~x؀6$W.t{9Pg^ v:؁hZd%tB@{~3{`L*#SǂY]8:`09~4iW8a~OCxIOQ5DLd(9~x D=%aA0pAXBo7z '(aF=pz+w=Тʅq`&ܼ'6conRfSg&v #ݘ >(O] E 0Ρ(}̃ [+|$]?]ǿcr=@_5 !:װtX K:SlMam)t?>;fv| p]–Fp(tG?WHJ<@m A0JV *+pkx!xn>筙g0;uΦUuC@&RbFDHj,#OYpak1 __ĕT eDT~~PV"8\( LK{ϖipbeg/P0x~rO3'F3l Pw7̦CEiAY @\?ݖKsNzEGPήo?]4W@p, j%_c|L8W)2>H@9 H?2 >{eщh~q_JΏ'iZϣ7QRvO\D;*)/&pQЧt"$l(DAL!Rb+L{Y)m%Y8rPfAEaܸGkL.0 K~5rr 8R "b %-ڃr0 h Hv CGbB13j ;E\ M Ftw=de²0 aDŽK(*6Rv-l0u I1kS^HFH pRmܐ<"if+a ʾoG`OG=RLF<Ʊ^oC7W*>0s͏*h{L'g.EP6Õ-7"?`&p'k`짰O5z4 @xV1BDn*ǝ=>^48+`:Gd 'yBtz&'%lLci{g"{e}Y+ҹ5 ogfidc."Vx_-6)_SޗNέ@ +ē'ۼu4vut.P>{\Na\2Sp< w NҶO0'0m?{+%G"[PeL\n"T0iO2>iOG\J05#Ł vh#chEw\Sݞ? 2 ? ۸Qi `s1ocI҂.--gS|N.V8N|R>6~Y2IJ_Eq{@0syZ@ 9Yz5NNyP _1ǧ//`{EM񽭗Ѕp`g$[Ɏa"{kB\FTZ>Gt+!E^ڶ P^XYyݥʨnT{.@)Ɩ305O -<pD"eJUQ: ]PP"TKxB?k.]:UHCS>*O?c/tu+8#bg!'/"%O#dN.2a0̗پ~jyQsL o@ PpJ>o&0ɵN5@LZ 1 !!C!\춀v*h')cy(lі gl^!]\E2iqAT@TNUW%{UbT]wȒ`53l5(G0+B'ᄉs;@?r'O-u@nAzVY m%~ *C98i| <1JESaɋz6ywmR@ha~K*d`HUkJc 0 aC4N> v^^lT^{k sKGPDxj 0 50%yt7L/e ^XZMaA.64mc{NaG0 xr}FO Hz OӨ >hPzZ3'{[[|-+[T$Ua`G-Ժ|Ȍff9.&|pj #W@Q/ c9Kج85q͒.hx{?ݬVK-V5Cw,F&̳HvY @3lmd,O`3b+&oOᮿ<;DxUZ5_'5G8Z}uEz(^YsK*gK>Oc7 '+߽ =x}^??=@>| -iM6\^+,J>h> {d!xCI Yb8! 1Od7A>bTPkA <~,Dz>WGѴW"u! rx€ .#f(n tʚn?{zP<~O#92H6Sb3@GFk?HC#M % @>vډaUI"`P:6"#^@a#ݻ,kIk, `8!9! ̏"xZ&4M+!2 7tzlAWHsO)+O# ֞gЗ3 @B篩kM)D>ߪNׯPTUi=#,) Y=;+hWz1b/= Ǧʯɷ;o:Gp?*˥/?nAkrpA eç\D/_y8 H_^(]~8=efȲk9yIjߌc׳Q Ó$_F:3eNPϚ3ܘxl",^/NMۗe/NJ齐L̍cB `3lUpC0{GD/O+RB3hށዟJ18l 7QIjK5N"RdP^]<&Me0&`VQҨ$4(YoMtm;2\,Z(!D($1V!XGP҉0O(J9m,5HL֦9I'~g=?3>9VfW3%CTvUǔ0,\b)^GG0<'lh=0dH \' 4rhY" ji?13.d"A|C$R г!,#l&pR{f{-S3&J.~R=F9 L$p9}c_ X(&?v^KGV>Bh& O}qx ׮3&V|aD{ 6>j. {DI"̈́Y]^?4RN{z%֨$odE0tZwʋ$|G p Y Aؘǂ?ؓUJ<6'$G@#G 9:U2LPɄkn=lJs7ήF6g=P%S6w9Gxet(`#kn=/*ﭒa01T1ꂀI ~H* b݌zNXJ4•u;;Cх3 q5 FpuBJ!Om0ocl!us^eS˨ҸH#GׇK!_Wx,|0#M=K@1tܶ?lzEL9Aٚ( rjOWDA(ψ>ōe5~nO/N%/p;s\T3rlY!(Րj8m!gC `qؽpk`N}afrjXh׳ۋglg SZr]@G%-I@g{!V7E,#DħO /u\;4O®NP/VVҷIc(E?nm=$/[?kGhi](c%i%\Er$\&t_~yAx rL{OqT A0x WC=*&ߢG&x>J7Ac!D>;mn/DsJ&5>#KWm\O#W(A.+%- `50C«pQh=hT`Cds ZY"9D+NJQ3 ,8T4ur2$\,CAH?&#\ЌnAO#Z\C '/Z^WXA8*Q=fP”o3ѧ MivGǝ^Q\A?EpS`SԫK#J /Kq(3lK8 ,X.P~3cGO^z>ojglbh] ."Xx?{#JؒY%c|Y#ULb?}^|';F(*8@u)JP\@LjQqڊ.9g60)#8FLj~?_PFF! ڍܦ[VB8ԏc<ped'Oo2H zm,!bhh(+͸+ P x rme)=VE Wަ]OSp<vA10Jw菮B懱52xZDN33Ix@TL(c(HPL d kj\1{ C2@!z_fcE)fP!pTTK@!MJI+ )n T"4/ǎ󫑭%x1ȆzY$8V1Ks zal''gr&yTr;L`〠YkEFz&.7Poߔ~>;1:SH~6Oѧ*Q ^}ԭ>G=':ubx\*iVcW%)!,0-Ɋ;J,g~U= ̹j`C%vQHo </G_'~uJ^.3f X\O k@gH:Xs 4O2nqIH*$Ra/.3K(mryWK΁.x rw){AJnch~3YaX < +?;d;w~3MdHߒF}%'jԕQu|hOaw3u.UD 4{];8mp&v$ԳBdtF;:@Y'駮~Z 0@likMgloCB‚ Eey+_ W+\Pڕj6~'?IȀ '1,nKeBhyy2CL $ŴТt'yB3B1&ʞ8a!C\NV/->_[gWl?F8 ҈e /O\cuWP:y̧x+ 9 P(Eq4HkQB冡XYq5GP&4A )Ʃo.&$CNx;X ``Y~e0cy}({vN2Unwtf_![ ʁnSX p/{ X *DlS <tCLby׳$T,tcvχY("ڄ;£B]<ƀHFJ-  aL2`x)"i,o^y8U;^^c;? G'Ve8b_Sb*+ yp ~G*>7 a22@isI_9']>K<(l$CS(d:ZNpXյ~B'sG!(2-/>tj0l{IlFɅ61uV)=!J<}O ,?1X0#sp3Q;d(,u+d1o h1g|޿9!PB/sn^vҔb}>C $Xl_4J4GgSWw8"eJceaII  O(w ֏`gWEbB1g $+$~'_,aX&$Vۏ! 0 zhY*u?ǦtWb⒙DDƜ1'\2PuyA?@aL1B G볫acؕxØsghQ5t0twaa&c*?40ž2[@}k/"&Mf ;Qd5EOwܻpWrPh#>xC!A44ŮXn[2sêUG_{v8lHq-/ rڀZO[J 2o؟FxK/K!lPEPs1q\;>aÍ j܂ʽ\"s2qzK(?/]&"mcdmK'O3{GN%@A%VPΙ4;\E589yMt×Pwy| IY+pxmEf ʀ\|dž Ƴ ;kQqvJR!i5iO}!aN{ZHWM5AxzoC,t_A.ywWˊ"Aq޾d'6Ȯ<8#psB l-I [dqJӃaX\&F/+ExolV)s}O~a~8kS9j a$ О*YsXbeN }*{!zS\ w»( 7'MN-\ yuid8udAk4Af+adwjl@$3_,6$D8h*SAj~iO HgȘQ ʣdH@#lH1tgz_UG%kx Ax"9 J ~_- e CdHbф' L$$tu 4\Y,ѵut-8$c! 8tup˧ 62t3(mؙo0Gb GPytZR`/gbJr*B?/]\okN~ߙwnh]MX:/CC jahg/lFXvv^ Y .PFQ¤)C@>'k ƒ f٩ UEd ӘUOXѩ?2H0w(?|pfu@+A(DᕎW?^4o 2 !Pk7/uI/:< h.jdcpKw@-MaPMD:%OTS "SFh$OdE͆ HS`5q6BT@TNTIOyyeAQQ?3O_\~P =z;դpO=dPY.,&/||x63/S~tވ7ϋ` MfOE^G?ZpR1~Áf*wFaXms,0hc B಻B`#e" q/#d a`V\kWJߝmx@0{ ~1I"ˆ\a|m7>O +-Uy"ӆƅsY$~O PcOL2?>{Ps9#+E6 gO|ٻ< Cy9ϸH@kG[O͏ ꗬ!hۯ9lF*>VScDD5 /1s1]~>׈|y0?sB.:!>2R"{/LpO>hK'K$big>A$,>@a |nn PUpuhQ8˖7+/K|,71غY0`Gg ,"/' N(".*"_m,=45kOd.GYבP I I8l~kF}Y8: 8 ihᓋ.\Rհ<|`9Doy uƈ^$+1"N B3 DD}Â~- 6l h(=POR`W~/l!Pa(ߡV‡R;3aU@ Wh$-kd+! $F.+t/!L/'"/ +_ZWfvV՘*ݙ,7_T gMl OF/\*Ч>4J+᳣N 8:.<9}j: CO$B&P.58\֢:aQ`,1x|ܩfBXh#ǍjXH\,](rp@*=@6cfY1Ui.NϢt`45xQBJEs)z{C4wYy@8uX;&E}`P@x }G&plǠXv0a$xAt2wFQ"9ʖXr?&†d|k %yoQ5rrw룹yQ.[(W~5`F;W镌U1B' C_Yu (-'<8ZʖL8*k`C`KL ɜ? #5GJM0B/]%OͿOX 1ɧqO7 K~mi<0wQ1 <˓׊*0t  %[AoSU1Ʈ>lPB2zz+e.T]u@zpPE~p!q1Dkk>t: C`+|;ޠP?ɷ݀dPY2X=7V#'J(N dz8`6&@MUG#r$.'.#(uOK-MsC[H*di]\8,j`+w쌬[V!D aAO(Z"S^x0T,#{IL:(`-* } aLa;BQI~='˫x ZCY9BXxcTzcy U´mG <.sg ((U1C>(A>!(~+?b /z ݏ! _OCMD}J-Z (oY gO&~ 0Ǫ;Q<ׂ b9o^Q3mgP!@X1!zqcU cI"ƐRX,5XxoDY3>ZP:|^ 8}%ThjPc^L d_]{85CY;R( zXE=?ǯɜ3Ζ*?^TADN~1n%8_ak ض@"`!Wc $@\=P(Fж>f;:X<At0/gDt@;ݘk kh/b9u5B{kI.?q "(S77=yg4DtBGrR\-؃ K_~| a@)qƒ`{I2+˜Z0 I+]BzW/(T| nfVX>QtzVx<О`$`Gӡ=Qp8u<(ߊ'ს,)۰g:vk?Y{N^ mGj2GWA,D-먗NZW|DD zhtkѶ=<;:98765YY6bLˀd+#4 ģ(Jp*F!yuoÎS[FALѦY !`zF FKH` vϓ,ZxADvD:dY 'k#("9WUq=>k8`d%9s B%Uu,fx754$Z*+C`#:`Hkc!!{DYl9|^GG 9!xG޿G/?RjxJGλ5q@mȆS r:3| SGA7i|_Єsݧ HX(L~*s@ b3}50e 05d#q{5?pH2*&ZKpZ̚T2Pk }U0}5Ԑ0lK 2٦/  mbeߌ OI >9pN \&[A#l ``dPp 'lRtr|nhNfm@Ҁ9Bn=N6G#ꆃ[矮:BiiT*0=k>~Uz y˗pq"t(_$~LKs"yp t9wT삉b"2y؄qJA08w 9+B$XgKO2Aʌ+a2,RP cjcYF౷:R@9釥 Yz0 P|$`  `TE 3+ GX F v!ez8.4B2xT컀8W3TERO;8 ZTSH^PID@QURMW&Q9?~PU2LBnje!;o+|M6"4Y8quzne] (y@L@R͆H 1  L3 (6Q󫑭%-rNX5t`CK/2\CAp.0`_P ;fh;`x+xTa)@ \ Kls+inc| pN6&^ZgThd73TL= $J\-P $^C;K%p""9yQ.iSO#bpǔr7C-aQXPQa eII5QB%*,+"OYU~ATQG(|Q;tA 9` ®NN6.cY9UYZ- !? ?"h)J`;3cG"P djbX&< A!y )'([HH xF< ;` @ B7.n~ H"\l\ ?:y2P7_24D, ҄Uq&!ps߼v@4ĝ lWdprU=x$'i {&,7r(t1>_H94/cbcn>imIrEʐc̗e='DzKMO'?8'']Ld㭿{ OYc3JNj!?WRP `[ rU1-"*6S8C@RxBS9@s1Y:6yl66K>/(إg l@,Q@Lm 6ō@2J1ZBzbJL )'*{&F dͦM0O'X ''̅,{NE&Uo>"ܓ05[u ] ^GOdW2[SKNz(e;Yx_dB>dҀs?g*[XŁʏ)>GNM@tڥԑAה0 mGWFQ?VM-?`M3!e-U+S!ɒogLBjUʀJPz h烡ʖ^LB; > }|89>?`d)O32r 7.;Sife ؐFSq/Xో;[OLO8'Ï '^"η<)npAI(\dn@₞w{3OI- l>ҊֻK H!"^NEI^Nw(\Թylt^+7*n6*}@"yq\ ^ǯ轠w "F|@~䋒ȹ Y)'v`~=8Ggߊ9341RAzY̽DK>K]F&Y<shkNa ѥWNKtNJ(Al cOUt6")l*Sœ{Aqr@$S'[SC#9 d `'̊|(JIǀ8$ ք"%rNׄ/RC؂.8w@O? dk/:.g&H -EA6Ru3tqjh6cc| ۗ Uqs,,*$($ӂ);UNXER^NGW8LdGoXx#aB'?%PaGi)lBQFyרcJFkB:(y!AX'DM, Ag A&$qnmZBa<>$] 0$'߼p?*PDO(r ;S'XX̠zuveORzChSVFP$kUIY^G׺S&lY=WI,PTy Z)זR'Y["DR.n8S'ùb2şO?/;cce<lsS8̒M*T5 8 &R~<%!>]drTdU7yE|STys <JJɜy<O$y3ԩ%|̩wJ5n6%G 9gd`|#L24>-{7 #q`|!f _q}PtP(O(҈GaYA7Z1A@\a #5W y!bv{^dTe3Dl1˃9a,aA§)< j*e-8:()DR@j" L+"~6~ z+^ ` wY>N735UG<-lLJl6Epvp%X$'F.C€,EM ,mI}kyU!Q8r_&j.">N~[C9 ƨo&=CS}uL \5v7 =G"#2|`Z&ψTE͏-(/w?F mo7풣;#,~zT]%U U)”#J| 'eL$2IրyfPoⴍXg-JHaGD1%oD0 &<~YY=7vCyHpd1'ld/8aptG، @"fGQ~qi]t*a"P>Ҩ PhkeA/@0169C(v-·#k<xaЄ(dGpoV L 9 \D3>¯-j甖i!zQCH z/U^2@ao\\Gƣ|E^0, @2I@LDR|'c[1+afQ~6Q;c$ . %TbOt9#!h`Ddd]*_Qj,00M`7 E]A0$sɿtEc*jDpH(/gI(@sc#e4WId|Q}KcTVPzo} ~zs{n!0B zʸԶYA ;c͓d\3wv(a^ǀ(( }5q*d֌2@R'>P90h_oݻoU; 28tգWnTb].Nυ#d1`pXgxe)-*&>Y3 A@ckI9M*6 mJDP Ac+T̨!ՈSȂAM8zDC=֥ano=L"I;]cjen [Q&f&a8Sӂ%I/>Ae zUriʆ1U K_L.YB9Ь9p' 3roY+C5tKUqy0)a vU4:0ɪc1uԏ(W8)o%8sC/&*k '!d<^㈀D̠͜ u"TPE*0 D.U2QJpAATNDRCW ^IVPEEGb( '~PCzi' B0Xz4;`@GWI0i iT՗<8 ឫW0t`A! NK~ν=OG΅NY9Y(xED%y80L + JI/~j X'n(d|o<_`\EBS==hvD4Gz`j;|nh/Ndw Jy ( nqRA?Mr~ ]{&m0aHs~x oYC /]ę4P#jC3j`܎iwrwq")Yh_7K8Zi1}ŕVt ` ="ZHXSD@,xqkW'(œ#ZR@xC}4 $ Sd4LpRhqs@LDas if S((bv64]~Fި,uҖ[]Y['nAo=wn*>|< P)O Ž 3S()%(d U5< C#h~B%lx -GL]iyBUz(ۙ <|o38(La\Avg!B|Hlw_ĝ|XHf4M5 T73AP6eM Yi5C'K{W`^=W!Sk3ss/1 1#?pYx%!Hx  %R|Py>:}ǂ&߸Î$dY|brYj4/蓒G:I[5/Yz*Oʪ!@@{z}><3 *.&}4<sQL#T/ٔN#!mBQV:2PQ.&Q͸r_ 95+{6Ⳮ} >9pޒ-!ˏ|PsbAA]T + dh:cm_nDu4;qT X ,))+| `F/9-ˆmk~a&FDKV[A04>MQv*m6q D{(&qYGQl/X$W'ْP/OTf}`N@?azL8X,313bFÜ=U 1ypM8~~X<:u4P&P\˪\\SJx(!HBpFa}9/"h2-7C ,OKOXL2 ^W=V@?|_ŜBvlۗfkh)BZV lx â:"F6F3c. YI;du]*ä@ P./0&? K;#Ն:@1p{  ,}+;%Pf ŐD"p. NR# f5tlk$-t@ S^?piەlKNWD|a!#01MꀑѬWnZBP5S? Axd vP1 iH%ZP]=6+m>}0S 15èxK:J2;^eXppo,F$O:HoVpD+ ss̸a9\aRBpE.- B8}^^FBF {1?FR<:zzd"i@J(%63tyϜ4eܰ}!q i"q`x*qX e4jl/#,$Ycr[CD4Kk (M(ש=L$MC ƒ m>@B+TC2@p,14tB?ml[Ճgʃ6yU;Pn 0o՟o8oRjYz<REYYN/8=q qLOHqQA4"O`1++'LG?oK?~*ʟ0(>oRnZlGv7(f͆we {KN mhd79j1i"p 2wq [Q\}(Ŏ.#MY'jȽ>,>UXjh]=y;:=4YOMVAL]LGqQta%j7x=s#`Woγ'B昰%e<Krx7]; x,LY O%5!u0`^(#Z=&Ʈ7`${&bP~0{A*8PgJV?pGC|Ba\n],fb׶O6:/|Is?!+njڞY?!b"x0Tt*m=[HDF qWffŽF+JL`ZBR!/ `YQc1UM],d(Cq|{Ig 6G?B@zci.xX 5o 0 Έ?Ln R^o;"|i=a3Ǐ;>;̳ARS 4@}pom? *]s.a=H^5G6/2yN__ D eYϢ;dcIW76(J|.^[_g?3%+!4':ws#3땎{I[iaJ atֹ)^>2TA A>X e]aM-oG9Np!EhBӹqa:Q';]ߝIyz')_YRuWsq,3 ৎaW8ur2iDzME)=۔ʴ7ߖ'`dxX6H :Ɔ/P}3AP(l / vGFz/# 5k?(n`1Tb-9VQlmᛂM o2/}Y Fݕpowc1C0C(SMM(>m:hՊf{-p ͔~Q6g֛w}a'2R>[^usL/ŷ0]I7Zj€O V,!w >m'5t^4e(o5%q~qc{Gl@';YS)i_X'Xz"]d ŔA_$O8gkԜP77ߴ(xџ{sCrCNUX126$̥HV<'2f8Fzv&"J8r ْ)  P цY7Xmt"K_paXxBה-Dzʱ{#Ck3O =%HA@MIأH[HaC¤ݶRԛ=U, K |xxdSp f Y9Z1U1>$-5[$?.P(t}o_*~,TV9!Oa$#Bx3.`x"^#a4YTKG =B3]aWV ڣU= rohPaDsSV BVPl1O`H4/,\ ˗|"p&3 (:~EB-;b2̼ PGd{8%GF`À ?5t׌]5 }u#\4 _w;GOESS/I>=8A p%ŧԳ2q|xm L((ji#Q6T!-TG92"~|ԃ9G#=}+ohah[k}hzrኜeÂ;tں뤀x0-7\+Hpٖ6_\T{ηӦCA uPJL%F1dChvw;CItZX:7DɰުkHHۛGYUk~X;~y_{3£8N{6J,Ur-^!xjWzqٍXҥAx+TQq8 s@6urBGGXK)0" /L B,(0֗_}Ll AU7(*N>*xЪP OӶ܊U0]Q:a(x6T.p4zp&Ajc+"~*͹AD-?\'*x M9`{CK S6N-Lf5 يo1ቢY¸c!p9u'w{!g*FaJ~AΉMt A[N=G-{{1]0B5x%=ȬE<pJ܊Z D#\C#jQL"j%рn rҁ0rI)Yr20YV9Z#J 7ALX4Fwy憃%^dAa^0pbuUu0Rd" _A?S"7TT\lw~OK_%H;@B$.ف$0 X퐸': K1c5(U U3畞Ż0+0¦8!ɶϠ5dh+b+[)C#B gA3tZ5 q{-D$?6=KiPNjo5' dR&`V5i|Ut{:RӔp'*nCdĕ}C"hL}} 0DI:'QEXOIR^NYF@Bx QeTf 觪2YK?&?9| |]'%y)QazeA5QYW>xW?PY)+i;bvPΆf)C*OB/d?/Y҄u񈞬ҿ-+Ⴣog[;ZqZ;"+ɔ9Q\*T&hZI"VRD‹C 0>gT\CCt2\x?Vh#X o6zZ YyhМ4m|7Ќg3&@U-[O(%>@l1;ot6X*<LP;X qCe`X, fdJyAs[Cii[u4[0[ںrN":D/ҩYX1T¡(DPDU 'KNFXX'PĈf0tMbU9@ݪ@lY俐9@f99UDeur55˅ H9\) Y:!,~$= <@1*a,'JX# rߣC("ï o+dA+~Lb9u 5 &2:K mez0` ;D~ލ)EE Gy%I[4z,)P@' \h!rxYq --eA"z1qH5᠟ Uߨeh1#xꏔ-&Mmk iL|r1{لH8-&UڬtrˆȰ1m//O,gZYS:ZJ͍@-mHeC0,B[亄DpSz Z z熹x\t* "lYq + } g냣aV-hϫ~Z6' $~"D3+HRw2Lt O>O.`;YD@ߠPC#ޗorͷ2''ߏU*r0}dwڹuzwrcIU `I-D< ./=@F/c(S>VDs4b2*=ڐkSO#{8E?k\BЁ=_rhQDp?мeA D@._ğǏqAc(Iu=OР;|*t+謕 )ׄ`_gUY^3>.=n^[SH. {,a p+G>"#|-iRŗ]*D-F#bpnp3vxY&h(!T~ gC zAh|UUEOh=޿9 i":gӥA -3P6&acW[)\i FTA6Tbt2ѻuA@9qCE$z@AK<$ Q!TU&TQU`裕 Ecz!^@ h841uBؿӸAR+G.??k9j7KH1Ш !UkC?|; x90 AXP D,0[, e @>Y\G/ cѝ|.c)z#n8>Q QaUQPdbhEߝOȞ#f)(E6FPÀ%C3%~~?'MÂ%zZ*¡7 ٬L,=~iZn8HPFTD9,;ߗgUss6Se IX}Qˆ ِP2CUWG+ts!* P}Q  <2Ah\f2p\Q03ISP nX)FΧ:j50tʎSDc\v'+ :Xrzd|.Ւr1Ud"PO"! Y<6O3.K ˯+}f;;<2 B< aiLj3M=rYdаOLaXZXPC P23vB mED!Q@\5sq>Aɘb $Ř5:KaS}3E!P 8.O@ގxU*R!2'I$C(lLavF*%A}zrrʶ~y'*/$6;k,>p:wEa3>4˜;s@Q PvvS9W[#Yมh`T$GZ?A%dƆ2qOg.0iäN*K H)u * L($% 7 %0!b`=@A҄bDxAQ9I !.iSO#{_QGWK76Ίw$Ƽ j56vt1 T71A@s {O^PV`\\-L ] 육dt"tPsIO=r]^3|dcba`_^ 29ESTBABE.ppp]_›)PP20 MyZRD@^]Wu+8X81BTF^V \JUQe1y%AxWey4t &kPoa-Gq5X4uaW~`cd7"(2'14yVxLJQtk`8.w4/ Φ>6cW<%0y~f_ 7P~<ֈ ,LGp63(`,W}2cJK&,G;ڝn a\M }{m&bR!WK_ ^D %蜁DނL q0JZ c/sArC`=))Y(FlA"+c Aa @ Y{¬F \IPHF[FR*r"?@ ȓoa}Fjo|WǢpj]`?,q E jiohdRhƒoOvaS>~٪! M1 i$QK?7/~n"Q?U_W$ycA14J *s+$!Cbi7zjֆC;9T$ut\ŦPp(4"J:'PϾrmpn!QF4 ˾KPzGJ+K*'*Z  |^  cSJ2ZƯ>1ҭ$a67QiĢ)(+)"+ºwa>/W) y &Hs|nalw D*ntQћ,l2Ʈ fvLD&>4CN|@p yuGf;@x!rY\gR@kK˔]a)Ò Bʏ*SJs,pE@al<(A@( 4 Τu24 Q N(Ypt42ÕZW[[NHXaDn @],!T&D @DNL}Xct^O #O]'KL=rLT%JX? *&0 1Qqt 0]l#0)Aa.X&Gci\PFAODe"XB2d g az-l,А(#Wx~sAL i xa)@pt5ADP1 v.D(, SL(`p 2aV' ad0ڸAF/9pH|pL"0'45@|4t3vF6v=N_<)" D#̳P^UIEVLP Aye (J)@ , 쬌Tw{W(@gA'S!Cg>0*&e'(mjdA󔶷iy>M 9D& ||]d0 m p0UJpҁ)GA42ܔ:]/C)@`zE@u`1|vrG>@IGr\`Wt}:x :Dދ'^ 1iK*+$j+ρ*9:y9MBXl|0wuy 8>>Dz$%99Z&*V%_8eF:]iרm|} ~32J2 SC CJ*SJ>^!^}:itT-D\%L-E ]4Gly]=aOu,.-=,?_ ^# /C)@`zE@u`1|vrG>@IGr\`Wt}:x :Dދ'^ 1iK*+$j+ρ*9:y9MBXl|0wuy 8>>Dz$%99Z&*V%_8eF:]iרm|} ~32J2 SC CJ*SJ>^!^}:itT-D\%L-E e fGqponmlkjihgf32mCityDeluxeInstall.pppegRp : _ _ | - ----+--/o\______- -- -- -______-- ---- -- -_______/ \- -- ---+-- - - | // \______ /o \_____ \ o o\______ : - - -:-\____/ //o oX/ / \ o\- ---// / \\ o\+- -- - - | /o ____// / \\ / o/ / \\ \\ // \ \\ |// / o\ / // / // / // // / // / // // / \\ / // / // / // // / // / //| ehG \___________// //______/ / // \___/____/ / // | - -- -+--- -- \________/- --\________/--- - --zany-\________/--+- - -- - | | . SIM CITY DELUXE ARCHITECTURE INSTALL DOCS. : Written By OzzY/ 2K AD INSTALLATIONS GUIDE ------------------- HARDWARE INFORMATION. Amiga 500 , 500+ , 600 , 1000 , 1eiO500 , 2000 , 2500 , 3000 & Compatible 1 Meg Ram required. SOFTWARE INFORMATION. Amiga DOS Versions 1.2 , 1.3 , 2.0 and Compatible SimCity (C), The City Simulator (512K European version) required. INSTALLATIONS GUIDE Before you can use SimCity Architecture(disk3), it must be installed. The install Graphics Program updates your SimCity program and installs the new Graphics Hard or Floppy disk. Once you have completed the installation, you will be able to switch between graphics fejrom within SimCity. WHAT YOU NEED. In order to complete the installation, you will need to know: < Whether you are installing to a hard or to floppy disks. < In which drive and subdirectory (hard disk users only) your current SimCity files are located. In addition, you will need the following. For FLOPPY DISK installation: < Your back-up disk of your SimCity disk (512K version) < The SimCity Architecture disk < One blank formatted disk For HARD DISK installation: < The SimCitek(y Architecture disk < 185k Free hard disk space for each of the new graphics (era) you install. INSTALLATION TO A HARD DISK Make sure that you have allready copied the contents of the SIMCITY disk to a subdirectory on your hard disk. Place the SimCity Architecture(Disk3) in your drive, Double-click with your mouse on the program icons. Double-click on the INSTALL-GRAPHICS icon. For the installation type, click on HARD DISK. Enter the PATH where your SimCity files are located. Usuael>Tlly, your SimCity files are in the path WORK:SIMCITY. if this is the correct path, just click on the CONTINUE button. If your SimCity files are not in the WORK:SIMCITY, press the right Amiga Key and the X key at the same time to erase the path. The type in the correct path (for example WORKBENCH:SIMCITY, dh0:SIMCITY, dh1:SIMCITY, etc.) and click on CONTINUE. Use the mouse to select any or all of the new Graphics for installation. If you have the space availble on your hard disk, we em}recommend installing them all. The install Graphics program will now transfer the new Graphics files to your SimCity subdirectory. You are now ready to play! To run your SimCity program with new graphics, open the drawer where your SimCity files are located, then Double-Click on the SimCity icon. To change graphics, go into the EDIT window, open the FILE menu, and select LOAD GRAPHICS. Next select an alternate architecture and watch as your city transforms into a new era! INSTALLIen0.NG TO FLOPPY DISKS Make sure that you already have a back-up copy of your SimCity disk on a Floppy disk. To create a back-up disk, insert your SimCity disk and click on the disk icon. Select "Duplicate" or "Copy" from the menu. Switch disks as prompted. Format one blank floppy, if you havn't allready done so, and label it: SIMGRAPHICS DISK Please have all of your disks ready before you begin the install Graphics Program! Place the SimCity Architecture(Disk3) disk in your drive. e o;rDouble-click on the SimCity Graphics disk icon. A window will pop up containing the SimCity Graphics program icons. Double-click on the INSTALL GRAPHICS icon. For the installation type click on FLOPPY. The program will now begin updating your backup copy of SimCity (your program disk) and building the new Graphics disk. Please insert the correct disks when prompted. When at the end of the installation, your are asked to insert "a blank formatted disk", insert your SIMGRAPHICS DISK te phat you have prepared. You are now ready to play! (Don't forget you need an AMIGA with atleast 1 MB RAM.) To run your SimCity program with new graphics, insert your updated SimCity Back-up disk in the floppy drive and double-click on the disk icon. When the SimCity program window opens, double-click on the SimCity icon. To change Graphics, first insert the new Graphics Disk in your flo[ppy drive. Go into the EDIT window. Open the FILE menu, and select LOAD GRAPHICS. Next, select e qp<*an alternate architecture and watch as your city transforms into a new era! Importent: In the first year, you will notice that the roadway system of your city is not quite efficient yet. Watch out for holes! NOTES < We recommend that you play from back-up copies of your SimCity Architecture disks. Store your SimCity Architecture disk and your new SimCity Program Graphics disk in a safe place. < TERRAIN EDITOR users: While creating or editing a city terrain using your Terraie Pn Editor program (Not included) you can only view your cities in the original SimCity classic graphics. However, you may create or edit a terrain with the new Terrain Editor, save it, then load it into SimCity. You will then view the terrain in currently active graphics. Architecture disks. Store your SimCity Architecture disk and your new SimCity Program Graphics disk in a safe place. < TERRAIN EDITOR users: While creating or editing a city terrain using your TerrairsDu1ts33nkOrSwim.codes.ppprtmyJPP20 N<0 @f.2n6&fNQHaL9" D5>>ǜMFƓ@Q8P1)8a!" @!H>XpėĔrrG$%:/SX ̉ jXBF| u d#E4>xzf>O&6!hb Jr>b< <A(r*((B%GdX#,R4C( XAh)itBPTaIYPr} 2#NUYQH()&(V=e )ؔ.)DH-=h TDP^FĔ&b< <A(r*((B%GdX#,R4C( XAh)itBPTaIYPr} 2#NUYQH()&(V=e )ؔ.)DH-=h TDP^FĔ&=<QPONMLKJIHG\[ZYXWVUTuxxCp     uy 17Y-HARDER.CODESp ,Y((`= ; /( (EU4utt3%V˿u+G`I,; a1B p6C|TK:*ƴ(@Jh$Ƀ(fjmilmkrvւo ΏA5,@фtg*r򪄿 Ltne.5-0(=y!*\v66X S8LF/!t 'Up- mL`)KO\\,ca_}s,{ @oOdLnjlOl.\Ox q il̝LMi:AY, "<# ?. 6!zb6\BH *r"tE$tvtP[C'K;#>\X~Ho{ |Q^cba`_ZYXWV|13rkseed.solv.ppp{ePP20 ??w= lUxs?@恿>@7s΅A9uiDT,N^EBTN!,eB'PwJҰ8)A@IpnUUBbB̴T?\ZD "aҏ?*rH>c(?cAwC0'@ihSi&ǍcA:P0gy0z2}tD.B?8,Bh0^ĕ<)S<"SeAP8)[( =xBH[y']BC +|!Ǝ4 nT$3RqP'@: /QQ[k2 4K9oY`:YbPpcH}H~$~]Y24M2SOL.TXTp}ؿI^>- -- --- - --- ---- -** JUSTICE EUROPEAN HEADQUARTERS **--< > ___ ______ ___________ _________ ___ ________ ____ ___ < >|~.~\ /~ | ~\ / ~/~ _ ~\~ \\~ .|/ _ ~ \ \ ~ \ |~ | < >| \/ :| \/ /// /_\___/__ __/___| .| \___/___\ .\ |: | < >| . . ||\_ _/_____~ .\ | :| | :| || ___/~ /\ .\|| | ___ < >| |\/| | |: | / \_\ \\ | || | || |_/ ~\ /__\ \\ |_/ |< >|___| |___| |__| \_____H!HGFEDCBA@?TSRQPONMLKJ_^]\[ZYXWVUjihgfedcba`utsrqponmlk~}|{zyxwv}(('&%$#"! 3210/.-,+*)>=<;:987654I}mI     30AL3D.DOCpI_z>- -- --- - --- ---- -** JUSTICE EUROPEAN HEADQUARTERS **--< > ___ ______ ___________ _________ ___ ________ ____ ___ < >|~.~\ /~ | ~\ / ~/~ _ ~\~ \\~ .|/ _ ~ \ \ ~ \ |~ | < >| \/ :| \/ /// /_\___/__ __/___| .| \___/___\ .\ |: | < >| . . ||\_ _/_____~ .\ | :| | :| || ___/~ /\ .\|| | ___ < >| |\/| | |: | / \_\ \\ | || | || |_/ ~\ /__\ \\ |_/ |< >|___| |___| |__| \_____eda[UF7.(& cpy-------+-------------------------------------------------------------------- | - - -- -ThS Fne Text Fle Was Downladed Frm : - --- -+--- - _- - -- ----_--------------_---- -- - __- ---+---- -- | ______/o\ -- -_____/o\ - -- ______/o\ - - --_-/ \ _| :/ \\_____/ \\____/ \ \\______/o\\__/__/ \-- - - -- -+\\ /__ // / \ /__ // \ /____/ \ \\ \ |/\___ o\/ / o/__ o\/ / o/___/ / o/ //yH_ / o/ /o / \\ / // / \\ / // / \ _/ // // // // / /// // / //______/ / /// ____/ // / //| \ ______// //________/ / \________/ \o \__/ / //-+- -- - \_/ \________/ - -\___/ - -- - \___/\\ \\___/____/ : - -- +----dENMARkZ 'fAZTEZt' tRANZFER sTAT0N--\___/------zany--+--- -- : - -- ---------------- ---- --- -- - | . - 2OOO A.D. DKHQ & JUSTICE DIST SITE -y : - --+--- - -- --- - - - : STAFF: LYNX & ZANY, SHARK/ENDLESS PIRACY, GAZZER/DIGITAL : | D-TRADE/DeLIGHT, ZETIX/JUSTICE and SANDMAN/SCOOPEX | - - ---+----- - -- - --- - - - -- ------- - - -- - - --- - - --+--- - - * ELITE ONLY * .oO +45 434-34236 Oo. * 0/1 - DAY * : ^^^^^^^^^^^^^^^ . Uploaded "Mon May 24 22:04:41 1993" ----------------------------------------------------------y! ------------------ _____ /__ /\ ________ .T.H.E. ____________ // /_/__\_____ \/\ _______ \_______ \_________ ___ __/ / /\\ \ .\_____ \/\ /. / /\ ___/_ ____ ___ Y \______ / / \ \ \\ _ \ \// / \ \___ _ _\ Y . \_____\/ / \ \________/\\ \ \__/__ / \/\ \\ . \/ \/_______/\ \________/__\__\/ / \ \ ______/[Sk!n] \/_______y90/ \/ \ \/_____/ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % THE LOONS ARE FUCKiNG % % % % PROUD TO PRESENT: % % % % FLY HARDER - LEVEL CODES % % % % GAME SLAYED BY:B/\GGY! % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% LEVEL No: CODE: --------- ----- 1 ----- 2 Photon 3 Metagrav 4 Blackhy<Q{XYsC$1:<ȣ0RTQa 9IaA^)ASQ1A YIqA"{G5w{")dg~Sтt:(ןRaKS=;1 :0blt(ռն(R(>L4$M/@)(R|X+{Rdt;UpQyyoi*%T( hs6t(CCaYk*II1ұՏw@'t KCP_# J3Tr*ǫP CЪih+giO53 G =;\ c_ƫ:4u_ۄ/=T);>hhH6/s<&!@"LE; "6.=mα[m*X (KOOhC'сk9~Hݲ v ڭ}zE`!@ =.\$x  ! 44pth%ka>aosq[K/!V>oc0ɡS|Ryf%1mQr2=z iJUXE# D(79P"&?mYV pM:bF}e\T2P i%!a pLE1)(~+]-*X I J)QʑwA~wYz m'6&%K['ϥ8@D{zpOl 0&`"Qå1!m|n:Pl,ecy. `TX}ʽWGR2<l* f0%~s ($|P3(=A$ "Dx82(<i* P2\x\>AwK^+P'e"1xIz"D~D#p@7!ҔC,p͕vkaǝƐ$l*USh$7XP`9 @L@N˙ #<=1yO&{|r !7@%23>pŒ\ܮBrw7@#/r_ӇJ!h̕du*R-fϹ?>#XFG`+Q l&/i #|_Q,h`# lԲwk0t2Wnh>%g!{{&9+3̘:]8'{)udwf\TP[_9RSA'J²ϔ4- (l$pBOP}BKKh7Pah`8$Ud(~ݷi#CcFWF!(=|fWM 叴X<ʯ'5֋m#';F,}u(4/0P'A\$P98PЂSo =^@6$C]/"6 | 2r2y͞R$E5qp=J}Qa!Ƚ~e<?'NQ.&:P9w0}&_Ol}>=a% i@yzт/ [Łʻ;Ŗ@bPPVت` rޘUϳ2pӐHutj^#ILk[({/ AN;`TkCo h>Pnl :ѺFʘ LLƱWcvzH; ZzC?ҽ0BGX;RɔiBQ%CBr JB2?AMZTn5q,mLǧ9~>7oԚh)}%Oz:UD=k)s+( )| P^2* םxweax`!NPN{:ЊECRx8"2AMZA Mn/(".#DžhJ1\kҔ7c&Wra3;fS x!T}y~E>(!`2 ₝!rpVRҗaGY 4aVHa. ˉKHм2 JBʢq1IK!!"-?C+g l !(W04YXJ֐!4CG' QU%99P>;>vhMf aeEdHVA^IEPNEK4\m,{lDzyNAcC,֚9M^ɀpLA7w{pK=j42ڬPR |@q}`te=)[A<⃙BYI~Av]/@AW~=$x0on-3d!oh-L)j"gɃdgyMm#;с  a{n]='H5AIhJ.t$PCP1x[dzB1 `(.ge,(]ChiLX"vBBps6IEc_ Uy?"wf&، * om~> doI`+FSDw\>l57Po\ )s##:x=b!#! co` OpLȔ(NcFLO#'\mG-X`~1_B^ h 8(q0?YjQO ÿ rg9\H[%='\_X{q=`Js/rfP `#NJP'"Y%@E({QSxK[WDlvo=G χH<:k^.X'tmfx?aPN:|pw  Some indestructable creatures are linked to destructible ones. Blast one and both bite the dust. Flashing items are collectable, but be careful where you blast, for they are also destructible. CREATURES IS ANOTHER STONKINGLY GOOD THALAMUS EUROPE PRODUCT. Credits -*-*-*-*- Project management: Waybe Smithson 68000 Code: Philip Watts w@>% Graphics Noel Hines Music: Tim Bartlett Game design & C64: Apex Computer Productions Amiga & ST: WJS Design Docs by: Bacon & Egg of Paradox -:B&E: -PLEASE BUY THIS GAME, IF YOU LIKE AND USE IT - :B&E:- -:B&E: - I HAVE!...SUPPORT AMIGA....KILL THE CONSOLES - :B&E:- nnot be destroyed and must be avoided. O%5~ߵ1ˉ= 0eM aKgA LPdXnje4.@D!l ?o1lGD|#;Ilcj\ "x&QcfuIHvz(ʑ<\&v4A,O.ã3a&5ŞSZd?ف*ߓs?!P1n%F\x˾{ A< *3WwP 3Z& /x?WK9;I5t-^˧׆utlπ8^1WGD0dPHd:.ں(ٌ=xxuOčHQsJ/|~00ab񆎍}bl<7͒ 5bGX"|kO6Ӱ=40-e(YM ``.Fo0`@LD9eNEzxH@RWy W$L a٦/3 ]ߣgIpઐC*ЮweAg A7^Gdq 1t0r;1 ~ d^YHMHcl+ 68}+  =61&<,f;yG~Md(:^ %1Wc"bDۻf5&Qa 9IaAFVTQU _ȕ|C0x@Z @~[Qxw/C-LK^DɗoaIpcvi@`%LQ>ȨŽ |SL>ƞ`"#̄ `h=)J.g9)0sx੘l5@ p8; V3i%eTzMp.;#FȔ3(aElH3NdG g-}[?jpe +<3''/% 2'P3j_%C8X;Jz1wch<+C,68HJ0LMӬ~K{cW[lqAM2ǁIyoUQsc<_G3+>a9;!?D9N c !>k%`hpmpɞ(R 4+:^!G .Ob4 |P6BIU;xk={oi\PVH/%ʤ%hK+L'NaYÆ0ܘnaB=I̍ P.N4؊x~x9Cط'*z khnZ'*H'" L#) /($+LY%>'GvZ0P+!`Ƥ,(e 7NKX~A5]*,eyw6Z5&/i.:4fn t^,R..A@1~f+ɋ,rOʼqb<|iP"074Z ?ic̏!Yg(0\/B@k=VTvȽe}P"SE;Lð'azih` '77s43kte;DjCO]:`iB,me‚cBG/y5V0a[^gukR$.T4R&?'PFFP/9GDD.LR0AH^PӲGI:&0KAs T-[ gS\cWЋpQʽ–2"Q0C&BK+*K)B02L-RF!-q;t {jy1@25 CT& eǂjd 0Ŵ9`=:*X}C0Ӝ>G! <~YH0(JK'b !.l2ut0a0@@M7jIіb`&QZXvt" oPw b5]?a5;ZG B784 "AL'"YAogFR\BENg"#,AG**$,'(y~^S߮>+\D񁐶Fo?p f&!l"d|̚2A{I"/ˑ` C(-/:V=a+`ZLa-Zd$u# ~p< ׬W4z LC 0|/LcX?A P|ЬzCZQŐ-k$o(eQaIAayYYA9e_ Ab ZiR*Qb>mDC|̍&7CN A/ϓSFY\ {;ϐdO['EKzfڧÔx S- ExO|"gbpڨ_g1(%6n 8J=@(h CP׵Q:-Hq: zTp mLmsUt+(Oɕa0|eFaom} P!(%e~>BHIS ~d2HM9O/.'gEbw3o31BuyNX\ 0y}]]R :߇Qd2-W̄h__p.PMy]$ D0gqjcَ9@;-5DbT 6(*TP\yٰ,'hi|0B;~_Qƫ S۲}yY!I9q:U9@Q;: QɄ>/,9!eq6[t]'::#e&?&I(&eSXG8 Ohi%՘+U^Gd9pY>C r @B ¶5RL&DC3I.}9b܇ҀC7{)` D1\b7)}|aI5;]#t, Feel4ʟ>F=Pv4x"EP3PF@"C0@6!kjiG+P'R)kLDutbK?'`` ΝSC Rh Lbb#%%# @JtDE$U{2/B` {3@RN ʈh`LcQ# ],w@"45*e^1;14B `a-j] CrA7xGN zZ A(YWg A^0N34,P , Ub ggW*L'LM x\O@M\vSwCDm @*߀X.T5q 23bP"Ʈv.v?ˏzAkK7KC/; H5? I@LŤ6VQb*Φ..v4EȉO$ǀ?0Wy_hFSNPVR@ZNQGxs/ k'g?~` y6X^1  |g@s.oXg:t4s㮿@ x0)-CD; ,=x.|򆢤*쑢~ <`V_?0u -%3-+-#;$G B/g kH '/n>t1TH P%VT!T^@@PFT@om@""Nnt BJo]*~y'.g÷&=w=[[vEP Η~~o,79f9TWVRWWq{~q?\ s,ȼ /9.~-(+y,&H(ѳ秎:?OV|y㟽)% rICwJޑ|~K|} ϊ^ޏwgQ ~1'xdN?M>` -C$ n|bJZ=2Y^DTNEf"Lt UPFYGe,D h VFN&FNffB!<?v"gc,?qGοAKr?X{g?g(iEO._@T/]|\^prbޜ~G\ vx`' 1sQlu{4|Kx'_8A ~py1-<>@%DKVq!A`ad TJ܅yvApP\@pvAP ~ T (Ȋ ԠI!Q!YLYNIeiYAqeBZjZ?J04kǝ| l/A}G?TĬl[}sŤXGTVT#YKqAY.虔 ^YEFg HJ*𼜲QsOY$ Ih85.% \GǗJq,o!eӏ Ey xTeEDEy|J'x0R2q11rDF<|+| E }_B BKT ILLݐ$@F,ۺ` 2A +L/bd##8-+;,p5% p53#-#;; -#YY)dGR.q`NqvD:9ʃ+VTLPPM\Bps5Fd5梂m@""NntBJPv`?J04kǝ| l/A}G?TĬl[}sŤXGTVT#YKqAY.虔 ^YEFg HJ*𼜲QsOY$ Ih85.% \GǗJq,o!eӏ Ey xTeEDEy|J'x0R2q11rDF<|+| E }_B BKT ILLݐ$@F, ;As\837T-WLKR.DOC.pppƅ MPP20 'zzNU!_u0#V,[0L$:;()$).!+"#;!Rr5p1x rJ E "LG/"J!,")D($#0 r"?IHd/v(uAiQ%:* L$\(zKSv)#4)Dj sh5,m},l!ZU졊 Gu tl .EpPO K +'䘘)~$moT5e0DAauB$B!`X!6 |!&1YA8-H5uڔN j!FSfpQņVa`X.8p 5tq$ &Dx`H_@NesT;B( G- Jx(As zB!W  Y0+~ zy3gF`aP8< m}89]leBj[">inNXJLVQf[j303Bp`D&3Cw"dl5M2+dTtI- ='3*&H[Y u> t/Q /0ڽ~k_.H[@$-Ar)2WT|!j !% vXndm h:CJXX}P_3}@h+K:M3 T3 R>r@OIJ@pjhaA˻BiH^BqtR'W /&B+;x?j `-F./J*8)? {r- St8ie< j!g P긆/ყ $':%Ty/aC @ܛH)&fvYMoQ1+}8ijkKg\qa`TiެoTVp"`'V)S" a6Q֊cӴiQh1>/jѮmK=(sDL!|5"3@ =G*n\€; /pt.xZ|@1 HCa@{ bLȐ0 -^!,]eo,dRU!B+$S'S-7#4{SW7zm\" | GE֟s64Ñgz|x'B0/ǭН<}L LnfN:88ϲ3ОGococ=WV28 #Sz~?p%2ϑD@Y">肍ENu-e#c-7 "EV+BdA i+,)?f  )_DV=#g0M>Z~ 2t31F "Cpe q1&tDt‹W2yeOӸT ry ruPZ, h:WFM"$aP:?2[Ӓw]_E]'G.=ȅu%V j"ToϸaR(]|]ъ8my+#-Kl;ŎF`nYv-y=~e~eK+.AvN<_h*UШ|8Db>X[8̀(ӆRD0<0d@=W<2/kA$l>D D$#69z.$<+iFhaxkYNE6=K$(d!z@ X SG ZTR~2|.ʫ*ӆy!~i (δ~ߒX|o@?'OytQjN4:ꃧ Kۧ?R%I}^QvK@wwVKfxD/kw7>N>>*,,2/.#/>]/B)$#jKk(K IqÐU:}sw>{G9!z ͖:ه(EGl{6|%x3*&" /8*KHN:Wsqh>B `" *$ 9gF#ovpX>o[OۉVp(% @pAtz`4q<ePvPGnO9='x0'cRP1K8ZT`'zâG7u,`]<7?S@=N8%QTUVP#%PQG$ .G4h_kQ +"$aQHČޫa2U̸vC\@;0DžGgh-c aG Pup)(IdчTIrBpl"a(%^XZVAJV^YIM8 K2hep1 PJS,(T/ @;A-M<1eyLSLo0vq@ /NnHCH  4" U<\]-fLcEۚSV#7tˆ/ /i @DL.E\,읜 lm@)WsS[;$Cb 116qq@phȠCO:`@'SCC'&& 1R=*;@0 6 bB]PFZTI@S@W2*!(AG!H O) !@À (/p8@ ! A6+H! C/p8@@# A! pC/p8# Ap!x pC- p8#Ax<p  p8x#A8 p.`p88<#A< .8 LI`@@@@@@?@@@@@@~@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@`@ ke@@@@@`@@@@@@`@@@@@@`@@@@@@`@@@@@@`@G`<@|@@@`@G|@@@@@C@@@@?o@A`@@@@@@|`@@@@`@@>`@@@@`@@?@|@@@`@@~@\EW@@@`@@@@@@`@@@@@@`@@@@@@`@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@{ @@@@@@@ @@@@@@@ @@@@@@@@@@@@@@>@@@@@@@| @@@@@ ΀@@ @@@@@8@@ @@@?@@@@ @@@@@x@@ @@@@@@@@@@0<@@@@@@@@݀>>@@@@@@|8@@@@@@x6@@@@@@#@@@@@@@@@@@ /!!! ! /!!! !q/11q͌q1͍0q͌p011͌qq/11q͌q1͍0q͌p011͌q#/11ـ1퍁0011ٍ/11ـ1퍁0011ٍq/111p1011pq/111p1011p/1111011/11110111111ݍ0110111\lH1ݍ0110<0101010<0101010p1011pq/111p1011p/1111011/11110111111ݍ0110111$wNt26rio.codp